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Peur Bleue Records is pleased to present the imminent release of Gohan's EP, ‘Stabbed In Konya’. You'll find a private link below for listening and downloading the entire EP on Soundcloud.

It describes a tragic journey into a fictional depiction of Konya - a raucous and hostile Anatolian city torn apart by mysticism and conservatism.

The EP explores a landscape of Detroit electro vibrations and dodgy murmurs whilst offering gracious melodic digressions along the way.

After the album 'Peur' and the EP 'Hedge Fund' released in 2012, Gohan comes back with a new imaginary soundtrack on the edge of violence and grace, exploiting harmonic and texture flaws, enigmatic collages and a grinding bassline.

The EP will be pressed on 180g heavyweight 12″ vinyl and limited to 300 copies. For pre-orders, please contact Syncrophone Distribution.

Release date: February 10th,  2015

A1 Lost In Baka Forest
A2 Criminal Amnesia
A3 Onlookers Murmur
B1 Stabbed In Konya
B2 Retz Conspiracy

Gohan - Stabbed In Konya EP - PBR005 (snippets)

www.origamisound.com/album/forza-06 :: http://forza.origamisound.com/album/forza-06

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FORZA is Origami Sound’s concept-based EP collection focused on DJ tools and mainly club-oriented music that might not make much sense in a home listening environment. This is not music that you can lounge or have your siesta to.

For our sixth release we turned to UK-based duo Bricks. Tom and Joe have crafted a monstrous four-track release that fits perfectly in our eclectic catalogue of peak time techno tracks. From the jawdropping whirlwind "Reverand" to the entrancing tension-builder "Drama, It feels like this EP has everything. These guys must have it all figured out.

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Bricks - Reverand

This is collaboration between myself and the hugely talented encym here on Soundcloud, The original idea came from me mixing up one of his tracks up in the iPad app Samplr. Encym then added some texture with his fantastic guitar work, plus some some additions of other stuff we have worked on.
Trck mixed Encym.
Be sure to check out his work at:

https://soundcloud.com/encym

Kuiper Fantasy (Collab with Encym)

Ken Karter is a new addition to the Stroboscopic Artefacts label, and one who is wasting no time in proving that he belongs on that label's talented roster. With a personal ethos based on the reconciliation of esoteric and scientific aims, it is clear that his music hopes to avoid the blind alley of "either / or" binary thinking and instead strives for a fascinating journey into "both / and" experimental fusion. The label's Monad series, already populated with producers who set their sights on similar artistic goals, provides a very fertile soil indeed for Karter's integrationist worldview and intense sounds.
Ken Karter's breakout release for Stroboscopic Artefacts is Monad XXI, and this in itself is a kind of happy coincidence: this is very much the sound of the 21st century, full of anticipatory tension and darkness, but also a great deal of rushing excitement related to new discoveries. Altogether, these pieces have an effect not unlike navigating through Tokyo on a rainy night: a profound feeling of natural and chaotic processes finding a way to reassert themselves within even the most well-choregraphed technological drama. Each track achieves this special sensation in its own way, with the leadoff MX-01.11 preferring ritually slow kick patterns and an ephemeral scaffolding of dust particles and other 'micro' sonic events. MX-02.11 follows this initiation with the type of headspace-dominating percussive pulses favored by the "clicks and cuts" school, which are here marinated in a mesmerizing tropical heat rather than situated in the austere coldness so often associated with that sound. The third cut on the EP, MX-03.11 quivers with vitality and restlessness, anchoring itself in the listener's consciousness with the help of something like a massive, sliced-and-diced didgeridoo drone, and with a steady rain of percussive artillery fire. It's an exceptional blend of militancy and ecstasy that segues into the likeminded finale, MX-04.11, an infusion of long tones and synthetic splashes once again girded with serious low-end beats.
With just these four tracks at his disposal, Karter shows the potential for electronic music to move beyond what is expected of it, infiltrating new listening environments and inviting new attitudes. As a culmination of the most impactive EDM features from the foregoing decades, and as a harbinger of what still lies ahead, this is a Monad to play loud - and, as ever, not to be missed.

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