Name: Night Before (demo) by Classicals in ψχ
Duration: 2 min 2 s
Description: a Goofy little sound drenched Demo track I put together that was unfixable in terms of sound production and quality - I figured I would put it up here anyhow

ψχ

Bill Evans "Live at Art D'Lugoff's Top of The Gate.

Deluxe digi-pack & Limited edition 3LP, 180 gram box set.


 A newly unearthed discovery of Bill Evans recorded in Greenwich Village, NYC on October 23, 1968.

Featuring Eddie Gomez-Bass & Marty Morell-Drums. 

 2 Complete Never Before Released concerts!

 All previously unheard performances.

 The only Evans recording ever released from The Village Gate.

 Digitally remastered from the original tapes recorded & mixed live providing stellar sound & clarity.

 Features rare tracks (in some cases recorded live with the Bill Evans trio for the very first time).

 Deluxe 2 CD digi-pack contains 28 page booklet with essays by Nat Hentoff, Gary Burton, Eddie Gomez, Marty Morell, George Klabin & Art D'Lugoff's son, Raphael D'Lugoff.

 Includes iconic photos by Tom Copi, Jan Persson, Raymond Ross, Fred Seligo, & Herb Snitzer.

 Interesting historical documents including contracts, postcards, family photos and more.

Also Available as a Limited 3LP Box Set Edition:

 180 gram vinyl pressed on 12" LP's at 45 RPM by Record Technology Incorporated (R.T.I.).

 Deluxe hand numbered (lift off) 13"x13") box by Ross-Ellis.

 Mastered by Bernie Grundman.

 Includes 4 panel 12" x 12" version of the CD booklet.

TRACK LIST:

Disc One - Set 1 
1. Emily (Mandel & Mercer)
2. Witchcraft (C. Coleman)
3. Yesterdays (J. Kern)
4. Round Midnight (T. Monk)
5. My Funny Valentine (Rogers & Hart)
6. California Here I Come (De Sylva, Jolson & Myers)
7. Gone With The Wind (Magidson & Wrubel)
8. Alfie (B. Bacharach)
9. Turn Out The Stars (B. Evans)

Disc Two - Set 2 
1. Yesterdays (J. Kern)
2. Emily (Mandel & Mercer)
3. In A Sentimental Mood (D. Ellington)
4. Round Midnight (T. Monk)
5. Autumn Leaves (J. Kosma)
6. Someday My Prince Will Come (Churchill & Morey)
7. Mother Of Earl (E. Zindar)
8. Here's That Rainy Day (Burke & Van Heusen)

http://www.resonancerecords.org/release.php?cat=HCD-2012

Bill Evans - Someday My Prince Will Come

Sea Lions: I Wish I Was Lou Reed
Recorded in Oxnard by Brian Meier in 2009
Song written and perfomed by Adrian Pillado

I Wish I Was Lou Reed:

i wish i was lou reed
id wear sunglasses when i sing
man id play a really mean guitar
and roam New York like a big star
all the girls would drool over me
id walk and talk so peachy
everyone would think im the most
smoke cigarettes and wear leather boots
ive had a neat set of friends
fancy parties to attend
it would all be so grand 
thats why i wish i was
lou reed was such a groovy dude
everyone i know loves his tunes
i wish i was lou reed and you could be my nico
the best part of being lou reed is that you would be my nico for a while

id have vox guitars
id do lots of drugs
id write poetry and walk on the wild side
my band would be signed to verve
and id hang out with warhol
itd be so far out to be lou reed

(RIP LOU)

Sea Lions: I Wish I Was Lou Reed

Joel Chua - Piano 
Jesse Hughes - Drums
Jono Brown - Bass

Wail - Bud Powell

Trembling Hands

cop that fresh 7" right here: http://www.innovativeleisure.net/shop/velvet-bw-boogie-no-69/

badbadnotgood.com
innovativeleisure.net 

Produced, Written &  Arranged By BADBADNOTGOOD

Alex Sowinski - Drums, Percussion, Vibraphone, Love
Chester Hansen - Bass, Synthesizer, Love
Matty Tavares - Keyboard, Synthesizer, Guitar, Love

Engineered By Matty
Photo By Rose Flutur & Connor Olthuis
Mastered By Joao Carvalho

Tour Dates:
-----------------------------------------------------------------------------


Velvet

Click here to preorder Digital : http://geni.us/plusminusep
Click here to preorder Physical: http://bit.ly/plusminusphysical 

3 brand new & exclusive tracks recorded by Anton Newcombe in is his studio in August 2014 after the band’s successful European tour . The digital download version contains a extra track . This album brings the traditional  Brian Jonestown Massacre sound mixed with eastern influences &  bringing it up to date with the benefit of all the additional weirdness that's been discovered in the past 40 years. Two dozen band members later and numerous “ups and downs” (some have been famously sensationalized in the media ), the one thing that has always remained consistent for this psychedelic collective, is front man Mr. Anton Alfred Newcombe. 

10” - Tracklisting 

SIDE A 
1) - Heat  
2) - Everything Was Very Simple 
SIDE B
1) - Reconstruction

Digital - Tracklisting 

1) - Heat  
2) - Everything Was Very Simple 
3) - Reconstruction
4) - Leave it Alone (digital only)


The Brian Jonestown Massacre - Heat

Groove-drones and jangle freakouts. 12 strings and 60s organs. Jiving rhythms and gazey fuzz-tones. The Grease Arrestor are the Sydney 5 piece dedicated to bringing you the very best of sounds you know and L.O.V.E.

The group’s second album, Volume Two is described as a pastiche of different ideas and influences, including the 60s golden era and elements of 90s movements, blended with their signature drone and fuzz groove combination. Their hit single, “Come Together” is an all encompassing conglomeration of these different sounds and stands out as their rave-up anthem for the album. It’s basically a non-stop psychotic freak-out!

The Grease Arrestor’s first full release, What Was, Is (Jan 2014) was a symbolic sign off on some of their earliest material and uncovered a glimpse of their sonic palette. On Volume Two, they’ve delved much deeper into those themes and have finessed new recording and production techniques. The use of tape saturation, various forms of analog and digital reverberation and pre-amp coloration are inherent throughout the album. The group believe in utilising their own unique production methods as an instrumental tool. They’ve stayed true to their DIY ethos and handle everything from writing, recording and producing their music, to designing their artwork.

“This is our art. We made it for your listening pleaure. Every song was written, arranged, sung, played, recorded and produced by the group. We were not censored. We created what we wanted, in the way we wanted” - The Grease Arrestor 

Credit to Anton Newcombe who originally composed “The Freakout”, which we appropriated for this album.

Album Mastering by Andrew Beck at Damien Gerard Studios.

Fool

"Electric" appears on the album III, Out Now 

LP/CD: http://bit.ly/1ZhaWWY
 iTunes: http://hyperurl.co/III

Facebook: https://www.facebook.com/FOLLAKZOID?ref=br_tf
Twitter: https://twitter.com/Follakzoid
Instagram: http://instagram.com/follakzoid

Tourdates: http://bit.ly/1P2Lxdg

Buy Now

Föllakzoid - Electric

Waves Of Acceptance

a Goofy little sound drenched Demo track I put together that was unfixable in terms of sound production and quality - I figured I would put it up here anyhow

Night Before (demo)

Dirty Beaches - 'Lord Knows Best'

Very Early, by Bill Evans

Under construction.

bedroom recordings

My instrumental/Hip hop Project can be heard at
soundcloud.com/lazz-lazzarus


Night Before (demo)

Classicals

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