Heart at Peace (by ClassicalGlass)

2019|50 - The Composer's Playlist | Music from today's BEST internet based music creators

December 19 playlist

Brilliant works!!

December 2019

Best of the Cloud 08 12 2019

Syntaleta --- Taken To Heaven , ClassicalGlass — So Says the Swan

New & hot: Folk & Singer-Songwriter

And I Love Her / The Beatles
https://youtu.be/Nm4YlZ3oYsQ

This work was supported by many people in the winter of 2019. The listeners were mainly in various area of the United States. I am very grateful for that. I decided * WINTER 2019/2020 * for this work. I wish you a good Christmas and a good year.

This classic Beatles song is designed to raise the key by a semitone at the stage of the guitar interlude. Some people do not realize that it has been changed the key because it is so natural. I think it's a really attractive and mysterious melody. I developed it and experimented with this recording to see what would happen if I continued to raise the performance of the song by a semitone for each theme. For those who are practicing the guitar, I think it can be used as a basic lesson to aim at playing in any key, whether it is chord stroke practice or melody line practice. 
However,  I know that some people who are practicing guitar can only play the same melody line with different pitches, because the chords are different. If the songs are different, other instruments will perform quite differently. Therefore, even if your performance while practicing guitar is always doing almost the same thing, it is often the case that the listener hears it playing a different performance. What is unfortunate is the fact that you can't grow at all during that time. The problem is that you stay there for years. If you later realize that you were wasting a terrible time, you can't get it back.It's a serious wall for beginners to overcome. Even if you are a skilled top professional guitar player, if you don't pay attention to your condition, it is said that you will be playing only the usual phrases. It is the same that we should always be aware of.If you can't get out of the symptom that the melody you play is almost the same, even if you use different titles for each recording, you first need to realize that you are always playing almost the same phrase.
Such people terribly often don't know or ignore the difference between the Western scale and the Blue note scale. For example, if you add an E-flat sound to the C major scale or A minor scale, and you think it is a blue note scale, it won't cause a catastrophic failure if you are a keyboard player. However, if you are a guitar player, it will be fatal.They are even suspicious of whether they have found a usable scale from the chord progression and are starting to play.Often they do not seem to be fulfilling the important mission of matching rhythm and melody.What's more, it's impossible for a sensitive listener to allow someone to pretend to be a blues player while making a sound unrelated to the blue note scale.To make matters worse, such people do not even master the Western scale enough,many good listeners will gradually move away from the artists who release or spread the works that cannot be called works. We will need to be very careful about that.You may struggle and find someone to pass on responsibility. But that attempt will fail. We all pay laziness and self-satisfaction by ourselves.
Alternatively, some beginners can imitate the performance of a great guitar player, but cannot freely improvise. In general, it is until the early teens that a boy or a girl who is crazy about guitar playing is expected to see the future from the audience by imitating the performance of a genius guitar player.As is well known, copying and covering are completely different acts.That is also a serious wall. In order to overcome this, there is no choice but to accumulate a lot of issues from basics to applications over a long period of time. I would like the recordings shown here to be used as the first step before getting into there in earnest.
December 2019

The chord progression from the 11bars.
F#m7|E6  |F#m7|E6  |
F#m7|E6  |A       |B7     |E6     |E     |

And I Love Her ～slide To End（Instrumental cover,The Beatles）--- * WINTER 2019/2020 *

'SOMEDAY'
Written, Performed & Produced
by Andrew Borderick copyright 2015/2017/2020
Mastered by Andrew Borderick 23/08/2020

LOOK AT ALL THE LIFE TODAY,
IN THIS WORLD, FROM THIS WORLD,
WE CAN ALL LOOK BACK,
SEE WHAT WE, WE HAVE MADE

TAKE YOUR TIME AND SAY,
LOOK AROUND, AND ABOVE,
IT'S ALL HERE TO STAY,
IT'S ALL YOUR'S, IT'S ALL MINE,

(chorus)
SOMEDAY
WE MIGHT DANCE TOGETHER
AND LIVE, IN A LIFE OF LAW
SOMEDAY
THIS COULD LAST FOREVER,
AND LEAVE, THIS WORLD ALONE

SO TAKE A LOOK AHEAD
MAY'BE YOUR, NOT TO SURE,
THE CALL TO STAND THE LINE,
TO SAY GOODBYE, NEVER COMING BACK,

THE HERO IS STILL TO BE,
IN OUR LIVES, TO MAKE US FREE
TAKE MY HAND IN YOURS AND
SAY GOODBYE, TO ALL THE GREED,

(BREAK)
(REPEAT CHORUS)

LOOK AT ALL THE LIFE TODAY,
IN THIS WORLD, FROM THIS WORLD,
WE CAN ALL LOOK BACK,
SEE WHAT SEE WHAT WE, WE HAVE MADE

(REPEAT CHORUS)

SOMEDAY, LEAVE THIS WORLD ALONE.

Timeline

SOMEDAY

Nocturne No. 13

Enigma

A Winter's Tale

A Winter's Tale - 2nd Movement

A Winter's Tale - Final Movement

Composer Club 30 Second Challenge - Emotions


Copyright - Eric Schultheiss
https://www.youtube.com/user/951tech
https://www.facebook.com/eric.schultheiss.1

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IONIATE MUSIC PUBLISHING
http://www.ioniate.com/
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https://www.youtube.com/channel/UCYK05Qc7j5xj8YtX2M_UWrg
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#IONIATE-MusicSketchOfTheDay
#IONIATE-MusicForModernDance
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#IONIATE-MusicForFilm
#IONIATE-MusicForArt
#IONIATE

How Can The Proud Be Pensive | IONIATE Sketches in Progress | Eric Schultheiss

Please welcome to join Syntaleta community on https://www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Show your support

Obsession

N.O.B.S. II

Do You Love Me?

Get The Album

昭和の雫(Showa Lyric)

Jorja Smith - Lost (PH2 Alternative Edit) Boosted

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Taken To Heaven

This is about the experience of a being in a turbulent flight. The flight experience is characterized by repeated episodes of light, mild, and strong bumps occurring between some calm. So here it is, hope you can enjoy it!

Turbulence, Please Stay Seated!

I decided to give it a shot to see what I came up with, surprised on how it turned out....
I think it's cool. Enjoy fam!!!
Thanks Paul for another great collaboration!!!
Visit Paul Paploviante: https://soundcloud.com/paploviante-and-friends
The original track: https://soundcloud.com/paploviante-and-friends/funky-potatoes

Funky Potatoes by Paploviante and Lou

No means No.  Stop means Stop.  Silence does not mean yes.

Don't Tell

Embers

The King of Fucking Up

Gone

Hello everybody,
Has some of you might have known, I had troubles recently : two very long months without being able to listen, share or even comment your new pieces. Its been a long journey and I missed you all so much... Please apologize for this long moment...
But I didn't want to come back with empty hands ! So I took two days to compose the last track of Chromatic (Blue Side) for you !

Been a while, I'm more than happy to be back !

Back From Avalon

Music, mixing, illustration: Dan-T @dan-t-3
Lyrics, vocals, mixing and mastering: Lukowig www.facebook.com/Lukowig/ twitter.com/Lukowig

Comme tous les dimanches, je pressens le vide funeste du jour qui s'achève. J'entends les pâles lamentations du temps, perdu, qui ne saura jamais se situer en ces dimanches soir revenant d'une manière fatale, comme par malédiction ?
Les âmes vivent derrière les murs des maisons, closes, aux yeux fermés pour faire ressortir davantage l'atmosphère froide des rues sous l'éclairage lunaire.
Les âmes vivent mais se cachent, du monde et d'elles-même. Leur chant hurle...

Je respire le parfum inodore de la mort se répandant dans l'air. Je devinne son odeur forte : volatile éther...

Comme tous les dimanches, plus rien à brasser dans l'air absent qui se lit dans mes yeux...
Le temps hagard s'égare, se gare sans même savoir où choir...
Attends demain, au petit matin, dans le ronronnement des véhicules, dans les soupirs des bus, les claquements de pas dans les rues, se relèvera la foule et avec elle l'humanité entière, tirée de son sommeil dominical. A nouveau, les cliquetis des machines, les toux grasses, les portes claquantes, les baisers couïnants, les battements de paupière, les ébattement de corps, les battements de cœur rythmeront le temps pour une ère nouvelle : la même que la semaine dernière...
J'espère alors qu'elle sera la dernière.
J'attends avec une conviction profonde une mort dominicale, sous le râle des étoiles...

Affliction [Dan-T and Lukowig]

Motion X - Reptilia Cryptodira - Recorded 10/3/19
Photo by Jakob Owens
Video - https://www.youtube.com/watch?v=IN-a52pBRjs

Reptilia Cryptodira

YouTube

Motion X - Reptilia Cryptodira (Video Link)

This is my latest collab with the very talented Laroo. Loved this beautiful production.
Produced by Laroo
Vocals and lyrics by Nathalie B20

Cosmic Love Affair (Produced by Laroo Ft Nathalie B20)

This is my track 'Idyllic' in reverse :)

Original track is here https://soundcloud.com/crestofthesyndicate/idyllic-1

cillydi

Diary on December 8, 2019
Recorded, Mastered by Ryo Kiriakehata
@ Tengokubatake House, Tokyo Japon 2019

NEO HIPPIES USE HEAVEN'S DOOR / Ryo Kiriakehata

And now for something completely different...

Such an honour having my buddies Martijn Balsters (guitar) and Robert Spaninks (drums) join me in this jazz rock adventure. I'd say they did a great job!! Hope you'll enjoy!

Listen to Martijn's work here: 
@martijn-balsters

(and for the lovers of more ambient sounds.... I'll be back to that shortly ;) )

Original picture by Marc-Olivier Jodoin on Unsplash

Outside the Lines (with Robert Spaninks & Martijn Balsters)

A big thanks to the great Scott Walker who came to me in a dream and wanted to collab. Cheers, brother :}

Vocals & Words: Scott Walker

30th Century Man [feat. Scott Walker]

This composition was inspired by a reading of the poem, "The Swan" by Mary Oliver.

The Swan

Did you too see it, drifting, all night, on the black river?
Did you see it in the morning, rising into the silvery air -
An armful of white blossoms,
A perfect commotion of silk and linen as it leaned
into the bondage of its wings; a snowbank, a bank of lilies,
Biting the air with its black beak?
Did you hear it, fluting and whistling
A shrill dark music - like the rain pelting the trees - like a waterfall
Knifing down the black ledges?
And did you see it, finally, just under the clouds -
A white cross Streaming across the sky, its feet
Like black leaves, its wings Like the stretching light of the river?
And did you feel it, in your heart, how it pertained to everything?
And have you too finally figured out what beauty is for?
And have you changed your life?

So Says the Swan

Released 10th December on Dance to the Radio.
www.dancetotheradio.com
Listen on Spotify / Apple Music etc: smarturl.it/farcaspian

Written, performed, produced and mixed by Joel Johnston

Mastered by Carl Rosamond

I drew outside by the front porch last night
And you know why
I’m terrified 
And all the things you said fell by my side
You ask why
Preoccupied 

When it’s all said and done
You can change your mind
But something tells me we should be sharing the night
When it’s all said and done
You can read your lines
But something tells me we should be sharing this light 

Tried to figure out the way to feel this life
Don’t know why 
I just lay 
Worrying about the things you said in July
Keep on time 
Forgive my mind 

When it’s all said and done 
you can change your mind 
But all this tells me 
We should be sharing the night 
When it’s all said and done 
Rearrange the time
Something tells me we should be sharing this light

Waiting for the day
Waiting for the time
All I could say

July

From These Shores is the otherworldly sound of softly psychedelic, cosmic folk and psych from Hawaii. Hazy, lazy, steeped in sunshine; these 13 tracks are gathered here thanks to Aloha Got Soul curators Roger Bong and Oliver Seguin.

Spanning the 1960s throughout the 1980s, From These Shores offers curious finds from every corner of the Hawaiian Islands — from the North Shore of Oahu (Gordon Broad) to the streets of Honolulu (Burgess & Brooks), the spiritual escapes of Maui (Merrell Fankhauser) to the spirited efforts of Bahá'í musicians (East Of Midnight), the low-key lounges of Waikiki (Dennis Soares) to the disappearing beaches of Puna (Alice Wise).

For the past three years, Bong and Seguin have sifted the sands of Hawaii’s rich musical past to lift these under-appreciated gems from obscurity, giving each song a chance to once again enjoy the slow burning warmth of the sun before drifting off towards the horizon.

From These Shores

Eddie Suzuki - High Tide

Where the rain falls

Cold Metal Satellite demo

Horse Fight

FESTIVE OVERTURE

12 Decembre 2019 Version 2

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door. You can find us here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)

So Says the Swan

Classical Glass