Name: Club Rooted #4 / 8Ball by Club Rooted
Duration: 1 h 57 s
Description: Released on @sneakersocialclub his debut LP Eleusis is our album of the year and 100% Club Rooted vibes so we're buzzing to present this killer mix including some unreleased pearls from @eightballsounds !

Please may I get the name of this track? Thank you 🤸‍♀️

Released on @sneakersocialclub his debut LP Eleusis is our album of the year and 100% Club Rooted vibes so we're buzzing to present this killer mix including some unreleased pearls from @eightballsounds !

Club Rooted #4 / 8Ball

https://www.instagram.com/ronlikehell
https://www.instagram.com/ccl_url

The Space Between Spaces with Ron Like Hell and CCL @ The Lot Radio 03-19-2024

Recorded for @Refugeworldwide. Inspired by how water interacts with solid structures. 

Image by CCL

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #11 Rock Pools @refugeworldwide

pi pi pi's deep creep returns to the radio with a new twist of ambient, tripped out tech + more. 

https://www.instagram.com/deep_creep
https://www.instagram.com/__pi_pi_pi_____

pi pi pi with deep creep @ The Lot Radio 03-25-2024

Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

Juanita's Mix 100: Ciel

Prior to her gig at Nowadays upsammy presents an hour of trippy electronics, the experimental side of DnB and oddball techno.

https://www.instagram.com/upsammy_

upsammy @ The Lot Radio 03-30-2024

In very loose terms, James K's (@jamesk_1 music operates at the fringes of the pop world. It is experimental and industrial, packed with hooks and riddled with dreamy textures that show off her mastery of synths. She has released it in album form with Dial and Incenso, dropped EPs on AD 93 and collaborated with the likes of Drew McDowall and Stefan Maie, and always manages to imbue her adventurous arrangements with real-world emotions and anxieties. This year she will join us at Dekmantel Festival but not before serving up this week's podcast.

It's the sort of rhythmically thrilling workout that has always stood James apart: jittery drum patterns and kinetic grooves that unfold at 100 miles an hour as a barrage of caustic motifs, hypnagogic melodies and hyper-real colours all bounce about the mix. There is an ever-present sense of tension in the way things are assembled - it's as if they might implode or explode at any minute, and it all sounds fantastically futuristic.

Dekmantel Podcast 460 - James K

Berlin-based Objekt makes his Lot debut.

http://www.instagram.com/objekttt

Objekt @ The Lot Radio 04-09-2024

pi pi pi with deep creep @ The Lot Radio 04-22-2024

The amazing @specialguest-dj at the CSD edition of Dissident, Berlin 23rd July, 4am-end

<3

ani/live Forty Six: Special Guest DJ @ Dissident, Berlin

New York trio Purelink give us an exclusive peek of what they have planned for the upcoming summer live music season in this weekend’s Sunday Mix. As the creators of Signs, one of the best ambient and dub techno albums of last year, their 80-minute mix shows off their advanced ears for soundscapes and texture, while adding on head-nodding grooves and dubby four-to-the-floor beats.

It’s as dancefloor suitable as it is Sunday sofa ready. “This new year has mostly been spent in our studio prepping new music and live set ideas,” they say. “A lot of these songs reflect the dancier side we’ve been inspired by lately. Hope to see you on a dancefloor soon.”

Sunday Mix: Purelink

mix downloads: www.clubrooted.co.uk
contact: milo@clubrooted.co.uk
instagram: https://www.instagram.com/club_rooted/

Originally planned as a series of in-store-style events just as the first waves of lockdown hit, Club Rooted launches as a new podcast series dedicated to non-floor focussed club music. Riding the line between warm-ups, messy after-party sets and the golden era of dubstep, when the dance makes way for something else.

The mix series follows a new wave of labels and artists pushing a non-floor focused sound + tapping into a lineage that can be traced back through various scenes, from recent slow or
kickless techno, abstract UK bass music, to autonomic DnB, knackered house, Detroit Beatdown, & various strands of electronica or IDM.

Club music for listening may be a contradiction in terms, but it’s certainly club rooted.

Club Rooted #4 / 8Ball

Club Rooted

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