I'm so glad I found this mix. Massive props!

16.1 sybil - pleasure gallery s3 e5

I first met Pjenne in the Bookar Crater at the inaugural Inner Varnika festival in 2017. Only moments after our introduction we were hugging and swaying together, to an unforgettable set by my brother Ben. Little did I know she had already played at the festival before I’de arrived and would soon become one of my favourite disk jockeys. 

Pjenne’s sets all manage to have a unique and alluring atmosphere, a vibe that permeates itself no matter the style or genre she’s exploring. Each set brings a sonic embrace, a warmth similar to that which I felt when we first met. 

This mix is no different, a certified classic of dubbed jams mined from the depths of ’89 to ’03. Please Enjoy!

Moonshoe Selects 00029 - Pjenné

The third offering in our mix series is a live recording of Priori and Cousin's dj set at Sustain Release 2024. Recorded on the last morning between 6am and 1pm on what was meant to be an ambient stage, it featured everything a 3 day festival closing set should. Eclectic picks, strange and emotional sounds, dubious transitions and a few feigned endings. Massive thanks to all the dancers, the Sustain staff (Aurora, Ash and everybody else who put their blood, sweat and tears into this), the music makers, the birds, the stars. 

Much love,

P & C

@secondcousins x @priori-ties

.'⁠ '.' ⁠'.
.''.⁠ .  :  . ⁠.''.
'.    '. .'    .'
.⁠   .' '.   ⁠.
'..',`  :  `,'..'
     ⁠ -' ⁠'-`))
            ((    
             \|

naffcast003 ⦾ Cousin & Priori ༻ Sustain Release 2024 Bossa Nova Stage closing set ༺ ❁

It was my first Draaimolen and no one knew it which was great. 
It was also my first encounter with Addit Audio and their sound system installed for the first time in its full glory. I can't recall being brought to tears during one soundcheck.
So there were no news, no algorithms, no expectations to be disappointed. The pit was not announced. It felt like a curious manifestation of something paranormal.
Wonderful sound system, records and sweetest weather.  
Those who found us in the small pit in the middle of the forest most likely didn't know what was going on. 
For the most part of the first 5 hours I figured out that it would be great to play for and with the sound guy, playing right and wrong records and figuring out which one sound good. Research and development mission for Addit Audio.
After 5 hours ISAbella joined for a brief back to back session. Everything can happen in the realm of paranormal. Luckily she stayed and we played together for the next 3 hours until the last song, the one for the deceased. Probably as close as it gets to transcendence. 

Thank you all. You know who you are. 

Vladimir Ivkovic

Vladimir Ivkovic at Draaimolen Festival 2024

Sounds for the arrival of Spring with Sybil.

Sybil @ Kiosk Radio 24.03.2025

deep dream messages from beyond

https://www.instagram.com/adobeprincess
https://www.soundcloud.com/adobeprincess



strobe with adobeprincess @ The Lot Radio 03-28-2025

Recorded live on Wiradjuri land, NSW
@ameliaholt

~
Photo credit: Distorted (IG distorted.__/)

Amelia Holt at Soma Festival 2024

Full tracklist: https://bleep.com/bleep-mix-300-barker

Fresh from Stochastic Drift, Barker’s buzzing second album named Bleep Record of the Month alongside an exclusive 12”, Barker sends a mix that really digs deep into the unique sonic methodology he has constructed across his solo career width a suitable breadth for what is also a milestone in the series, Bleep Mix #300.

From Debiasing to Utility to Stochastic Drift, Barker has been reimagining club music without its definitive thump, instead driven by melody and tactile synthesis, and this selection of tracks expands Barker’s soundworld with a host of artists walking a similar path. “For this mix, I picked out some of my favourite uptempo ambient tracks, recorded at home with two decks and a mixer. It’s music I've used in a lot of different contexts, as a DJ and listener, and I hope you enjoy it.”

Though the occasional dancefloor thump makes itself known, such as on Adriana Lopez’ ‘What Lies Behind’, it’s mostly in quaking subs rather than actual four to the floor, providing some ground for this mix’s airy freeform variety to fly over. We have the wooden plunks and seaspray of Afefe Iku’s Kenyan island sound, the wonky gamelan of Tyler Friedman’s maze of bells and chimes, the dense atmosphere of shaker-produced rain and electrical chirps forged deep in the ruins of The Future Sound Of London.

The midsection of this mix contains some magic in particular: the maestro of drumless trance Lorenzo Senni creates motion from pure jagged synth energy on ‘The Power of Failing’, dissolving into the aether of an unreleased Barker track, which further discharges into the kaleidoscopic stutters of Caribou’s ‘Never Come Back’ with jubilant piano chords and vocal clips wrought into a glitchy, swirling maelstrom of Koreless' prickly warmth. Digital Justice’s ‘Theme From It’s All Gone Pearshaped’ follows, a timeless staple for anyone wishing to dabble in melodic motion and synthsmithery, or any DJ set seeking to add some lift without losing momentum, of which this mix is in no short supply.

Bleep Mix #300 - Barker

! free old ian x atmosphere x ambient  @surgeise

bandcamp

we're all living under different sized rocks

Mr Acting Press indahouse for some 5 hours of seeriez back to back action thru Ambient soundscapes, fruity flute-a-pellas to junglistic 45s played on 33, take the trip.
Download: https://hearthis.at/estimulo/estimuloshow2015-11-15plomanestimulo/
Mixcloud: https://www.mixcloud.com/estimulo/estimuloshow-15-nov-2015-w-plo-man-estimulo/

EstimuloShow w/ PLO Man & Estimulo (15 Nov 2015)

E2E: What environment or context did you have in mind when recording the mix? 

Greville (@grevillegreville): My favourite place in the world is a little surf town in the south of France called Hossegor that I’ve been going to since I was little. You take the bullet train down from Paris and can’t help but zone into the powerlines whizzing by with a dreamy backdrop of endless sunflower fields and forests.  The power lines start doing a kind of wavey motion which is quite musical. Every time I’m on that train it is very emotive like I’m returning home from a long time away… that feeling and the view goes quite nicely with some music, so this is supposed to be some music for that.

E2E: Upcoming projects you're working on? any new releases on Mad Habitat?

Greville: I have my next release under Greville coming out in January which is an attempt at club music but I’m not very good at making club music so it’s not that clubby. I also have an album from a good friend coming as the fourth release which I am very happy to be involved in. I am also still working on some exciting Rimbombo parties with my special friends Adi and Nik here in Sydney.

Ear To Ear Podcasts

music for... en train powerline gazing - Greville

Click here for the tracklist & interview with Khotin: melbournedeepcast.net/portfolio/khotin/

It's with real pleasure that we welcome Vancouver's @khotin, CEO of Khotin Industries and the mind behind some of the finest downtempo experiments to come out of Canada in recent times. With blissed out ambient LPs the likes of New Tab and Beautiful You brilliantly channeling feelings of stillness and after hour melancholy, here we catch Khotin back in deep dance mix mode for the first time in two years and chat about finding himself on Ghostly International, working at the Pacific Rhythm record shop and his approach to self-releasing cassettes.

Myles Mac - liquid lifeforms

c-

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