The next mixtape instalment comes from the hand of one of the sound artists we have long followed and admired. Jana Winderen is contributing to the series with a mix inspired by one of her recent compositions, the track "Listener" which appears in the VA compilation Colliding Wind by Concentric Records. 

Jana Winderen is an artist and field recordist that has dedicated a big part of her life recording and revealing sounds from the most remote sources – oceans, glaciers, ice cavities. A multifaceted artist, her impressive amount of work expands from installations, performances, exhibitions, recording releases, field trips. Her practice pays particular attention to audio environments and to creatures which are hard for humans to access, both physically and aurally – deep under water, inside ice or in frequency ranges inaudible to the human ear.


With a background in Marine Biology and also in Fine Arts, she gives life to her compositions listening over and over and, slowly collaging things together, more like sculpting than writing - something she shared with us in an early interview. 

The Listener’ is a sound composition created from hydrophones and sound field recordings in and by the River Orne in Normandy. As an indicator of the river´s waters health, freshwater biologists count underwater insects and use this data. If one identifies the sound of the specific underwater insects with their varying ability to survive forms of pollution, one can possibly, through focused listening, reach an understanding of the health of the river. ‘The Listener’, was a 6 channel audio installation part of the exhibition Second Nature and the project Nature and Renaturation: A Sensory Overview of a History of Changing Watercourses. A three-year-long project which started in 2014 by Thierry Weyd, Esam Caen-Cherbourg (Art Academy) and Camille Prunet, Research Coordinator chez École Supérieure d’Arts et Médias Caen/Cherbourg. 

And early this year the track has been included in the Concentric Record VA debut trilogy (courtesy of Touch). CONCENTRIC RECORDS is a multi-disciplinary record label exploring new music that transcends identity and definitions, and is inspired by a sense of collective movement. Spawned by the work of artists who operate in between set approaches and styles, the label releases high quality, carefully-designed physical editions of recordings that defy genres and promote inter-cultural links. In colliding winds, they approach the concept that ‘a COLLIDING WIND binary' is a binary star system in which the two members are massive stars that emit powerful, radiatively-driven stellar winds. The location where these two winds collide produces a strong shock.’ As we reference the state of world chaos today, a colliding-wind is a reassuring reminder of the inspiring thought that the act of coming together as one produces exponentially powerful results.

Tracklist:
Anodyne - We Are All We Have (Autechre Remix)
Melissa Pons - Freita 
KMRU - Why Are You Here
John Grzinich - kinetic sense
KMRU - me tal
Philip Jeck - Fleeting 
BJNilsen - Impossibilidad
Ipek Gorgun - Tserin Dropchut
Ian Wellman - Mercury
Seefeel - Lux1

CLOT Magazine presents JANA WINDEREN

Dalhous, the music project of Marc Dall and Alex Ander formed in Edinburgh, are bringing our next mixtape instalment, with a mix that will particularly please those with cinematographic inclinations. 
Dalhous have just returned after a 5-year hiatus with a long-awaited follow up to 2016's House Number 44, presenting the second volume of The Composite Moods Collection: Point Blank Range released on Denovali Records earlier this year.  
This mixtape is a collection of some of the records Dalhous have been re-listening to recently. They like to make mixes in the same way they make records where entire tracks are used as raw material. The cinematographic influence comes across immediately: There are a lot of cues from film and game soundtracks, from classic FPS games like Wolfenstein 3D and Half-Life through to a library cue from David Cronenberg's Shivers, to direct audio rip from the opening of Abell Ferrera's The King of New York by Joe Delia.  

Tracklist:
Concierto for Violin OP. 8# Autumn by Antonio Vivaldi arranged by Joe Delia - King of New York OST (1990)
Takefumi Haketa - Intercourse of Ghosts - Kairo OST (2001) / Audio extract from Pulse (2001) / Takefumi Haketa - There is nobody in the laboratory - Kairo OST (2001)
Klaus Shulze - Dream Team - Next of Kin OST (1982)
Carlo Maria Cordio - Incontro - Absurd OST (1983)
Bruce Ditmas - Visioni Sconvolgenti (2017)
Edward Artemiev - Part V - Solaris OST (1972) / Tangerine Dream - Terrible - The Keep OST (1983)
Popol Vuh - The Great Ecstasy of Woodcarver Steiner OST (1974)
Richard Einhorn - Audio Extract - Blood Rage OST (1987) / Charles Bernstein - Lurking - Nightmare on Elm Steet OST (1984)
Miwako Chinone - Saferoom Theme - Resident Evil 7 OST (2017)
Christoph De Babalon - Opium - If Your'e Into It, I'm Out Of It (1997) / Alan Splet - Audio Extract - Blue Velvet (1986)
Chu Ishikawa - Swamp - A Snake Of June OST (2002)
Joji Yuasa - Audio Extract - Funeral Parade of Roses OST (1969)
Angelo Badalamenti - Main Theme - Mulholland Drive OST (2001)
Clint Mansell - Ambient Music Loop - Pi OST (1998)
Akira Yamaoka - The Forest Trail - Silent Hill OST (2001)
Mark Isham - Dust and Gasoline - The Hicher OST (1986)
Bobby Prince - Wondering About Loved Ones - Wolfenstein 3D OST (1992)
Audio Extract - Black Christmas (1974) / Simon Park - Vocal Point - Dawn of The Dead OST (1978)
Simonetti-Pignatelli-Morante - Flashing - Tenebrae OST (1982)
Charlemagne Palestine - Strumming Music (1974) / Chris Conner - Key Personnel - Manhunt OST (2003)
Laurie Anderson - Gravity's Angel (instrumental) - Naked Lunch trailer music (1991)
Muslimgauze - Under The Hand Of Jaruzelsk (1987) / Jack Nitzsche & Barre Phillips - Cat & Mouse - Cruising OST (1980)
Graeme Revell - Nobody on the Safety Boat - Dead Calm OST (1989) / Graeme Revell - Fireboat Light - Dead Calm OST (1989)
Barry De Vorzon - Men's Room - The Warriors OST (1979)
Kelly Bailey - Vague Voices - Half Life OST (1998) / Wang Chung - City Of The Angels - To Live and Die In L.A OST (1985)
Nurse With Wound - Spiral Theme - Scrag! (1987)
Popol Vuh - Brothers of the Shadows - Nosferatu The Vampyre OST (1979)
Coil - Meaning What Exactly-666 - Unnatural History III - (1997) / Coil ‎– Here To Here (Double Headed Secret) - Unnatural History (1990)
Akira Yamaoka - Eternal Rest - Silent Hill 1 PSX OST (2001)
Akira Yamaoka - Is This The End? - Silent Hill 4 OST (2004)
Eugene Cines - Rooms in a Museum - Shivers OST (1975)

DENOVALI presents DALHOUS - A Labyrinth. A Maze. A Dream.

Electronic musician and sound artist Josep Kamaru, aka KMRU, takes us on our first December sonic journey.
Born in Nairobi and currently based in Berlin, KMRU is a sound artist and producer whose methods include field recording, improvisation, noise, machine learning, radio art and drones. With a paramount sound and visual sensibility, his work is reminiscent of ambient masters such as Lawrence English. KMRU’s sound though is uniquely positioned between the rarely-married cultures of ambient and African music, entwining his compositions with field recordings from his native Kenya and the surrounding countries of East Africa.

Self-releasing his productions, these have been received very enthusiastically by both critics and the audience. In 2020, he released three albums that showed the depth and range of his sound: Peel, an LP of hypnotic drones on the avant-garde institution Editions Mego; Opaquer, a collection of vivid and dreamlike sound sculptures; and Jar, a dreamlike cassette of found sounds and analogue ambience. KMRU hasn’t stopped in 2021 with a few more releases including Logue, an album Formed of tracks written from 2017 to 2019, which represents an artist not only in command of his form but also willing to develop and evolve, ready to deconstruct and radically refocus his music to explore new contours of experimental and ambient sound design.

This mix he shares is a liminal narrative of falling asleep, each track feels like an episode of a hypnagogic state. I’ve been thinking deeply about dreams and nostalgia this past week and these tracks evoke this feeling.


Tracklist:
Patricia Wolf - Morning Light
KMRU & Nyokabi Kariuki – unreleased
Fields We Found – Drops
Alexandra Spence - Suddenly Silent
Perila & Ulla - every something is an echo of nothing
Kevin Richard Martin - In Slow Motion
Klara Lewis & Peder Mannerfelt - Styrofoam Tone
Pita - Two Top Five
Tim Hecker and Daniel Lopatin - Uptown Psychedelia
Aho Ssan - Outro (KMRU Remix)
Tashi Wada - March 2007
MIGUEL ANGEL TOLOSA - salon 09-02
loscil – Vespera
The Transcendence Orchestra - Weather Series
John Hassel -Hex
Sarah Davachi - Border of Mind

CLOT Magazine presents KMRU - Encouraged Rain

For our next mixtape set, duo Auf Togo will be taking us into a session of Pop, Funk & 70's Cosmic Disco, filled with hypnotic grooves and absorbing melodies. 

Auf Togo is the long-time collaboration between Sasa Crnobrnja and Clement Cachot-Coulom which is inspired by the Cosmic disco sounds of the late 70s/early '80s. Sasa Crnobrnja originates from the deep, disco-laced house duo of his duo alias In Flagranti (Kitsune, Phantasy, Gomma & more) and Clement Cachot-Coulom from bands The Fabulous Penetrators and Big Girls. With the Auf Togo formation, they present a sound that echoes the richness and flavour of vintage recording equipment and instruments whilst holding the edge and sharpness of modern studio techniques.

The duo presents a loose, almost improvised sound that works very well within the rigid confines of house music. Psychedelic echoey guitars clash with probing synth lines and live-sounding rhythm sections and their heavy kicks and singing cowbells, their deep basslines and spare guitar licks blur the line between rigid, quantised sounds and the duo’s refreshing human touch.
 
Auf Togo recently their new album, Movements (SaS Recording). The record, ​unconventional in its production, stems from samples extracted from Clement’s riffs and jams on guitar, bass and keys, all of which are then ultimately sown together by Sasa’s expert production 

For this mix we can expect…well all that has been said before, abstract sensuous grooves, well-crafted melodies, avant-garde Kosmiche and space disco sounds which hopefully take us away from all that January wintery blues.
Tracklist:
Lion - Youve Got A Woman (Abel Edit) 
Os Mutantes - Ando Meio Desligado
Nu Genea & Celia Kameni Marechià - Marechià 
Serge Gainsbourg - Sea, Sex & Sun (Barry & Gibbs Edit) 
Minami Deutsch - Futsu Ni Ikirenai 
Lizzy Mercier Descloux - Fire 
Giorgio Moroder - Chase 
The Fatback Band - Are You Ready (Bus Stop) - Mitiko
Puma & The Dolphin - Toys Noise 
Django Reinhardt - Rhythm Future

CLOT Magazine presents AUF TOGO -  Pop, Funk & 70’s Cosmic Disco

The next mixtape comes from musician and composer Remo Seeland, who is behind the Swiss experimental label Hallow Ground. He’s presenting a selection of the label’s music, partly in response to the label's recent publication, their first ever "concept-compilation" Epiphanies (Hallow Ground, 2022) released earlier in March this year.


Founded by Remo Seeland, Hallow Ground was created in 2013 and has been instrumental in launching the careers of artists such as Kali Malone and FUJI||||||||||TA as well as recently releasing albums by Lawrence English, Norman Westberg, Maria W Horn and Siavash Amini, as many of Seeland’s composition as well. More than a record label, Hallow ground is a platform for Music and Art that leads to ‘Visions’, also acting as We act as publishers, hosts and performers.

For the label's first ever compilation, the artists were commissioned to pursue a non-rational creative process in approaching the phenomenon of epiphany through sound. The results, whether long-form, short vignettes, profane and concrete sounds or spiritual and abstract pieces, perfectly encapsulate what Hallow Ground as a label has stood for since its inception in the year 2013: challenging not only conventional notions of what music is supposed to sound like but also the listeners' perception through the power of sound.


The mix Seeland has prepared for us reflects on the sound of some of the main artists behind the label, and a joyous and sinuous journey into experimental introspection.

Tracklist:
1) Lawrence English - Outside The City of God (Augustine wept) 04:02
2) Miki Yui - Listening (oneness) 10:03
3) Maria W Horn - Oinones Death pt. I 05:36
4) Siavash Amini - Spuming Silver 05:53
5) Kali Malone - Empty The Belief 10:01
6) Marja Ahti - Symbiogenesis 07:22
7) Remo Seeland - Pulse Points Green 05:33
8) Steve Fors - Unsound Structures 06:26
9) FUJI||||||||||TA - sukima 07:03

CLOT magazine presents HALLOW GROUND

The next mixtape comes from Akusmi, the new project moniker of French-born, London-based composer, multi-instrumentalist and producer Pascal Bideau. It's a dive into Indonesian sounds territories, following his recently published album Fleeting Future (Tonal Union, 2022), which was partly inspired by the artist's journey to the east-Asian country.

In Indonesia, Bideau immersed himself in traditional Gamelan and gong music, and many of the themes, motifs and melodies on Fleeting Future stem from the 'Slendro' scale, one of the essential tuning systems used in Gamelan. However, it is not musical scales but scales as in the size or extent of things that most fascinates Bideau. Specifically, he explains the compelling way things dramatically change when you shift from any given scale to another." From the atomic to the celestial, the micro and macro universes of dizzying complexity co-exist within each other. 
Bideau, who also teaches music production and sound/visual installation at the Roundhouse and the University of East London, feels there is a direct connection between the music he makes to this: You take a simple repetitive pattern, seemingly consistent in its shape, but the more you listen to it, the more it changes and becomes something else. Of course, this is the premise of minimal music, and if you listen to Steve Reich's "six pianos" or Terry Riley's "In C", it does precisely that. But I try to condense it to a much more compact/short time frame to convey the dizziness and epics of the shifting.
On the visual arts side, Bideau makes connections between the work of David Goodsell, a structural biologist who paints watercolours of cell interiors obtained by electron microscopy, and many of the traditional aboriginal art that convey the same sense of systems and organisms, though the batik techniques of the Javanese/Balinese art (an older expression form of pointillism one may say) to even the abstractions of Jackon pollock.

In that sense, Fleeting Future connects directly to nature and the wider world in its evocation of perceptive shifts and transitions from microscopic to macro scale. Its hallucinatory, genre-defying blend of minimalism, cosmic jazz and Fourth World influences, and its quest for optimism in the face of unknown and limitless possibility.

The mix he has prepared for CLOT is a mix of various pieces of Indonesian music that he finds particularly striking in the way they sound: some good examples of different gamelan ensembles from Java and Bali, both bamboo and gong based; some chants from the Kecak music and dance with its highly percussive quality; some pieces of Genggong which is the Balinese mouth harp: I also threw in a few samples of Indonesian radio stations and field recordings done while in Bali for good measure, and some gongs experimentations recorded at my studio in 2018-2019. We are sure it will make the perfect summer treat for our audiences' ears.

Tracklist:
All hits music: Radio Sumatra / The Indonesian FM experience
Gamelan descending a staircase / Arturas Bumsteinas
Radio Java / Radio Republik Indonesia
The music of Lombok / Ratu
Radio Java / Radio Republik Indonesia
Bali Music From the North-West / Seka Balaganjur - Balaganjuran
Radio Java / Radio Solo, Bandung
Best World Sounds / Music of Bali - Kecak 2
Bonang Studio / Gong experiments IV
Bali field recordings / Sarinbuana - Gong & Rindik
Gamelan from Central Java / Genhing Munggang
Bonang Studio / Gong experiments VIII
Radio Java / Radio Bandung
Radio Java / Radio Solo, Bandung
Living Art, Sounding Spirit: The Bali Sessions / Gelaga Punhun
Living Art, Sounding Spirit: The Bali Sessions / Semara Guna
Bonang Studio / Gong experiments IX
Radio Java / Radio Solo, Bandung
Living Art, Sounding Spirit: The Bali Sessions / Kepandung Sita

Tonal Union presents AKUSMI

Our next Mixtape comes from the Polish producer Cafe de la Jungle, where he has recollected some of his latest inspirations in terms of pace and rhythms.


Cafe de la Jungle is Tomasz Zając, a Kraków-based producer who is using modular synthesis, field recording and sampling techniques to build mystical worlds on twelve-inch discs. He’s recently released Tuvan Spirits EP (Dans de la Desert, 2022), where he explores his fascination and interest in shamanic practices in highly dynamic sound environments.


His excellent debut Dancing with Cicadas was rife with dangerous and mysterious rhythms, but Cafe de la jUngle takes a more laid-back approach in the new EP. 
Built around cavernous ambience and bass notes, sounds that paint a picture of a dance ritual so subtle, it’s visceral and highly narrative at the same time. 


We were enthralled with his rhythms and track unfoldings. For the mix he has prepared, He shares that It’s an extension of his latest inspirations and direction of music in terms of pace and rhythms. I’ve been listening lately to a lot of halftime, trip-hop stuff. Naturally, with listening, there is a lot of digging and collecting music. I had this feeling that this style would be perfect for your mixtape series.

CLOT Magazine presents Cafe De La Jungle

Our next Mixtape comes from Nanook of the North, the duo of composer and violinist Stefan Wesołowski and electronic producer Piotr Kalińsk, with a small introduction to their music and the music of their friends.

Taking the name of a 1922 American silent film that follows the struggles of the Inuk man named Nanook and his family in the Canadian Arctic, the two Polish musicians merge compositional roles blending as seamlessly as their use of acoustic and electronic sounds, with Stefan playing the violin and piano parts with additional synth touches and Piotr taking care of electronics, more synths and the final mix.

Their first album, with an eponymous name (published by Denovali), arrived after the pair were invited by the Sopot Film Festival in Gdansk to perform an improvised score to a film screening; they the classic silent movie ‘Nanook of the North and travelled to Iceland to record the album. Despite the icy expansive isolation captured from the movie, the album is also transferrable in scenario and evocation, equally omitting the dangerous allure of dystopian cityscapes or even the 80s sci-fi horror menace of Maurice Jarre, Howare Shore and Jay Chattaway. 

Nanook of the North are now back with their second album Heide (Denovali, 2022). Their new material is a raw and minimalist sonic landscape, practically devoid of percussive elements but featuring vocals by an acclaimed mezzo-soprano Margarita Slepakova. As with the debut, the music on "Heide" is rooted in nature and its primordiality. The title of the album alludes to wildness and untamedness. The material was recorded last winter in a village in the middle of forests in northern Poland, which is clearly felt in the atmosphere of the 9 new tracks on "Heide". 

The mix they have prepared is aimed to be an introduction to their craft and the music of our friends and collaborators from other projects - such as Jacaszek or Olga Markowska (also the author of the cover of Heide). 100% Polish music. Including "Hinode Tapes #05" (the second song), which was recorded by Piort’s new improvising trio Hinode Tapes (released on August 26 by Instant Classic), a great and very inspiring Krakow label.

Denovali presents NANOOK OF THE NORTH - Baltic Stories

The next mixtape sees new output 33, aka Billy Bultheel and Alexander Iezzi, putting together a mix of music and musicians that surround them and create their daily musical landscape.

Through their collaborative project 33, Billy Bultheel and Alexander Iezzi further consolidate a partnership which has taken many forms within a visual, artistic spectrum. Their practice envelops performance art, music and installation whilst pinpointing, developing and elaborating the most meaningful and poignant marriages of the disciplines. Their differing backgrounds have informed how their long collaboration works – Bultheel with his conservatory training and Iezzi coming from DIY punk and experimental music scenes.


Their debut album 33-69 (C.A.N.V.A.S., 2022), aments and commemorates the interruption of the simplicities, beauties and charm of mortal life in full Baroque splendour, whilst also partaking in the final opportunities for carnal pleasure and orgiastic excesses in the earthly realm. 33-69 was conceived during the first Covid-19 lockdowns and documents the duo’s experiences of pandemic life in Berlin. Recreating that dopamine shot and collaborating towards a sense of community that the pandemic had suddenly folded away. The record is a short but powerful rush of emotional states and bodily desires, translated into cerebral and carnal electronic compositions of EDM, noise and techno 

Bultheel and Iezzi carry with them a wealth of composition and performance experience and skill, boasting impressive trajectories which cross each other frequently. This complex and intricate working relationship culminates in the creation of 33-69 as a defiant debut — a dense and finely crafted work that finds unlikely pathways to navigate Baroque, Lieder and exuberant club through humour, dread and exaltation.

As we’ve advanced, the mix they have prepared for us is a compilation of music and musicians that surround them and create their daily musical landscape. Part peers, friends and acquaintances, part inspiration, history and admiration. The mix includes music by Judy Garland, Liza Minelli, Bohren club of Gore, Heith, Lugh, Johannes Ciconia, PC Worship, Rihanna, CEM, Bach and more.

C.A.N.V.A.S presents 33

We open the festivities season with a very special mix from DJ, producer and musician Curses, with a dreamy compilation of cinematic elements, radio and tv samples from the 80s and 90s, and an extension of his passion for mixing Wave and the dark and weirder side of Italo Disco.


Originally hailing from New York and currently based in Berlin, Curses is well known for blending his Rock & Roll roots with the darker side of Disco and Electro. In both his DJ and live sets. Curses also incorporate his ghostly vocals and guitar with flashes of EBM, New Wave, Post-Punk, and Psychedelic synth vibes.

After his debut full-length Romantic Fiction in 2018 on Jennifer Cadini’s Dischi Autunno, this year Curses released his second album, Incarnadine, also on Dischi Autunno. His compositions blend Morricone-inspired guitars with elements from early 80s music genres like New Wave, Post Punk and New Beat, pushing the boundaries of these references with an emphasis on his own mysterious vocals and guitars. 


The album is a dialogue between the inner self and outer, and the romance of eternal and immortal existence. With a big inspiration from the cult classic film The Hunger which explores themes of immortality, love and timelessness, the post-modern vampire film
contains a dark glamorous atmosphere. 

Slick production and dark, grooving melodies push the listener down a sinuous path with nostalgic moody guitars, and haunting vocals. Music is caught in a push and pull between the melancholic beats of the past, contrasted with a contemporary and sophisticated production; the album pays homage to Curses’ musical roots and the sounds that have shaped him.


 The mix he has prepared for us is a sort of version of all the artist's inspirations taken to the weirdest and most experimental, and as he says, is another good disconnect from the screen overload. Escape with it. I really enjoyed doing something different than a club mix. It is always in the back of my desires but rarely comes to fruition.


Tracklist:
0. Curses - Miriam (Doom Scroller's Edit)
1.In-D - Virgin In-D Sky's (Curses Carpenter Edit)
2. Emeralds - Double Helix
3. Tangerine Dream - Police Car / Julie's Bedroom w/ Aline Baxley Sermon Excerpt
4. Sofie Winterson - Turning (Waterlelyck remix)
5. Ultimate Spinach - Ballad of the Hip Death Goddess
6. Luca Venezia, The Last Defender - Hollow Shells
7. John Carpenter - The Thing
8. Marcell - Rust Patch
9. Gary Numan - Trois Gymnopedies (First Movement)
10. Floating Spectrum & Lemna  - Mr. Dentin's Bubble
11. Autechre - Rale
12. Roni Griffith - Spys
13. Curses - Shade of New_ Death
14. John B - Up All Night
15. S-F-X - HINOKI SKIN
16. Delicate Features - This World
17. Michael Bishop - Steal The Night
18. Curses - Shadows Rising
19. Local Suicide Ombra INTL x Vertere Vocal Utility Tool
20. Paul Hertzog - Morning After
21. Curses - Levitate
22. Laurie Anderson - Gravity's Angel

CLOT Magazine presents CURSES - Sleep Walking Lullabies

The next mixtape comes from the mighty DJ DTEKK, a Polish DJ, promoter and cultural activist, with a meditative mix inspired by the late Angelo Badalamenti. 
DTEKK (aka Jędrzej Dondziło and originally from Białystok in Poland) first stepped behind the decks in 2000. He's known for his relentless techno sets. DTEKK is also the originator and program director of the Up To Date Festival and co-founder of the Technosoul record label. The Up to date festival is a unique event that takes place in Białystok, the heart of north-eastern Poland, and which for over a decade, UTDF has been visited by over 10,000 guests from Poland and abroad.
As true music lovers, UTDF supports independent music and is known for its unique creativity and strong roots in the local community. The festival always welcomes the current needs and trends, at the same time reminding the audience about the most important elements of life. 
A few months ago, the festival introduced Business Techno: The Game, a board game for two to six people in which you trade techno-properties, elements of the T-Corp corporation, and all this to build your own Techno Empire, whose currency is the infamous Techno Coin. The board of Business Techno: The Game covers all the important locations vital to today’s club and festival circuit: Detroit, London, Amsterdam, Ibiza, Berlin, Dubai and, of course, Białystok. Each city hosts a number of business key to the scene: clubs, festivals, institutions or media. Managing them is only one of the steps to success. 
The mix he's prepared for us is heavily inspired by the artistic output of the late Angelo Badalementi and the meditative and therapeutic aspects of certain ambient records. A few tracks from the mix were composed for organs or used similar sounds. Seemingly monotonous and simple, they require more attention to be experienced in full. I grew to appreciate this kind of sound and noticed how deeply it affects me. I believe it also affects others. The "Badalamenti element" in the mix is his music's touching, blissful tone that I always track in other artists' music.

UTDF Presents DTEKK - What's The Matter, Kiddo

Mixtape 58

The new mixtape instalment comes from Ale Hop(aka Alejandra Cardenas) and Laura Robles. Cárdenas is a Berlin-based artist, researcher, and experimental instrumentalist from Lima, Peru. Earlier this year, together with Laura Robles (a percussionist and bassist formed from a very young age in the rich Afro-Peruvian and Cuban musical traditions and who also grew up in Lima), they released one of the most exciting albums of the year so far, Agua dulce (Buh Records, 2023). This mix takes on and reflects on the artists' inspiration for and during the Agua Dulce album production.

The album is titled after the most popular beach in Lima, agua dulce, near where both artists lived during their childhood, houses apart, without ever meeting one another. Years later, the pair met and joined forces, with Robles on a self-built electric cajón and Cárdenas on electric guitar and electronics. 

With this album, both artists explore rhythmical structures that form the backbone of the complex Afro-Peruvian music and dance traditions – a broad term used for the various musical developments that occurred in the last two centuries at the shores of the Peruvian Pacific. The cajón originated in coastal Peru as a percussion instrument that the black slaves created from wooden fruit boxes when foot drums were banned at the end of the Spanish colonial era in the 19th century. And it was form Perú that the cajón was posterioly introduced into flamenco. 

From its birth, the cajón was a symbol of resistance, experimentation and transformation. Robles and Cárdenas strived to maintain the instrument’s spirit and qualities by pushing the boundaries of its sound into the future. The duo’s mission isn’t merely capturing something sonically futuristic but is primarily concerned with shaking off the dust: These rhythms have become ossified nowadays, heard in Peruvian folklore shows and on the ‘global music’ circuit, but our desire is to experiment and do something more radical with them, connecting to the instruments more radical past, comments Cárdenas.

At the same time, this type of percussive instruments infuse the music with a very special physicality and spirituality; the percussion sounds entuned with our heartbeats. Both Robles and Cárdenas chatted to us about the meaning and influence of the cajón on their work. 

Finally, the mix they have put together for us is a rare combination of very personal influences from each of them, with influences that informed the project and songs they find interesting from Peru.

Tracklist:
Ale Hop & Laura Robles - Agua Dulce 
Nicomedes Santa Cruz - Aquí Está la Marinera/Mamita/Mi Señorita 
Pochi Marambio y Tierra Sur - Canto a los Santos 
Huayno Tradicional Prenda Querida con Andrés "Chimango" Lares 
Andrés Soto - Quisiera Ser Caramelo 
César Calvo La Despedida 
Victoria Santa Cruz- Me Gritaron Negra! (Daniel Haaksman Edit) 
Cañaris Incahuasi - Triste con Fuga de Huayno 
Yma Sumac - Hampi (Medicine) 
Banda San Miguel De Piura - La Perla del Chira 
Los Jaivas - Cerro de la Virgen 
Alice Coltrane - Jagadishwar 
Aphex Twin - Ageispolis 
Ale Hop & Laura Robles - Defensoras del morro 
Miles Davis Bitches Brew (Live In Copenhagen, 1969) 
Ayacucho traditional music - Harawi (women performing harawi before the plowing of the communal field) 
Sun Ra - Solar Ship Voyage 
Los Ases de Huarochirí - El pescadito 
Oscar D'Leon - Llorarás (live)

CLOT Magazine presents Ale hope & Laura Robles - Agua Dulce Mix

Next mixtape comes from ZONDERWERK, who are a duo consisting of Linde Carrijn and Dijf Sanders. The artists started this project during the pandemic to explore their relationship as creative partners. 
Carrijn has a background in acting but recently has been more focused on composing and performing original scores for theatre, while Sanders is also a composer (and music gear enthusiast), with his work drawn from a wide array of non-Western music. 
The duo explain that their artistic name means ‘’without work’, but it also comes from ‘bijzonder werk’, where bijzonder is particular and unique. Both artists like to work with images/paintings that are bijzondere werken’, odd works, special and weird. The fact of working with images adds a particular approach to their creative process. As they mention, adding music and sound design to the work of art creates a new dimension and amplifies the beholder's experience. It’s an extra layer, an alternative storyline outside the frame
ZONDERWERK have recently released their debut album babel on the Ghent-based tape record label Dauw (which similarly has a central visual/graphic aspect to their outputs and ethos). The album materialises the duo’s conceptualisation for this project; babel is an exercise in translating images into sound. It was initially created for the eponymous theatre piece by architect and artist Steve Salembier. One of the biggest inspirations for the album was Michael Woolf’s photographs, which in turn also served as the basis for the original theatre piece. The use of grey and repetition is translated into looped harmonies and fine-grained drones that progressively open up like blooming ice flowers.
Using city-reminiscent musical elements, such as bells and metals, to create synthy lines, tape loops, and droney. There are details of fourth-world sounds that delicately populate the different tracks; small oases where to breathe away the man-made concrete jungle that is both inhospitable and endlessly awe-inducing.
The mixtape they have prepared for us is full of compositions they are inspired by: Some we love because of the choice of the gear, some of them we love because of the emotionality, some of them we love because of the memory of a moment we listened to it together.

Tracklist:
Vuurfeest - ZONDERWERK
Psalm - Yves Tumor
Jynweythek - Aphex Twin
known(1) - Autechre
Addio - Dienne
More Islands - Clark, Budapest Art Orchestra, Peter Pejtsik
Lindbergh - schntzl
Falaise - Floating Points
Powerspot - Jon Hassel
Goodbye Pluto- Kohn 
(clouds) Kristalstoelen - ZONDERWERK
Oh Baby - Micachu & The Shapes
Wintersong - Elisabeth Klinck
Hana - Asa-Chang & Junray

Dauw presents ZONDERWERK - MixTape+++

Our new mixtape comes from London experimental musician and producer Kinn, with a mix of sound, youtube rips, film audio, raw sound design and unreleased music from the artist himself, an intimate recollection to take us into the artist’s expansive creative universe.

Kinn has emerged in recent years with a bleakly psychedelic take on post-rock shifting between traditional band setups and move avante-garde studio works. A rotating cast of collaborators, including Arthur Leadbetter, Maxwell Sterling and Alexander Tucker, bolsters this. Recently they have collaborated with artists Tai Shani and Mark Leckey.

Their current offering, ‘Dogtooth’, coming out on 7th July 2023, carries off down this path with spoken word, string shards and clouds of distortion, giving away to more traditional song form. The production was all rendered over a 2-year period in precise, spacious, sonic detail, bringing to mind a mood somewhere between Mogwai and The Haxan Cloak or The Body. 
The album puts a profound and disenchanted humanistic stance at the centre of the stage. As we read, Dogtooth reflects on an array of individual, global and digital, often seemingly esoteric, shared experiences. Anger, conflict, beauty and grandeur, all summarised as part and parcel of wheezing and spluttering modern metropolitan world, looking to peel away the negative smog of contemporary living, the interfering noise which bombards our ever more digital lives, searching for meaning, comfort and ways of goofing off amidst these oppressive forces, sirens and snake oil salesmen everywhere, an all-encompassing true and truly messy beauty.


The mix Kinn has prepared for us is built around some of his compositional approaches to long-form and non-linear narrative, spending a lot of time playing around with the arrangement and dynamics of the mix, how one thing can suggest, merge and form a narrative-only by preceding another track completely disassociated from each other in time, aesthetic, even meaning, or how a motif placed at the end can bend time and pull you back to something you heard at the beginning. 

This never ceases to interest me, how loose "reality" can be, how easily we can be suggested. It can easily be smashed apart and put back together in a different way, a wrangling of ambiguity. As I started to work on this mix, to me, a clear narrative unfurled, I'm keeping this ambiguous from the listeners so that they can invest their imagination in it, that's one of the beautiful things about music. It is meaningless without you to listen to it."



Tracklist:
Barry Adamson + Pan Sonic + The Hafler Trio - The Hymn Of The 7th Illusion (edit)
K.C. Milian - Iconic Building Of The Past
Simon Fisher Turner - Excerpts from Derek Jarman’s The Garden (1990)
Stef Kett - Killing Flaw
Laboratorio Palestro - 2
Gil Scott Heron - NY is Killing Me (Chris Cunningham Remix) 
Kinn - Untitled (excerpt from Pace Gallery performance, 2022)
Kinn - ???
Kinn - Dogtooth
The Microphones - day one
Sonic Youth - JC
Godspeed You Black Emperor! - $13.13
EdGein2 - ???
Simon Fisher Turner - Excerpts from Derek Jarman’s The Garden (1990)
Portishead - Machine Gun
L4b - Me4nwhile in the L4b
Set Fire To Flames - Barn Levitate
K. Leimer  - Malaise
Kinn - ???
Amateur Childbirth - All Doomed

Kinn presents Dogtooth Mixtape

The next mixtape comes from Alifiyah Imani, an interdisciplinary arts & media practitioner and writer. Imani combines multimedia arts and design, focusing on sound, curatorial research and practice. She enquires into our relationship with space, the workings of our cultures and auditory subcultures. 

Imani told us that an important aspect of Indian classical music training is practising with the tanpura, a full-bodied stringed instrument that creates a repetitive drone. While practising and tuning the tanpura, the daily ritual of attuning myself to the drone as a sonic companion and as a practice of embodied listening and improvising has been significant for me to understand the structure of sound itself. She said. 

Last June Imani premiered at Distant Gallery her online solo show Your Listening is a Paracosm, a show that shifts perceptual perspectives through sound and ritual, drawings and prompts. Your Listening is a Paracosm unfolds as an experiment for the web and permeates through radio transmissions. We read in the statement. 

Taking this show as an inspiration Alifiyah Imani has prepared a mixtape for us that intends to explore the sound pieces from the exhibition as an extended listening or long-form mix. Imani spent much of this time in her home studio layering field recordings, experimenting with the drone sound of the Tanpura, and improvising with other instruments like the Strumok and overtone flute: It's about different kinds of attention processes, tuning, and studying forms derived from sound. While drone-based and contemplative, it moves between textures, harmony, polyphony of colours, and moments that emerge in nature and improvised music.

CLOT Magazine presents Alifiyah Imani - Your Listening is a Paracosm

Concluding our summer season, we invite you to descend into the audio abyss sculpted by the enigmatic Gosha Savage, the solo project of Małgorzata Sawicz, a visual and electronic artist hailing from Poland. Savage has prepared a very personal mix, which she also defines as one of her most experimental mixes, an audacious plunge into a sonic chasm.

Gosha Savage's musical sojourn is an electrifying collision of the intensely personal and the unapologetically experimental. Imbued with the mystique of dreams and the ethereal allure of fairies, her sonic odyssey is a rollercoaster of emotions—plunging from the abyss of sadness to the heights of nostalgia. 

At the core of Gosha Savage's sonic landscape lies her fascination with real-time FM synthesis, an art of manipulating frequencies and exploring different timbral possibilities of sounds. This, coupled with her penchant for crafting irregular drum patterns, creates a sonic tapestry that defies conventional genre boundaries. Her musical explorations seamlessly meld elements of post-club aesthetics with the raw intensity of noise while drawing from a diverse array of genres, including trance, ambient, and dungeon synth.

Gosha Savage is currently crafting a new EP and tirelessly honing her live act, promising exciting developments for her ever-growing fanbase.

We are presenting this mixtape in light of Gosha Savage’s live show last June at the Polish Up to Date Festival. The mix is the most experimental and one of her most personal mixes so far. She describes it as a reflection of her Gothic sensibilities and her penchant for constructing and deconstructing emotions through her art. Furthermore, she says, I included incredible tracks from artists I adore. I'm glad I can share this with you and perhaps gain new listeners for them.

Tracklist:
Cimarrón - Amigxs
Montenegro - Suceso de Colisión
Seraphim - Bubbles Move No One
Thoom - Sound of a Heavy Stone
Abssys - SPACE MANTRA (KÖPEK EDIT)
Dj Würm - Enchantment
ʒLVʒNLIʒD - serial lover
Sarahsson - Lime Time
Ange Halliwell — My Secret Grief
Chino Amobi - LAW II (DEMOLITION)
DGNMP - Sanctuary
Anthony1 - Arreglo Floral
PENELOPES FIANCE - NOT DEAD YET
SMILE ft Lag Switch, Tati au Miel, Blood of Aza - münki
Hajj - Drag Me Into The Void (Euphoria's Death Edit)
KMRU & Aho Ssan - Resurgence
Pj Harvey - On Battleship Hill

Up to Date Festival presents Gosha Savage

For our next mixtape instalment, we welcome  Lý Trang, a musician-sound artist who will unveil a haunting musical storytelling piece arranged as an abstract dialogue around time travelling.

Born and raised in the mountains of Northeast Vietnam, Trang's experiments with hollow rhythms follow folkloric instrumental phrases, and the music buzzes widescreen magic. Moving to Vietnam’s capital Hanoi for school, she connected with the local underground scene, joining Rắn Cạp Đuôi Collective for a short period before focusing more on her work as a multimedia artist. In 2018 she self-released ‘Snail Skeleton’, an album that hints at her sonic interests and various live-scoring commissions, soundtracks and installation works. 

Recently she released her second album, 'Syenite', grounded in a sense of alienation, first when she moved to Hanoi for school and later when she relocated to Moscow just a few months before the Russian invasion of Ukraine. In the  Russian capital, her separation from home cracked open a deep yearning that swallowed up the erupting geopolitical uncertainty and disillusion, crystallizing into the album's 10 electro-acoustic tracks. 

Last year she also released her debut film 'Sisyphus's Cat' a conceptually complimentary short that charted the search for a lost pet in a parallel universe,  and her music follows a similar trajectory, interpreting interlocking themes sonically instead of visually.

The mix she has prepared for us, she says, "Is a musical-storytelling piece arranged as an abstract dialogue between the captain of a time machine and a girl who wants to be transferred to the future. The conversation is sometimes highlighted and sometimes escaped into layers of music, untangled by the thrill of technology in its content and way of producing sounds. The "captain" voice was amped through a vocoder, which dragged my voice down to a voice of a non-human character. In this sense, I tried to constantly call to mind human scales of time, science, presence and sustaining—even if only in their defamiliarizing absence. And I lean into the aesthetics of alienation, trying to imagine the world of immortal and forever-sustaining entities in the future and questioning that idea".


Tracklist: 
Tracklist here:
Live Performance “Cosmic Bodies"
and phosphenes (from “Syenite")
Magnetic iceberg
sand congee (from “Syenite")
Live Performance “Golden Bridge"
sáo cọc ngang ao 
under the Arbat metro station (from “Syenite)

(All tracks written and performed by Lý Trang)

CLOT Magazine presents Lý Trang - Here on an oozing ice

This week’s mixtape comes from the multidisciplinary music/art project Ghost Tracks. They are a wife/husband team, and Sylvia Girstmair and David Lopez, originally from Austria and Spain but came together in East London. This happy home life hasn’t led them to a place of musical complacency for the duo, though, who also runs the experimental music label Cluster Node.

Drawing upon their shared experiences in the art and music scenes, throughout the years, they have cultivated a passion for creating cinematic narratives through their music and visuals. With acoustic and electronic instrumentation, soiled traces of noise and mixed modes of experimentation, their songs present a peculiar intimacy and effortlessness. Ghost tracks sit between a dark lull and eerie, phantasmagoric soundscapes, aiming to create sci-fi soundtracks that evoke vivid and immersive imagery of futuristic dreams and imaginary worlds.  

They are fresh from a triumphant opening of CLOT and Cluster Node’s PORTALs showcase and presenting here a mix of their own tracks and works in progress alongside artists who inspire them: we are most excited about mixing tracks from artists that we really like and think convey a similar emotion. We tried to keep it cohesive and stick to the 'Fragments of Light' theme.

Tracklist:
Ghost Tracks - Through Time and Space (unreleased)
Ghost Tracks - The Zone (unreleased)
Ghost Tracks - Stillness
Astrid Sonne - Ephemeral IV (Escho)
Ana Roxanne - It's a Rainy Day on the Cosmic Shore (Leaving Records)
Feeler - Highest Heaven (Cluster Node)
Ghost Tracks - Vases and Gold Ornaments (Cluster Node)
James K - Soft Key (Cluster Node)
Ghost Tracks - 14 (unreleased)
Spivak - i b lyin (Cluster Node)
An Trinse - Duairc Aontais (Cluster Node)
Ghost Tracks - The Morning Veil (unreleased)
Ryuichi Sakamoto - Solari (Commmons)
Ghost Tracks - Be with me (Cluster Node)
Ghost Tracks - Void
Celestial - Endless (Ecstatic Recordings)
LA Timpa - Brave (forsake) (O___o)
Ghost Tracks - Ice One (Cluster Node)
Dania - Lament (Somewhere Press)
Ghost Tracks - Don't Move (Cluster Node)
Edward Artemiev - Solaris Soundtrack Part IX (Song Cycle Records)

Cluster Node presents GHOST TRACKS - Fragments of Light

We are presenting a new mix that will transport you into the enchanting realm of the early autumn months. This special mixtape is curated by VAST HABITAT, a recently established record label, and it showcases a curated selection of artists and music from their freshly minted catalogue, as well as tunes that have inspired and resonated with them.

Vast habitat founders are Daniel Lea and Michael Deragon, aka Heliochrysum (Bedroom Community Records), which we have featured in the past. The project grew out of the artists’s desire to create an environment where music, design and art can coalesce. A good demonstration of this is their crafted selection of music and a superb visual approach. 

The label launched with the release of two new solo albums — Lea's 'ENTHEOGEN' and Deragon's 'DAWN', and a compilation, VHS 001, which is the first in a series of engaging sonic conversations with artists working across electronic music, modern composition, and ambient. The compilation includes a remix by Heliochrysum from Pinkcourtesyphone, another of this house's favourites. 

For this mixtape, they share they have included things they were listening to while making their records, film scores they love, deep sound design elements, some ambient/electronic music, a few of the works from the VAST HABITAT catalogue
and other works that we love listening to or moved us along the way. 

"As well as being an electronic-focused label, a lot of VAST HABITAT uses real instrumentation, working with amazing players like Yair Elazar Glotman, Bethan Kellough and Jamie McCarthy. So it’s nice to hear the instrumentation of Six Organs of Admittance; and Michael and I are huge fans of the 'Crash' Soundtrack from David Cronenberg scored by Howard Shore, which is all guitars very Glen Branca inspired."



Tracklist:
1. Valerio Tricoli-Hic Labor Ille Domus Et Inextricabilis
2. Low- Quorum
3. Elliot Goldenhaul-Heat
4. Daniel Lea-Tactile Memory Is Still In His Left Palm
5. Abgail Mead-Leonard
6. Michael Deragon-When Rooms Were Full of Smoke
7. Colin Stetson- West of Arkham
8. Yair Elazar Glotman and Heliochrysum-Abandoned Image
9. Hildur Guonadottir and Sam Slater-Irreversible
10. Howard Shore-Crash
11. Six Orgrans of Admittance-Position of Cherry Blossom Spirits
12. Eric Truffaz and Murcof-Origin of the World
13. New Corroded-Chromosphere
14. E-Saggilia-9 Digest
15. Brian Eno-Signals
16. William Basinski-Meloncholia I

CLOT MAGAZINE presents VAST HABITAT

Our new mixtape comes from Copenhagen-based experimental R’n’B artist Karen Juhl. Her influences span from the likes of Laurie Anderson and Holly Herndon to Solange. Juhl is interested in exploring different approaches to songwriting in the 21st century, her style ranging from experimental electronics and contemplative poetry to antithetical rap. 

Her debut album Mother Tongue, released on the 22nd of September, is a dynamic manifestation of her self-written poems and diary entries. The album explores ideas of fragility within a hyper-globalised world, shifting in dynamics from intensely noisy and emotive to calm and reflective. When explaining her process of making the album, Juhl stated that ‘I brought diary notes and prose poems with me into the studio and worked on vocals in a stream-of-consciousness kind of way.’

The album was released on the London-based art platform Inklingroom and worked on with fellow collaborator Johan Feierskov. Using mainly YouTube samples, MIDI instruments and vocals, the album feels incredibly fresh and immersive. The dysphoric and euphoric elements that occur between the music and the voice reflect the contrast and overlap in topics; from personal in relation to politics and gender in relation to time, the songs travel between childhood scenes, psychiatric wards and internet rooms. Alongside the album, an artbook is also set to be released in collaboration with graphic designer Paw Poulsen, that displays digital collages based on Juhl’s lyrics for the album. The artbook aims to create an external layer to the album outside of the digital realm, seeking a space of intertwining narratives.

The mixtape that Karen Juhl has created for us, entitled Threads, is described by herself as ‘a mix of moods, ideas, sounds, songs, and states. It’s full of life, cuz it unfolds in the same way life does, forward and through unforeseen terrains. I wanted to honour sounds on the verge of becoming. My compositions "Face Wash" and "Home" were composed and recorded in this somewhat improvised manner. I delved further into my personal playlists, but I also asked my two close colleagues and friends Laust and Johan to share some of their magical memos with me.’
Juhl presents her mixtape as ‘a gentle framework that holds something beautifully frayed—loose threads that just barely come together to form a picture.’

Tracklist:
Dienne – Mio Signore
Hoy La – Ecotone
Laust Moltesen – Meditation #1 (memo)   
Maria BC – The Only Thing
Karen Juhl – Face Wash
TLF Trio – Trio A 
Jonas Albrecht – LEIB
Laust Moltesen – Meditation #2 (memo)   
Johan Feierskov – zoom (memo)
Karen Juhl – Home
Jeph Vanger – CA Study
Marina Herlop – miu
Johan Feierskov – into (memo)  
Valeria Miracapillo – Fiction
Crush String Collective – Intermezzo II (Fetus)
ill – íra ii
Laust Moltesen – Meditation #3 (memo)  
Johan Feierskov – Chalk (unreleased)
Pankisi ensemble - Asete ghame
Abdullah Miniawy X HVAD – Notice a tiny scratch for the blue behind

CLOT Magazine presents KAREN JUHL – THREADS

The next mixtape instalment is by experimental musician Colin Andrew Sheffield. Born in El Paso and now based in Austin, Sheffield took his passion from being a self-taught drummer in Texas to a total transition to electronic music. For this mix, he’s compiled a captivating selection of experimental electronic music. 

Since the mid-90s, Sheffield’s work has consistently focused on the use of samples: 
deconstructed loops of hidden melodies and textures found in his collection of physical media. Through the re-contextualization of other commercially available recordings, like an alchemist of audio collage, he aims to distil the essential qualities of these works and convert them into new recordings.

Sheffield’s music is full of atmospheric soundscapes, which shift and unfold, offering subtle waves and suspended stillness. From earlier work like First Thus (2005) to the most recent Images (2023), Sheffield's solo projects showcase his ability to explore diverse sonic ranges. One of our favourite records this year, Images, was entirely constructed from heavily edited and manipulated samples from jazz records and represents a true distillation of Sheffield's interests as both a composer and an obsessive listener.

In 1998, Sheffield founded the Elevator Bath recording label, which has been releasing experimental works from a variety of artists from the US and abroad, featuring names such as Merzbow, Francisco López, Susane Drone, and himself.

The mixtape he’s prepared for us, he says, was a lot of fun to compile. I limited myself to selections that are all quite recent or at least no more than a few years old. I tried to represent my tastes in various forms of experimental music and throw in a liberal dose of work from some good friends. There are a couple of brand new tracks in there from forthcoming releases too, so it's a bit of a taster of things to come. Hopefully, it flows well enough and has something for just about everyone. Thanks for giving me the impetus to create this mix!


Tracklist:
Andrew Anderson + Colin Andrew Sheffield	Clarioned -  Elegies
Valerio Tricoli	Mimosa - Hostilis
Concepción Huerta - Trepidation
Adam Pacione	 - Pos. Neg.
Jana Winderen - The Art of Listening: Under Water
Roméo Poirier	- Les grandes lignes
Matt Shoemaker - Pasar Gede
Marta Zapparoli - The resonant sky of Krems
Merzbow - Hat 1046
Susana López	- Drones to Zazeela
Richard Ramirez - Protective Custody 2
Telesurgient - Lifeline
Sequences - Illuminated and Translucent
TIBSLC - Hypertranslucent (2)
Werner Dafeldecker - Neural
Pendant - Dream Song Of The Woman
Electric Capablanca - Capablanca Spin
Felicity Mangan - Digging The Pedospheric Vibes III
Jim Haynes - Variant, number four
Colin Andrew Sheffield - Embers
Kate Rissiek - Floating In Darkness
Jake Muir - Cauldron
Koray Kantarcıoğlu - Agat 01
Rick Reed - Leave a Light on for Tony

Elevator Bath presents COLIN ANDREW SHEFFIELD Fireside Mix

Elevator Bath presents COLIN ANDREW SHEFFIELD - Fireside Mix

The last instalment of the year arrives from the hands of Furtherset, the musical project of artist and musician Tommaso Pandolfi, with a mix especially suited for the melancholic nights of December.

With Furtherset, the artist has defined his personal sound, mainly composed of layers of timbre-modulated sounds and dense rhythmic geometric passages converging towards a single harmonic plane. His music touches on ambient, modern classical and rave, building on his approach to composition with shifting modulations, synthetic clusters and sampling alongside rhythmic and embracing harmonies. 

Furthersetmentions that the project, which began in 2011, is envisaged as formal research that follows a path towards saturation and layering but is always capable of generating voids in which the listener can take their place and fill them according to their own focus.

Furtherset has released several EPs and two albums with the record label OUS, with whom he’s signed with. His most recent one, The Infinite Hour, released in October, puts together all the artist's compositional interests over the years. Six compositions resemble the laboured breathing of one who mourns a disappearance and fears oblivion. The album was created between 2020 and 2022, in a slow process of writing and continuous refinement parallel to the previous EP, Auras. The compositions found their final form during the mixing process carried out together with Bienoise. They were later named based on references to authors who influenced and are dear to Furtherset: Amelia Rosselli, Vladimir Chlebnikov, Hubert Damisch, Dante Alighieri.


Furtherset mentions that when preparing mixes, he tries to create listening environments with moments of extreme stillness or sudden changes, but always having the latter have their own general organicity: I also fixate on certain artists, such as Simon Fisher Turner, whom I now propose in every mix. In this case, I added Michèle Bokanowski to my fixations. I found pleasant similarities between Moritz Von Oswald's latest work and Ligeti's. Everything then begins and ends with two voices: with Patti Smith's words and Glenn Gould's whispers over Bach. I look for emotion in the music I listen to.

Tracklist:
Patti Smith & Kevin Shields - The Coral Sea, pt. 1
Kevin Shields & Brian Eno - Only Once Away My Son
Michèle Bokanowski - Tabou
Moritz Von Oswald - Luminoso
György Ligeti - Clocks & Clouds
Michèle Bokanowski - Vers Syracuse
Michèle Bokanowski - L’indomptable
Marta De Pascalis - Harmonices Infinity
Brunhild Ferrari & Jim O’Rourke - Tranquille Impatiences
Michèle Bokanowski - Pour Un Pianiste
Francis Dhomont - Chambre d’enfants
Geinoh Yamashirogumi - Omae Wa Nan No Hana
Simon Fisher Turner - The Invisible Frame, a film by Cynthia Beatt
Lucy Railton - Rib Cage
Jules Reidy - Trances III
Ben Vida, Nina Dante & Yarn Wire - Who’s Haunting Who Here
Luc Ferrari - Cycle Des Souvenirs II
Johann Sebastian Bach - Concerto in D minor after Alessandro Marcello, BWV 974- II. Adagio (Glenn Gould)

CLOT MIX Furtherset The Clouds & The Lightning

We kick off the year with a mixtape from Six Missing, the ambient music project from Austin-based TJ Dumser, with which he wants to take us on a journey with pieces that transcend the illusion of time - transporting you into a timeless, formless, galactic-jell-o. 


The artist, who is also a sound designer and composer, began releasing music under the name Six Missing in 2017, a moniker that he took after experiencing a supernatural experience while recording in a studio near the site of the Revolutionary War’s Battle of Brandywine, in Pennsylvania, in which six participants remain unaccounted for. 

For Dumser, Six Missing is a way of experiencing music that is meant for inner journeying, calming sensations, and finding peace. 

The project started by experimenting with ambient and modular systems, and several albums down the line, Six Missing released his latest album in December last year. Titled Here For Now, the album deals with themes around being in the present moment - especially during uncertain times. For TJ, this was during a time of displacement for him and his wife as a way to cope with the uncertainty.  Here For Now is comprised of what Dumser refers to as “musical compost” — a concept that isn’t nearly as derogatorily gesturing towards the material as it sounds. “It’s a bunch of work that I’d previously done that I’d set out to release in its form,
but something didn’t feel totally right. 

For the mixtape he has prepared for us, Dumser says that he wanted to find tracks that were on the longer side, with a quiet confidence in their sparseness or even the guts to make production decisions that he admires. For him, Music algorithms these days are giving preference to shorter, more consumable, bite-sized pieces of music, and it makes complete sense to me. However, as a listener, he wants to really spend some *time* with an artist and allow myself to sink into their work.

CLOT Magazine presents SIX MISSING - Spacious Mind

Next on our mixtape series is Bersarin Quartett, the solo project of German electronic musician Thomas Bücker, with a delicate selection ranging from film scores, to gaming, and ambient tracks.

Working within the realms of modern classical and ambient music, Bücker has garnered acclaim for his contributions as Bersarin Quartett (which he has been running for over 15 years), notably through his publications with Denovali Records. Bersarin Quartett's sonic landscapes are distinguished by a fusion of atmospheric textures, electronic nuances, and classical instrumentation, crafting a singular and emotive auditory journey. Bücker's oeuvre has earned widespread praise for its unique stylistic approach, captivating both ambient and experimental music audiences alike.

A heavy sense of melancholy runs through the Bersarin Quartett sonic core, which Bücker confirms is indeed a big part of the project. The Quartett's most recent release, Systeme, also released on Denovali, marks its fifth release. It is described as probably the artist’s most intimate and focused sonic narrative. 

In this album, melancholy mixed with a sense of distorted alienation or strangeness is described as something that, while it still sounds popularly symphonic here and there, many soundscapes have an observing, almost unmasking effect. Microtonal shifts, polyrhythmic structures, tempo fluctuations, and sound aesthetics torn out of context create a fragile, unpredictable foundation.

The mix he has prepared for us, he mentions, combines many film scores, gaming, and ambient tracks that really impressed and inspired him: First, I sorted the individual tracks by key so they could be mixed together appropriately. Here and there, this even creates completely new soundscapes beyond the original. To present my current album a little more closely, I have interwoven four new Bersarin Quartett tracks!

Tracklist:
00:00 Ambience (Taken from "Elden Ring")
00:21 Michael Giacchino · Mayoral Ducting (Taken from "The Batman")
01:08 Spoken Words (Taken from "Women Talking")
02:09 Volker Bertelmann · No End (Taken from "All Quiet On The Western Front")
04:54 Imprints · Blood Moon
08:38 Bersarin Quartett · Firmamente
11:58 Rob Simonson · Rigging (Taken from "The Whale")
13:30 Lusine · Faceless
15:50 Bersarin Quartett · Gespenster
18:27 Loscil & Lawrence English · Grey
22:04 Rob Simonsen · Life Boat (Taken from "The Whale")
23:47 Bersarin Quartett · Für und Wider
26:17 Alix Perez & Headland · Mirage, Pt. II
29:03 Leif · Pteridium (Alternate Version)
30:53 Alva Noto · Sehnsucht
36:37 Hildur Guðnadóttir · Speak Up + Leaving (Taken from "Women Talking")
38:30 Tim Hecker · The Arrest (Taken from "Infinity Pool")
39:59 Aleph · Gradient
43:12 Bersarin Quartett · Illusionen
46:15 Hania Rani · In Between
48:02 Jeremy Soule · Kyne's Peace (Taken from "Skyrim")
50:40 KMRU · Guise
54:00 SSIEGE · Veyl
56:24 Louis Cole · Let It Happen
59:23 Michael Giacchina · Mayoral Ducting (Taken from "The Batman")

Das Lachen der Verzweiflung (Mixtape)

Denovali presents BERSARIN QUARTETT - Das Lachen der Verzweiflung

The next mixtape is by Greek/UK-based artist Viki Steiri, who has recently released her debut album on our beloved Alien Jams. The mix is a recollection of sounds that inspired her for her album production.

'Balm' is a powerful album anchored by ritualistic, monolithic cello layers. Steiri combines eerie soundscapes with electronic dance rhythms, synth-tinged folk songs from Istanbul, and reworked cello and santur improvisations.

The album encapsulates a hauntingly poignant journey through melancholic soundscapes punctuated by electronic rhythms. Recorded intermittently between Athens and London over six years from 2017 to 2023, the collection of tracks serves as a deeply personal documentation of the artist's experiences and emotions. Steiri's compositions for this album navigate themes of rootlessness, loss, and identity changes, reflecting the tumultuous nature of existence. However, amidst all, there is a profound exploration of humanness, delving into the realms of imagination and introspection.

Steiri mentions she had a lot of fun making this mixtape and while preparing it, it made her realize what her inspirations for the album had been: "I hadn’t given it too much thought before. This is music that has informed the album, either directly or indirectly, plus a couple of my own tracks. There’s no particular cohesion, but to me, these are all musicians who have transcended conditioning, and I feel their music is very free and individual."

With this mixtape selection as well as through her music, Steiri uncovers moments of beauty and intensity while offering listeners a transformative and immersive sonic experience.

Tracklist:


0:00-1:34 - Rap Street Palestine – Otsha 
1:35-4:22 - Tigran Mansuryan – Extracts from ‘The colour of the pomegranates’ soundtrack 
4:13-8:25 - Viki Steiri - Procession
8:22-11:55 - Kesarbai Kerkar - Lalat -Ghatan Lagi Rain
11:55-14:31 – Safiye Ayla – Aksaray’dan geçer iken
14:31-17:43 - Masahiro Ikumi - ‘Virtual Mima’ [Voice version]- (‘Perfect Blue’ soundtrack) 17:41-21:05 - Chrisman - Lupupu
21:06-22:51 - Mica Levi - Death
22:50-29:41 - Viki Steiri - Brink
29:31-32:54 - Ryuichi Sakamoto - Composition 0919
32:55-37:18 - Tzusing - Gait
37:18-43:33 - Ectopia - Sauna
43:27-46:46 - Avel Mismo - Habibi
46:46-49:36 – Senyawa - Tanggalkan Di Dunia (Undo The World) 
49:09-53:12 -  Iannis Xenakis – Charisma (for clarinet and cello)
53:13-60:34 - Viki Steiri- Balm

Alien Jams presents VIKI STEIRI

Next in our mixtape series, we welcome London-based musician and DJ Aventex (aka Alec Tullio) with a mixtape he has prepared ahead of his performance at our next event, Portals 02..


The Australian artist is a staple fixture of the London experimental and noise-punk scenes. He is involved in several bands (Keno, Skitter, Zek) where he drives the fast-paced rhythmic lines with his relentless and precise drumming.


One of his main current projects, Casing, was born as a solo project during the pandemic, out of existential dread and societal dismay. The project, which has received lots of positive reception and press attention, has since evolved into a full band (with Dom Stevenson, also from Keno, and Liam Cadogan of Eros Catheter) for live performances and recordings.


Patterns of Deterioration, Casing's first EP, was described as a six-song dive into depravity, nihilism, and desperation. It was praised as one of the most exciting newcomer voices in noise-punk. Over a year of live shows, Casing developed into another beast entirely and the finishing touches are being made to a new album showcasing this new fusion of sludge, grind and power electronics they now exist in as a unit. 


With his DJ moniker, Aventex began his quest for musical exploration and investigation around the same time as becoming a resident at Threads Radio at the station’s inception. The shows can often focus in-depth on a particular genre or be a trademark, unrestrained concoction of whatever would be interesting pieced together unconventionally. He tells us his DJ sets will follow in the same vein but will have a meticulous selection to suit the specificity of the event. Ranging from all-out driving techno to challenging noise and experimental, EBM, Acid, or ambient, there is not much that isn’t on the cards. In a nutshell, music for the fresh and/or fried brain.


For the mix he has prepared for us, he mentions that he has relished the opportunity to gather some more of the oddball and experimental stuff that’s at some further reaches of digging: playing some genres I wouldn’t normally include in a mix and trying to work them where the outcome is very all over the place, which is my favourite approach. An hour techno mix can be fun and has its place, but absurd gems and challenging genre pairings are where it’s at, in my opinion. Enjoy!"

Tracklist:
Omen - Not Suitable For Work
Vanessa Bedoret  - Transition 
Trystero - La Lingua Rosso (Original)
Organizatsiya - Die Idee Der Toleranz
Jimmy Smack - Death Is Certain
Dark Star - Trip
Maoupa Mazzocchetti - Why’re You Talking About 
Henry Hektik - Hong Kong Wedding Night
De-Bons-en-Pierre - Le Râle du Mâle Alpha
Geier Aus Stahl - Unterland
Further Reductions - Aural Equivalent 
Roly - My Century 
Further Reductions - Central System
Job Sifre - Zeno Dicho
KΣITO - Magnet
Eric Toornend - Scum Grief
Egg Meat - Georgel
Bancal - Entresol
Bataille - Echo Drift Part 1
Lord Crucifix - Sacrificial Altar
PÖ - Fuck Jungle
Orphx - Eating The Young
Tot Onyx - Propaganda Machine
Pontiac Streator - Angelus Spit (feat. Mister Water Wet)

Unknown Album

CLOT Magazine presents Aventex - Portals mix

The latest mixtape instalment hails from Seoul-based Korean experimental musician Suk Hong, offering a curated selection of tracks that traverse the artist's creative journey for their upcoming project.

Suk Hong's musical style gracefully navigates between neo-classical and electronic influences. Fresh from their recent release on Unseelie, an NYC-based label, Suk Hong returns with a more introspective and expansive piece, My Day is Sold by the Hour, which debuted at the start of March on endonesia, an alternative art platform based between New York and Seoul.

Recorded amidst the misty atmosphere of the Guro district, Korea's bustling digital industrial complex, My Day is Sold by the Hour encapsulates the essence of its surroundings through sonic storytelling. While the area is blanketed in fog, its stories are evident sonically. 

String instrumentations echo like distant growls, while a tapestry of field recordings collected over three years weaves a textured narrative within a granular, deconstructed framework. With electroacoustic techniques and contemporary sonic landscapes intertwined, Hong seeks to unveil the inherent extraordinariness of captured moments, carving timbres that contour the running narrative - an unforeseeable series of vignettes.

In discussing what the artist has created for this mixtape, Hong reveals ongoing work on an album delving into the modernity of Korean families, including their own: It follows the approach of My Day is Sold by the Hour, but this time, I need more than one track to present the complete picture. It's a longer project, so I need to cleanse my palette occasionally for a fresh perspective. These are the songs I turn to.

This collection of tracks offers a tantalising glimpse into Suk Hong's creative universe, teasing the imagination with its suggestive and mysterious allure.



Tracklist:
0:00 Sean McCann - Sylvan Smoke 
2:25 Nuno Canavarro - Ultramarina
3:53 Autumn Fair - The Town Clock
7:32 Vanessa Rossetto - early girl
11:45 Asha Sheshadri - Whiplash
15:21 JJ+JS - Lilypad (with Izella)
18:54 Derek Baron - he Matrix
22:47 Natasha Barrett - Impossible Moments from Venice 2
25:33 William Eggleston - Improvisation
28:16 Andrew Pekler & Giuseppe Ielasi - Trebizond
30:12 TLF Trio - Suite X
31:52 crys cole - A Piece Of Work
35:30 SUSS & Andrew Tuttle - Rising
40:04 Loris S. Sarid - Yellow Lines
23:20 Tujiko Noriko - Rooftop
46:22 Suk Hong - My Day is Sold by the Hour

CLOT Magazine presents Suk Hong - whelk stall

Introducing the latest auditory journey curated by Lola de la Mata for CLOT Magazine's mixtape series. Delving into the mysterious realms of sound, the experimental composer presents a meticulously crafted selection of tracks that traverse the boundless landscapes of sonic exploration.

Lola de la Mata, a London-born French/Spanish conceptual sound artist, composer, curator, and musician (violin/voice/theremin), boasts a diverse practice spanning performance art, installation, community projects, and electroacoustic composition.

Her first release, the feminist concept album REMISE EN BOUCHE (Pan y Rosas Discos 2018), was followed by The Embalmer (Nonclassical 2021) and KOH—Klee—uh (SA Recordings 2022), laying the groundwork for her latest album, Oceans on Azimuth, set for release on May 8th.

Currently, Lola’s artistic focus centres around listening and hearing practices, tinnitus and aural diversity, and chronic illness experiences, something she focused on after experiencing a trauma episode herself. Rather than giving up music after developing severe tinnitus and vertigo, as she was told, she decided to listen with a new ear and dive deep into the world of tinnitus to cope with the isolating condition and facilitate the connection between sufferers.

For Oceans on Azimuth, she reached out to A.J. Hudspeth in New York who runs the sensory cell lab where they study the cochlea. There, she found collaborators in biophysicists who offered her the unique experience of recording her tinnitus.

Drawing inspiration from the intricate forms of the cochlea and the inner ear, Lola's compositions emerge as avant-garde sonic tapestries, woven from the rhythmic pulsations of heartbeats and the ethereal whispers of tinnitus, transmuted through an array of innovative instruments. Metal, glass, ceramic, and ice converge to birth otherworldly timbres, while field recordings and traditional string instruments intertwine with inventions like the Claravox theremin and an ear canal-shaped gong.

On the other hand, the artist's influence also extends far beyond the realm of composition. As a multifaceted artist, curator, and musician, her tireless advocacy for inclusivity and representation reverberates through her work. From collaborations with fellow artists (musicians, dancers and queer performance artists, most recently with Eve Stainton to a PhD pursuit in tinnitus research. 

For this mix, she mentions: I treated the mix as a sonic collection of some of the artists I met and who inspired me along my project journey. With the exception of AYA and Tomoko Sauvage, whom I haven’t (yet?) had the chance to meet, some were chance meetings. Stephan Crasneanscki, founder of Soundwalk Collective and Maria Chávez at Rewire last year, for bagpipe player and composer Lise Barkas and I, it was mutual curiosity sitting by the Niki de Saint Phalle fountain outside IRCAM in Paris; while others such as Kepla are supporters of me and my work, and in Mira Calix’s case, whom this record is dedicated to, she adopted me as her mentee for two years before she passed. The other dedication on the record is to Anneka Swann - a friend who will retain part of my soul…with May 8th, the album release date marking one year since I last held her. Just as sombreness infused with respite flows through my body and left ear. The mix is imbued with grief, reflection and recalibration.


Tracklist
1. Left Ear - Lola de la Mata
2. Stereocilia - Lola de la Mata
3. Lo Becat - Lise Barkas & Lisa Käuffert 
4. Mummer Love - Soundwalk Collective with Patti Smith 
5. ASLEEP-AWAKE-EKAWA-PEELSA, Spring 2021 - Maria Chávez
6. Sinew (Mira Calix Remix) - House of Bedlam
7. Silence - Keeley Forsyth
8. A Clearing, Spectre in Autumn - Kepla
9. Whorling - Lola de la Mata
10. Icky Dream - Valentina Magaletti & Marlene Ribero 
11. Pearl Reservoir - Lola de la Mata
12. Clepsydra -Tomoko Sauvage 
13. what if i should fall asleep and slipp - AYA
14. Right Ear - Lola de la Mata

CLOT Magazine presents Lola de la Mata - Along a semi-circular bone

Joe Davies is one of the seminal figures in Biomedia. His work has shocked and polarised the artistic community while at the same time laying the foundations for a new artistic discipline.

The artist is a research affiliate in the Department of Biology at MIT and his research and art include work in the fields of molecular biology, bioinformatics, and sculpture. 

With his practice, he was one of the first to blur the lines between art and modern biology,

In the late 1980s, Davis collaborated with molecular biologist Dana Boyd to insert for the first time a non-biological DNA message into a coding sequence. The recipient was the bacterial strain E. coli, one of the basic tools in molecular biology labs. The work, named Microvenus, encoded a binary representation of the Germanic rune for the female goddess of earth and life. The piece was a response to the Pioneer plaques designed by astronomers Frank Drake and Carl Sagan that were sent aboard Pioneer spacecraft with the intention of being intercepted by extraterrestrial life. The plaques depict the location of the Earth in the solar system and galaxy, the trajectory of the Pioneer spacecraft, and anatomical depictions of the human form. Davis took issue with the relative lack of detail of the female figure compared to the male figure and used Microvenus as a counter-argument for how we, as a species, outwardly represent ourselves. 

More recently, Davis has been working on encoding the top 50,000 pages of the English Wikipedia page into bacteria to be transferred into apple trees. The project is titled Malus ecclesia and is both a biblical reference to the apple tree in the garden of Eden as well as George Church, the principal investigator for the lab at Harvard Medical School where Davis holds an appointment. Davis' interest in plants also extends to one of his current projects, Astrobiological Horticulture, where he is investigating the potential for biological gardens in space. 

Throughout his highly productive career, two projects stand out as being particularly ambitious; Call me Ishmel, a 110-foot lightning tower in memoriam for Hurricane Katrina, and Bacterial Radio, a crystal radio system that uses a protein derived from marine sponges to create an electrical circuit capable of receiving AM radio transmissions. Davis work on the bacterial radio, which was assisted by molecular biologists Tara Gianoulis and Ido Bachelet, garnered critical acclaim for its technical sophistication and sustainability and was awarded the 2012 Ars Electronica Golden Nica in Hybrid Art. 

To become familiar with Joe Davis’ work is to come into an understanding of the creative potential for Biomedia and its relationship to culture and semiotics

This podcast was produced by CLOT Magazine editorial team and Stephen Mclaughlin

PodCLOTs series 1 Joe Davis interview 2016

For our seventh instalment, Sote, or Ata Ebtekar, one of the most prominent current Iranian composers and sound artists has prepared a mix inspired by Unsound Krakow's mix, SOLIDARITY. This theme will explore how music unites, both on a sonic level via its presence in a physical space or online, as well as culturally and politically, through scenes, collectives and movements.

Sote has produced two of the most exciting albums from the last two years, Sacred Horror In Design (Opal Tapes, 2017) and the most recent Parallel Persia (Diagonal, 2019). Albums where he closely collaborates with traditional musicians such as Arash Bolouri and Behrouz Pashaei. Currently based in Tehran, he is one of the motors behind the vibrant and growing experimental art cultural scene in the country.

For this mix he explains that collaborating with talented musician friends such as Arash Bolouri who plays the santour on ‘Parallel Persia’, Pouya Damadi who plays the tar on ‘Parallel Persia’ and Behrouz Pashaei who played the setar on ‘Sacred Horror In Design’ has been critical to his electro-acoustic works in the past few years.                                                                                                         Since these mentioned electro-acoustic projects/albums have been about comradeship, he thought it would be interesting to go back about 10 years when I collaborated with the pianist and composer Mazdak Khamda who is a dear friend from his San Francisco Bay Area days: "And I decided to mix our album ‘Sonic Within’ with additional spectral editing. I feel like this work was overlooked by the media upon its publication and felt right to reintroduce it one more time in this shape and form. I greatly enjoy the balance between the acoustic and the synthetic bits on this material."

SOTE - Unsound SOLIDARITY, Sept 2019

This new mixtape comes from Kosei Fukuda, the Japanese producer and sound artist, who shares his time between Tokyo and Berlin and who has prepared a deep listening hybrid DJ mix.

Fukuda camo to the scene in the late 2010s, attracting the attention of Berghain resident Tobias Freund. Fukuda's sound delves into minimalistic narratives and dark atmospheres, with a penchant for longer, conceptually inclined works which culminated in early 2020 in the two-vinyl collection of electro-acoustic improvisations compilation under the philosophical aegis of Enso featuring such acts as Recent Arts, Renick Bell or Rabih Beaini.

Fukuda return returns with a full solo project, Reuten, his debut LP and his thirteenth release on the Reiten label – a platform he created to showcase his techno music and the more general, experimental aesthetic agenda of which the club music is but one face. Ruten is a Japanese concept whose closest Western counterpart is the ancient Greek notion of ‘panta rhei’. Referencing Heraclitus’ famous adage that ‘everything flows’ is not just the philosophical inspiration behind the album but also the succinct aesthetic manifesto of sorts.

The two albums called Ruten – and Ruten + are meant to represent the principle of Ying & Yang, the two elemental forces and the eternal cycle of energy. As a whole, they signify a journey from the nascent being to the eventual dissolution of everything into nothing. Yet there’s still a deeper message at play: the omnipresence of patterns. Even the incessant flow of changes is patterned. The philosophers ask what it tells us about reality. The artists offer answers, each coded in the respective artistic language. In this work, Fukuda hints at the idea that a pattern is both an abstract structural quality and a concrete aesthetic value. The music is a complex sonic story about the interlocking meanings of pattern and flow, and it is a meditative exploration of the human experience of this entwinement.

Kosei Fukuda CLOT Magazine Mix

CLOT Magazine is an online publishing and curational platform dedicated to art and science explorations. We aim to collect, display, broadcast and promote the crossover of Art, Science and Technology.

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