I'm so glad I found this mix. Massive props!

чил

freestyle opening set at RSO for CTM Festival

Music from Emeka Ogboh, klaus , space Afrika , Moritz von Oswald , babe roots, second woman, ohm & kvadrant, wally badarou, deadbeat, klein, fka twigs, breakage & David rodigan, James Blake (edit), nat Marcus, off the meds, Vladislav delay, zdbt & Dreamcastmoe, tikiman, dj sports, ike, aspen, Angus mills, Shackleton, dj danifox, Adam Winchester, iota, space drum meditation, hagan, Luis, 8ball, O$VMV$M and more

TASCAM DR-40X

Richard Akingbehin @ CTM Festival, Berlin - Jan '23

Juanita's Mix 096 with Kia @kia-sydney

Q. How would you describe yourself?
A. easily distracted, busy bee, passionate, nomadic, pensive.. :)

Q. What was your last memorable club night in NYC?
A. nowadays nonstop in may was epic.. that room is honestly the dream in the right context. the lighting and sound is so on point and the energy during my set time was so infectious (I played 3.30-6am before the legend PLO man). also special shout-out to groovy groovy which i played in july :) DIY parties are always extra special when done right

Q. Tell us a little bit about this mix.
A. this is a very honest/ sombre personal diary I’ve been compiling all year. it’s almost for me the musical embodiment of an infinite plane ride.. watching the sun rise and then set and then rise again. also an ode to all the new & old people that were in my life this year.

this year brought lots of purgatory moments, lots of solo transit.. times of isolation and change, also new friends, positive growth, and people coming into my life… so I guess it’s supposed to represent the ups and downs, change and the journey,

I was struggling to finish the mix and it was sitting at 80% complete for the last little while but I feel like the current situation in Palestine </3 really inspired the missing pieces of the mix. for me, I use music and storytelling as an outlet for frustration and emotion generally. lots of old classics in this and pensive moments.. hope the listeners can feel some of that emotion through listening too..

Unknown Album

Juanita's Mix 096: Kia

nts.live/shows/luke-mele

SHORT BLOOM - FOREST BLUE (ALTERNATE MIX)
FLATIC - PUSH START BUTTON...
SAPHILEAUM - TOP GREEN HILLS
SHAMANIC TRIBES ON ACID - WITH THE WIND BLOWS PEACE
HYBRID MAN - SWEPT BY THE UNDERTOW
LO KINDRE - DUSK
TAGLIABUE - MATERIA VISIBILE
THE DINING ROOMS - PURE AND EASY
NAEMI - SLIPSTREAM (FT. NM)
SABLA + D.K. - NUBES SHEPHERD
FICILIO - FRAME (AMBER MIX)
SAAFI BROTHERS - 2046

NTS Radio July 3 ('24)

Nak’s sound is immersive, otherworldly, psychedelic; all grounded in a love for storytelling through music.

Originally (and always) a fan of Melbourne's underground scene, Isabel is drawn to DJ sets that take the listener on a journey - whether that be through mood, genre or tempo - to create something beautiful and entirely anew. This is a quality she explores in her own sets, weaving together intricate, spiraling blends of IDM, techno and bass to create a dreamy, glistening tapestry of sound.

@isabel-nak

Mirrors 019 - Nak

From Japan here's producer, DJ and friend of the label Kunyuki Takahashi (@kuniyuki-takahashi) with a special recording of his live set during Rainbow Disco Club this year 2024. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Kuni. What was growing up in Sapporo like, being quite remote from the other major cities in Japan? Via what channels/media/ways did you learn about music, art, etc? 

KT: Tokyo is most biggest scene about culture and music, but I was really looking for more out of Japan. Sapporo is more slow. I was just into music when I was teenager so everydays looking interesting music, because around 80's was crazy it' like big bung for music. My friends and i also really looking for PUNK, Industrial music, Ambient music, also of cause electric music as well at that time. It was just our like networks and channels for connect to other essence from each one. You know Teenager No need mainstream, no need TV show just believe to get some good one  from friends!

MFM: Your sound overall has a very 'organic' and 'spiritual' touch. Where does this come from? Who and what were/are your inspirations?  

KT: Both of feeling is definitely I need and my favorite things about when I touch instruments because it's nice to connect into music. So many instruments has lot's of colors so it's my inspirations come from. But to be honest i'm really bad to playing instruments....

MFM: That is debatable, haha. Where did you actually learn to play all those instruments, like the conga's and flute?

KT: I learnt about percussion and congas by listening to African music, and in the 90s I spent a lot of time with these. I used to listen to Peter Gabriel's Realworld record series so it's my teacher of  music! There are flute-like instruments in synthesizers and music workstations, but when I tried to use flute sounds by Synth, I couldn't feel spiritual, so I decided to try my hand at it. There is so much spiritual real instruments.

MFM: Your contribution is a recording of your live show at Rainbow Disco Club in Japan this year 2024. What can you tell us about the show? For those who had to miss it, maybe you can describe the setting a bit?

KT: Yes it was from My good friend Masa From Rainbow disco club.
I've been joined Rainbow disco club many times and always did a Dance set but he Told me “could you play live show like your album from Music from memory For RDC2024?”, and I was say “YES I would love to and if we can do then I want to do proper Music from memory live set.” So it was so exciting. Because these music from MFM was very special. It was morning time, there is nature and birds singing, and I was joined with my like bird whistle, feel windows, relaxing people waiting before making dance time. I re-created all sound patterns so it was so fun like should do make Tape sound like bit noise sound, more retro sound. Also I really remembered about what I used different Chords before in the 80's and 90's!

MFM: Your live shows seem to be improvisation based, very playful. As if you're jamming in the studio. Does playing live differ much to you from working in the studio?

KT: Yes I love like improvisations when doing live show. I'm always thinking about each party is totally different energy from music lovers. I love to get something good happen with music lovers, and yes it's totally different with Studio works. Prepare for live set also needs time and skills, so i always try to do at my studio for what can happen at the live show.

MFM Mix 052: Kuniyuki Takahashi

I recorded this mix sitting on the carpet of my partner and I's new home, pulling out some old records and enjoying the comfort of our new living room which now also houses my custom green monitors. Sundays to me have a naturally relaxed and positive vibe and it's the same day that I throw my event 'Park Dub'. The music at Park Dub is generally a mixture of electronic dub tracks and more rootsy dub reggae but I usually tell the DJ's playing that 'anything with enough reverb and delay is fine', haha. I tried to capture the spirit of Park Dub in the mix.

Tracklist:

Shebuzz, Akmuo and Heavenchord - Seashell Dreams (Grounded Mix)
Babe Roots - World Struggle (Ambient Dub)
Ghost Dubs - Thin Line
Cofaxx - Move 2
Dubmonger - Archive
Triangle - Mantra Dub
DJ Sports - Untitled (B2 NH6)
Full Bloom - Giesing Underwater
Akko - Rosh Sataan
Frenk Dublin - Erangel
Rasmus Hedlund - Verners Funk
V.I.V.E.K - Galactic Dub
Cousin - Overtime Dub (Feat. Tom G)
Frenk Dublin - Divide & Rule
Babe Roots - Ruff Out Dubwise
Jon & Hugh - Stillness (Rings Around Saturn Dub)
Lightning Head - Studio Don One
Roots Radics - Dangerous Match One
Jah Shaka - Prophet Dub
Ghetto-ology - Dub-ology
Mad Professor - Mother Nature Dub

@commandd

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Contact us:
info@delayed.nyc



Sundays are for... Command D

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

This recording is from the first edition of L’Appuntamento, a series of open-air listening sessions initiated by Villa Lontana Records and Donato Dozzy in Rome. Each gathering pairs a vinyl set by Dozzy with a live electroacoustic performance by a new-generation artist.

In this first edition, held in the garden of Villa Lontana, Donato Dozzy opened the evening with a selection of minimal, folkloric, and acoustic-rooted records — setting the tone for Verde Prato’s live performance.

L’Appuntamento is an ongoing invitation to pause, tune in, and share time through listening. 
Next appointment is Thursday 26 June 2025 with Ange Halliwell.

L'Appuntamento with Donato Dozzy + Verde Prato - Listening session at Villa Lontana on 11 May 2024

Instropective

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/9_kjAos1HnY

Glimpse 1470 (Oct 11 2025)

地球5

@cursesforever

The very first Keinemusik radio show this year has been selected and mixed by Curses. Curses is a Berlin-based producer, a live performer and a DJ, the New Yorker released on underground labels such as Bordello A Parigi, Throne of Blood, Ombra INTL. Relish. The long awaited debut album came out on Jennifer Cardini’s Dischi Autunno label. Expect a darker side of disco, electro with flashes of EBM, New Wave and synth vibes.

Keinemusik Radio Show

Keinemusik Radio Show by Curses 17.01.2020

Promising everything from tripped-out trance and jungle experiments to left-of-centre rhythms, Brothers From Different Mothers is a label we're constantly keeping tabs on. For that we have Marseille-based DJ Judaah to thank. Thanks Judaah!

Since kicking off BFDM in 2014 he's built a close family of friends (who also happen to be very sick producers) around him - the likes of jZBEL, The Pilotwings, OKO DJ and Simo Cell to name but a few. This year will see him focus on Home Soundystem, the little sister label of BFDM that he started towards the end of 2019, which has already put out releases from L.I.E.S label mate Krikor and UK producer Josi Devil. 

Making sure he eases you in with that meat and veg before hitting you slap bang in the face with that spicy harissa sauce, Judaah moves through the motions from ambient and dub to ghetto tech and dancehall...

Judaah: The 'Wednesday Alternative' Mix

Myles Mac - liquid lifeforms

https://soundcloud.com/defled
https://soundcloud.com/nitsdela-tramuntana

Myles Mac - liquid lifeforms

c-

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