Acoustic Biscuit

Written by Ryan Marshall Lawhon and Taylor Lawhon
Mixed by Ryan Marshall Lawhon
Mastered by Gene Grimaldi
Additional vocals by Lizzy Land


Back doors
In the city
She’s up to no good
Long haul
Lookin pretty
Out of her mind
On a lonely night
A lonely night
She’s puttin on a show
For an empty high
An empty ride

She wants to
Feel real feel real

Black hole
For your pity
Quote unquote misunderstood
Back doors
Do you know Whitney?
She’s out of her mind
On a lonely night
A lonely night
She’s blowing off her love
For an empty high
An empty ride

She wants to
Feel real feel real

Feel Real

Sylvan Esso

Dreamy Bruises

Could I Be

Wolf

Dress

Remix of "Hot Blur" by How Sad.

www.facebook.com/howsadmusic
www.facebook.com/clementinegalaxy

Hot Blur (Clementine & The Galaxy Remix)

Magic Bronson - Fences 
Off the Debut Full Length "Wildlife" available Nov 4th via War Cry Records
Available for Pre-Order in Digital, Vinyl and CD formats
https://magicbronson.bandcamp.com/album/wildlife-lp

Recorded at: Los Angeles Producers Club (Van Nuys, Ca), Revolution-Sound (Reseda, Ca) 

Engineered by: Michael Nicastro, Matthew Lieberman, Tim Hilliard 

Produced by: Michael Nicastro, Matthew Lieberman, Tim Hilliard, Prometheus Glover 

Mixed by: Isha Erskine 

Mastered by: Dave Cooley at Elysian Masters 

Music and lyrics by: Magic Bronson 

Magic Bronson is: 
Michael Nicastro - Vocals / Synth / Percussion / Production 
Matthew Lieberman - Bass / Synth / Production 

Additional Musicians on Fences: 
Michael Carlito: Electric Guitar 

2014 War Cry Records 

www.magicbronson.com



Fences

My Happy Songs Do Not Make Sense

Laughing at Gravity

Harrison Brome - Midnight Island

What Now

Sylvan Esso - Die Young

Electric Dream

Thinking back to the whacks that we used to take
Rolling joints to a point with a roach and shake
Sipping on Summer Ale in September sun
Jump in the back seat where we had some fun
Cruise out on the boat to the house of stilts
Kiss me underneath till the pasion wilts
Never will I find another crazy lady putting up wooden houses in Haiti
Closing up your eyes cause you drink too much
Open up your thighs cause you like my touch
I want to grow old on Brazilian beaches
Getting tan in the sand with your two ripe peaches

Back and forth through custom lines
Searching for my Argentine
Now I need another home to rest my complex corazon

Six-packs and a flask from a Scottish lake
Been a mess since the best chest game to date
Hit the map for a tap and a little loving
The bone I wrap for buns in ovens
Living by the ocean, going through the motions
Drinking with my head in a noose
Never known a better potion to let my liver soak in
No I bet I'm telling the truth
Holding all the good stories
Coke and all it's glories
Slipped up, Tripped up.... Tooth
Bust on the pavement, make another payment, running like Johns Wilks Booth, oof!

Back and forth through custom lines
Searching for my Argentine
Now I need another home to rest my complex corazon

Truer words never spoken, "Quick to be broken"
Change is a notion you should learn like lotion
On the hand that you're hoping to
Land the next open, girl that you're scoping
Pillows you be groping
Forever will I be insistent, that distance, is the crux of my existence
And whoever would be to wish this away this instant I'd give assistance
Never would I need to wish this away like wish lists and family business
Clever would I be to diss this and kiss the first fish thats close to British

Corazon

Produced by Bob Curtin
Mixed by Mike Schuppan
Mastered by Dave Cooley
~
New album 5xx out now!
https://orcd.co/pvtilnd5xx

Spotify

3BadSoSad

Reached the limit, download link @ https://www.facebook.com/iamWAXNOSTALGIC

Local Natives - Who Knows Who Cares (Wax Nostalgic Remix)

New EP Low High Low available now at  http://smarturl.it/lowhighlow 
Song written/produced/recorded by Max Frost
All instruments by Max Frost
VIDEO - http://www.youtube.com/watch?v=E1jkHZ4HViY
maxfrost.net

Twitter: @maxfrostmusic
Facebook: https://www.facebook.com/pages/Max-Frost



Low High Low

Nice and Slow (EP Version)

“Got a feeling I’m a robot…”

The longing in Julie Hardy’s voice is palpable. It’s a gorgeous voice, filled with warmth and pain, seemingly in contrast with the icy synths and computerized sounds that lurk behind her heartache. But within Clementine & The Galaxy, these two worlds meld together just fine. A retro/futuristic spin on pop, the Brooklyn duo craft evocative electro sounds with a human heart. Hardy may sing “I’ve been programmed not to miss you,” but it’s her soulfulness that propels the whooshing synths and cinematic flourishes of her bandmate/partner Mike MacAllister.

Think the grand drama of St. Vincent, a sprinkle of Bowie’s stardust. Electro-pop gems with a mod sci-fi motif.

Clementine & The Galaxy officially debuted in 2011 with the release of the single “Crying My Whole Heart Out.” Word spread quickly. The duo garnered a feature in Interview (“a pop duo with their hands on synthesizers and heads in the cloud”) and praise from Time Out New York (“Spacey, playfully proggy art pop in the Bowie lineage”). Since then, they’ve released a self-titled EP, a well-received cover of Nirvana’s “Heart Shaped Box” and a popular remix of Big Data’s “Dangerous,” among several others.
This year, Clementine & The Galaxy will unveil their second EP, Midnight Machine, released by Jillionaire of Major Lazer’s Feel Up Records.

The songs on Midnight Machine are equal parts heartbreak and uplift, the cool alienation of “Robot” contrasting with the upbeat, anthemic “Can’t Knock Me Down” and the slow build of “When the Night is Over” (which you may have heard gracing a Victoria’s Secret ad). It’s a complex, multi-faceted pop affair.

Before the release, the duo is gearing up for the road, including appearances at this fall’s CMJ. Live, the group features Hardy on vocals and synths, MacAllister on guitars, and a drummer. “We used to have a larger live band, but we decided to simplifying things. And I’m playing keys again,” says Hardy.

They continue to write new music as well: C&TG is prepping another set of material for next year, a more collaborative affair, including songs written with members of Cobra Starship and Sally Seltmann, the co-writer of Feist’s “1234.” Says Hardy: “It’s different, but we’re still just writing music we like. I’m feeling really good about it.”

This grand union of Hardy and MacAllister sprung from unusual beginnings. Hardy began her career as a singer-songwriter, but one who’s found her talents used far and wide: as a back-up singer for Ellie Goulding on Saturday Night Live. Performing with St. Vincent on Letterman. A smattering of guest vocals and ad work.

MacAllister, meanwhile, was writing film scores and commercials. “We had this one gig in common. Before that we didn’t know each other,” says Hardy, laughing. “It was an incredibly strange gig that our mutual friend found on Craigslist. I had to sing a bunch of hymns in different languages and Mike was the engineer. We did it four years in a row.”

Intrigued by MacAllister’s producing work, Hardy asked about collaborating. “I was performing at the time as Clementine. Then I started working on these new songs that were a real departure,” Hardy says. “It begged for a more electronic sound. So Mike and I started working as a team.” As their sound quickly gelled, “The Galaxy” was added to Clementine’s moniker.

“What I like about the band is that we have so many unique, hybrid elements about us,” says MacAllister. “We’re constantly experimenting, hearing our sound change and grow.”

Nothing robotic about it.

Hot Blur (Clementine & The Galaxy Remix)

Clementine and the Galaxy

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