@Univac-Geistform is the focus of this @DarkScienceElectro Rewind.

Since 2010, the Univac project was created by Rafael M. Espinosa in Spain. He is also the creator of the electronic techno-industrial project @Geistform - This track appeared on his debut record on @bunkerrecordsofficial - His sound hovers somewhere between Detroit Electro like Drexciya and Machine Funk from The Hague. This entire album is gold and is highly recommended by me. Bunker has made it available digitally on their Bandcamp. Be sure to check out his recent releases on @Moustache-Records and @MelodizeMusic

Find Univac:
www.facebook.com/Univak
www.instagram.com/geistform_univac/

Radiation 

Buy Here

Electro Rewind: Univac - Untitled 1 (2011)

Lost In Ether | P R E M I E R E | Geistform - Próxima B [Trauma Collective]

taken from: Geistform - Antena, A1 [TRM004]
release date:  25 03 22
pre-sale: 04 03 22
shop link: https://traumacollective.bandcamp.com/album/antena

explore more:
Geistform
https://www.facebook.com/Geistform
https://soundcloud.com/geistform
Trauma Collective
https://www.facebook.com/traumacollective
https://soundcloud.com/trauma-collective
https://www.instagram.com/traumacollective/
https://traumacollective.bandcamp.com/

Lost In Ether | P R E M I E R E | Geistform - Próxima B [Trauma Collective]

Forget Me

Monya Live 2024.

@monya

https://www.altaragency.com/artist#/monya
https://handsofficial.bandcamp.com/album/euphoria

NYX RITUAL LVII - MONYA LIVE

Dark Industrial Drum & Bass - DAWless composition on MPC 3 Beta and synths. Using Behringer Proton, Behringer Neutron, Behringer Edge, Waldorf Blofeld, Eurorack Modular System, etc. 

20241027 Axiom

soundcloud : @tommyfourseven
instagram : https://www.instagram.com/tommyfourseven_47/
youtube video link : https://www.youtube.com/watch?v=B52arcO2kkw&t=4s

C12 w/ Tommy Four Seven @ GIMIC - 29 March 2025

The baroness of sludge and eroticism, the Vampira of "techno", the Elvira of acid... she's been called many things but who the hell is she?

L.Sangre was originally hatched in the gothic swaps of Miami and marinated/refined in the realness of New York for a bit over a decade, wherein the last half she's dj'ed here,around and beyond.

Rhythmic proclivities, acidic elements, and the ebb and flow of industrial roots to name a few, all inform the influences she draws from in her past to drive her present.

In 2018 she and Silent Servant paired up to produce releases as their project Limit-Xperience, and their two EPs were released under her Orden Extatica label.  Locally, she is a resident dj for the Lost Soul Enterprises crew and party series that pops up with in various locations around Brooklyn (most recently by way of a Good Room residency). ? 

Often disenchanted with the current state of popular techno affairs, she finds community with the real ones and mutant family she finds intermittently throughout the musical journey across the country and world.  appropriately honoured to contribute to the L.I.E.S. series as a result.
 
Freak 4 Freak 4ever.

L.I.E.S. Podcast 60-L.Sangre "All My Bleeding Passions" mix

We’re delighted to present ZONAL's dubbed and screwed mix featuring original compositions and tweaks of some of their favourite tracks.

See the tracklist here → https://crackm.ag/30cYCi4

Heavy dub – Mixed by ZONAL

Next Episode of Abaddon Podcast with Geistform

Rafael M. Espinosa, known as Geistform, a Spanish industrial-techno-electro music producer and performer based in Rubí (Barcelona).

Geistform’s machines emit out oscillations, frequencies, noise and electricity. A fan of industrial music,electro/Hip Hop, minimalist electronica and analogue sounds. Geistform’s live performance, configured exclusively with hardware, including an old oscillator, is a real initiation and devotional rite to the sound sought after by the clubs and festivals devoted to the most exploratory music.

Follow Geistform: 
SC - https://soundcloud.com/geistform
FB - https://www.facebook.com/Geistform

Abaddon Podcast 096 X Geistform

This Was Belgium 1987-89 - 2 hours of New Beat favourites

New Beat was born and initially exploded in 1987, went supernova (in Belgium) in 1988 and then the formula morphed a bit and was declared dead in 1989. It was slow and initially all about the atmosphere with industrial strength beats - the main form of rhythmic propulsion being the pounding kick and heavy snare. It was often mainly instrumental and when there was lyrical content it often became more about slogans and giving commands - "Move Your Ass And Feel The Beat!", "Let There Be Brightness!", "Shout Out Loud!". While not really New Beat, it's no surprise Technotronic's "Pump Up Jam" was produced by a crew who had produced a ton of New Beat gems.

In 1989 one of New Beat's founders, Marc Grouls said "New Beat is atmosphere, beats, no lyrics, and sure as hell not commercial!!!!!" But, it was already too late. A zillion bandwagon jumpers had diluted the music and flooded the market with too many sub standard 12" singles. New Beat temple, the legendary Boccaccio nightclub, in Destelbergen, near Ghent, had been closed down and it looked like it was all over, but really, it was just the beginning. New Beat morphed into Hard Beat (many of the tracks on this mix are from the Hard Beat era) which quickly morphed into Belgian Rave, which was huge and hugely influential in the UK and is an often overlooked part of the DNA of UK Hardcore, and all that came after. Then from Ghent, R&S Records established itself as thee European Techno label and a huge wave of incredible Techno records emanated from it and many other mighty Belgian labels, but that is another story. 

New Beat arrived just as I first started DJing and I played a lot of it in my DJ sets and built up connections with several of the leading Belgian labels who would send me 12" singles so I had records nobody else here had any idea even existed. I would compile New Beat charts for the music paper The NME which may have given the impression there was a thriving New Beat scene in Scotland. The reality was very different; people here, many of whom would embrace the rave just a little while later never really took to it in a big way.

This mix is comprised of many of my personal favourites that I have loved since they came out (and two I missed at the time and only heard later). I think the tracks have aged like a fine wine, often sounding as good if not better today as they did then. There is definitely a faint whiff of fromage and a big dollop of stoopid in several of these tracks. Of course, it is not all about the cheese and many of these adhere to the "atmosphere, beats, no lyrics, and sure as hell not commercial" rule mentioned above. Some of the best programmed 303 Acid basslines ever made can be heard here along with transcendental hypno synths and those Belgian beats going on and on....! Slow and low, from under 100bpm up to 116, New Beat doesn't chug, it swings in a very distinct way. If you get to see any videos of Belgian clubs of the era, the way people moved to this music is incredible and so different to any dancing we see today.

Many of these tracks are made by the same people under various aliases, which will perhaps be audibly evident. Most of the names have been forgotten, if they were ever even known outside their native Belgium at all, but all are legends to me. 

This mix isn't any kind of attempt to tell the story of New Beat but rather a mix 33 of my favourite 12" singles from that era showing many of the various strains of the New Beat and Hard Beat sound. A lot of love went into this and I hope someone somewhere discovers this music for the first time and falls in love with it as I did way back when. This was Belgium!

This Was Belgium 1987-89 - 2 hours of New Beat favourites

Mostly DAWless jams or live recordings, using synths and a modular system. Industrial, Rhythmic Noise, EBM, Power Noise and some dark Drum & Bass.

20241027 Axiom

clonn