Thanks for posting man, this track has no equal

Bvdub With Broken Wings And Giants Tall Audio

Flow in the Back

Hello. I am Aethery Fields.

There are moments when time seems to stand still.

Instants when fog settles over a landscape and contours blur. "hello." is such a moment, captured in sound, preserved like a fading Polaroid whose edges are already dissolving.
After a distant time in the shadows, sailing the cinematic seas of Dark Ambient and Soundscape with my moniker "Logic Moon", I felt the need to give my brighter side more space. **Aethery Fields** was born, not as an escape, but as a complement. A place where light penetrates through the mist, where silence is not empty but filled with fleeting impressions.

"hello." is the counterpoint to my otherwise busy self. It is a still frame in a fog-veiled landscape, blurred, hazy, yet all the more haunting for it. Sometimes they are mere silhouettes drifting through the sound, vague intimations of melodies that emerge from the mist and vanish again. Then suddenly simple lines crystallize, clear and immediate, before fading back into the haze.

Process
Every track on this album emerged spontaneously, born from the moment itself. I sat down, pressed record, and let the things flow. No overthinking, no perfectionism, only the urge to capture the here and now before it slips away. What you hear is what happened in that instant. A texture, a melody appearing out of nowhere. Minimalist in form, yet rich in emotion. This music reveals my quiet side, that self which strives for deceleration, which dwells in the now and transforms impressions into sound as naturally as breathing. Each piece is an impulse made audible, a fleeting thought given form. It is a pause between breaths, a lingering in the moment before it dissolves.

Like a Polaroid capturing the essence of a vanishing moment, the diffuse light, the blurred atmosphere, the unrepeatable accident, "hello." reflects instants that can never be fully grasped or recreated. Still lifes in stillness, which despite their calm are permeated by countless sounds and impressions. It is the beauty of the imperfect, the transient, the barely visible, the unplanned.
"hello." is an invitation to pause, to lose yourself in the fog and to discover the essential in the blurred, to feel the aliveness within the stillness.

hello.

Song1

Deja que esta pieza de piano ambient profundo te guíe hacia un espacio de silencio interior.

Los tonos suaves y espaciosos del piano se mezclan con pads ambientales que se despliegan lentamente, ayudando a tu mente a liberar tensión y a encontrar un ritmo más calmado y estable.

La música crea una atmósfera cálida y ligera, que favorece la respiración pausada, la atención plena y el arraigo emocional.

Tanto si estás meditando, descansando o simplemente buscando un instante de paz, este paisaje sonoro te invita a volver a ti con suavidad y claridad.

Toca para Volver a Ti

Piano para Volver a Tu Centro

06 Fixed Position

Vergers is Davachi's third full-length release following Barons Court (2015, Students of Decay) and Dominions (2016, JAZ Records), and her second appearance with Important Records following 2014's August Harp cassette on the Cassauna imprint. 

In this work, she meditates on a single electronic instrument, the EMS Synthi 100 synthesizer, while also weaving sparse acoustic elements – her own voice and violin – into a series of three long-form, muted gestures.

Elements of distance and alienation are certainly at play in the textural quality of these compositions, a feeling that is further defined by track titles that reference the spirit world and an album title that calls to mind the solitary tasks of the church orderly.

The record opens with the aptly titled, Gentle So Gentle, a side-long movement that harkens the glacial character of Davachi's previous efforts. Ghosts And All and In Staying suggest a more disjointed path, with the latter culminating in a subtly dissonant dirge that leaves little absolve between the organic, the artificial, and the impermanent.

Vergers

Sarah Davachi - Ghosts And All - from Vergers LP - IMPREC442

POP AMBIENT - our longest-running compilation series after Total - sees a new instalment for 2017, featuring exclusive material from acclaimed genre veterans and series newcomers JENS-UWE BEYER, YUI ONODERA & SCANNER, MAX WÜRDEN, LEANDRO FRESCO, THORE PFEIFFER, KENNETH JAMES GIBSON and SOULSAVERS remixed by WOLFGANG VOIGT.

Available Now:
https://KompaktRecords.lnk.to/popambient2017SD

Jens-Uwe Beyer - Final 10

Dropsonde

Dissolving Clouds

Substrata + Man with a Movie Camera

Poa Alpina

Purchase: bit.ly/3oh8DpK
Catalog #: GN59
January 22, 2021
CASS+DIGI

Ever the aural adventurer, Carmen Villain has long traversed a boundless array of sounds, deftly moving from art nouveau pop to fog-laden avant-dub. Yet at every artistic turn, the Norwegian-Mexican’s chameleon-like charm seldom loses its alluring, organic beauty. Fresh off her contribution to 2020’s A Little Night Music… compilation, Carmen joins Geographic North’s Sketch for Winter series for its 9th installment. Perlita, named after Carmen’s grandmother living in Puebla, Mexico, is a sweetly somber reflection on the ever-present cycle of and hibernation and reemergence.

The A side begins with “Everything Without a Shadow”, a wide-angled and windswept vista of expansive permafrost and still-glowing embers of a recently extinguished fire. A sign of life in an otherwise desolate place. “Two Halves Touching” continues to drift through the frigid scene, lightly pulsing underneath a muted but vibrant tundra until coming upon echoes of voices chanted into the snowdrift. “Light in Phases” follows the cue with hurried hesitance, uncovering a sonic slush of radiant zither, blurred voices, and calm resolution.

“Things That Are Solid” begins to thaw the B side, strolling through newly uncovered verdancy, welcoming murmurs peeking out of the snow. With “Molina”, any last remnants of Winter have disappeared, leaving only a solemn suite of piano motifs breaking ground like seedlings bursting to life. With help from Johanna Scheie Orellana on flute and alt-flute, the album’s closer “Aqua Azul'' floats along with unencumbered motion like a happy stone skating across a tranquil pond.

Bvdub With Broken Wings And Giants Tall Audio

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