love the faint droning in the background <3

이동하는 바다 몰아치는 파도 쏟아내리는 보라색 물줄기 나는 여기에 없다 폭풍우가 맛있다 조용한 레몬즙 베개가 울부짖는다 이어폰은 침묵했다 동그라미가 죄다 네모는 운다

너무 잘들었어요 울고싶은 밤의 아침입니다

August live set. Some unreleased tracks and revisitations to old ones.


MUTEK Montréal | Edition 22 hybrid | 2021
Performance produced by SUNDECK as part of MUTEK Connect
#MUTEK #SUNDECKFIESTAS #MUTEKCONNECT

@mutek_montreal

Visuals by Checa

VGV Live x Mutek Montréal 2021

VGV Live Set x MUTEK Montréal  | Edition 22 hybrid | 2021

As regards the Lost Word, it is explained that the sun at autumn has lost its power and Nature is rendered mute, but the star of day at the spring tide resumes its vital force, and this is the recovery of the Word, when Nature with all her voices, speaks and sings, even as the Sons of God shouted for joy in the perfect morning of the cosmos.

Koletta

https://www.nts.live/shows/buttechno/episodes/buttechno-14th-february-2022

Russian DJ and producer Pavel Milyakov aka Buttechno joins us for an hour a month.

Pavel Milyakov 140222

NCA Show 23022

Communion (demo)

STAR SHOPPING x "I CANT LIVE IN YOUR BOOK ANYMORE" (Slowed + Reverb)

movement !

Yeong Die - Threshold Value [CLIPP165]

Yeong Die is an artist residing in South Korea that got into music after commencing her study of piano at age 6. In the following years she was influenced by Chopin and Beethoven, K-Pop, Bill Evans and Brad Mehldau, Aphex Twin and the Boards of Canada, Bjork, Erykah Badu and DJ 威力. “Studying jazz from an early age made me want to make music that understood the concept of ‘improvisation’. I started producing with minimal equipment, using only Master Keyboard, MacBook, and Logic X... ”. In 2018 she dropped her debut self album “PIZZAPI” and began her journey as a DJ, producer, and sound designer - collaborating predominantly with video media. 

If all that sounds like your bag, then wrap your head around her new album “Threshold Value”.
 
Ahead of what would be the strangest year in living history, on January 1, 2020, Yeong Die quit her job and purchased her first synthesizer - a Korg Minilogue. She began working on music at 9am, every morning for three months. The resulting tempest of sound and ideas would be developed further over a total of 7 months from the start of the project, completion being the full length “Threshold Value” - a ten track odyssey of noise and textures and heavy concept clashes skipping between Ambient, Industrial, Manipulated Audio Media, Music and Non-Music Sound. Pieces like “Nool the Que” announce themselves like a love story involving telephone modems giving birth to a dystopian neon future. “Anywhere is Fine” can be heard at home bouncing around the confines of a basement fight club. The 10 minute “Worstward Ho” or “Much O O” could derive from a modern Music for Airports, albeit a 2020 version minus the hustle and bustle, echoes from a place both desolate and tense. 

In Yeong Die’s own words: “The theme of “Threshold Value” is embodied in the title songs ‘Anywhere is Fine’ and ‘Worstward Ho’. I focused on the sense of bearing and pain that I can never get used to. Holding, or not holding up are completely different, but I think the distance between these is very close. “Threshold Value” was the work of finding the space as close as possible between patience and explosion.”

Produced by Yeong Die
Mixed by Yeong Die
Mastered by ACiD
M/V by Uljiro Kim
Photography by leeyunho
Costume by HALOMINIUM

Follow Yeong Die https://www.instagram.com/yeongdie/

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Join the clipp.art fanclub - https://clipp-art.bandcamp.com/fan-club
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Send your Music Demos - https://clipp.art/inbox

About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party. 

clipp.art events and tours feature headlines from Gerd Janson, FYI Chris, Breakbot, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Seb Wildblood, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral (RIP), Dave Clarke, Optimo, Dusky, Laurent Garnier, Nemone, Vin Sol, Skream, Tensnake, Phil Kieran, Pete Tong, Shaun J. Wright, Little Helpers, Honey Soundsystem, The Black Madonna (Formerly Known As), Monki, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many many more! 

General Enquiries ☞ clippart001@gmail.com
000-919999-KETTY

Threshold Value

Download

Yeong Die - Tune of Nap

Yeong Die - Much O O

Yeong Die - Not Necessarily Life

For those interested the field recordings contained within Mac-Talla Nan Creag 1 & 2, here is a further contact mic recording by Lindsay Todd from August 2020.

Dun Carloway is currently under conservation work with a huge amount of scaffolding and security fence. There was a fair wind blowing and the whole structure was resonating wildly.

Equipment used:

2x JrF contact mics with Hosa MIT-129 impedance transformers
1x Sound Devices MixPre3

** Headphones or studio monitors recommended for full frequency listening **

Dun Carloway is an excellent cross-section of a broch – a type of structure found only in Scotland. It overlooks Loch Carloway and is built on a rock on a steep south slope at the height of 50 metres and is the best preserved broch in the Outer Hebrides. At 9m tall it still stands close to its impressive full height. It was probably constructed about 200 BC. Broch-building ceased around AD 100, but they may have continued in use.  Evidence from excavations suggests it may have been used until about AD 1000. It’s also said to have been used as a stronghold by members of the Morrison Clan during the 1500s.

Dun Carloway Broch Contact Mic Recording August 2020

sounds like a good time since 2017 / 000-919999-KETTY

Music Submissions via TrackStack > https://www.tstack.app/clippart

enq? clippart001@gmail.com

https://fanlink.tv/clippartslgt

Yeong Die - Tune of Nap

𝗰 𝗹 𝗶 𝗽 𝗽 . 𝗮 𝗿 𝘁

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