: 박혜진 Park Hye Jin • blk. • COMPUTER DATA • Tom Jarmey • Soul Wun • Tekkla • DJ Houseplants • MarBlu • Zoo Brazil • KARLITA • 1-800 GIRLS • Olivier Verhaeghe • Trip Tease • Kris Berle • Shouse • Martha • Hoshina Anniversary • Demuja • Monolithic • SHEE – 

Clipp.Art

Stream 'A Microcosm Shaped Pool' now : https://listen.hipdozer.com/A-Microcosm-Shaped-Pool

Dive into 'A Microcosm Shaped Pool,' Felipe Gordon's new single. Having built up a solid fan base over the years, the Colombian multi-instrumentalist and producer shares the melancholy of a period in his life and allows his emotions to shine through in this new track. 'A Microcosm Shaped Pool' evokes a mellow, sad melancholy with melodious piano notes punctuated by an electrifying synth. His fourth single is immersed in a sense of wonder and will leave you longing with a touch of nostalgia.

Psychedelic Melancholia

A Microcosm Shaped Pool

Felipe Gordon - A Microcosm Shaped Pool

DJ Cockroach make dem tunes that keep kickin' after the atom bombs drop.

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DJ Cockroach - Dumb Whistles

Follow Hoshina Anniversary - https://soundcloud.com/hoshina

In prehistoric Japanese folklore “Amanojaku” is the name given to a demon-like creature. This creature is usually depicted as a kind of small troll-like demon (known as an “oni”) who was thought to be able to provoke a person's darkest desires, instigating them into perpetrating wicked deeds. A “twisted person”. Sometimes used to describe a being with an extremely contrary nature, someone that if ordered something, would do the opposite. This might be a strange introduction but might be the best way to set a discussion about our friend Hoshina Anniversary and his new introspective album “Leave Behind” from where the tracks “Amanojaku (天邪鬼)” and “Landscape (風景)” are lifted. Not that we would ever think of Hoshina as a small troll demon, but to say he is an artist not unaccustomed to doing the opposite of what is expected, then a fitting description indeed. 
“Leave Behind” is an electronic album created mostly using non-electronic instruments, featuring Hoshina’s vocals and socially noncompliant lyrical styling. Inspired by Steely Dan and Weather Report, “Amanojaku (天邪鬼)” is a song described in Hoshina’s own words “created with a rather strange chord progression”. A song he says is about the crisis in social networking, which is no doubt a location where one finds many a “twisted person”. Quote the lyrics: “If you tell me Yes, Then I’ll tell you No. It’s a boring communication. Desire for recognition. You are always right. I’m always wrong”. Words spoken by someone who if ordered to do something, would not be unlikely to do the opposite. But what other choice would you make when finding yourself tied into knots by the endless scroll of social activity. Regardless, “Amanojaku (天邪鬼)” is a total vibe of a tune.

On the opposite end, “Landscape (風景)” is a song described by Hoshina as “About death, and when I wrote about death in relation to the landscape, I felt a sense of selflessness”. It’s a tune that wouldn't find itself out of place on an album by synth maestro’s AIR and which contains as much gravity as I think the French legends ever did. Quote the lyrics: “I thought I was obsessed with so many things. I feel myself becoming numb. Our own joys and sorrows seem to have nothing to do with the landscape that is spread out here.” A beautiful sentiment and fitting taste of what’s to come on “Leave Behind”.

Download

Hoshina Anniversary - Landscape (風景)

Follow Hoshina Anniversary - https://soundcloud.com/hoshina

In Japanese folklore predating written text, “Amanojaku” is the name given to a demon-like creature usually who was thought to be able to provoke a person's darkest desires, instigating them into perpetrating wicked deeds. Also described as a “twisted person” or a being with an extremely contrary nature - someone that if ordered something, would do the opposite. As a way of description this may not be an obvious choice when referring Hoshina Anniversary and his latest release, an introspective album titled “Leave Behind”, but as an artist accustomed to doing the opposite of what is expected, we would argue it be a fitting introduction for an artist consistent for the magnitude and variety of musical output beyond the last decade.

Opening track “What Can We Leave Behind In This World (この世界に何を残せるか)” sets the tone for what is to come. Interlacing layers of detuned keys falling endlessly into the void - a muted twist on the work of synth maestro’s AIR.  Like much of the album, a leap of faith. There are elements of deconstruction and awareness throughout. “Essence (本質)” reporting from the front-lines of personal reflection “Self-will is born from a terrible lack. That's what my experience has told me” echoes around drum tones. But there are lo-fidelity flourishes wherever you look, on “Toukai (東海)”, “Asia” “Obsession (Kyouhaku Kannen 強迫観念)”, “Rine (輪廻)” and “Teinen (諦念)”  clank along like the best of 2017 without ever trying to be as mired in coolness. It's a liberating look at Lo-Fi House.

“Landscape (風景)” is a song described by Hoshina as “About death, and when I wrote about death in relation to the landscape, I felt a sense of selflessness”. Quote the lyrics: “I thought I was obsessed with so many things. I feel myself becoming numb. Our own joys and sorrows seem to have nothing to do with the landscape that is spread out here.” Again the theme of leaving one’s history behind to discover the new self.

Inspired by Steely Dan and Weather Report, “Amanojaku (天邪鬼)” is a song described in Hoshina’s own words “created with a rather strange chord progression”. A song he says is about the crisis in social networking, which is no doubt a location where one finds many a “twisted person”. Quote the lyrics: “If you tell me Yes, Then I’ll tell you No. It's a boring communication. Desire for recognition. You are always right. I’m always wrong”. Words spoken by someone who if ordered to do something, would not be unlikely to do the opposite. But what other choice would you make when finding yourself tied into knots by the endless scroll of social activity. Much like a "twisted person". 

Coming back to the theme of Life & Death (opposites or just different sides of the same coin?), and what is beyond, Hoshina has said if he were to die tomorrow he’d be happy he created this collection of songs, so it’s fitting “Leave Behind” ends with “Alone In A”. In a year we lost the great Japanese musical icon Ryuchi Sakamoto, this tune comes as a soothing balm to your humble narrator. It’s a song I could imagine the great man himself nodding along to. It also generated from a place Hoshina could only get to after abandoning almost all of the Japanese instruments and Watechno elements present in his work over the last 5 years. We resonated with this overall feeling ourselves, having changed what we are as a record label/event/concept over the last 5 years. Not often looking back. But like most things in this mortal coil, we must be prepared to leave behind the things we do and are, moving always towards the new. Sometimes in the most opposite of places.

Hoshina Anniversary - Rinne (輪廻)

Hoshina Anniversary - Obsession (Kyouhaku Kannen 強迫観念)

Hoshina Anniversary - Asia

Hoshina Anniversary - What Can We Leave Behind In This World (この世界に何を残せるか)

Pour It

Axel Blanc is a DJ and producer from the south of France, now based in Paris. As the artistic director of the project Accident Theory, he curates monthly events that spotlight the emerging electronic scene. After a break from production, he makes his return with a brand-new E.P., inspired by the sounds of the new Australian and UK scenes.

IG : @axel_blanc

BUY on BANDCAMP

PREMIERE : Axel Blanc - Ennemies

Listen / Download: https://fanlink.tv/xo5summerlove

Follow XO-5: https://www.instagram.com/xo5_music/

XO-5 - Real Friend [CLIPP253]

dev1tron x DJ M€R$€BVRG selected mix

Buy: https://orcd.co/honesty-honestly

Spriitzz (aka Spray) and Regularfantasy capture the last rays of Summer on a new single for Gudu.
 
Based in Berlin and Montreal respectively (dance music’s top two cities on the brutal winter to creative output axis? Could be), Spray and Regularfantasy first linked up in Australia as mutual fans of each other’s music, before collaborating on a remix of Regularfantasy’s ‘So Sweet’ last year. After bonding over their love of 2000s dance-pop, this naturally transitioned to writing some original material – and here we are. 
 
Co-written with Regularfantasy’s bestie Kristian North and inspired by the idea of a Mediterranean summer love affair, ‘Honesty, Honestly’ was honed over two years of sessions. In their words, you can expect “perky pianos, high energy basslines and lovesick lyrics, fulfilling our dying wish to dovetail songwriting (“real music”) and dance-music (“canned music”). We’ve put a lot of time and love into this genre-melting banger.” 
 
We try not to fall too hard into cliche when describing music like this, but come on: it’s nostalgic, it’s romantic, and it sounds like it was shot with lens flare permanently on the screen. It just sounds like a Summer fling, and we fell for it from the first demo.

Honesty, Honestly

Available on YouTube: https://youtu.be/zmDH3tmd1WE

Label: Manual Smiles
Artist: Azo
Format: Digital
Cat. Number: MANUAL010
EP Title: Echoes of Infinity EP
Release Date: September 26th, 2025
Support it: https://manualsmiles.bandcamp.com/album/echoes-of-infinity-ep

Inspired by the way signals echo across the cosmos like light, radio waves, and sound reverberate through spaces, Azo’s ‘Echoes of Infinity’ EP transmits from the outer edges of emotion. Opener ‘Human Love Language’ lays down a hefty Electro beat with raw Reese bass and yearning pads

Manual Smiles
https://soundcloud.com/manualsmiles
https://www.instagram.com/manualsmiles

Azo
https://soundcloud.com/azodance
https://www.instagram.com/azomusic

Listen on YouTube

PREMIERE: Azo - Human Love Language [Manual Smiles]

https://neptunediscs.bandcamp.com/album/body-clinic-the-righteous-ep

https://soundcloud.com/neptunediscs
https://soundcloud.com/bodyclinic

Body Clinic joins Neptune Discs for their next 12” release with four tribal tech-house cuts, recalling the sound of early-2000s Pacha. With E-Talking on Papa Nugs’ label running the festival circuit this summer, he’s already become the talk of the scene—and this EP makes clear why.

Each track is driven by drums at the highest grade—rugged, weighty basslines locking in with sci-fi warped FX, keeping the floor in constant motion. Trippy vocal cuts thread through the grooves, getting deep into our heads and sending minds off into nearby dimensions. And that’s just the a-side.

Flip it over and Bongo Loco comes rolling in—a true cruiser. Built around a huge breakdown of layered bongos, it kicks back in with the kind of chest-rattling low end that have become Body Clinic’s signature. It’s the moment where hands shoot in the air, the rhythm carrying you further into the night. On b2, My Mate Dave shifts gears again—jumping off the old-school tech foundations and landing closer to the progressive sound we know BC for. It’s a peak-time anthem through and through. 

𝐇𝐔𝐑𝐅𝐂𝐋𝐔𝐒𝐈𝐕𝐄 ➟ Body Clinic - The Righteous Observe

https://soundcloud.com/bart-zeilstra-535288874

PREMIERE: interlinked. - Move Me On

Premiere

🎨 Album Artist(s): Various Artists
📀 Album Name: Rolly Bump Vol 2
🏷️ Label: Flip The Lid
🗓️ Release Date: 24/10/2025
🎵 Track Genre(s): #electronic #techno #trance #house 
💵 Buy/Download: https://flipthelid.bandcamp.com/album/rolly-bump-vol-2

Socials:

https://soundcloud.com/ziltch-organisation
https://www.instagram.com/ziltch.mp3/
https://ziltch.bandcamp.com/

https://soundcloud.com/flipthelid
https://www.instagram.com/flipthelidmusic/
https://flipthelid.bandcamp.com/music

Rocket Fuel | Premiere

sounds like a good time since 2017 / 000-919999-KETTY

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DJ Cockroach - Dumb Whistles

𝗰 𝗹 𝗶 𝗽 𝗽 . 𝗮 𝗿 𝘁

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