Live recording of a meditative patch with multiple clocks.

Shifting Perspective

The world is changing, we all have to live with months of windless hot days without any chance it will change.

This live recording was made at the entrance hall of the Cacaofabriek in Helmond (NL) at the Day of the Composer (june 17th) by Kees van de Wiel from Concertzender.

Heatwave (live recording at Dag van de Componist)

Disquiet Junto Project 0602: Choice Words 

I let a randomizer decide which word I should use for this assignment, and it chose 'Toss'. Perfect.

It can mean the tossing of a coin. So, I chose to work with all the 12 available Western notes and gave them a number from 1-12, and then  I made a selection of different timings (1-9). With an online randomizer I made a long list with combinations to effectively write the music. 

I chose the cello because that's the instrument I play, but timing wise it was quite difficult to play, so I used the midi function from Musescore to export it in Ableton and used Blisko Cello from Felt Instruments to play it back for me.

Toss My Cello

Recorded on the 23th of september 2023 using a few instruments, including the new Pulsar 23.

Other machines used:
Lyra 8
Keystep 37
René 2
DPO
Quadrantid Swarm

Pulsar 23-23-23

Anxious

Recreation of the live set I played at Gifgrond.

Poisoned Ground (Live at Gifgrond 85)

Invisible but audible. Radio waves are currently a source of inspiration. There is still so much to discover and learn.

Radio waves

After a long day of work it was time for some meditation.... 

Meditation

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Getting comfortable being uncomfortable is my way to explore new sounds. This is an exploration of Cage's prepared piano sounds through two differently timed delays.

Getting Comfortable Being Uncomfortable

An etude with hypnotic kicks, rhythms and delay. It's about the minimal changes in accents and time.

Etude: Time and accents

In Becoming Grain, sound is reduced to particles: fractured, looped, and scattered. What seems like repetition reveals itself as difference. No moment returns as it was. 

Becoming Grain

What begins as repetition becomes something else. In Becoming Grain - Pierre, sound is disassembled — not into notes or rhythms, but into grains: tiny, shifting particles of time. Fragments are looped, stretched, scattered. Nothing returns unchanged.

Pierre
The performance draws from the lineage of musique concrète, echoing Pierre Schaeffer’s early experiments with recorded sound as raw material. But instead of fixed tape loops, we work with fluid textures — always on the verge of transformation.

Pierre

Live recording of my show at ZIMIHC Utrecht on 19 september 2025

Live at ZIMIHC Utrecht

Samples of my cello, samples I've recorded, samples I've found

Clôture Électronique

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