I'm so glad I found this mix. Massive props!

ambient

The second instalment of Dose Radio has landed softly and was prepared by one of Vancouver’s most interesting and esoteric DJs, Scott W. 

The recording effortlessly trips through a rich and expansive universe of ambient and downtempo selections and will be a perfect companion on your next mind expanding experience. Enjoy the journey!

Tracklist:
Sun Ra - Cluster of Galaxies
Andres Lõo - Parast Vihma Sajab Paikest
Scott Gailey - Sorgente Termale in un Cantiere
??? - ???
MLO - In Search of Lost Time
Bochum Welt - Asteroids Over Berlin
Edgar Froese - NGC 891
Shasta Cults - October 
Iasos - The Bubble Massage
Takashi Kokubo - Music For The Corridor
Summe - Strukture III
Joey Beltram - The Cure
Mystic Tribe A.I. - Telepathic Seduction
G.E.S. - Schlaf (vor und Nach Einführung der Psychoanalyse)
Bochum Welt - Terpsitone
Ross 154 - Mayflower
Brother From Another Planet - Soundscape
Lee Gamble - Frame Drag
Jon Hassell - Empire II
NRSB-11 - 685-471 2 
Exael - into deep
Roedelius - Gewiß
Air Liquide - Uludag
Brian Eno - Unfamiliar Wind
Inoyama Land - Hair Air
Money Morning - Haze
Fripp & Eno 
 ??? - ???
Echo Mike - Phil 1
Jeff Mills - The Hunted
Sorte Joey - Ready

DOSE RADIO vol.02 with Scott W.

Juanita's Mix 096 with Kia @kia-sydney

Q. How would you describe yourself?
A. easily distracted, busy bee, passionate, nomadic, pensive.. :)

Q. What was your last memorable club night in NYC?
A. nowadays nonstop in may was epic.. that room is honestly the dream in the right context. the lighting and sound is so on point and the energy during my set time was so infectious (I played 3.30-6am before the legend PLO man). also special shout-out to groovy groovy which i played in july :) DIY parties are always extra special when done right

Q. Tell us a little bit about this mix.
A. this is a very honest/ sombre personal diary I’ve been compiling all year. it’s almost for me the musical embodiment of an infinite plane ride.. watching the sun rise and then set and then rise again. also an ode to all the new & old people that were in my life this year.

this year brought lots of purgatory moments, lots of solo transit.. times of isolation and change, also new friends, positive growth, and people coming into my life… so I guess it’s supposed to represent the ups and downs, change and the journey,

I was struggling to finish the mix and it was sitting at 80% complete for the last little while but I feel like the current situation in Palestine </3 really inspired the missing pieces of the mix. for me, I use music and storytelling as an outlet for frustration and emotion generally. lots of old classics in this and pensive moments.. hope the listeners can feel some of that emotion through listening too..

Unknown Album

Juanita's Mix 096: Kia

g u i at Praia - Waking Life '24

full recording of S-R Year 10 ambient set — thank you to those who zoned and the Sustain team <3

Laurel Halo @ Bossa Lounge, Sustain-Release Year 10 (2024)

@2shy2dj

For cheeky Q&A with DJ Fart in the club... 

https://pipipi.life/mix/djfartintheclub

DJ Fart in the Club - 12.7˚

Celadon @ Stilio 25.03.29

rev lon & jo 
june 2025
@gbrevlon & @tw_ins

meltdown 75 - rev lon & jo (live @ slow bump!)

༄.° twisted techhh for your listening pleasure 

https://www.instagram.com/deep_creep



pi pi pi with deep creep @ The Lot Radio 06-30-2025

@kia-sydney is @mixmaganz's July Cover Artist.

In just over an hour, one of Australia's most exciting talents presents a mix made up entirely of new and forthcoming material on her equally influential @animalia-label.

Tracklist:
1. @okegmusic - 'Spirit' (Forthcoming)
2. @sub-basics - 'Signal' (Forthcoming)
3. @okegmusic - 'Veil' (Forthcoming)
4. @sub-basics - 'Lobby' (Forthcoming)
5. @zaraolsen - 'Whirl' 
6. @sub-basics - 'Residual' (Forthcoming)
7. @o-utlier - 'Pulse' 
8. @andy-martin - 'Skye Spirals' (Forthcoming)
9. @aedis-aedis - 'Ortogon' (Forthcoming)
10. @o-utlier - 'Ionic'
11. @sub-basics - 'Proportion' (Forthcoming)
12. @shoall - 'Median'
13. @aedis-aedis - 'Vaen' (Forthcoming)
14. @www-coloursound - 'Sierra' (Forthcoming)
15. @andy-martin - 'Afrofuturism' (Forthcoming)
16. @shoall - 'Temporal Blend'
17. @www-coloursound - 'Locus' (Forthcoming)

Kia: Mixmag ANZ Cover Mix 06 (100% Animalia)

LOST

Sophie's Magic Oasis

Myles Mac - liquid lifeforms

This month’s book is Simon Buckley and Othmar Farré’s ‘Foundation Painting Show’.

Tracklist: https://worldwidefm.net/show/music-for-books-with-mehmet-aslan-paintings-on-sofas/

Music For Books is a show that combines the pleasure of reading with the curation of personal soundtracks. The show is an evolving examination of our passion for art across different mediums. Aslan will encourage his audience to think about literature in different ways, exploring the relationship between sound & imagination.

Music For Books - EP07 - Paintings On Sofas - 24.03.20

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

Mix of the Week #359 is "Boards of Tarkhovka vol. 4" by X.Y.R.
Follow and include @x-y-r in your track ID requests

Boards of Tarkhovka Vol 3: https://soundcloud.com/the-dream-chimney/mix-of-the-week-305-xyr-boards-of-tarkhovka-vol-3

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Dream Chimney 'Mix of the Week'

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Mix of the Week #359: X.Y.R. - Boards of Tarkhovka vol. 4

Dose is pleased to present the first instalment of Dose Radio, a new mix series dedicated to exploratory sounds that elevate and compliment the psychedelic experience. The first session comes courtesy of the beloved Canadian selector Dane. Over the last decade he's made a name for himself worldwide with his distinct and playful disco sound informed by a youth spent behind the counter at Edmonton's finest now defunct record store Treehouse Records.

The mix he's prepared for us recants the energy of the chill-out rooms of yesteryear and will provide some world class background noise when you're establishing "set and setting" for your next trip. 
Here's what he had to say about it.

"The mix is basically a nice gentle wave that washes up on to one of the sweetest ambient tunes ever, a huge ending. But really it's just meant to be a nice ride to glide to. Background for your playground."

Myles Mac - liquid lifeforms

c-

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