Name: Burleson, TX by Clem Leek in Favorites
Duration: 2 min 36 s
Description: A little loopy ditty I wrote for all my friends in the states.

Awe! The train! It's just like you're here in burleson with us! 

lovely sounds resonating from your guitar

I love the sound of a guitar! I must say that this composition is really nice and stays in mind! Thank you!

Favorites

This piece was written for a Billy Graham show. 

The Search.mp3

Indian Piano Theme

"Flowing across" from Flickering Traces Ep out in free download on http://laverna.net/releases/Lav60.html

Flowing Across

Music: José González
Rework & Video: lambert 
Watch: https://www.youtube.com/watch?v=ubfRfGkGT9c&feature=youtu.be

José González - Every Age (Lambert Rework)

Homage To Olive

August

Order 'Iris' on (Ltd. Clear) Vinyl, CD and digitally here: http://phonofile.link/iris-bonus

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O’Halloran, commence the New Year with their third full-length titled Iris – available worldwide via Erased Tapes on January 13th 2017.

Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France’s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic.

“Despite A Winged Victory For The Sullen being associated with film score type music, trying to survive the process of creating the modern film score is not for people with fragile egos. It requires those who are the most responsive to change. The director and the film presented a new set of challenges, so we decided to stop thinking about cinema as an object, and moved closer to using the film’s images as triggers for experiences. The more we were able to let go, and see the music as something that happens, like a process – not a quality, the more we were able to reach a place that sounded like us. It was as if we were making our first record all over again, except being filtered through another language littered with dead metaphors”, the duo elaborate.

The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film – each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

Upon label founder Robert Raths' request the over sixty minutes of material were then edited down to a concise album listen at forty-one minutes with a physical release set for January 13, 2017. The digital bonus track edition includes two solo pieces by Adam Bryanbaum Wiltzie entitled The Endless Battle Of The Maudlin Ballade Part 2 and The Endless Battle Of The Maudlin Ballade Part 3, as well as tracks by Petite Noir, dOP, DJ Pone and The Shoes which feature in the film. The artwork was created by Berlin based illustrator Stephanie F. Scholz who also created the iconic cover for Nils Frahm's Music for The Motion Picture Victoria.

TRACK LISTING

1. Prologue Iris  
2. Retour Au Champs De Mars 
3. Fantasme  
4. Gare Du Nord Part One  
5. L’embauche  
6. Le Retour En Foret  
7. Metro Part Three  
8. Flashback Antoine  
9. Galerie  
10. Le Renversement  
11. Normandie  
12. Comme On A Dit

A Winged Victory For The Sullen - Galerie

A little loopy ditty I wrote for all my friends in the states. 

Burleson, TX

"In the end, the sea always wins."

From the upcoming album, “Costero”, out November 17 on Hammock Music. Stream on Spotify or Pre Order album via bandcamp / itunes and get immediate download of this track:

https://slowmeadow.bandcamp.com/
https://open.spotify.com/album/4U5yx0...
https://itunes.apple.com/us/album/cos...

A film by Gabriela Hansen on you tube:
https://www.youtube.com/watch?v=ics7ZfPL2fs&t=165s
http://www.gabrielahansen.com/

Costero

Lamellophone and the Gulf of Mexico

Purchase

Lamellophone And The Gulf Of Mexico

Written and recorded over 2 days in South East London, ‘Carried’ is a collaborative EP from violinist Fiona Brice, cellist Tony Woollard and composer/producer Jim Perkins. The project began as an antidote to the sometimes laborious academic tradition of composing, scoring, revising, rehearsing, recording, editing and producing music. 

Each piece was created without score or prior preparation, relying on instinct, discussion and collaboration, with a focus on capturing the energy and essence of an idea whilst it is still fresh. 

The result is a suite of 5 emotive, meditative and distinctive pieces combining drones, elements of minimalism and chamber music with textured harmonics and the occasional melodic line. ‘Carried’ honours the spontaneity and spark of a new idea and nurtures it, creating a deeply engaging and cinematic sound.
credits
releases May 24, 2019 

Violin - Fiona Brice 
Cello - Tony Woollard 
Piano - Jim Perkins, Fiona Brice 
Tape Processing on Murmurs by Jameson Nathan Jones 
All tracks written by Tony Woollard, Fiona Brice and Jim Perkins 
Recorded and produced by Jim Perkins 
Mastered by Ben Wiffen 
Artwork by Lucille Clerc.

Carried

Hope

Cenes - Hope?

Pools

Enfolding

Jim Perkins - Enfolding

My third album was released March 2013 on the Leaf Label.

http://music.juliakent.com/album/character
http://theleaflabel.com/juliakent

04 Tourbillon

Never A Lover

The second installment in our Moderna Records 2020 Summer Single Series comes from the hands and mind of Norwegian pianist and composer @juliagjertsen. Let the slowly evolving layers of sound envelop you for a moment...

🎧 orcd.co/jg-okno

Mastered by Martyn Heyne / artwork by Mikhail Mishin

Okno

Download

Julia Gjertsen - Okno

I think that it's actually possible to overdose on music. Listen to too much post-rock and everything becomes a saturated peak and valley. Listen to too much techno and you can get into a repetitive clockwork of machinery performing meaningless tasks. Too much ambient and suddenly everything is a blurry mush spreading across a bland piece of soft toast. Which is why I often rotate through the genres, to keep my mind fresh, delighted, and free from fatigue. And on occasion, even while my ears are bombarded by a torrent of what appears to be templated music, a real gem stands out and awakes. I have zoomed in on what makes such occasions special, and have discovered an ingredient that truly makes it shine. Emotion. Unchecked, unbounded, and unrestrained emotion, that simply seeps through the composer's brief, ephemeral, material being. It's something that can not be generated, compelled, held back. It just converted from one form into another, and in the 'music' is produced. Such is the case upon my very first play of Jacob David's latest album for Moderna. And today I share a track from his upcoming album.

“Styrhus” is an opening piece from David’s sophomore release, titled Mursejler. His very first album, Omkuld came out on the same label back in 2015 [it was actually only the third catalogue entry and the first full length for Moderna!]. There were a few more singles along the way, but it’s clear that Mursejler [which means “swift” in composer’s native Danish] is a more mature, sophisticated and cohesive work. The recording itself is restrained, intimate and well balanced, with a refined mastering touch by Martyn Heyne from his Lichte studio. The solo piano drifts and waltzes through the slightly dim corridors of purposely forgotten memories, occasionally opening up the dusty shades to let the strings flow in. I purposely did not select a favourite track from the album for this premiere, because I want you to experience the journey on your own. It may be only a bit over half an hour in length, but I promise you will return to it for yet one more rotation.

The album is out this Friday, February 5th, available on a limited edition 180g vinyl, lossless digital download via Bandcamp, and of course on all of your favourite streaming platforms. The label is also offering a special package of both albums on vinyl LPs. I wouldn’t sleep on this one, folks. Highly recommended for fans of Nils Frahm, Otto Totland, Julien Marchal, and everything Moderna. I think the felted piano genre is here to stay!

Mursejler

Styrhus

TRACK PREMIERE : Jacob David - Styrhus

Clem Leek is a composer, sound artist & sound designer from the UK. He draws from a range of genres to create a unique & contemporary style and is now a well recognised name in the 'Modern Classical' genre.
 
​Trained as a pianist from a young age, Clem Leek grew up around music, picking up every instrument he could lay his hands on. He often uses the beauty of natural surroundings from his childhood and personal experiences as inspiration for his works.

Burleson, TX

Clem Leek

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