Shlomi Aber & Guy Gerber -  Sea Of Sand (Cocoon)

I wrote "Skyscrapers" on one of my long trips to a far away country. It is a love song. It is about missing someone very much even if you don't always get along and agree on things.  In moments like that you just want to run away .. as fast as you can .. only to feel like you want to come back 5 minutes later..

credits -
written, produced and performed by Nina Kraviz
mixing - Nina Kraviz, Tobias Freund and Denis Kolesnikov
vocal recording - Denis Kolesnikov 
mastering - Denis Kolesnikov

Skyscrapers

Buy & Stream

Nina Kraviz - Skyscrapers

New Album from Marc Romboy! Release 7. March 2014

Marc Romboy with Fyta & Ray Wilbern - Shake It Again! (Soundcloud Edit)

Horizon [Progressive House]

Buy on Beatport

Guy Gerber & Miss Kittin -  Rumors On The Dancefloor (Part 1)

Aphrohead - Let's Prance (Radio Slave & Thomas Gandey Last Communication Remix)

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

H&T04 Robag Wruhme - Veddel Baav

Last Night On Earth label boss Sasha has joined forces with the blossoming Swedish artist La Fleur for a collaboration "born out of a growing mutual respect for each other’s music and career path."

Their joint track, 'Förbindelse' (Swedish for 'connection), is a fruitful and potent dancefloor enhancer that showcases both Sasha and La Fleur's newfound sonic connection with one another.

"When I first approached Sasha to present some music for his label I couldn't have dreamt he would suggest a collab together," La Fleur says. "It was a great honour to say yes to the challenge. It has taken some time and a lot of drafts going back and forth to end up with this track together, when it just felt right."

‘Förbindelse’ drops on Last Night On Earth on Friday, October 26.

Pre-order: https://lnk.to/LNOE095

More exclusive music

Premiere: Sasha & La Fleur 'Förbindelse'

Welcome to Berlin - Silversurfer

Release date: 8th of June.

Rose Ringed's third release. With three completely different tracks, Rose Ringed continues to explore different types of leftfield house and techno. The first track "Take Me Away" is a true peak time energy booster. Led by a straight four to the flour techno beat, a simple yet catchy hook and a vocal sample of Oceanic's "Insanity". The second track ("Energy") is a breakbeat emotive string-filled track which just makes you close your eyes and dance to the rhythm. The third and final track named "Sorry" is a somewhat more relaxed track with a very deep and long break, which makes the track convert to a euphoric piano house beat.

Rose Ringed - I Am Sorry

Why we exist 
Closed Eyes Recordings delivers stories through sound. With these stories, we want to create an impactful experience for our listeners. We believe meaningful stories help you guide you through the highs and lows in life. Stories like this are the most valuable for us in a piece of music. It’s this music that makes you close your eyes and experience the most beautiful thing in life: being.

What we aim for
Closed Eyes Recordings releases only those records resonate with your deeper feelings. We aim to release an artist’s most personal work; music that has a deeply special meaning for them. This could be a passed away loved one, an exciting memory of their youth or any other meaningful feeling or thought they get when listening to their work.

In our vision, the only valuable criticism stems from the feeling a record evokes among its listeners. Those who try to single-handedly evaluate music by rationally overanalysing it, miss the purpose of music itself: extricate emotions.

What we look for
The sound should never be perfect because life isn’t perfect itself. 
We love raw, vintage and imperfect sounds, and yes we are suckers for the melody. Unexpectedness is key within our sound and we prefer simplicity over complexity. Music is a feeling, not an equation.

Rose Ringed - I Am Sorry

Closed Eyes Recordings

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