beautiful stuff, any chance of an id on the last track?

meltdown 25 - miscmeg

@irlhuman

Canada Resonance Agency - live @ Basilica Hudson 24-h Drone
Khotin - planetarium
??? - ????
Naemi - milau
Ben Bondy - writhe in solitude (ft. pontiac streator)
Pavel Milyakov - pd sp
Perila- all morning watching clouds
Sasika - my lips get hot
C Lavender - myth of equilibrium
Nurse with wound - rock n roll station
c- with Perila - stat eera
Aquaventure - anemonica
Nadia Khan - rain again
Liai - ashe
J Albert - open

IRL - seven cups, pink moon

Guestmix 014 w/ Ewer

Bamboo Shows 071 - In the Land of Quitonia w/ Salamanda
Infos, Links & Podcast Series: www.bambooshows.com/salamanda-bs071

@8salamanda8

Collectedly on its way to its fifth anniversary, the Bamboo Shows guestmix series changes design today!
As we started writing short stories along with the mixes, we felt that it had also become necessary to illustrate them and free ourselves from the awesome artworks Johann Bonnefoy made for us back in 2019.

So, here we start with our 71st guestmix and Seoul-based Salamanda, composed of Uman Therma (Sala) & Yetsuby (Manda). Pretty well known from the leftfield ambient scene thanks to various self-releases and appearances on Good Morning Tapes, Sounds of Ogigia, Public Possession, the Korean-duo also contributed to our Vapordub compilation earlier this year with the wondrous and aptly named ‘Bubble Bamboo Princess’. 

Through this peaceful ballad in the whimsical land of Quitonia, Salamanda delivers the message that every sound has beauty. Whether ancient or newly published, traditional or uncanny, epic or calm. A blissful quest delving into neo-classical acts, spiritual ambient, otherworldly new-age and psychedelia. Keep your senses alert all through the ride, for there is so much to feel, hear and see.

BS071 - Salamanda

The Composer Speaks:

I always knew that I wanted to be a musician when I grew up. Admittedly, there were times around the age 7 or 8 when I thought that that maybe I could become a scientist for, as a child of the 60s and besotted with space and rockets, science was a very big and popular part of my childhood. There were also times, somewhere around my first big double digit birthday, when I felt so alone and detached from children and adults alike, that I seriously wanted to be a horse - not that I particularly liked horses but it seemed easier than being me. Throughout all this though, playing in the background as it were, being a musician was the thing I really dreamed of being, and it was playing music that made me feel alive.

After the age of 11, I hated school so much that I simply stopped going. I educated myself by watching programmes for schools on the TV and reading encyclopaedias and the like. It was around this age that the classical music that I had listened to previously gradually gave way to more modern influences, mainly European bands, generally the stranger the better. At 13 I played my first gig, and at 16 I officially ‘left’ school and I threw myself whole-heartedly into music.

I’ve always written my own music; the songs of my youth have gradually given way to more instrumental compositions and now at 65, and edging ever closer to 66, lo and behold, I’m not only a musician but also a composer. The fundamentals of being a musician these days are so very different to when I first began; in those days I wanted to be successful and rich and so famous that I could have my own studio and be left alone to record and release music whenever I felt like it. Nowadays, although I’m neither remotely rich nor famous,  I do have my own studio, am more or less left alone and I can release music whenever I feel like it - so I guess, in a way, I’m living the dream; I’m living in Dreamtime.

This simple composition appeared beneath my finger tips as I sat in my studio thinking about all of the above; with the old nursery rhyme running through my mind that accurately says it better than I ever could:

“Row, row, row your boat 
gently down the stream;
Merrily, Merrily, Merrily, Merrily
Life is but a dream” 

Dreamtime

void (Pawl4k)

shut up

Juanita's Mix 006 with Ian Kim Judd @iankjudd

Q. How would you describe yourself?
A. If I had to - I would describe myself as a “DJ”, but perhaps more importantly an obsessive music fan. For I wouldn’t have become the former without already being the latter.

Q. How long have you been involved in the NY music scene?
A. Since I arrived in NYC seven years ago, I’ve been involved in music communities high and low, left and right since day one. Club music, left-field music, has always inspired me greatly.

Q. Tell us a little bit about this mix.
A. Mixes are a perfect format for not only formulating one's love for music, but also compiling it to communicate and project new worlds and possibilities. At least that’s my aim with every mix I make, and for Fifth World, my monthly on NTS.

My mix for Juanita's is an hour of optimistic tunes; music that aspires and inspires. It’s best played early in the morning, later in the evening, or anywhere in between :)

Juanita's Mix 006: Ian Kim Judd

Amelia Holt - i might be awake or asleep by the end of this recording

Originally broadcast on NTS Radio live 14:00-15:00, Tuesday 24th November, 2020.

Bons - Paramount (Fruits and Flowers, 2020)
Monokultur - Decennium (Ever/Never/Mammas Mysteriska Jukebox, Forthcoming)
Lau Nau - Miserere (St Cecilia) (Brave Mysteries, 2017)
Neptune Football Club - Mournful Rose (ABrecords, 2020)
Yakub - Wisdom (World Music, 2020)
Pefkins - Starlings (Morc Records, 2017)
Boonsack Angel - The Honeysuckles (A Colourful Storm, 2020)
Maths Balance Volumes - Dark Sky (Penultimate Press, 2020)
La Fureur de Vouivre - L’herbe Qui Rend Amoureux (Cool Raoul, 2019)
The Gist - Yanks (Interior Windows, 2020)
The Stroppies - Look Alive (Tough Love, 2020)
Philipp Otterbach - The Bled Targui Diaries (R.i.o., 2020)
Saskia - Sloopy (STROOM, 2020)
Pascal Comelade - Approximative But Fair (Dys, 1982)
Ippei Matsui & Aki Tsuyuko - Fruit and Bottle (All Night Flight, 2020)
Claypipe - Meterology (Dirk Thrust, 2020)
Harmonia & Eno 76 - Atmosphere (Grönland, 2020)
Shakey - Dischidia (Palo Alto, 2020)

KMRU - a vortex unto themselves

c-

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@NREMWORLD CLUB OF THE KNOBS

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