whats the guitar sample from? Ive heard it a couple times and itching to know! Great tune, big ups!

Traxx

The album CLEMENCY holds exceptional significance for CHARITY SsB, as it represents not only a music collection but also his bold venture and evolution in the realm of music production. This album signifies his transformation from a rapper into a versatile music producer. Moreover, it marks his first formal album after years of collaboration with the renowned Shanghai electronic music label GENOME 6.66 Mbp.

CLEMENCY comprises ten diverse tracks, each capturing CHARITY SsB's life reflections and musical insights at various points in time. From 2020's Only One and The Meaning of Life to Wood House and Zhuangzi created during Shanghai's lockdown in 2022, these tracks span several years, showcasing his creative depth and rich emotional world.

The album's title, CLEMENCY, embodies a profound philosophy. CHARITY SsB believes that in a world filled with desire, conflict, and war, and within the complexities of societal systems, music is a divine gift of mercy and solace to humanity. Music creation is his sole pathway to experiencing true freedom and spiritual liberation. It holds significant meaning in his life, serving as his soul's sanctuary and the pillar of his spirit.

Many tracks in the album, such as the nearly ten-minute-long Wood House and the ambient-rich Courier, display intricate segment connections and rich musical layers. These songs resemble unique journeys, with each journey offering distinct life meanings. Through these musical works, CHARITY SsB conveys his profound insights into life and his boundless passion for music. To him, music is like a utopia of the spiritual world, providing him with endless solace and inspiration.

Track 4 mixed by Swimful
All other tracks mixed by GAO QIAO
All tracks mastered by Dirty K (Tsui Honagi)
Artwork by XDD, zasz.img, and CHARITY SsB

CHARITY SsB – Zhuang Zi 庄子

In a meeting of kindred spirits, @innerinnerlife and @hqlorenzi have united their creative forces to birth « stay with U » a soulful echo of hope, released through the ether of Hyperlink. This collaboration stands as a shimmering beacon, capturing the tender ache of nostalgia and the yearning for a brighter tomorrow.

Born from a deep mutual reverence, « stay with U » is the fruit of two artists who have long walked parallel paths. Their soundscapes, though distinct, share a common heartbeat —  one that pulses with melody, harmony, and the quiet resolve to transform fleeting emotions into lasting beauty. 

Together, they craft not just music but a vessel of reflection, where the echoes of past joys meet the promise of what is yet to come.

We will stay with you ♡

mastering @hqlorenzi
artwork @innerinnerlife
label @fannuze

innerinnerlife feat. Lorenzi - stay with U

Time Passes, Until It Doesn't
by estoc

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A Cold Wind Passes Over The Sand 00:00 / 05:20
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1.
On The Beach, Watching The World End 05:20
2.
A Cold Wind Passes Over The Sand 05:20
3.
On The Beach, Watching The World End (Ana Caprix Remix) 04:57
4.
A Cold Wind Passes Over The Sand (Alex Compton Remix) 07:01
about
Enter estoc - the newest addition to the TT roster. An overdue homecoming as she displays the harder side of her sound on ‘Time Passes, Until it Doesn't’ - nostalgic riffs , head down beats & hypnotic swamp like trance. On this record she teams up with Will Ballantyne, who is the guitarist that sounds throughout the project.

Time Passes, Until It Doesn't

estoc - On The Beach, Watching The World End (Ana Caprix Remix)

@azzrell @99renko

This two-track EP is the crystallisation of years of collaborative experimentation between ambient/trance producer Azrel and vocalist renko. This dualistic pair of ballads explores the cycle of the night as it mirrors the recurrence of life, hoping one day for change. The pairing of delicate pianos, strings and pads with the raw euphoric power of trance leads and arpeggios creates the emotive atmosphere of the twilight as a base for renko's pained yet sanguine vocals to shine through.

Produced by Azrel
https://www.instagram.com/_azrel._/

Vocals by renko
https://www.instagram.com/r3nk0qq/

Vocal mixing on ‘Tsukuyomi’ and Sanzen’, co-production on ‘Tsukuyomi’ by s7n @s7nhs
https://www.instagram.com/s7nhs

Mastered by Lorenzi @hqlorenzi
https://www.instagram.com/7orenzi/

Artwork by Simon
https://www.instagram.com/evpt_/

Azrel, renko - Sanzen

DONATE & BUY

Apu Nanu - u cannot always see the light

++ PRESENTATION ++

Scores +°-  glyphs to sounds !

+°°+--+
Scores is a compilation exploring musical notations and how they can be interpreted as sounds. People have always tried to translate sonic expressions into visual cues that could be archived, passed down, and transformed back into music. 

From symbols to numbers, grids, staffs, figures or abstract shapes, several languages have been developed and continuously questioned to improve the ability to retain the emotion and meaning sounds can convey - what lies behind the veil.
 
What if this time, the notation would come beforehand?

+°°+--+
The project unfolded in two phases. In the first one, visual artists from the Global URL Nation could propose one sheet of music score, free of interpretation. They were invited to play with musical notations and explore what it would even mean.
–
It welcomed chaggrin, Eurrope, M4X1US, MYEN, s1m0nc3ll0 & Ziyiz for 6 sheets


+°°+--+
In the second phase, artists from GUN could pick one sheet and create a track trying to follow it as much as possible. It invited them to question music as a physical object, with its shapes, colors, textures and layers with the following :

__How is the overall composition? Are there any axis or lines that could be interpreted as a timeline or a melodic scale?
__How many discrete elements are in the image? How are they laid out?
__What are the shapes involved?  What is their scale? Do they have sharp or blurry outlines?
__What are the colors/textures used? How do they relate with each other in terms of tones, contrasts…?
__How are the different elements layered on top of each other? Are they superimposed or do they merge in some way?
__How would they translate them in musical terms, such as textures, notes, structures, timbres, rhythms, dynamics? 

It welcomed Bademjan, Baje Nunca, C+Vis, Capiuz, Clair X, C.T.A.A.M.  Ecovoron, Epiphagi, HeedLess, Mambo Kahn, migu, POL100, Yau Hei ASJ & Ziyiz for 14 tracks ranging from ethereal scorescapes to hyperstimulating scratches. Sounds and shapes weave together, blurring the boundaries between the two media to create one whole entity

+°°+--+
With Scores, we invite you to seek the music that can be hidden in our surroundings, to decrypt and hear the phantom scores one can find in every shape, every color and every little visual detail __ open your ears and see the sounds, sometimes music lies in a simple fold of clothing


++ TRACKLIST ++

__((Sheet A by chaggrin))
A1. Clair X - Unravel
A2. migu - Red for Funeral
A3. Epiphagi - Everything We've Come To Be

__((Sheet B by Eurrope))
B1. Bademjan - Wrinklenest
B2. Yau Hei ASJ - Jigsaw Puzzle

__((Sheet C by s1m0nc3ll0))
C1. Ecovoron - Burning Shide
C2. C.T.A.A.M. - A-L

__((Sheet D by MYEN))
D1. Capiuz - Dreamer of Nightmares
D2. POL100 - Butterfly Wall

__((Sheet E by Ziyiz))
E1. Baje Nunca - En Blue Gray et DVD
E2. HeedLess - Incomprensibile

__((Sheet F by M4X1US))
F1. Mambo Kahn - Celestial Arson
F2. C+Vis - Untitled
F3. Ziyiz - Skies Inside (Ring The Bell)


++ CREDITS ++ 

Music sheets created by chaggrin, Eurrope, M4X1US, MYEN, s1m0nc3ll0 & Ziyiz. 

Tracks produced by Bademjan, Baje Nunca, C+Vis, Capiuz, Clair X, C.T.A.A.M.  Ecovoron, Epiphagi, HeedLess, Mambo Kahn, migu, POL100, Yau Hei ASJ & Ziyiz. 

Common cover by Griigg
https://www.instagram.com/griigg

Mastering by Ioannis Nafpliotis
https://www.instagram.com/iamxato/

DOWNLOAD

A3. Epiphagi - Everything We've Come To Be

@2001-lore

Full EP "fire, sulfur and scorching wind" self-released by LORE


☆☆☆

i know this (rework) ft. Jasmine is an ambient edit by LORE, of an original track created by Jasmine from the ethereal pop duo ‘Deja Blu’. An emotionally charged journey of sound with angelic vocals and droning synths which allow for reflection and mediation through audio.

premiere: LORE - i know this (rework) ft. Jasmine

Selected demos 2021-2024
:) but also :(
now but also never

even in heaven

10000 marine tanks

@starleaf
The 44th release of katharsis is the debut album “Late Bloomer” by the malmö-based entity Starleaf. A whisper caught between interstellar winds, a tale of a cosmic protagonist - something growing, something distant and near at once. The album manifests the ethereal spirit of Starleaf with deep rhythmic pulses of bass sprouting from the deep, strong melodic forces of trancey synths and hard-hitting space-warping percussion.

Starleaf is an organism thriving on the edge of the comprehensible, drawing from energies that defy the natural laws we claim to know. In its branches, rhythms weave, harmonic growth pulses, and textures bloom from the nexus of the organic and the alien. Its origins are a paradox of seed and starlight, where sound becomes a tendril, twisting through Malmö’s underground and far beyond.

releases September 30, 2024

Artwork by jjjacob
Mastering by jjjacob & Starleaf

premiere: Starleaf - Brucebo

DVMIR - Sarska

Lil Taty & Shao - “Balkan Biz“ EP

@lil_taty1 
@prodbyshao
@zojab 
@weedjahmon 
@cunfa

Release date: October 26 2017

1.	Lil Taty & Shao – Heron
2.	Lil Taty & Shao – GOČ
3.	Lil Taty & Shao ft. ZojaB – Interceptor
4.	Lil Taty & Shao – MALARAKETA
5.	Lil Taty & Shao – GOČ (Kanomotis Remix)
6.	Lil Taty & Shao ft. ZojaB - Interceptor (Dvmir Remix)

Balkan Biz

Lil Taty & Shao Ft. ZojaB - Interceptor (DVMIR Remix)

Track by https://soundcloud.com/weedjahmon 

Discover MACHINE GUN, the new compilation by CLM x GUN PROJECT.


For one year, inside of CLM, we’ve been running an open source music community named GUN Project composed of many artists from around the world. We are working all together to bring some new music projects into life. With a debut EP named Exquisite Corpse, we wanted today to propose a large compilation who defines the new spectrum of today’s club music. Please discover now our “MACHINE GUN” Compilation featuring some people from our music community and some friends.


We’re opening again the application to the GUN Project. If you are interested in joining us, pleas drop us an email to contact@clublatemusic.com (add [GUN] as a topic object in your email)

DVMIR - Nade

Buraza: https://www.facebook.com/BurazaBend
Original: https://www.youtube.com/watch?v=p_G_hNb16RA

Buraza - OLGA (DVMIR Rmx)

Original soundtrack for the short movie Seen (Videno) by Vid Merlak. Original soundtrack and slowed and throwed version by @prodbyshao. Remix by @weedjahmon.

https://aksioma.org/seen/index.html

SEEN (OST + Remixes)

Free DL

Seen (DVMIR Remix)

i mostly dj

Founder of @snifsnifsnif crew & internet label.

// CLM //

Club Late Music is an open-source and collaborative music label exploring the production and promotion of artistic projects by gathering an enlarged community : the @globalurlnation (GUN).

// GUN //

Inspired by the free and open-source software approach, GUN gathers a diverse community of artists, designers and enthusiasts into an international network based on collaboration, the sharing of knowledge and of creative resources. Using various mediums, processes and formats, it multiplies collaborative, decentralized experiments, from EPs and compilations to audiovisual projects, installations or live acts.


// CONTACT //

For bookings and inquiries :
contact(at)clublatemusic.com

For demos and promos :
promo(at)clublatemusic.com

Want to join the GUN community as a producer, DJ, musician, vocalist, visual artist, graphic designer, open-source enthusiast or anything in between? Send us an email with a little bit of info and links to : 
gun(at)clublatemusic.com

DVMIR - Nade

Club Late Music

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