For a Quiet Friday

Steve Reich - III: Fast (Pat Metheny), from Electric Counterpoint (1987)

Ólafur Arnalds – Ljósið

[p*dis] distribution sampler for July 2011.

The Advisory Circle - As The Crow Flies -Now Ends The Beginning (Ghost Box)

DEBUT ALBUM OUT NOW – AVAILABLE ON CD/LP/DOWNLOAD.

ORDER DIRECTLY FROM ERASED TAPES and receive a FREE POSTER with each CD/Vinyl order*:
http://www.erasedtapes.com/store/index/ERATP032
BOOMKAT:
http://boomkat.com/cds/437680-a-winged-victory-for-the-sullen-a-winged-victory-for-the-sullen
AMAZON:
http://www.amazon.co.uk/Winged-Victory-Sullen/dp/B005BV5DOQ/
iTUNES:
http://itunes.apple.com/gb/album/a-winged-victory-for-sullen/id448922166?uo=4

'GEM' ★★★★ MOJO | 'TRIUMPH' ★★★★ UNCUT | 'VICTORIOUS' – GUARDIAN | 'A VICTORY' – BBC MUSIC
'CELESTIAL' 9/10 – DROWNED IN SOUND | 'OTHERWORLDLY' 7.3 – PITCHFORK | 'SUBLIME' – EXCLAIM
★★★★ SPIEGEL | 'EIN TRIUMPH' – DE:BUG | ★★★★ DE MORGEN | 'EEN PAREL' – FOCUS KNACK | 'PRACHTPLAAT' – GONZO 


EXCLUSIVE FULL ALBUM STREAM VIA OUR FRIENDS AT DROWNED IN SOUND:
http://drownedinsound.com/news/4143522**

*as long as stock lasts.
** for a limited time only.

---

CONTENT: ‘A Winged Victory For The Sullen’ is the first installment of the new collaboration between Stars Of The Lid founder Adam Wiltzie and L.A. composer Dustin O’Halloran. The duo agreed to leave the comfort zone of their home studios and develop the recordings with the help of large acoustic spaces, hunting down a selection of 9ft grand pianos that had the ability to deliver extreme sonic low end. Other traditional instrumentation was used including string quartet, French horn, and bassoon, but always juxtaposed is the sound of drifting guitar washed melodies. The recordings began with one late night session in the famed Grunewald Church in Berlin on a 1950s imperial Bösendorfer piano and strings were added in the historic East Berlin DDR radio studios along the River Spree. One last session on a handmade Fazioli piano in a private studio on the Northern cusp of Italy, before the final mixes took place in a 17th century villa near Ferrara with the assistance of Francesco Donadello. All songs were then processed completely analogue straight to magnetic tape. Their secret to harvesting new melodic structures from the thin air of existence was for the duo to push themselves to dangerous territory, realising that clear thinking at the wrong moment could stifle the compositions. The final result is seven landscapes of harmonic ingemination. In ‘Requiem For The Static King Part One’ – created in memory of the untimely passing of Mark Linkous – they have taken the age-old idea of a string quartet and then shot it out of a cannon to reveal exquisite new levels of sonic bliss. Of the 13 minute track ‘Symphony Pathétique’, Wiltzie says ‘after almost 20 years of struggling to create interesting ambient drone music, I feel like I have finally figured out what I am doing’. Notable guest musicians include Icelandic cellist Hildur Gudnadottir, as well as Erased Tapes label comrade Peter Broderick on violin. A Winged Victory For The Sullen is not a side project – it is the future of the late night record you have always dreamed of.

CONTEXT: On May 24th 2007, in Bologna, Italy, Adam was on tour and playing with the late Mark Linkous & his beloved Sparklehorse, on what would be their final European tour. That night Adam invited friend and colleague Francesco Donadello to see the concert, and Francesco's guest this evening was composer Dustin O'Halloran (Sofia Coppola’s ‘Marie Antoinette’ O.S.T.). Through a strange twist of backstage conversations surrounding passport cache conundrums, and love of Italian gastronomy, a curious friendship began that now has brought forth an offspring of truly curative compositions for the world to savour.

As announced by Pitchfork and Drowned In Sound the self-titled debut album of A Winged Victory For The Sullen will be released worldwide on September 9, 2011 via Erased Tapes Records (except for North America where it will be out on Kranky).

A Winged Victory For The Sullen - Steep Hills Of Vicodin Tears

Harp, synth and electronic dance beats, composed by UK Minimalist composer Graham Fitkin for FITKINWALL - harpist Ruth Wall and Graham Fitkin. Features on FITKINWALL album Still Warm. 

01 Snow Clamp

Taken from ‘Music for the Motion Picture Victoria’ – released by Erased Tapes on June 15th, 2015
ORDER LP/CD/Digital here:
www.erasedtapes.com/store/index/ERATP071
ORDER DL via iTunes here:
http://snip.ftpromo.net/victoria

ABOUT:

Nils Frahm has always said that he’s just waiting for something real special when being asked if he would ever score the music for a film. And that’s exactly what German director Sebastian Schipper presented to him with his one-take feature ‘Victoria’. Filmed in Berlin, Victoria’s plot sees a runaway party girl, who's asked by three friendly men to join them as they hit the town, but their wild night of partying suddenly turns into a bank robbery as the music changes from techno to subdued piano sounds.

For the recording session at Studio P4 in Berlin, Frahm enlisted the help of long-time collaborator and cellist Anne Müller, violist Viktor Orri Árnason and ambient artist Erik K. Skodvin of Deaf Center on guitar.

‘Victoria’ won the Berlinale Film Festival prize for Best Cinematography and has also received seven nominations including Best Soundtrack for the Deutscher Filmpreis – Germany’s highest movie award, and will be released in cinemas across Germany on June 11th with plans to release it in the UK and other countries soon. 

More info: nilsfrahm.com · erasedtapes.com

Music for the Motion Picture Victoria

Them

Buy LP/CD/DL

from the album 'where all is fled' available 9/25

steve hauschildt 'vicinities'

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Sanft verblassen die Geschichten

Ash / Black Veil

Vertical Land

Horizon Climbs

Pole Star

Gillan Na Drover

fisrt excerpt from DR-41 : The Green Kingdom - Harbor, CD

Out on November, 1

dronarivm.com

Mastered by Fraser McGowan (Caught In The Wake Forever)

Cover photo by Brian Young (losingtoday)

buy CD

THE GREEN KINGDOM - Jade Star (from 'Harbor' CD)

Harp

The Boats - Sarah Alice

Select your favorite platform: https://ampl.ink/ZDj6x 
"Sanfilippo invests the eight untitled pieces with deep feeling, and the listener is often taken aback by the elegance and beauty of the material. There's some hint that the settings are largely rooted in improvisation; if so, the recording impresses even more because its harmonious pieces present themselves as formal compositions of distinct melodic character rather than directionless musings" Textura.org
..................
All songs written and recorded by Bruno Sanfilippo at Onix II Studio, Barcelona, Spain.
One Lexicon unit has contributed to the texture of the piano sound, field recordings and electronic atmospheres.  
Art Direction by Ximena Contreras [ad21]
Manuel Del Fresno: Cello on track 5.
Bruno Sanfilippo: Grand piano & processing
··················
Bruno is an Argentinian classically trained musician, producer, and composer based in Barcelona who writes for strings, piano, and electronics.  In 1998 he started as a producer for ad21, a personal platform and label. His Piano Textures series, started in 2007, is one of Sanfilippo’s most representative set of recordings, but he has also gained wider recognition in modern music – one of his piano compositions formed the basis for Canadian rapper Drake’s seminal hit, ‘Started From The Bottom’
www.bruno-sanfilippo.com

For a Quiet Friday

Clobb Curlew