This music is like a classic piece of art,which takes me away to so many different places....and lingers and lingers in my mind.

Wonderful composition and atmosphere as well !

interesting how something can be this delicate/subdued/gentle and yet have such a powerful emotional impact. great work

Stunning... haunting, and so very beautiful.

All The Lovely Notes 2021

Altan Urag – Dawn

Till We Have Faces

Beethoven: Symphony No. 9 in D minor Op. 125 'Ode an die Freude

Acceptance

🎹 Gentle Echoes – Soothing Piano & Dreamy Instrumentals (Jaded Sounds Records)

Gentle Echoes is a tranquil journey through the art of piano music, blending the intimacy of solo piano, the warmth of lo-fi piano textures, and the ethereal beauty of dreamy, whimsical string arrangements. 🌙🎶 Released under Jaded Sounds Records, this collection captures emotion in its purest form — soft, reflective, and timeless.

Each composition drifts effortlessly between tenderness and imagination — the sound of quiet mornings, starry evenings, and moments of calm between thoughts. With gentle melodies and cinematic grace, Gentle Echoes invites listeners into a world where every note feels like a breath of peace. ☁️🕯️

Pink Skies

A real "classical" piece is amazing within the dynamics of the players.  Trying to nail that with a mock-up orchestra is ridiculously difficult.  This is Ennio Morricone's death theme from the Untouchables.  One of the timeless ones.

Death Theme (Ennio Morricone) - cover

Filghi - Wolfgang Amadeus Mozart - Piano Concerto No21 In C (2nd Movement)

Sarasate: Zapateado, op.23 n°2 violin Liviu Prunaru, piano Luc Devos

Piano Solos.

Keep me making free music...
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The Idea That Was Stolen Away

Written by Björk & Graham Massey
Arranged and Performed by Marco Moreira
Recorded at Molino Sonoro Estudio - July 2019

Compuesto por Björk & Graham Massey
Arreglado e interpretado por Marco Moreira
Grabado en Molino Sonoro Estudio - Julio 2019

Army Of Me

Ahmad Al Khatib | Youssef Hbeish - Fragrance  أحمد الخطيب ويوسف حبيش - شذى

Sybille Diethelm - Sopran
Fabienne Romer - Klavier
Valentin Vogt - Klarinette

Grosser Saal Kloster Einsiedeln, 10.03.2013

Trio Schubert Der Hirt auf dem Felsen

Music video at https://youtu.be/Wi1L68Be-JY

Very easy listening, soft and atmospheric fumbling on my piano. 

This is simply improvisation and experimentation on chord progressions I am working on for one of my most recent (and on going) compositions. 

The piece the theme is derived from is still under construction but I hope to share it soon.

P.S. For the wonderers, photo of the moon taken through a telescope in a beautiful garden in East Malling. 

The Dream Theme (Improvisation on a theme)

Across The Borderline DEMO

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded and mixed using Logic. Mastered in Soundcloud
Guitars played: Taylor 714CE (DADGAD tuning - all tuned down a half step).
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.

LYRICS:
Sometimes things get broken
Sometimes they can mend
Sometimes words are spoken
And forgiven ………in the end

Could be a good thing
Could be a bad thing
Who can tell …..how these things go 
Could be a good thing
Could be a bad thing
Don’t ask me……… I don't know

Old man at the table in the bar-room
Takes a breath and gives a little smile
Drinks his beer …..and thinks about a whiskey 
Just a little comfort…….. for a while

Could be a good thing
Could be a bad thing
Who can tell …..how these things go 
Could be a good thing
Could be a bad thing
Don’t ask me……… I don't know

Young man reaches the crossroads
Wondering if somebody switched the signs
His heart says … take the high road
His head says … that’ll be just fine

Could be a good thing
Could be a bad thing
Who can tell …..how these things go 
Could be a good thing
Could be a bad thing
Don’t ask me……… I don't know

Could Be A Good Thing

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door. You can find us here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)

Independent singer-songwriter from Kent, UK. 
Little video introduction here: https://www.youtube.com/watch?v=MKMPLBJBK6M

'No Sheet Music' Artist. https://www.nosheetmusic.tv/artists/nic-evennett

"Evennett’s voice is a delicate mystery, warm and lustrous, yet fragile and crystalline – a bewitching blend of Kate Bush and Linda Perhacs, surrounded by dolorous, reverb-drenched piano and woven into broken-hearted balladry." Andee Connors, Pandora 

"Moving, delicate and introspective. As always, Nic Evennett's voice washes over the listener creating an incubated space I didn't want to leave."
Rapt.

Interview: 
https://cocamidemea.wordpress.com/2018/01/30/indieterria-meets-nic-evennett/

---

Part of duo Cellar Door. We're over here:
https://soundcloud.com/cdoor

Till We Have Faces

Classical Glass

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