The Asteroid No.4 - Set Your Sights (Glok Remix)

Pinkshinyultrablast
Release single ‘Holy Forest’
Out 19th January on Club AC30

•	“A quiet riot of ethereal vocals and lustrous guitars. Pinkshinyultrablast a valid insight into young modern Russia via the early-90s Thames Valley.” Guardian 

•	“Beautifully toned and unconventionally fast, a gutsy effort that makes a big impression” NME

•	“A complex but sumptuous confluence of mathy basslines and waves of melodic ecstasy.” Q

•	“Excessively impressive, unexpectedly fast-paced shoegaze from these Russian peeps.” Drowned In Sound

Pinkshinyultrablast, a five-piece band from Saint-Petersburg in Russia, are set to release their debut album ‘Everything Else Matters’ on 26th January.

Hailing from a city more synonymous with the State Conservatory rather than a gang of shoegaze addicts, they’ve been compared to Lush. But this is no mere throwback tribute - due to their sharp, icy electronics and ability to subvert the genre, bringing something new to the table. They possess  not only the spirit of late 80s/early 90s British bands like Ride, but also machine-made sounds of the same era from Sabres Of Paradise or Global Communication, not to mention wider vibrations like Cluster, Popul Vuh, Terry Riley and Philip Glass.

Disdain for a stagnant scene can often be a driving force of creativity; the band say of St Petersburg that, “we realised the local indie scene was totally boring and wanted to play something radically different”. That vision has been realised – this is an album brimming with playful melody and finely-crafted songwriting. Imagine the scope of a Caribou record, fronted by Elizabeth Fraser soundtracking a grizzly Raskolnikov crime.

The band take their name from an Astrobrite album, an act who were, according to the band, instrumental in how they “researched spaces between ambient, heavy guitar and pop music” .The spaces are what stand out, the production creates a dream-like affair, while space to breathe and reflect on the beauty of the music is accommodated. There is a sparseness to the album that in turn gives spaciousness, even expansiveness.

The second single ‘Holy Forest’ is released 19th January. The song is indicative of an album full of melodic gems and shimmering shoegaze - euphoric with spectral guitars, its sharp edged pop has a radiant charm.  Welcome to your new favourite Russian band.

Pinkshinyultrablast are Igor - bass, Lyubov - vocals, Sergey - drums, Rustam - synths and electronics and Roman – guitars.


Pinkshinyultrablast - Holy Forest

Pinkshinyultrablast | ‘Umi’ | Club AC30

•	“Excessively impressive, unexpectedly fast-paced shoegaze from these Russian peeps.” Drowned In Sound

•	“It's one of those records that make you want to listen all day long. It's all there: guitar waves, distant voices, melodies and electrostatic. It's impossible not to play this on repeat." Sinewave

•	“In our minds, they’re the most interesting shoegaze band in the world right now.” The Dumbing Of America

‘Umi’ – first single to be taken from ‘Everything Else Matters’ due out in January.

Pinkshinyultrablast, are a five-piece band from Saint-Petersburg in Russia. The first single ‘Umi’ is due for release on November 10th. The song is indicative of an album full of melodic gems. Umi is rich with complexity, while underpinned with a beauty that both beguiles and entrances. The song evokes the spirit of bands like Slowdive and The Cocteau Twins, but at the same time remaining undeniably modern.

Hailing from a city more synonymous with the State Conservatory rather than a gang of shoegaze addicts, they’ve been compared to Lush. But this is no mere throwback tribute - due to their sharp, icy electronics and ability to subvert the genre, bringing something new to the table. They possess not only the spirit of late 80s/early 90s British bands like Ride, but also machine-made sounds of the same era from Sabres Of Paradise or Global Communication, not to mention wider vibrations like Cluster, Popul Vuh, Terry Riley and Philip Glass.

Disdain for a stagnant scene can often be a driving force of creativity; the band say of St Petersburg that, “we realised the local indie scene was totally boring and wanted to play something radically different”. That vision has been realised – this is a sound brimming with playful melody and finely-crafted songwriting. Imagine the scope of a Caribou record, fronted by Elizabeth Fraser soundtracking a grizzly Raskolnikov crime.

The band take their name from an Astrobrite album, an act who were, according to the band, instrumental in how they “researched spaces between ambient, heavy guitar and pop music” .The spaces are what stand out, the production creates a dream-like affair, while space to breathe and reflect on the beauty of the music is accommodated. There exists a sparseness to their sound, that, in turn gives spaciousness, even expansiveness.

Welcome to your new favourite Russian band.

Pinkshinyultrablast are Igor - bass, Lyubov - vocals, Sergey - drums, Rustam - synths and electronics and Roman – guitars.

For all UK print inquiries contact Jenna at 9PR and for all online inquiries contract Dan McCormick: jenna@9pr.co.uk / dan@9pr.co.uk . 0207 375 2725. www.9pr.co.uk

Pinkshinyultrablast - Umi

Pinkshinyultrablast - Holy Forest (Keep Shelly In Athens Remix)

FLYYING COLOURS
NEW EP - ‘ROYGBIV’
11th MAY ON CLUB AC30 (UK) /12th MAY ON SHELFLIFE (US)

•	“It’s hard not to crush on the extensive, encircling sound of Flyying Colours” – NO FEAR OF POP
•	 “blistering from start to finish, Kevin Sheields’-inspired shadows linger” - CLASH

Melbourne-based shoegazers Flyying Colours return with a second EP of psychedelic pop textures tempered with sugar-rush melodies. The ‘ROYGBIV’ EP is out May 11th on Club AC30 and Shelflife.

Hailing from a country more synonymous with the beachcombers and the sunshine coast than shoegaze luminaries, Flyying Colours have nonetheless been compared to Lush and Ride, weaving smooth, tactile vocals with coarse textures with finely-crafted songwriting. 

True to their name, Flyying Colours unashamedly display their influences on ROYGBIV – tone-bending My Bloody Valentine / Swervedriver guitars, ferocious bass hooks and the familiar soft hush of early 90s dueting vocals. Added to the mix is their own edgy, refreshing pop-mindedness, buoyed by the lush vocal interplay 

On ‘Running Late’ guitars overlap, playing seemingly different melodies and rhythms, as the vocals float up from the ether of the background. Hearkening back to the 80s but also at once sounding thoroughly futuristic, there’s finely-textured guitar loops and lo-fi delay used to get effect throughout the record. ‘Not Today’ and ‘Leaks’ share the same considerable style and skill: successfully channelling not just Kevin Shield’s growling, bending, wall-of-sound guitars, but also Bilinda Butcher’s cooing, unintelligible vocals. The album opener ‘I Don’t Want To Let You Down’ sports a rolling darkwave groove that’s like Joy Division gone psychedelic. 

Formed in 2011, Flyying Colours self-titled EP received a considerable amount of attention, which was then backed up by their explosive live shows, setting them well apart from others occupying Melbourne's fledgling shoegaze scene. A follow-up, ROYGBIV is a snapshot of a band reaching for the heavens and finding themselves reflected in at all over the cosmos: a sign of greater things to come.


Flyying Colours – UK / EU Tour – May 2015
06 May – CARDIFF - Clwb Ifor Bach   with Pinkshinyultrablast
07 May – BIRMINGHAM - The Temple  with Pinkshinyultrablast
08 May – NOTTINGHAM - Lofthouse with Pinkshinyultrablast
09 May – LEICESTER - Scholar Bar with Pinkshinyultrablast
11 May – LONDON - Hoxton Bar & Kitchen with Pinkshinyultrablast
13 May – RAMSGATE - Music Hall with Pinkshinyultrablast
15 May – BRIGHTON – The Great Escape Festival - The Hope
22 May – PRAGUE - 007 Venue
23 May – HAMBURG - Molotiv


Flyying Colours - Running Late

Pinkshinyultrablast
New single ‘Kiddy Pool Dreams’
Out on Club AC30 on October 2nd

“A quiet riot of ethereal vocals and lustrous guitars. Pinkshinyultrablast a valid insight into young modern Russia via the early-90s Thames Valley.” - Guardian 

“Beautifully toned, unconventionally fast, a gutsy effort that makes a big impression” - NME

“A complex but sumptuous confluence of mathy basslines and waves of melodic ecstasy.” - Q

“euphoric and latitudinous shoegaze” – Noisey

“equal parts shoegaze and electronic art pop” – Brooklyn Vegan



Hot on the success of their debut album ‘Everything Else Matters’ Pinkshinyultrablast, a five-piece band from Saint-Petersburg in Russia, are set to release a new single, ‘Kiddy Pool Dreams’ on 2nd October on Club AC30.
 
The band take their name from an Astrobrite album, an act who were, according to the band, instrumental in how they “researched spaces between ambient, heavy guitar and pop music” .The spaces are what stand out, the production creates a dream-like affair, while space to breathe and reflect on the beauty of the music is accommodated. There is sparseness to the album that in turn gives spaciousness, even expansiveness.

‘Kiddie Pool Dreams is indicative of a forthcoming album full of even more melodic gems and shimmering shoegaze - euphoric with spectral guitars, its sharp edged pop has a radiant charm. 

To celebrate the release of ‘Kiddy Pool Dreams’ the band will be embarking on a full UK tour on the dates below.

Pinkshinyultrablast are Igor - bass, Lyubov - vocals, Sergey - drums, Rustam - synths and electronics and Roman – guitars.

Pinkshinyultrablast – UK TOUR – AUTUMN 2015
September – 25th – LIVERPOOL – Psychfest – 
http://psychfest.seetickets.com/event/liverpool-international-festival-of-psychedelia/camp-furnace/856552 
September – 27th – GLASGOW – Broadcast –
http://www.seetickets.com/event/psych-sunday/broadcast/891185
September – 28th – NOTTINGHAM – Spankys – 
http://www.alt-tickets.co.uk/pinkshinyultrablast-spanky-van-dykes-2015-09-28-19-00 
September - 29th - MANCHESTER – Night & Day
http://www.seetickets.com/event/pinkshinyultrablast/night-day/898793 
September – 30th – BIRMINGHAM – Institute Temple – 
http://www.ticketmaster.co.uk/event/1F004EF5B2F76293 
October – 1st – LEEDS – Brudenell – 
http://www.brudenellsocialclub.co.uk/whats-on/pinkshinyultrablast/ 
October – 3rd – READING – Oakford Social – (FREE SHOW)

October – 4th – CARDIFF – Clwb Ifor Bach – 
http://www.seetickets.com/event/pinkshinyultrablast/clwb-ifor-bach/898877 
October – 5th – BRISTOL – Lantern –
http://www.alt-tickets.co.uk/pinkshinyultrablast-colston-hall-2-2015-10-05-19-00 
October - 6th – LONDON – XOYO – 
http://www.seetickets.com/event/pinkshinyultrablast/xoyo/877918 
October - 7th - BRIGHTON – Sticky Mike’s Frog Bar –
http://www.seetickets.com/event/pinkshinyultrablast/sticky-mikes-frog-bar/899047?aff=id1safe
October – 8th – LEICESTER – Scholar Bar – 
http://www.ticketweb.co.uk/event/pinkshinyultrablast-tickets/188555
October – 9th – 11th – BOGNOR REGIS – Rockaway Beach Festival –
http://www.bigweekends.com/the-weekends/specialist-music-weekends/rockaway-beach.aspx 


Pinkshinyultrablast - Kiddy Pool Dreams

Brighton shoegaze luminaries Air Formation return on … with ‘Were We Ever Here’, their first new material since reforming in 2014. Loosely based around the group of songs they were working on in 2010 before their split, the band worked on the EP in secret, stating “We thought it would be a more exciting, organic, experience if we just got on with it un-announced and released it as fast as we could.”

Air Formation formed in 2000, long before their spiritual forebears Slowdive and Loop were once again considered acceptable influences. Since signing to Club AC30, long a bastion of the modern shoegaze sound, in 2005, the band gained a devoted following and for albums such as 2007’s Daylight Storms (which was mastered by alternative rock legend Kramer) and their final LP, Nothing To Wish For (Nothing to Lose), in 2010. Their incendiary live show also saw them share stages with the likes of Vessels and Efterklang.

Ten years on from their first release for Club AC30, the 57 Octaves Below EP, the four songs on ‘Were We Ever Here’ cover every corner of Air Formation’s sound, whilst adding surprising new touches. The swathes of feedback and distortion are all present and correct, along with swooping New Order synths. Slow-building opener ‘I Could Stay’ comes to life in a swooning burst of fuzzed-up bass and hyperactive Ride-like drums. Closing track ‘The Wasted Days’ takes the entire EP into another gear, shifting from kinetic drone-pop to expansive post-rock territory, bringing this record to a close in a shower of noise.

Say the band themselves: “We really feel 'Were We Ever Here' showcases the best of Air Formation, but then takes it on a different path to any of the music has come before.” While their break-up in 2011 involved no fireworks or fistfights, the band do admit that “what once felt effortless and exciting was becoming hard to hold together, and that is no way to make music.” ‘Were We Ever Here’ suggests that the band’s spark has returned. With a vengeance.

Track list: I Could Stay / Last Resolve / On the Floor / The Wasted Days

For press enquiries please contact josh@9pr.co.uk or 0207 375 2725

Air Formation - The Wasted Days

Ringo Deathstarr - Guilt

Pinkshinyultrablast
Release sophomore album 'Grandfeathered'
26th February 
Club AC30


•	“In Lyubov Soloveva, meanwhile, they have a frontwoman whose chiffony, choirgirl voice has a wonderfully transportive quality that whisks you out of your surroundings” The Guardian 

•	“Beautifully toned and unconventionally fast, a gutsy effort that makes a big impression” NME

•	“Anchors itself somewhere between Cocteau Twins-ian atmosphere and the melodic glitter of a Polica record” Noisey (Vice) 

•	“Excessively impressive, unexpectedly fast-paced shoegaze from these Russian peeps.” Drowned In Sound

Pinkshinyultrablast, a five-piece band from Saint-Petersburg in Russia, are set to release their second album ‘Grandfeathered’ in February 2016. 

Their debut album, ‘Everything Else Matters’, released at the beginning of 2015 was met with huge critical acclaim. Headline shows across Europe, an energetic and committed fanbase, continued support at radio – all combined to make this upcoming second record one of the most anticipated in 2016. Around the first album the band were quoted as saying “we realised the local indie scene was totally boring and wanted to play something radically different”. The vision of achieving notoriety outside of Russia has been integral to the band’s philosophy – they are very much an international band now. 

A Russian band making a shoegaze record, was seen by some, as something of a novelty. The novelty was quickly eroded, firstly by shoegaze fans who awarded the band an invaluable seal of approval, but also by the music press, who quickly realised that they were not just ‘any’ shoegaze band. This was a band with widespread appeal, an engaging front-woman and a thrilling love show. 

They’ve been compared to Lush among others. But this is no mere throwback tribute. Grandfeathered is a more experimental listen compared with the debut album, it’s the sound of a band unafraid to try new things and embrace those fine lines between visceral noise and restrained subtlety. The band saying of the new sound “The new album has been recorded and mixed much faster than the previous one. The songs have more density to them and are generally more complex.”

The band take their name from an Astrobrite album, an act who were, according to the band, instrumental in how they “researched spaces between ambient, heavy guitar and pop music”


Recent single ‘Kiddy Pool Dreams’ features on the album. Described by Stereogum as “A flashback to the glory days of ’90s alt-rock, which builds into thundering instrumental interludes. In between are trickling synths and echoing vocals backed by a rhythmic danceable guitar.”

If that single offers a glimpse of what to expect from the rest of the record, it’s only the smallest of hints – this is an album that consistently demonstrates diversity and eclectic ambition. Influences on this record certainly suggest a new direction for the band, Lyubov claiming “Hardcore, metal and afrobeat” were all instrumental in its formation. 

Pinkshinyultrablast are Igor - bass, Lyubov - vocals, Sergey - drums, Rustam - synths and electronics and Roman – guitars.

For all UK print inquiries contact Billy Burrell and for all online inquiries contact Dan McCormick: billy@9pr.co.uk / dan@9pr.co.uk

For all USA PR inquiries contact Amanda Dissinger at Terrorbird: amanda@terrorbird.com


Pinkshinyultrablast - The Cherry Pit

The Cherry Pit (Shiny Dub) is the b-side to The Cherry Pit by Pinkshinyultrablast

Pinkshinyultrablast - The Cherry Pit (Shiny Dub)

A heady balm of smeared guitar textures and sharp pop sensibilities.”
STEREOGUM
 
“It’s hard not to crush on the extensive, encircling sound of Melbourne’s Flyying Colours”
NO FEAR OF POP
 
“Chances are that this tune from Flyying Colours is going to make a fan out of you…these guys are belting out a noise that instantly pricks people’s ears up.”
SOUNDS BETTER WITH REVERB
  
After two critically acclaimed EPs, Flyying Colours are set to release their debut album ‘Mindfullness’ in September on Club AC30. Residing in a dream-world that sits somewhere between psych, indie, grunge and shoegaze, the Australian band’s beautifully dynamic new offering showcases their talent for uniting a delicate vocal melody with a satisfying thick wall of abrasive drums and guitars.

Leading track and first single It’s Tomorrow Now further stirs the melting pot. Opening with a chaotic looped squeal, the knockout punch of the frenzied opening riff and steady, driving drums sets the bar high for the nine tracks that are to follow.

Long Holiday echoes the sun-tinged indie of the ‘90s, layered with ethereal harmonies and languid, hazy guitars, whilst the phenomenal 1987 is punchy and playful; reminiscent of the intelligent garage-indie of Broken Social Scene. Fuzzy psychedelic track Mellow is reverb-drenched, punctuated by distant vocals and dense sonic guitars. The post-rock drone of Roygbiv follows, and Sun Hail and Rain’s continuous percussive drive and grooving bassline allows the perfectly aligned male/female vocals to shimmer. Title track Mindfullness employs a post-punk sway, buzzing with distorted guitars and power chords.

Formed in 2011 in Brunswick by school friends Brodie and Gemma, they played every show they could week in, week out in Melbourne’s bustling inner north to finesse their sound. Debut single Wavygravy (2013) perfectly set the scene by truly capturing the unhinged essence of a Flyying Colours show. But the recent addition of the impressive abilities of Andy on drums and Mel on bass have taken that unhingedness to undreamt-of-levels, making the beautiful trip of their live show, something to truly marvel.

The Melbourne quartet have since spent the last year touring with label mates pinkshinyultrablast as well as Johnny Marr, Brian Jonestown Massacre and A Place To Bury Strangers, whilst singles Not Today and Running Late taken from their second EP, ‘ROYGBIV’ garnered heavy rotation on enormous radio stations worldwide, including KEXP, BBC6, JJJ, RRR and FBi. They hit #47 on the CMJ Radio top 200 in the states, sat in the UK’s Amazing Radio charts for weeks, and were championed by Clash, 405, Stereogum, Wonderland and NME. With the September release of ‘Mindfullness’, 2016 seems set to be just as busy.
 
1st October - Clwb Ifor Bach – Cardiff
2nd October – Fulford Arms – York
3rd October – The Cluny – Newcastle
4th October – The Cookie Jar – Leicester
5th October – Hoxton Sq Bar And Kitchen – London
6th October – The Hope And Ruin – Brighton
11th October – Supersonic – Paris
28th October – London Calling Festival – Amsterdam

Mindfullness

Long Holiday

Flyying Colours - Mindfullness - Long Holiday

A heady balm of smeared guitar textures and sharp pop sensibilities.”
STEREOGUM

“It’s hard not to crush on the extensive, encircling sound of Melbourne’s Flyying Colours”
NO FEAR OF POP

“Chances are that this tune from Flyying Colours is going to make a fan out of you…these guys are belting out a noise that instantly pricks people’s ears up.”
SOUNDS BETTER WITH REVERB

After two critically acclaimed EPs, Flyying Colours are set to release their debut album ‘Mindfullness’ in September on Club AC30.  Residing in a dream-world that sits somewhere between psych, indie, grunge and shoegaze, the Australian band’s beautifully dynamic new offering showcases their talent for uniting a delicate vocal melody with a satisfying thick wall of abrasive drums and guitars.

Leading track and first single It’s Tomorrow Now further stirs the melting pot. Opening with a chaotic looped squeal, the knockout punch of the frenzied opening riff and steady, driving drums sets the bar high for the nine tracks that are to follow.

Formed in 2011 in Brunswick by school friends Brodie and Gemma, they played every show they could week in, week out in Melbourne’s bustling inner north to finesse their sound. Debut single Wavygravy (2013) perfectly set the scene by truly capturing the unhinged essence of a Flyying Colours show. But the recent addition of the impressive abilities of Andy on drums and Mel on bass have taken that unhingedness to undreamt-of-levels, making the beautiful trip of their live show, something to truly marvel.

The Melbourne quartet have since spent the last year touring with label mates pinkshinyultrablast as well as Johnny Marr, Brian Jonestown Massacre and A Place To Bury Strangers, whilst singles Not Today and Running Late taken from their second EP, ‘ROYGBIV’ garnered heavy rotation on enormous radio stations worldwide, including KEXP, BBC6, JJJ, RRR and FBi. They hit #47 on the CMJ Radio top 200 in the states, sat in the UK’s Amazing Radio charts for weeks, and were championed by Clash, 405, Stereogum, Wonderland and NME. With the September release of ‘Mindfullness’, 2016 seems set to be just as busy.

Flyying Colours - It's Tomorrow Now

Is Bliss
‘Velvet Dreams EP’
21st October 2016
12” Vinyl EP / AC3013084. 
www.clubac30.com

Introducing ‘Velvet Dreams EP’, the debut from psychedelic shoegazer trio Is Bliss, set for release this autumn on Club AC30. 

‘Velvet Dreams’ is a tantalising taster of this new band’s potential. It’s atmosphere resonates strongly with the hazy sixties underground, with its sitar-like waterfall guitars and hypnogogic beats, but other, harder influences bleed through. From the intense hit of fuzzed-up anger on ‘Truth’, through to yearning, soaring dream-pop gorgeousness of ‘Lure’ and lead track ‘Ocean Blue’, this release sets out to show Is Bliss’ full range and depth.

Comprising of Jimmy Stuart (vox, guitar), Dean Edwards (bass) and Sam Speakman (drums), Is Bliss have been together barely a year and yet have quickly gained attention opening for Wolf Alice, Telescopes, Nine Black Alps, Mark Gardener and Robin Guthrie. Many bands today cite My Bloody Valentine as a major influence, but Is Bliss exist because Dean clocked Jimmy’s MBV t-shirt and when they struck up a conversation they discovered a shared a love of Slowdive, Spacemen 3, Verve and The Cure, along with a need to escape the mind-numbing boredom of rural Hampshire. This first clutch of songs was developed through live improvisation, but is taken to the next level here by Pat Collier (The House Of Love, Primal Scream, Swervedriver).

Is Bliss are planning a UK tour in the autumn to promote the EP, followed by the release of their debut long-player in the new year. 

Live:
Thursday 4th August - The Victoria, London - Supporting The Hacienda
Friday 5th August - The Fat Fox, Southsea - Supporting New Desert Blues
Saturday 24th September - Edge of the Wedge - Southsea Psych Out
Saturday 28th January - The Fat Fox, Southsea - Icebreaker Festival 2017

For all press enquiries please contact Clare Buckland at Big Wheel PR 
on 07968 379 355 or e-mail clare@bigwheelpr.com


EP PERRY VALE

Is Bliss - Ocean Blue

Is Bliss remixed by Pinkshinyultrablast

Velvet Dreams EP by Is Bliss out 4th November on Club AC30

Catch Is Bliss at the following shows:

November
4 Rennes, France Le Marquis de Sade
5 Zwevegem, Belgium Motokouture
7 Liege, Belgium La Zone
8 Hamburg, Germany Hafenklang
11 Glasgow Broadcast - supporting The Primitives
12 Blackburn Darwen Theatre - supporting The Primitives
13 Sheffield Greystones - supporting The Primitives
14 Birmingham Sunflower Lounge
16 Leicester Soundhouse
19 Portsmouth Al’burrito

December
15 Ipswich White Swan

Is Bliss - Morning Sun (Pinkshinyultrablast Remix)

Fever Dream - Youth (Is Wasted On The Old)

Find Your Saint

Pinkshinyultrablast - Find Your Saint

Fever Dream - Heads Will Roll

Pinkshinyultrablast - Dance AM

In The Hanging Gardens

Pinkshinyultrablast - In The Hanging Gardens

Near Miss

Vanishing Act

Air Formation - Vanishing Act

Purple Heart Parade - The Room

Sad Paradise EP

Black Doldrums - There Is No Eye

The new EP from Ringo Deathstarr, out 7th November on Club AC30.  

http://facebook.com/ringodeathstarr
http://www.clubac30.com

Ringo Deathstarr - Shadow

Is Bliss - What To Believe

She Divine EP

She Divine

Black Doldrums - She Divine

Black Doldrums - Mae's Desire

Desolation Angel EP

Purple Heart Parade - Petrichor

Forthcoming single "The Rapture" by Exit Calm.  Taken from their second album, which will be out Summer 2013.  Out February 18th on very limited heavyweight yellow or green 7" vinyl via the Club AC30 imprint.

http://www.exitcalm.net
http://www.clubac30.com

Produced by Rob McVey
Engineered by Christian Mock
Mixed by Jamie Ellis
Mastered by Brian Lucey
Recorded at CIA Studios London

For more info contact robin@clubac30.com

Exit Calm - The Rapture

God Help the Ones You Love

Ringo Deathstarr - God Help the Ones You Love

“A quiet riot of ethereal vocals and lustrous guitars. Pinkshinyultrablast a valid insight into young modern

Russia via the early-90s Thames Valley” - The Guardian

“Beautifully toned and unconventionally fast, a gutsy effort that makes a big impression” - NME
“A complex but sumptuous confluence of mathy basslines and waves of melodic ecstasy.” - Q Magazine
“Excessively impressive, unexpectedly fast-paced shoegaze.” - Drowned In Sound

Pinkshinyultrablast, Russia’s premiere shoegaze export, have shared their epic and ethereal new single ‘Songs’.

With vocalist Lyubov moving to LA, the band were deeply immersed in exploring new ways of composing and collaborating from a distance long before it was enforced.

They tells us that "this one is kind of an oddball. I think when we recorded ‘Songs’ we weren’t really sure what to do with this 15-minute-long beast, or if we will ever get a chance to release it. For some reason, this B-side feels especially dear to all of us. Possibly because it encapsulates a certain time of us existing together as a band, a very specific moment. We’ve been living in different cities for over four years now, and I think what I miss the most about us all being in the same place is the ability to regularly spend time together in the same room, practice, and run ideas by one another — just communicate and figure stuff out, side by side. I went to a Terry Riley show last December and he was playing with his grandson Gyan. They were sitting on the opposite sides of a really wide stage, pretty far apart from one another, separated by this giant concert grand - playing, pausing, improvising - and just kind of secretly smiling at each other from across the hall. When I think of the time we worked on this song, I think of those kinds of smiles, you know. It feels like hearing back a long conversation you’ve had with a dear friend a while back. Maybe you don’t agree with everything you’ve said back then, but then it doesn’t even really matter, because you know you were just able to truly relate." 

Pinkshinyultrablast have amassed critical praise across the board since the release of their debut album ‘Everything Else Matters’ and follow-ups ‘Grandfeathered’ in 2016 and ‘Miserable Miracles’ in 2018.

On ‘Songs’ they deliver waves upon waves of expansive guitars to form a truly massive fusion of psychedelia and ambience that flows beautifully, awash with blissful synths and their trademark celestial vocals.

Pinkshinyultrablast - Songs

“Definite fan of these kids, they have that special something” – BBC Fresh on the Net
“INDIGOS have managed to blow us away with their sonic spectrum” – Bristol In Stereo

INDIGOS, the latest export of Bristol’s vibrant and significant live music scene, are pleased to announce their signing to premiere shoegaze bastions Club AC30 with the release of their heavenly self-titled debut EP.

An effortless blend of 90s post-punk grunginess mixed with layers of psychedelic guitars and irresistible pop hooks makes ‘INDIGOS’ an enchanting prospect, steeped in that ever popular juxtaposition between dark existential angst and blissful summer licks.

The 4-track was produced by Ben Johnson and IDLES guitarist Lee Kiernan with individual parts recorded from different studios, born as much from the bands financial limitations as anything else. Within these constraints they were able to pull together from various sessions and with the help of multiple collaborators, crafted something that sounded unexpectedly polished and extraordinarily expansive.

Opener ‘Silhouette Of You’ enraptures with its dreamy duel harmonies, marching, anthemic beat and blistering chorus while follow-up and lead single ‘I’m Healed’ goes to ever darker depths. ‘Animalistic’ leans into their cool slacker grooves and nonchalant delivery before euphoric closer ‘Out Of Body’ displays their more intimate stylings beautifully paired with a brutal cascade of riffs.
Lyrically the writing is diverse but always viewed through a poetic lens, exploring themes of self-reflection, projection, nostalgia, dystopia and more. They tells us that “our lyrics very often grow out of streams of consciousness as we bounce off each other’s ideas. We usually don’t know what a song is even about until it’s very nearly finished. Rather than trying to force a song into a preconceived ‘box’, we feel that creativity thrives on letting go of attachment to the end result, leaving the song to take on a form of its own, guiding the next steps we take, and essentially writing itself. Each song is as much a mystery to us as it is to anyone else, and that’s the way we like it.”

Recalling the likes of Pixies, Smashing Pumpkins and The Brian  Jonestown Massacre, their songwriting knack and live reputation piqued industry interest early on, with two Dot to Dot Festival  appearances, a support slot with Cherry Glazerr and 6 Music airplay.

Credits

Produced by Ben Johnson &amp; Lee Kiernan
Drums recorded at Monochrome Studios by Tom Gittins
Guitars recorded at Bink Bonk Studios by Mat Sampson
Vocals recorded at Ben Johnson's home studio
Mixed by Ben Johnson
Mastered by Pete Maher 
Artwork by Helen Lucy

Photography by Simon Holliday

Club AC30

Pinned to spotlight

Popular tracks