Piano by Jeremy Botts
Produced by Module Module

Module Module - Bee In Hand

From the forthcoming 2CD compilation of remixes, rarities and unreleased tracks entitled "Memory and Matter", coming out on October 7 on Darla Records. The album can now be preordered here: www.manual.bandcamp.com

Or directly from Darla: 
darla.com/index.php?fuseaction…il&item_cat_id=43244

"Memory and Matter comprises selected remixes and rarities from the past seven years, nine of them previously unreleased and many of them only issued only on hard to find EPs or as Japanese release bonus tracks. Far from being merely a collection of every single oddity, these tracks were carefully selected into a consistent whole that maintains the same high standard of proper Manual albums. This two-disc compilation is also a labor of love.

Like it's predecessor, Lost Days, Open Skies and Streaming Tides, released in 2007, disc one demonstrates Jonas Munk aka Manual's expertise in creating elegantly layered, shoegazey pop, while disc two focuses on minimalist, slow-moving pieces created mostly from processed guitars. The latter adds an excellent postscript to Confluence - an album that has gained near-classic status in ambient/drone circles since it's release in 2008.

Munk's way of remixing other artists usually involves a complete reconstruction of the original piece, rearranging heavily and adding loads of fresh layers of sound to it, which is obvious when listening to his haunting and atmospheric reworkings of Blue Foundation's ballad ”Dressed in Black” or Mice Parade singer Caroline's ”Sleep”, or the Robin Guthrie produced Annie Barker track ”Cruel”. For Manual fans it's a treat to hear Munk's lush signature sound paired up with (often female) vocals. Disc 1 closes with the 17 minute Manual original ”Camellia”, the most new age-indebted piece in the Manual oeuvre, originally created for a digital-only compilation on Attack9. The track's placid sense of drift and delicately weaved harmonies makes it a standout in Munk's entire body of work.

Disc 2 is darker, more ambiguous in tone, with ”Three Parts” as the center piece – an enigmatic composition originally created for Ghostly International's ambient/drone compilation SMM: Context in 2011. Other notable selections includes ”Fields”, a meditative collaboration with Jason Kolb from Auburn Lull, and ”Memento”, a somber piece that exhibits Munk's flair for intensive guitar manipulation."


Caroline: "Sleep" (Manual Remix)

Release date: August 15, 2025
Streaming: https://music.imusician.pro/a/Bq_Hx6JG/

Step into the universe of Silo Arcane, the one-man wonder behind a new wave of EQ, our sublabel. Merging ambient landscapes with experimental twists, each piece is an original creation, fully produced using a DAW on a single computer. From crafting deep, textured tunes to mixing ethereal vibes, Silo Arcane delivers a personal yet expansive musical experience.

All tracks composed, produced and mixed by Silo Arcane
Mastering by Frank Riggio
Artwork by Silo Arcane
Cat number: EQU012

Support at Bandcamp

Silo Arcane - Green

The Sway

a three sided record telling the story of a man driven to madness as he navigates a temporal loop of cosmic proportions

B3.  man's deceiver was never mine

Fostercare

CloudBurn & Factory - Visitor (Free)

12 - Bruised Skies - Lost

Wordless.
Download: https://soundcloud.com/arro5/wordless
Spotify Playlist: http://bit.ly/AmbientSpotify

Arros
https://soundcloud.com/arro5

Picture by Cody Black
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https://unsplash.com/@cblack09

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Arros - Wordless

From the album "Pastoral": https://valotihkuu.bandcamp.com/album/pastoral

This album was hugely inspired by the atmosphere of summer vacation, creaking seesaws, and solitude. I tried to transfer all these things in thoughtful soundscapes. 

It’s like a little journey to the silent countryside. This music was made for people who want to escape reality for some time and come back to the rhythm of a city with focused energy afterward. 

I started this recording creating the whole atmosphere and depth of the tracks using field recordings, and other noises of nature. It’s the reason why if you play this album sitting in your room with your eyes closed, you would be transferred to another world, where you feel the fragrances of wheat, cut-grass green and moist air. 

After creating the right atmosphere with field recordings, I was improvising with different musical instruments. I think that live improvisations are the key to an organic and textural sound: volume and airy pads play with the sounds of an acoustic guitar and muffled bells, sounding in the background. All these sounds comprise a beautiful symphony praising nature.

Pastoral

10/07/2019

Green And Blue

The Time Before

CLOUDBURN IS OVER. PLEASE REDIRECT TO MY NEWER WORK>>>>>> soundcloud.com/adjustedspeech

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