This music made me feel like I was in a scary and mysterious dream...it was wonderful and reminded me of Tarkovsky's movies.🖤

Muy emotiva la pieza Alfonso. Que bueno saber de tí y tu música después de todos estos años. Un gran abrazo. Rolando Cori

A very moving setting of these words and beautifully performed by this choir!

There is a very simple prayer for a lot of people: life still cue or life dies because of traditionalism.

Galactica  (CASA)

It's Thelonious-Panarlberg-Guybrush-Threepwood-Monkday! Commander Fullyard and myself had been snacking on this one since April 2021. More than happy that we finally got our baby born! While mighty Fullyard has done all the freaking magic he is famous for, my contribution was mainly about nonsense ideas such as playing the Theremin and sampling blowing-over-beerbottle sounds. Thank you a million times Stefan for this adventure, your stamina and all the wolves! The result is far beyond expectation; retrospectively it was clear however that things would be damn cool --- synchronized hairstyles obviously go hand in hand with synchronized vibes.

https://soundcloud.com/steve-fullyard
https://soundcloud.com/steve-fullyard/round-midnight

'Round Midnight with Fullyard

fade out.mp3

bizarrely awesome song about a beautiful day. code name Ronald Goddamn Chase. I had no choice on this one, it came from the overlord.🗿 it's super positive and has a some kickass raw stuff. brace yourself.

🤘🤡🤘
love, ronald 
xoxo

ronald goddamn chase - raw songwriting track

"Molitvi" (Prayer), for equal voices choir by Claudia Sofía Alvarez
- Text: Maritza Núñez.
- Featured by Filarmonica Banatul Timișoara female choir. Work commisioned by Remus Georgescu International Festival, premiered in Timisoara (Romania) on October 23rd., 2022.

Conductor: Iosef Todea
Solo: Iovescu Rut Paraschiva, soprano
Sopranos: 
Todea Alina, Ciolac Vanana, Lazăr Elisabeth, Sînmărtinean Emese, Cojocaru Mihaela-Crenguța, Onița Maria, Fărcaș Dana-Oana,

Mihalache Florina Ramona, Lelea Daniela, Tiponuț Violeta, Pătru Maria-Adriana, Iovescu Rut Paraschiva, Manoliu Cristiana, Zaharia Roxana, Mihăescu Bianca, Neacșu Sorina.

Altos:
Kui Ana-Maria, Budai Mariana, Ivan Cosmina, Șerban Cosmina, Colompar Ana-Maria, Deak Noemi-Csilla, Docea Camelia, Borda-Erevia Doina, Tăculescu Marilena, Sîrbu Adriana, Mocuța Simona
----------------------------------------------------------------

Molitvi (Plegarias) - Original text in Ukranian and Spanish:

Вийди, вийди, сонечко, (Sal, sal, solecito,)
ha дідове полечко.         (En el campo del abuelo.)
На бабине зіллячко,       (Sobre la poción de la abuela).
ha ваше подвір'ячко      (En nuestro patio.)

El veinticuatro de febrero empezó la guerra.

Voces:
1. Un proyectil destruyó mi casa.
2. Viajamos en tren con mi hermana y mi madre.
    Caían bombas. Los tanques ardían.
3. Perdí a toda mi familia en una explosión.
4. Mi padre y mi hermano se quedaron para defender Ucrania.
5. Bombardearon mi escuela. La maestra y mis amigos murieron.
6. Quiero volver a casa. Allí están mi abuelo y mi gato.
7. Caminé con mi oso de peluche varios días, hasta cruzar la frontera.
8. Jugamos a comer tortitas de alforfón. No hay comida ni agua.

Ucrania, Ucrania.
Aunque destruyan todos los caminos,
regresaré a ti, Ucrania.
Anoche nació una niña en el refugio atómico.
Santa Madre de Dios,
¡Protege a la niña!
Santa Madre de Dios,
¡Salva a Ucrania!
Україну збережи!              (¡Salva a Ucrania!)
¡Salva nuestras vidas!
¡Salvaguarda la Vida,
Amada Madre!

Вийди, вийди, сонечко,  (Sal, sal, solecito.)
Ha маленькі дiтoчки       (Sobre los niños pequeños.)
Tам вони граються,        (Allí juegan ellos.)
Tебе дожидаються.        (Te están esperando.)

----------------------------------------------------------------
Molitvi (Prayer) - English translation:

Come, come, Sun,
To the grandfather field,
To the grandma's potion,
To our backyard.

The War began on February 24th.

Voices:
1. A missile destroyed my house.
2. We travelled by train with my sister and my mother.
Bombs were flying. The tanks were burning.
3. I lost my family in a explosion.
4. My father and my brother stayed there to defend Ukraine.
5. My school was bombed.The teacher and my friends died.
6. I want go back home. My grandfather and my cat are there.
7. I walk for days with my teddy bear since I crossed the board.
8. We are playing pretend to eat buckwheat pancakes.
Here is not food no water.

Ukraine, Ukraine.
Even if they destroy all the roads,
I will return to you, Ukraine.
Last night a girl was born in the bomb shelter.
Holy Mother of God,
save the girl!
Holy Mother of God,
Save Ukraine!
Save Ukraine!
Save our lives!
Protect the Life,
Dear Mother!

Come, come, Sun,
To little kids.
There they play.
They are waiting for you.

Molitvi (Prayer), for equal voices choir by Claudia Sofía Alvarez

Post Classic improvisation

Kaze means Win
Machi means City (in Japanese)

Enjoy!!

Kaze no machi:WIndy City   -Sora and BP improvisation

It's All The Same To Me

Blueprint for track that became 'Sandycove Milk'.

Inspired by wondrous music by Conin, whose track 'Kitty's Wake' reminded of the rich clay of Joyce's 'Finnegan's Wake'. This track, about the opening pages of Joyce's Ulysses, borrows coffee spoons, forever those of T.S. Eliot, in an effort to add sweet milk...drawn from the milk-well of honeyed Sandycove.  The lyric speaker is, notionally, Stephen Daedalus. For practical purposes, the lyric speaker is James Joyce himself. His aim? To hit Haines for a guinea [a pre-decimal unit of currency] before heading to France on a ferry. Whilst Haines still feels guilty (sheepish) about having fired his pistol at an imaginary cat he thought he saw in the fireplace in the Martello tower in Sandycove (now the Joyce Museum....a sacred...magical place, whose attendant Joyce scholars told me about the Haines' imaginary cat episode....it is all true...yet also dovetails eerily with the first chapter of Ulysses).

The reference to Haines having consumed Absinthe is a narrative fiction, invented to offer an explanation for his dangerous behaviour. No peer reviewed evidence capable of demonstrating Absinthe has hallucinogenic properties, exists, to my knowledge.


Lyrics

[chorus]
Gotta learn me some Italian
Gonna get me a guitar
Gotta learn me some Italian
Gonna get me a guitar

Hellenise me now
She come and go
talking bout Michelangelo
there will be time
there will be time

do I dare to eat a quiche?
I shall wear enchanted trousers
and float upon the beach

I’m still dreamin
something happened last night

Haines downed a snot-green bottle of Absinthe
started shooting at his Schrödinger's cat
in the fireplace
looks real sheepish this morning
gonna hit him for a guinea [a pre-decimal unit of currency]
and get outta here
gliding on the Emerald sea
to Paris
with Haines’ guinea in my pocket
when I’m at sea

gonna go uptown now
hitting the top deck of this here Martello
gonna watch the mailboat
glide on an Emerald sea
gonna rest my shiny elbows
on the jagged granite
just leavin the harbour

and here comes stately Buck
bearing a bowl of lather
crossed razor and mirror as well
holding the bowl aloft
and intoning...intonin

Introibo ad altare Dei
sacred chalice
sacred cross
and now I’m lookin at the sea
Thallata...sweet mother
Hellenise me
mailboat clearin the harbour
rage of Caliban inside me
cos of Haines....[firing a gun inside the Martello tower when drunk the night before, at a giant cat he imagined was sitting near the fireplace]
sweet Thallata
buttercups on the quilt
powdered musk and gauds of amber beads
calm now like the sea
there will be time
there will be time

Martello

Recording Sessions from 25/11/2022 - 08/12/2022
2 tracks MOOG Modular - (vst Arturia),
2 tracks Asian Dream - (vst DSK),
1 track Piano2 - (vst Arturia), 
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental 
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Aiko

Foratroca

WRITTEN/PERFORMED by: FRAWSTAKWA & DOMINIQUEFRENCH
INSTRUMENTAL PRODUCED MIXED & MASTERED by: THESPEAKERBREAKER aka JASON HINES

MIGHT BE DOPE (THE SEQUEL) 6-20-17-THESPEAKERBREAKER feat: DOMINIQUEFRENCH & FRAWSTAKWA

Peruvian composer whose music seeks to explore the power of sound in the human experience, investigating sound aspects such as timbre, texture, rhythm and gesture in vocal, instrumental and acousmatic contexts.

Her latest works have been performed in Germany, Switzerland, Belgium, Slovenia, Romania, Spain, USA, Argentina, Mexico, Colombia and Perú in concerts, festivals and workshops such us 2022 Heroines of Sound Festival (DEU), Remus Georgescu International Festival (RO), Fresh Squeezed Opera Vocal Lab 2022 (NYC, US), Mixtur Festival - Composition and Sound Experimentation Workshop 2022 (ES), 2022 Women Composers Festival of Hartford University (CT, US), 8th Barcelona Modern International Composition Course (ES), III Festival Expresiones Contemporáneas 2021 (Mexico), 2021 International Young Composers Academy in Ticino (CH), Ictus ensemble’s season 2021-2022 (BEL), Rhymes with Opera “Pocket Opera Workshop 2020” (NYC, US), LunArt Festival 2019 (WI, USA), X and VIII Encounter between Composers and instrumentalists 2021 and 2019 of the National University of La Plata (AR), etc., performed by ensembles such us Ensemble KNM Berlin (DEU), Ictus Ensemble (BE), Hartford Independent Chamber Orchestra (US), Filarmonica Banatul Timișoara Female Choir (RO), Low Frecuency Trio (US), Fresh Squeezed Opera (US), Syntagma Piano Duo (ES), Rhymes with Opera (US), Move Quartet (MX), Lux Nova duo (DEU/PE), Orquesta Sinfónica Nacional del Perú (PE), Paqari Camerata (PE), Bortex Ensemble (COL), Classical Femmes (MX), Naz Duo (PE), etc.

Her music has been included in albums such as ABLAZE Records Pierrot Ensemble Series Vol. 4, performed by Brno Philharmonic soloists (CZ) and TIERRA: Acousmatic works of Women Composers of the National University of Music of Peru, with which she has given several live electronic performances.

She holds a Bachelor's degree in Music Composition at the National University of Music in Peru, under Mag. Nilo Velarde. Also, she has been part of international educational programs where she has attended private lessons and workshops with Francesco Filidei (IT), Edith Canat de Chizy (FR), Mauro Lanza (IT), Oscar Bianchi (CH/IT), Valerie Coleman (US), Justé Janulyté (LT/IT), Jessica Rudman (US), Benet Casablancas (ES), Mark Andre (FR), José María Sánchez-Verdú (ES), Dré Hočevar (SI), Ruby Felton (US), George Lam (CHN), etc.

In 2023, she will be Composer in Residence of the .abeceda [new Music ensemble], supported by Ministry of Culture in Slovenia, for whom she will write a new piece to be premiered in Ljubljiana. Also, she has been recently selected to participate in educational programs such us: Manifeste Academy 2023 of IRCAM (FR), where she will write a new piece to be premiered in Paris by Ensemble Intercontemporian (FR) and will recieve private lessons with Francesco Filidei (IT); and 9th Barcelona Modern International Composition Course (ES), where she will write a new piece to be premiered in Barcelona by Ensemble Multilatérale (FR) and will recieve private lessons with Martin Matalon (AR/FR) and Yann Robin (FR).

She is also co-founder of the first collective of Peruvian female composers: Retama.

Molitvi (Prayer), for equal voices choir by Claudia Sofía Alvarez

Claudia Sofía Alvarez

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