love the faint droning in the background <3

이동하는 바다 몰아치는 파도 쏟아내리는 보라색 물줄기 나는 여기에 없다 폭풍우가 맛있다 조용한 레몬즙 베개가 울부짖는다 이어폰은 침묵했다 동그라미가 죄다 네모는 운다

너무 잘들었어요 울고싶은 밤의 아침입니다

Encounter 1

wasted

The Back # Ground series are experiments in ambient music- as in ‘background music’. The AmbiFoS and FdE Series are experiments and interpretations based on the 24 variations of Les Folies d‘Espagne by Marin Marais. Installation Music is what is says it is – typically for an art installation which often increase in intensity as you passage through. The ‘Starter For’ series are experiments in music for stuff like event openings/beginnings. The ‘Lift Music’ Series are usually palindromic and can be played forwards or backwards – up or down. #RNDOriginal #rednemesisdog :- ‘Original’ musical evolutions and experiments using a Polyend Tracker and/or Polyend Mini. With samples from: #teenageengineering #polyend #ep1320 #polyendtracker #akaimpkmini #stylophone #hawaiiangosling #polyendmini 

Back 1NE Ground

For more information on ATAXIA, the new album from @rian-treanor on @planetmurecords click here:

https://link.bleep.com/Bleep-Mix-55-Rian-Treanor-SC

In celebration of the new record from Rian Treanor on Planet Mu, we got him to deliver the 55th mix in our Bleep Mix series. After Rian Treanor's Contraposition EP, the first release on the revived Warp Records sub-label, Arcola and his releases on Death on Rave, we have been waiting with our ears and feet at the ready for his debut album, and it surely does not disappoint.

With ATAXIA we are welcomed into a sound-world where club sonics are smashed together with delirious abandon. Speed garage, leftfield techno, grime, Braindance and more are all present, with Treanor dissecting the sonic artefacts from bygone eras of clubbing - a garage vocal, a synth pad or an upstart rhythmic archetype from his hometown of Sheffield, creating complex rhythmic constructions.

If you are a fan of the man's music, you'll be a fan of the mix.

Bleep Mix #55 - Rian Treanor

Yetsuby - 오디오 인터페이스 없이 믹싱하면 생기는 일(구애의 춤Dance of ♥)

Rinse France Podcast

Yuzo b2b Mimi Melanin - 01 Mai 2020

𝘾𝙤𝙢𝙛𝙤𝙧𝙩𝙖𝙗𝙡𝙚 𝙎𝙤𝙛𝙖 - 𝙛𝙧𝙤𝙢 𝙡𝙞𝙫𝙚 𝙥𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚

𝘗𝘦𝘳𝘧𝘰𝘳𝘮𝘦𝘥 𝘣𝘺 𝘚𝘢𝘭𝘢𝘮𝘢𝘯𝘥𝘢
𝘈𝘳𝘵𝘸𝘰𝘳𝘬 𝘣𝘺 𝘚𝘢𝘭𝘢 𝘰𝘧 𝘴𝘢𝘭𝘢𝘮𝘢𝘯𝘥𝘢

Allez (2019/November)

𝘗𝘦𝘳𝘧𝘰𝘳𝘮𝘦𝘥 𝘣𝘺 𝘚𝘢𝘭𝘢𝘮𝘢𝘯𝘥𝘢
𝘊𝘰𝘮𝘱𝘰𝘴𝘦𝘥 𝘣𝘺 𝘚𝘢𝘭𝘢𝘮𝘢𝘯𝘥𝘢

LIVE (2020/SEP @ K/A/T/O Massacre)

Yeong Die - Threshold Value [CLIPP165]

Yeong Die is an artist residing in South Korea that got into music after commencing her study of piano at age 6. In the following years she was influenced by Chopin and Beethoven, K-Pop, Bill Evans and Brad Mehldau, Aphex Twin and the Boards of Canada, Bjork, Erykah Badu and DJ 威力. “Studying jazz from an early age made me want to make music that understood the concept of ‘improvisation’. I started producing with minimal equipment, using only Master Keyboard, MacBook, and Logic X... ”. In 2018 she dropped her debut self album “PIZZAPI” and began her journey as a DJ, producer, and sound designer - collaborating predominantly with video media. 

If all that sounds like your bag, then wrap your head around her new album “Threshold Value”.
 
Ahead of what would be the strangest year in living history, on January 1, 2020, Yeong Die quit her job and purchased her first synthesizer - a Korg Minilogue. She began working on music at 9am, every morning for three months. The resulting tempest of sound and ideas would be developed further over a total of 7 months from the start of the project, completion being the full length “Threshold Value” - a ten track odyssey of noise and textures and heavy concept clashes skipping between Ambient, Industrial, Manipulated Audio Media, Music and Non-Music Sound. Pieces like “Nool the Que” announce themselves like a love story involving telephone modems giving birth to a dystopian neon future. “Anywhere is Fine” can be heard at home bouncing around the confines of a basement fight club. The 10 minute “Worstward Ho” or “Much O O” could derive from a modern Music for Airports, albeit a 2020 version minus the hustle and bustle, echoes from a place both desolate and tense. 

In Yeong Die’s own words: “The theme of “Threshold Value” is embodied in the title songs ‘Anywhere is Fine’ and ‘Worstward Ho’. I focused on the sense of bearing and pain that I can never get used to. Holding, or not holding up are completely different, but I think the distance between these is very close. “Threshold Value” was the work of finding the space as close as possible between patience and explosion.”

Produced by Yeong Die
Mixed by Yeong Die
Mastered by ACiD
M/V by Uljiro Kim
Photography by leeyunho
Costume by HALOMINIUM

Follow Yeong Die https://www.instagram.com/yeongdie/

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About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party. 

clipp.art events and tours feature headlines from Gerd Janson, FYI Chris, Breakbot, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Seb Wildblood, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral (RIP), Dave Clarke, Optimo, Dusky, Laurent Garnier, Nemone, Vin Sol, Skream, Tensnake, Phil Kieran, Pete Tong, Shaun J. Wright, Little Helpers, Honey Soundsystem, The Black Madonna (Formerly Known As), Monki, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many many more! 

General Enquiries ☞ clippart001@gmail.com
000-919999-KETTY

Threshold Value

Download

Yeong Die - Tune of Nap

Yeong Die - Mary Rid (reloaded)

Queen Jackson

sounds like a good time since 2017 / 000-919999-KETTY

Music Submissions via TrackStack > https://www.tstack.app/clippart

(please no afro-house)

enq? clippart001@gmail.com

https://fanlink.tv/clippartslgt

Yeong Die - Tune of Nap

𝗰 𝗹 𝗶 𝗽 𝗽 . 𝗮 𝗿 𝘁

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jackson

nworb

Lazy Pluto 𒂼𒁂

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