Å¢ỈĐ ŤЯĬP V.II

Reinier Zonneveld -  Hard Gaan(HQ)

_songs

make a move

Hybrid Live Mix Cut!

Melody: Cherrymoon Trax - The House of House
Base: Hard Industrial Techno Track I don't remember right now :/

Find entire set at (improvised mix live):
on.soundcloud.com/3iUWW

Setup: Xone96 + Traktor D2 (x 3 uds) + Roland TR8S

Cherrymoon Trax - The House Of House (TØTTI Live Mix Cut)

The third release by WarinD you can find her raw and spatial side.
Cod.19 represents the spatial side of WarinD, accompanied by remixes Anthro and Danilo Incorvaia, Anthro does a work by producing a raw linear drive with space sounds, Danilo Incorvaia does a work of speeding up the track by adding an almost acid synth that will accompany the second half of the track.
5 Seconds Raw is the raw part of WarinD, full of a kick raw in the main pause track. Empyrean remixed the track by adding a rich drum and progression.

WarinD - Cod.19 (Danilo Incorvaia Remix)

"The Invisible Man" by @daxj will be released on March 4th through @monnom-black. Info: bit.ly/DaySible

Info

Dax J - The Invisible Man

@CharlesFenckler | Stellar Acid (inc @francoisx Remix)
[SOMA471D]

1. Stellar Acid
2. Stellar Acid (Francois X Remix)

Charles Fenckler delivers the first single to be taken from his debut album Diving From The Void, the furious Stellar Acid, backed by a formidable remix from fellow countryman, Francois X. 

Classic rave vibes are the order of the day on Fenckler’s original track as the notorious sound of the 303 wreaks havoc, peaking and resonating intensely as straight up percussion and ominous pads provide the backbone to this dance floor burner. Concrete resident and D3MENTED label boss Francois X steps up with a very clever remix which utilises small elements from the acid line and pads to create and entirely new monster complete with it’s own pumped up drum workout.

Mastered by Conor Dalton @ Glowcast Mastering

Stellar Acid EP

Stellar Acid

Charles Fenckler - Stellar Acid (Soma 471d)

AIROD - Universe Remix EP [MLKL015]
Buy: https://molekul.bandcamp.com/merch/airod-randomer-myler-perc-universe-remix-ep-mlkl015-vinyl
Streaming: https://fanlink.to/mlkl015

Artwork by Armand Mayor
Mastering by Curve Pusher

A1. AIROD - Universe Of 90's Techno Parties
A2. AIROD - Universe Of 90's Techno Parties (Randomer Remix)
B1. AIROD - Universe Of 90's Techno Parties (Myler Remix)
B2. AIROD - Universe Of 90's Techno Parties (Perc Remix)

AIROD - Universe Of 90's Techno Parties [MLKL015]

Don't Leave Me / Plan A

Don't Leave Me

Die weiße Rose

Out now on vinyl and digital - lnk.to/REKIDS104

German duo Obscure Shape & SHDW drop three robust Techno tracks in their first full release on Rekids this May.

One of the most exciting acts in Techno today, Obscure Shape & SHDW are the founders of From Another Mind - the label and party series making waves in South-Germany. Aside from Rekids, where they remixed Radio Slave’s ‘Vision’ last year, the pair’s abilities in the studio have seen them invited by Slam for two separate remixes of Monoloc and Envoy on Soma, with more projects to be announced.

‘Himmel Und Erde’ is a cavernous cut boasting colossal kicks and skipping percussion before a tantalising melody comes into play. ‘Am Ende Der Welt’ is more deep and atmospheric in comparison, blending dusky percussion with echoing synths until ‘Gefallene Engel’ demonstrates syncopated drums and an otherworldly hook that conjure up a mesmerising aesthetic to conclude the release.

TRACKLIST:

A1 Himmel Und Erde 
B1 Am Ende Der Welt 
B2 Gefallene Engel

Obscure Shape & SHDW

Himmel Und Erde

Buy Now

A1. Obscure Shape & SHDW - Himmel Und Erde

Adding to previous 12“es on Ostgut Ton and his own RK label fellow Neuköllner and Berghain resident Kobosil offers four new uncompromising Techno club tools.

While all cuts on the 105 release share filthy, stone-cold, elemental rhythms – pounding, energetic and hypnotic 4/4 kick drum slaps – the devil is, like with all Kobosil productions, in the aesthetic details. “40000 L” uses gargling synth patterns and howling horns to dramatic effect; “Bei Nacht H (178)” contrasts the kick with a harsh, tinny drumbeat and menacing melody pad, creating a nightmarish vibe.
“Backmask N” on B1 offers heavily alienated vocal samples alongside rave-reminiscing synth stabs and staggered hi-hat percussion. “Derange” closes this four-tracker with grainy drone echoes and throbbing, sizzling synth pulses.

Adding to Kobosil’s full-floor-focussed sonic repertoire 105 shows him from his darkest and most vigorous side yet – this 12“ is a brute, in the most positive sense.

Buy 12"

Kobosil | Bei Nacht H (178)

Brazil-born, Barcelona-based DJ and producer ANNA has garnered international accolades from Mixmag, BBC Radio 1 and others with recent releases on the likes of Diynamic and Turbo Recordings. But her skill set reaches far beyond the studio realm as 2017 marked her busiest year to date. Beyond a whirlwind of festival appearances (including Movement and Awakenings), ANNA had the opportunity to perform at iconic clubs such as DC-10 and Fabric. 
This passion for the dancefloor was fuelled by a youth spent in the DJ booth of her father’s night club – and it now leads to her first outing with Kompakt: SPEICHER 101 carries the DNA of both the studio head and the club dweller, crafting two propulsive, massive belters out of simple, but effective ingredients. HIDDEN BEAUTIES dominates the A-side with raw bass power and sizzling drops of acid, while the flipside brings you THE DANSANT, one of these spiralling minimalistic techno bangers that just seem to grow indefinitely. The release is also a personal milestone for ANNA, as Kompakt’s records have always been a staple in her sets: “I have so many records from Kompakt, I’ve had them since I started, and even though I played so many different styles through the years, I can safely say that Kompakt has always been in my crate.” Her very own release on the label, however, seemed “like a distant dream”, she says. Turns out it wasn’t that distant after all – thanks to her knack for seriously catchy techno with a punch, nurtured by hard work and persistent focus. A perfect fit for Speicher.
Available here: https://KompaktRecords.lnk.to/Speicher101SD

Buy/Stream

ANNA - The Dansant

Released on [aufnahme+wiedergabe], 2017
Purchase: https://schwefelgelb.bandcamp.com/album/dahinter-das-gesicht

Dahinter Das Gesicht

Fokus

The seventh volume of Drumcode’s annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba’s SCB project, among the collection of topline artists to release their maiden productions on the imprint. 

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fueled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others. 

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting 22 unreleased tracks that have taken prime position in his sets over recent months. 

Outstanding all-round talent ANNA kicks off the compilation with ‘Portable Paradise’, a pulsating cut that sets the tone for the top-shelf club cuts to follow. Also entering the debut field with their first ever Drumcode dalliances are B.Traits and Charlotte de Witte. The esteemed Canadian selector offers up ‘I Feel The Music’, a euphonic track that’s been sought after since spring, and the Belgian ballista unlocks a thick-edged club bomb in ‘Remember.’

Leaders of Drumcode’s new brigade, exciting Brazilian Wehbba and British techno alchemist Boxia set out to impress. Wehbba’s straight-talking ‘Just’ hits with an immediate sense of urgency before neck-snap claps strike with force, and Boxia’s ‘Final Call’ elicits physical engagement with mellifluous vocals and soaring pads. 

Continuously looking to bolster the profiles of emerging talent, Berlin-based producers Weska and Juliet Fox are brought into the fold with equally engaging razor-sharp tracks that are primed to do lasting damage. 

Other notable highlights include an exhilarating workout from Reset Robot - the most released artist on Beyer’s imprint Truesoul – as he lands on Drumcode for the first time. And tastemaker’s favourite Jel Ford makes a welcome return as he ushers in techno rhythms with bustling breaks in ‘Nightshade.’

Elsewhere, support from label mainstays comes in from Bart Skils, who offers a work of consummate skill in ‘West Of The Moon.’ Alan Fitzpatrick, who’s been heavily featured across the A-Side series, joins forces with Scuba as he operates as his uncompromising alias SCB. The result is a propulsive floor-gripper that testifies to their masterful deftness as co-producers. Formidable duos Dense & Pika and Pig&Dan also contribute with powerful compositions.

Charlotte de Witte - Remember - Drumcode - DC195

Road to Nowhere

Hell on Earth

After the huge success of the past volumes, here it is the 3rd chapter of Tektones always selected by T78.

A finest selection of 12 banging tracks that breath techno in all its forms.

ARTIST: T78, ROBPM
TITLE: ACID LICK
VERSION: ORIGINAL MIX

For infos & Licensing contact:
licensing@edinetmusic.com

Follow The Label:

https://www.facebook.com/Autektone
https://twitter.com/autektone
https://soundcloud.com/autektone

Follow T78:

https://www.facebook.com/T78autektone/
https://www.instagram.com/t78official/

Follow ROBPM:

https://www.facebook.com/ROBPMDJ/
https://www.mixcloud.com/roberto-carisdeo/

Tektones # 3 (Selected by T78)

Acid Lick

T78, ROBPM  "Acid Lick"(Preview)(Taken from Tektones #3)(Out Now)

From BPC342 - Regal - The Eyes
Release Date: 12.04.2019
Label: BPitch Berlin
Format: 12"/Digital

Regal debuts on BPitch Berlin with one of his rare releases outside his own Involve imprint. His »The Eyes« EP draws heavily on early hardcore and the powerful acid sound that has become the Spain-based producer’s signature style ever since he started making waves in the techno scene in 2012. Over the course of four tracks however, Gabriel Cassina showcases a previously unknown side of his abilities. More versatile, more experimental, and more stylistically diverse, »The Eyes« shows Regal at his most radical. If his past releases were dedicated to updating the sounds of the nineties for the present, his  first offering on Ellen Allien’s label sees him heading straight for the future.
The breakneck title track alone will surprise even the most devoted Regal followers with an entirely di erent sound and style. Eschewing the mighty four-to-four thump that dominates most of his work, »The Eyes« is rhythmically closer to recent pieces like »Double Standard« but still sticks out from Regal’s vast discography. If you’ve ever wondered what an acid-infused early 90s hardcore track would sound like if Regal had produced it, here is your answer. It’s not like Cassina slows down when experimenting; on the contrary, he only picks up speed. »Fire left engine,  fire right engine«, a voice commands at the beginning of the cheekily titled »Overground«, which then immediately launches us into outer space and towards rave ecstasy on a 140+ bpm backbeat.
»I Need You« opens the flip in typical hard-hitting Regal style but throws two elements in the ring that give this track an unusual spin. From beneath the murky, hoover-like chords, a glistening guitar melody slowly rises above the relentless groove. Intensifying more and more, it only serves as a preparation for the emotional turning point near the middle of the track, when a seemingly familiar voice intones the track name with soulful urgency. »I Need You« is an intense and raw piece of techno, both emotionally and sonically speaking. »Stimulus« brings about a welcome change in mood after this overwhelming experience: this is five and a half cathartic minutes of acid techno at its purest, informed by the likes of Cassina’s all-time hero Plastikman or nineties rave legends like Emmanuel Top. The backbeat-driven peak time energy of »Stimulus« offers exactly the kind of dark, cosmic sound that BPitch founder Ellen Allien has been leaning towards as a DJ recently, making it a perfectly  tting closing track for Regal’s first release on the label.

Å¢ỈĐ ŤЯĬP V.II

CRNT