hey fergus - whats this one? what a fantastic show xxx

For this month's show, Akash Bansal (Tender Buttons) lights a slow burning candle to melt away the spell of a long winter. He's put together a mix of sounds in bloom– tracks of longing and desire that stir the heart and bring feeling back into the cold body. So crack open a window and let the fresh breeze in.

Laura Allan - As I am (with Paul Horn)
Sally Townes - Slow Burning Candle
Black Sabbath - Planet Caravan (Alternative Version)
Santana - Aquamarine
Seals And Crofts - High On A Mountain
Dave Plaehn - For You (I’d Undo Anything)
JoAnn Tardy - Magic Man
Mike Welch - Dickie Blues
Bevan Gore-Langton - Silver Cloud
Philip John Lewin - Diamond Love
Gary Lawyer - Garden In The Rain (Demo)
Lins & Ford - Lazy Day
Jim Mosey And Futures Past - Don’t Let The Sun Catch You Crying

Séance Centre Radio Episode 34 NTS feat: Tender Buttons (April 2021) NO BANTER

Volume 70 is a new recording by Berlin based sound artist, writer, and filmmaker Florence. She is a frequent contributor to NTS’s Sounds On Screen series and holds a monthly feature on MUBI’s Notebook where she dives deep into the music used by certain filmmakers in their soundtracks (Greg Arakki, Kelly Reichardt, Satoshi Kon, etc.) and focuses on certain OST composers / era’s of movies (Wendy Carlos, Giallo, New Hollywood etc). Her contributions to both of the aforementioned series alongside her one off mixes have been a big source of discovery and enjoyment, so it’s an honor to share this mix of hers which distills many style’s / feelings / tempos into a dreamy hour and a half session.

https://soundcloud.com/florencesa

Motion Cast Vol. 70: Florence

tracklist on lyl.live/show/la-penequet/

The Pilotwings' La Pénequet navigates through 90's trance, balearic moves, skeptical disco and so-called intellectual music; you'll find here every element of the duo's music.

La Penequet 05.21 on LYL Radio - Jonquera's Cosmic Spring!

The newest contribution in our mix series comes from the talented multi disciplinair artist Vica Pacheco (@lilvica), who created the beautiful art for the covers of both the Virtual Dreams and the MLO compilation. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hola Vica, bienvenidos to the series. Your from Belgium, via Mexico and France. Can you tell a bit about your journey?

VP: I moved to France in an exchange program as a young art student, curious to discover what was going on in the other site of the world, I followed my heart in a naive way to be sincere. Then I built a new French family in this school, they welcomed me so well and made me feel at home, which helped me to take the decision to finish my art studies there… Then, things just came naturally, I joined my partner and few friends in Brussels, they were all like  “Brussels is so nice, there are lots of concerts happening all time, people is warm and motivated, great places, great parks and great beer”  

MFM: What are some of the main differences you've experienced so far when comparing Brussels to Oaxaca? Are there similarities as well? 

VP: Life in Oaxaca is warm, your senses are distracted all the time by the environment, there are always haunting melodies in the ambience, something delicious to eat or drink in the street, is colorful and joyful. My people is really proud about our culture which manifests itself in infinite ways. But, there are many negative facts that makes a harder contrast with the European lifestyle, as social inequality, extreme poverty, machismo, different ways of negligences by government and post colonial social consequences. On the other hand, Brussels is grey, the rhythm of life and culture is just so different, things happens under different rules. People is super motivated, independent music scene is super present in the city, there are friendly institutions supporting art. Anyway, both places are a human size cities and are full of interesting things to discover.

MFM: Your visual art, as used in the Virtual Dreams series, appears as very liquid and organic yet synthetic and digital at the same time. Somewhat like a fine line between the past and future. A future relic if you will. How did you find this signature style? 

VP: I pass long time working with different programs and machines which have become an extension of my creative language, visual or sonic. This alliance between "organic" and "digital"  or "technologic" and "arcaic" is something that came naturally on my fabulating process, while getting interested on topics such as nature-culture, mythologie, anthropologie, scientific imagery and science fiction, I just let myself to do a synthesis of those interests while creating my art.

MFM: Same goes for your music, it's like you've scored your own film perfectly... 

VP: I grew up listening to Mexican popular music, playing it and singing it when younger, same as painting, drawing or ceramics, I never saw visual art and music as separate fields. But  I can say I started working  with sound when I was 18, living in Mexico City, then when I arrived to Villa arson, the sound studio was open to any kind of experimentation, the approach of this studio was wide open, no limits between plastic art and sound art, everything was possible, so I developed my own language mixing medias.

MFM: What's next, do you have any nearby goals that you're working on achieving? Are you an artist who works from one project to another? What are you currently working on?

VP: I’m involved in several projects all time, I’m a little bit hyperactive and I like to keep my creativity going on. I’m currently working making the music for a theater piece, which will take place next week in Geneva, im really excited about it, but in parallel I continue doing performances and few concerts and making some 3d artworks. Im coming back in July to Mexico for few months for other projects too so yeah, things are moving.

MFM Mix 038: Vica Pacheco

Lucrecia Dalt supplies this week's Sunday listening, offering up a lush and softly energising blend of jazz, blues and traditional Latin American rhythms for your end of week reflections.

Check out the tracklist on crackaud.io: crackm.ag/3RnH24h
Still Independent. Help us keep it that way: crackmagazine.net/subscriptions

Sunday Mix: Lucrecia Dalt

Efficient Space's Swiss connection Ivan Liechti expands on his Ghost Riders compilation with an hour of North American coming of age garage ballads, salad day hymns and small town criers.

Image Credit: Elise Gagnebin-de Bons

https://www.nts.live/shows/efficient-space/episodes/efficient-space-20th-october-2022

Efficient Space w/ Ivan Liechti 201022

Delighted to host @lippie Oddity Influence Mix for @macadam-mambo

Laura Lippie : I feel I started assembling some tracks very fast, like the previous music sessions I did with my friends and music people this past year, very instinctively. And, I feel I kind of like what it brings on the table, this no calculation status , this orientated independent journey, as we naturally collect so much info/intel about our hearts concern (world misery, injustice, sadnesses etc.). So, I just picked some of those processes, put some stuff that lights up my vibratory activity, with memories or rhizomes that combine throughout, beliefs and taste for experimental surroundings and extreme gravity in simple cold flesh harmonies. The first track being from Iran, and the rest tells its narrative on its own.

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Laura Lippie - Oddity Influence Mix

This two-hour mix from Ziggy Devriendt, AKA Nosedrip, includes a huge amount of unreleased STROOM heat.

Read RA's Label Of The Month feature: https://www.residentadvisor.net/features/3449

STROOM - RA Label Of The Month

Mix by : Nosedrip
Title : "Vergeet-Mij-Nietje" (Forget-Me-Not)
Photo : Misha Hollenbach

For P.A.M.'s new online resource 'Positive Messages'.
See more : perksandmini.com/positive-messages
Subscribe : eepurl.com/gXV-MH

POSITIVE MESSAGES #37 : NOSEDRIP "VERGEET-MIJ-NIETJE" (FORGET-ME-NOT)

Fergus Clark - Folk Special (12/9/20)

Read more: https://www.lowendtheorists.com/theory-therapy-mixes/15-suso-saiz

Suso Sáiz’s music and career resembles few others. Having been at the forefront of Spain’s experimental music scene since the late ‘70s, he founded, together with Maria Villa and Pedro Estevan, the experimental group Orquesta de las Nubes, releasing several albums on Madrid label Grabaciones Accidentales. Over the years, he’s made soundtracks for films, released various solo albums and worked with the likes of Javier Paixariño, Luis Eduardo Aute, Jorge Pardo, Jorge Reyes and Steve Roach.

For many though, it wasn’t until Music from Memory started reissuing and releasing Sáiz’s work that he began to garner the attention he deserved. Musically, Sáiz’s intricately crafted, visionary sound feels perfectly suited for the Amsterdam-based label, with their radiant drones, hushed melodies and haunting guitar loops.

His latest album Between No Things—a collaboration with ambient peer Suzanne Kraft—expands on a sound Sáiz has perfected over the years. The LP consists of 9 delicately woven sonic sketches whittled down from over 30 hours of raw material between Sáiz and Kraft. It’s as intimate, exploratory and exciting as anything Sáiz has done, a testament to his skills as an artist and consistently open-minded approach towards music.

Sáiz’s Theory Therapy mix, recorded at his home just outside of Madrid, follows a similar sonic tapestry. It features music from HTRK's soundtrack to Jeffrey Peixoto's Scientology documentary, plus those from K-LONE, Bing & Ruth and the excellent Home Normal label. It’s warm and inviting, hypnotic and atmospheric, contemplative and calming; in short, 60 minutes of pure bliss. 

@saizsuso
@music-from-memory

Fergus Clark - Folk Special (12/9/20)

Clyde Built Radio

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