Outer sections are an elegant, flowing waltz, separated by a long and tranquil middle section which is mostly tender and peaceful, until a rich passage built on the two circles of 5th. Overall, to my ear at least, the piece speaks through beauty to express an underlying sorrow. One of the SWWs which I found deeply moving – and rewarding – to compose

SWW38.4

Credit :)
https://youtu.be/NKkvsdy5C5E?si=bU_J1IFZUV8Yk0XX

coldplay & the chainsmokers- something just like this (lovely Piano)

Life is so beautiful. Live it with the knowledge of its end and it will flow as never before. Look better when its boring...it really isn't...like a baby lying between ruins in a warzone...like hope in a warzone!
My inspiration is a previously released song about Israel's war against Hamas (https://soundcloud.com/jacques-van-der-linden-1/israel-oh-israel-in-cminmaj-241014?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing&si=15821a09277241239e6007bfa9e8c657). I am not for Hezbollah, but I am against the ongoing war in Israel, which has now become completely nonsensical: the fight against Hamas is now being waged ON THE BACKS of the population of Gaza as "collateral damage"; despite my studies as a theologian of Christianity, I can no longer stand that the Netanyahu government has to cause so many casualties among the Gazan population; and now especially with the need to bring the entire Gaza Strip under Israel's rule... in this war, weapons bring no freedom, Mr. Netanyahu, no freedom for the Gazans!! The accompanying melody consists of three parts: part 1 the war in which the suffering of the people is portrayed (as far as that can be done only with sounds) part 2 the baby/life in Gaza still every day part 3 the conclusion to a classically played ending ending with "the hope that it will always end well" a major chord.

In Dutch: Het leven is zo mooi. Leef het met de kennis van het einde en het zal stromen als nooit tevoren. Kijk beter wanneer het saai is... het is het echt niet... zoals een baby die tussen ruïnes ligt in een oorlogsgebied... zoals hoop in een oorlogsgebied! 
Mijn inspiratie is een eerder uitgebrachte song over de oorlog van Israël tegen Hamas (https://soundcloud.com/jacques-van-der-linden-1/israel-oh-israel-in-cminmaj-241014?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing&si=15821a09277241239e6007bfa9e8c657). Ik ben niet voor Hezbollah, maar ik ben tegen de voortdurende oorlog in Israël, die nu volkomen zinloos is geworden: de strijd tegen Hamas wordt nu gevoerd OVER DE RUGGEN van de bevolking van Gaza als 'collateral damage'; ondanks mijn studie als theoloog van het christendom kan ik het niet langer verdragen dat de regering-Netanyahu zoveel slachtoffers onder de Gazaanse bevolking moet veroorzaken; en nu vooral met de noodzaak om de hele Gazastrook onder Israëlisch gezag te brengen... in deze oorlog brengen wapens geen vrijheid, meneer Netanyahu, geen vrijheid voor de Gazanen!! De bijbehorende melodie bestaat uit drie delen: deel 1 de oorlog waarin het lijden van de mensen wordt afgebeeld (voor zover dat alleen met geluid kan worden gedaan) deel 2 de baby/leven in Gaza elke dag nog steeds deel 3 de conclusie naar een klassiek gespeeld einde dat eindigt met "de hoop dat het altijd goed zal aflopen" een majeur akkoord.

Life in Gaza 250819

I have contributed in this CD compilation [released by the Canadian Label Les Enregistraments Variables] with this piece for piano solo called "The movement of the grass II"
Also participated Library Tapes, Machinefabriek, Danny Norbury, Ex Confusion, Évo Lüthi, Fjordne … among others. Les Enregistrements Variables & Autres mélodrames is a 59 minute collection of sweet tales and introspective drones. Delicate, sometimes intricate, sometimes powerfull, these little tragedies are brought to you by a slew of captivating artists from across the world. You can get it here: http://variables.bandcamp.com/music

 
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The movement of the grass II

My contribution to Piano Day 2018. I went a little more experimental this time out, I hope you enjoy what I found when I opened my piano.

Piano Day 2018

Continuum For Open Piano (Piano Day 2018)

Erik Satie: Gnossienne No. 3

This is a piano solo piece inspired by situation of isolation due to coronavirus outbreak that is being taken globally. The melody of this piano song fluctuates between sweet and bitter, fear, calmness and uncertainty. It is tender but harmful at the same time.

Isolated

A child remembering a folk song as he or she walks.

Robert Schumann: Album Für Die Jugend Op. 68 - 3. Humming Song

Robert Schumann: Album Für Die Jugend Op. 68 - 5. Little Piece

Alexander Scriabin: Etude Op. 8 No. 6

Chicago Symphony Orchestra
Hannu Lintu, conductor
Pekka Kuusisto, violin

Nielsen: Violin Concerto, Op. 33 (February 2020)

Classically trained pianist. I enjoy playing not only the traditional repertoire but also pieces from unusual composers.

Alexander Scriabin: Etude Op. 8 No. 6

cmdigital

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