new push t

The Dead Apple / New York Crash

The Dead Apple

KNICKS IN 6

Ace Trumpets

I Took It Personal

Pass It Out/House Calls

It Ain't Personal

Samurai + Palaces

Palaces (feat. Troy Tyler)

Eating at a restaurant, 
we spend time doing all of your hobbies
cried when you got to the car 
did you ever really like me? It’s hard 

You make me wanna think about us 
I’m feeling like I can’t get enough of you 
I really wanna do stupid stuff 
It feels like I can’t be alone with you 

We’re not getting any much younger 
why wait when the time’s almost over, 
we’re not getting any much younger 
why wait when the time is almost over. it’s hard!

You make me wanna try hard at love 
I really don’t think I could break up with you. 
I’m thinking about shooting the club 
if I don’t think I’ll ever get home to you.

Mafia

Let God Sort Em Out

All Things Considered

So Far Ahead

By The Grace Of God

The Birds Don't Sing

Sarah

Grasshopper

In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”

Ace Trumpets

Clipse

Recent comments

Bran

outlier.mp3 MC Ligma CaballeroCabron NagasakiNigga

Lamont Hicks

racedude54ℤ

Related tracks