One of my all times favourites! Whole mix every second of it! So spiritual to me

Really lovely mix, thank you! Would it be possible to get the name of this one please?

what is this speech taken from? I really want to use it for a play!!

@keptmale

Introduce yourself? Preferred pronouns? Where do you currently reside? 1 fun fact about yourself? 

Hi i’m Gigi — he/his — Austin, TX — I was a childhood ice hockey star

How is everything going with you right now?

I have been fortunate enough to be well.. been using this year off from work to dive into a practice and learn some discipline.

How did you get your dj name?

I got it from my partner, Mimi — she flipped my original g-name into gigi & it stuck. I never liked my birth name much anyway + it’s cute to match.

Who currently inspires your music-wise?

ry, tito fuego/mister water wet, charles, bobby, nueen, boundary, jel, purelink, pascäal, ian kim judd, jung dj, shiner, downstairs j, hysterical love project,  perila, oli/px, thurlow joyce+ many more.. so many friends exploring inspiring places these days

If you had to describe yourself as a flower,which one would it be and why? 

Mimi says “frost flowers because they’re ephemeral”

Favorite weird drug/mind altering experience?

Sensory deprivation tank before the rave at Shirley’s Temple (r.i.p.)
What was your first gig? How did it go? 

A show put together by Ben Aqua at an upstairs club on downtown Congress that I don’t recall. I was 18 & had only started making music on ableton a few months prior, and played a live set that mostly consisted of pressing play on a 30 min composed production mix with a little knob twiddling & dj drop triggering. considering that, I’d say it went pretty well

What would you like to see in the future for the dance community?

I think it’s obvious, but increased representation without tokenism. also, turn away from the dj & look at your fellow dancers.

Any cool releases upcoming for Gi Gi this year? 

I don’t want to speak too soon, but I do have a couple of records in the pipeline with quiet time & index, both of which I’m very excited about. working on some more uptempo material as kept that should be seeing the light of day soon as well.

For extended interview & OG pipipi track game please visit our website ------> pipipi.life <-----------

Gi Gi - 79˚ Cloudy

Animix Forty One presented by Austin, Texas based DJ/ Producer Gi Gi ( @keptmale ) with a beautiful trip. The artist focuses on deep and contemplative listening in this xtra long mix.  

In their own words, Gi Gi writes, "the idea for these mixes is to be a collection of longer-form tracks (7+ min) that demand (imo) to be heard front to back, producing a patient wander of a listen, and to serve as a greatest hits of sorts of songs that are especially personal/special to me-- as opposed to just an attempt to show off the deepest digs i've stumbled on (a thought pattern i think i and many other selectors can get caught up in at times..)."

Love the idea behind this mix, and it's the perfect extended listen for a sunny or rainy day wherever you are. 

Gigi released an LP on Quiet Tapes earlier this year, and has a few more LPs in the works, due out later this year --https://quiettimetapes.bandcamp.com/album/lumino-pleco

Thanks again for this one, Gi Gi!

Downloads Enabled

Animix Forty One: Gi Gi

20ft radio mix_'Grains of Peace'

Lamplit global electronica

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Sconce (FKA Instant Peterson) @ The Lot Radio 06 - 30 - 2022

Keeping it smooth & good at the HQ.... I like letting the long ones ride...

Rec 060822

if you are softer
than before
they came.
you
have been loved.


Jabu - Paper Thin
Carmen Villain - Liminal Space
Ulla - Hope Sonata (excerpt)
Duster - Moon Age
the blessed kitty - stoned wire (always on my mind)
Pontiac Streator - time flies (sheen’s loop edit)
Purelink - Rest Thru
Pontiac Streator & Ulla Strauss - Item 10
International Sangman - Dub 316
Pontiac Streator - enter sandman (vocal dub)
Command D and gi - Align
Yunzero - D12
Theodore Cale Schafer - Fingerspit

The Best Effort Show - Episode Twenty Nine

Khotin has been a key figure in the developing Electronic music scene emerging from Canada - for over ten years he has been producing and releasing music.

His sound has evolved exponentially, weaving between sounds and styles with cohesive ease of which others might only dream of. His records have found a home somewhere between the heady 90's ambient and trip hop era, deep house and has drawn upon abstract influences from balearic roots, trance and a whirlwind of other other cultural guises.

All of this makes his music remarkably interesting and hard to pin down.

His forthcoming album "Release Spirit" is forthcoming on acclaimed label Ghostly International. It features a collection of ambient soundscapes, tape recordings and off piste samples as Khotin draws inspiration from far reaching influences such as World of Warcraft, train journeys through Europe and Japan, family vacations and beyond.

We asked Khotin to record a mix which reflects a similar nature of the new album - the result is a delicate assortment of textures which lend themselves to a brooding optimism for the year ahead. At least we hope..

Khotin: The Ransom Note Mix

Khotin - your name on a grain of rice

For the third instalment of “Cowboys And The Sounds Of,” an Editorial mix series from longtime contributor @napmusick , we’re treated to the sounds of sad country music and trains passing by. The combination is unexpectedly heart-wrenching, as if the sound of trains bring us back to an era of long goodbyes and far distances. Three years in the making, Rincon’s two hour collection of cosmic country and folk is a testament to the enduring heartbreak and beauty of the genre. 

Daniel Rincon makes music under the moniker @napmusick ,  is one half of Ambein Baby and La Fe, and runs an experimental electronic label @sonidoisla out of Montreal.

Artwork by Rebecca Ladds

Cowboys And The Sound Of Trains - Daniel Rincon

Broadcast on WNYU 89.1FM in New York City on August 11th, 2020.
https://soundcloud.com/khotin
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BIS Playlist

BIS Radio Show #1055 with Khotin

From the City of Angels it is our friend Bianca Lexis (@biancalexis) representing the 22nd mix. Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hi Bianca, nice to have you on board. How's your day so far?

BL: Thanks for having me! Slow start to my day today, just woke up, worked out, and cooked myself some eggs and chorizo with pears and tahini. I’ve been hand modeling for extra money for a year now... LA is a crazy place.

MFM: ...hand modeling?

BL: Yes hand modeling! Like that episode on Seinfeld hahaha. It kind of fell into my lap at the perfect time.

MFM: Haha, wow. So, you've been doing quite a lot of radio, with regular shows at Dublab (where you've worked) and NTS too. What is it about radio that you like? 

BL: Yes, I volunteered at both stations for a while. It’s really cool to be a part of a larger community and easily find like-minded people all over the world who share a similar passion. A lot of times, being into music that’s not exactly top 40 can feel quite isolating. Because I feel so strongly about the music I love, to feel like I have an outlet to share that. Also, radio is a lot different than performing. I love feeling like I can play whatever I want. Mixes feel more personal. There is no pressure to cater to or pay attention to a live audience, which is a completely different form of DJing and also something I enjoy. 

MFM: Was it through the radio shows that you started playing dance floors too? You had a residency in a bar quite fast after you started, correct?

BL: Yes, I learned to DJ at my college radio station, then my friend Daniel T had enough confidence in me to let me play records with him in bars. Quickly after that, I secured a residency at the rather notorious bar, Tenants of the Trees, where I played records every Saturday night for a year. During this year, my collection grew, and I started playing proper dance floors at after hours parties. When I was let go from my day job at a greeting card design studio, I decided to try DJing full time. 

MFM: How's living in LA as a full time DJ? It is a rather big and spread out city, does that influence its scene(s) somehow? 

BL: I grew up here and never travelled until recently, so I wasn’t able to fully contextualize the city and its place in the global music community. Now that I’ve travelled a bit, I can appreciate how culturally fertile it is. There are so many different scenes, lively subcultures, countless parties. Liquor license restrictions make it so that bars and clubs have to close at 2am, so most of the scene gets pushed to risky illegal warehouse spaces. We don’t have clubs or reliable spaces to settle and nest in, which I think makes the scene feel a bit precarious. Also in order to cultivate a stronger local dance music community, booking local talent is extremely important. There are a lot of talented people here, but LA promoters tend to lean on bringing in bigger acts from other cities. Regardless, I truly love it here. 

MFM: You were supposed to be touring Europe a second time this year. Do you feel the world's lockdown has put your goals and dreams at risk?  

BL: Yeah definitely. I was really looking forward to that. This year has not been easy, especially for music/event workers. It’s comforting to talk to others in the same boat and to know I’m not alone though.

MFM: What are you hoping for once this situation is behind us and things pick up again? 

BL: When clubs start to reopen, it will be gradual and awkward. I think the pandemic will leave behind lingering psychological impressions - I feel uneasy just thinking about stepping in a crowded club right now. But all I can hope for is that a strong community emerges on the other side, with more fervor and hunger than ever to get back. I don’t think it will change my perspective to DJing much. Admittedly, I’m not listening to as much dance music as I was before, but I miss the club so much and I can’t wait to play and hear bangers at the club once again.

Khotin - your name on a grain of rice

c-

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