27 Ceremony Journey

Strange lands

Dance - House - Techno - Electro

CmSynStudio

MIxes_16A

Experimental Various - Synth - Voice
Experimental tracks for development of sound timbres, rhythms, voice.
Experiments are then translated into defined compositions.
Used components: Granular sampling, Subtractive synthesis, FM synthesis, wave table synthesis, sampling with wave-morphing.
https://mauriziocarrettincmsynstudio.bandcamp.com/
https://www.google.it/?gws_rd=ssl#q=syntenergheia+project

Tracce sperimentali per lo sviluppo di timbri sonori, ritmi, voce.
Gli esperimenti vengono poi tradotti in composizioni definite.
Componenti usati: Granular sampling, Subtractive synthesis, FM synthesis, wave table synthesis, sampling with wave-morphing.
https://mauriziocarrettincmsynstudio.bandcamp.com/
https://www.google.it/?gws_rd=ssl#q=syntenergheia+project

https://www.facebook.com/Maurizio-Carrettin-CmSynstudio-1586435058306368/?fref=ts
Bandcamp: https://mauriziocarrettincmsynstudio.bandcamp.com/
CD on Google: https://www.google.it/?gws_rd=ssl#q=syntenergheia+project
Label: www.centaurrecords.com
Videos: https://www.youtube.com/channel/UCoGf_hw8lsSQQdyvfxp7J2g/videos
Spotify: https://play.spotify.com/artist/34rnnUwuAa6dPokkhoCeSC?play=true&utm_source=open.spotify.com&utm_medium=open

Experimental Various - Synth - Voice

claassic 2

I Like/love

blond virtue

HOPE, NEVERTHELESS, an original by Yvalain

This is my third publication of a modern classical piece of mine. Another emotional melody. Quite dark with some shades of light!

Thank you for your great support.

Hope, Nevertheless

SOLD OUT

It was after hearing Katie Gately's remix of Schemawound back in February - incredibly one of the first pieces of music that she had made - that we immediately began hassling her to do a tape for us.

The result is Pipes, a piece that is both concise and ambitious. A 22nd Century pop song made out of nothing but the massed tones of the human voice, so complex that it took six painstaking months to assemble, but dropkicks the seratonin-releasing pleasure centres of the brain like the most immediate and narcotic of pop hits.

Influenced by Arthur Russell and Gregorian chant, Pipes is a kind of future choral music. In its soundworld, synthesizers have been superseded by lungs, and soundscapes are no longer programmed, but can be projected into the air at the speed of thought.

If you loved Petra Haden's classic 2005 acapella reading of The Who Sell Out, but thought it would be loads better without all The Who bits, then you'll love this. If you love pop music, but hate dumb lyrics, then this is for you. If you've ever felt a surge of energy from the sound of another human singing - whether it's opera or death metal - then this is a substation. This electric is natural and now.

Disclaimer: NO INSTRUMENTS WERE USED IN THE MAKING OF THIS RECORDING.

Praise for Katie Gately:

"You can hear that escalation in Gately's work as you can in Parmegiani's 1990s-onwards work or in Oswald's Plexure and Grayfolded." - Simon Reynolds

"Fantastic bionic structures. Rhythms bob beneath, but are switched around intuitively and with a sense of fun... vocals are layered and stepped up and down in bold, jarring brushstrokes." - The Wire

"...the sound of deconstruction... hinting at pop only to take delight in crumbling from within. Countless timbres and textures jostle within her tracks, either crammed together in a sonic maelstrom, or separated by what feel like blasts of chilled air." - Resident Advisor

“With pure, ethereal vocals poured over an industrial and sluggish beat... sounds like Gately found the hidden door to the intersection of light and shadow, planting her flag solidly at its nexus.” - XLR8R

“On her self-titled debut EP, Katie Gately weaves silky pop vocals and field recordings processed beyond all recognition into cold, abrasive soundscapes.” - FACT Magazine

“Pop music that can’t sit still, is exploding with ideas. Sometimes it sounds overloaded with thoughts, which find literal expression in Katie’s dense Disco Inferno-like lattices of words. But then on other tracks her vocals pull back and space out, disassociating from the rhythms and finding unlikely companions in choirs of pitch-shifted and manipulated vocals – her voice made into marching, chirruping armies of munchkins, automatons, Substance D-stretched friend-apparitions.” - 20 Jazz Funk Greats

"'Pipes' is a vocals-only track, a wonderful piece of ethereal breathing and crystal Pop constructed in what sound like infinite layers of dazzling landscapes, her stunning voice invading each corner of the music." - The 405

"Leftfield Katie Gately creates a weird discordant form of avant-garde Pop that keeps us coming back for more. There’s something within its ever-changing skin that keeps us listening, keeps us guessing and keeps us attempting to unravel the songs and their bewildering construction." - Bowlegs

"Falling somewhere between the icy, high resolution electronic experiments of Holly Herndon and the sunkissed pop of Julia Holter, Gately’s self-titled debut sees her combine her own heavily treated vocals amidst an occasionally bewildering array of sample-based scrapes, cracks and drones that somehow shape themselves into an avant-garde form of pop music, manifesting itself as “Fractured vocalisations, bittersweet harmonies, freaked alien voices all living, breathing in deep fried motherboards of acute computer programming and field sound.” - Juno Plus


blue eight: Katie Gately - Pipes

the initial phases of a remix for Celia Ross-- trying sounds and phrases together to see what gels with the music she gave me. made some real headway with it in some parts, but then Frankenstein fuckin died.

cancer.moon - voicemail (audio lab, mix drafts)

from the forthcoming compilation JEAN-PIERRE DECERD - SPACE ODDITIES 1975-1978

Jean-Pierre DECERF - Surrounding Seas - from "SPACE ODDITIES 1975-1978"

from "Psychedelic Sanza 1982 - 1984 " on BORN BAD 
BUY https://bornbadrecords.bandcamp.com/album/psychedelic-sanza-1982-1984

FRANCIS BEBEY - Forest Nativity

Recorded on March 13th, 2015. 

Connect:
https://www.mixcloud.com/andreypushkarev/
https://www.facebook.com/andrey.pushkarev.pro
http://www.residentadvisor.net/dj/andreypushkarev
https://www.youtube.com/c/AndreyPushkarevOfficial


Live @ Midnight Project, 2015-03-15

Nokturna - Part2 ( Raw Mix)

Premiere of "Constellations (Process And Static)" performed by Carlton Vickers, Boston (USA) april 25th 2015

Constellations (Process And Static) (2015) World Premiere

DarkSynth Studio n°1 (Anthem and Procession)
by Maurizio Carrettin – CmSynStudio -© all rights reserved-
www.facebook.com/pages/CmSynstudio-Maurizio-Carrettin/1586435058306368?ref=hl
soundcloud.com/cmsynstudio
www.youtube.com/watch?v=ZRUfHshRF5s

Studio is the embryonal idea. Sounds elaborate here are then developed in full composition. The music is primary. The video is an environment support. Headphones are the ideal medium of transition.

DarkSynth Studio N° 1 (Anthem and Procession)

KARA-LIS COVERDALE (CA) https://soundcloud.com/klissay
PLAY 1 :: DADA SALON 
Friday, May 29 - Musée d'art contemporain de Montréal

Montréal-based musician and composer Kara-Lis Coverdale gives concerts made for full body immersion, multi layered through multi timbral synths, her computer a virtual organ engine. Couched in symphonic, post sacred tonalities and harmonies, the music on Coverdale’s releases Aftertouches (on Sacred Phrases) and A 480 (on Constellation Tatsu) uses virtual sounds from vocal and instrumental sources to confront traditional genres and consolidate them in the artist’s own precise ways. Currently an organist and music director at St. John’s church in Montréal, Coverdale contributed piano and keyboards on friend and mentor Tim Hecker’s Virgins album in 2013 and most recently has collaborated with LXV (musician David Sutton) on their 2015 album, released by Umor Rex. Her live set for MUTEK 2015 draws on that album and recent compositions of pipe organ, sensorial electronics and glittering drones while leaving room for inspired improvisation.

Mastered by LANDR (www.landr.com)

You can also watch THE WIRE SESSIONS with KARA-LIS COVERDALE here: https://vimeo.com/132852323 - Q&A streamed on May 30, 2015 at Phi Centre.

MUTEKLIVE086 - Kara-Lis Coverdale @ MUTEK 2015

Some weird combination of classic Berlin style electronic and minimal ambient with contemporary music mallet pace. I wanted to deep into silence.


the never dying fire

Translucent Grows

Anantakara - Translucent Grows *

Mantra Core

Moving On

Analogue Synths and Ableton Mix - Experimental

AThiMusikKnobs Production February 2016



FromTranceToDance

PROMOSET | AUF NEUEN SPUREN # 03 BY SHAWN BREKA // MÄRZ2016

Inner Symphony: Processed Voice / Voce elaborata
by Maurizio Carrettin e Vanessa Tagliabue Yorke.... © all rights reserved.
Track 10 from: "Italian experimental underground 016 survey"  by "Unexplained Sounds Group"... great thanks to Raffaele Pezzella.  http://unexplainedsoundsgroup.bandcamp.com/album/italian-experimental-underground-016-survey
--Experimental Electronic and Aesthetic, Granular Synthesis and Voice. The inspiration starts from the Gregorian melisma, then Flemish Polyphony, then Madrigals by Monteverdi, then with a leap I get to experiments on magnetic tape by Luciano Berio and Cathy Berberian (1958 omaggio a Joyce), and then Luigi Nono. Here are my sources. I elaborated the voice and interpretation of Vanessa Tagliabue Yorke, her phrases, her singing, I reconstructed the material in aesthetic form. The result is beyond my expectations. The aesthetic beauty is absolute. The transcendent reality often arrive to us. We must accept it and act as intermediary.
--Elettronica Sperimentale ed Estetica, Syntesi Granulare e Voce. L'ispirazione comincia dai melismi del Gregoriano, poi la Polifonia Fiamminga, poi i Madrigali di Monteverdi, poi con un balzo arrivo alle sperimentazioni su nastro magnetico di Luciano Berio e Cathy Berberian (1958, omaggio a Joyce), e poi Luigi Nono. Queste le fonti. Ho elaborato la voce e l'interpretazione di Vanessa Tagliabue Yorke, le sue frasi, il suo canto, ho ricomposto la tavolozza. Il risultato è oltre le mie aspettative. La bellezza estetica è assoluta. La realtà trascendente spesso arriva a noi. Dobbiamo accettarla e fare da tramite.
http://unexplainedsoundsgroup.bandcamp.com/

Download

. Inner Symphony .  Electronic & Voice (on Unexplained Sounds Group)

Rhythm-Synth Studio n°8: Disrupted rhythm
By Maurizio Carrettin… © all rights reserved
Image by Elvira Bottazzi… © all rights reserved
https://unexplainedsoundsgroup.bandcamp.com/album/unexplained-sounds-2016-the-2nd-annual-recognition-test
--The disjointed rhythm causes waiting for a logical solution. I decomposed a human voice in micro-granules. I deconstructed the rhythmic sense. I distributed the granular percussive events as if  "they try" to form a regular line. The system is apparently disturbed. It's rather an attempt to join the molecules of timbres and express the energy that animates them.
--Il ritmo disgregato provoca attesa di una soluzione logica. Ho scomposto una voce umana in microgranuli. Ho destrutturato il senso ritmico pulsante. Ho distribuito gli eventi percussivi granulari come se “tentassero” di formare una linea regolare. Il sistema risulta apparentemente disturbato. E' invece il tentativo delle molecole dei timbri di aggregarsi ed esprimere l'energia che le anima.
https://www.facebook.com/Maurizio-Carrettin-CmSynstudio-1586435058306368/?ref=hl
https://www.youtube.com/channel/UCoGf_hw8lsSQQdyvfxp7J2g/videos

Rhythm - Synth Studio N° 8: Disrupted rhythm (on Unexplained Sounds Group)

Comrade Chaos

Buy on
Beatport:	http://btprt.dj/2dUb1Cf
Amazon: 	http://amzn.to/2dvEL73
iTunes:    	http://apple.co/2emCzwm
Spotify:   	http://spoti.fi/2e256gd

Artwork: Tara White (T W Studio d'Art)
https://www.facebook.com/twstudiodart
http://www.twstudiodart.bigcartel.com/

Dan Baber 
https://www.facebook.com/Dan-Baber-228430420590039/
https://soundcloud.com/debaber
https://www.instagram.com/danbaber1/

Fuchsklang
http://fuchsklang.de/
https://www.facebook.com/fuklamusik/
https://www.youtube.com/channel/UCbgSzWpE0C4Q6TDTfUUma5A
https://twitter.com/fuchsklang

Before Dawn

Before Dawn (Original Mix)

Dan Baber - Before Dawn (Original Mix)

Assemblage 23 - The Noise Inside My Head (Desiccated by Aekson Valdes)

Tacit Knowledge

freestyle 3

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

Witt (solo flute) 2001, Richard Craig (fl), excerpt

Stink Beetles & Sprites

Fire Sprites Nostalgia

Fire Sprites Nostalgia (Official Version)

Synth power in full bloom, bathed in the ethereal wash of Eventide Space — a reverb that doesn’t just echo, but breathes life into every note.

SOUNDS

parallel worlds

Nine Death Angels (Nueve Angeles De La Muerte)by K-Effect & Waking Dream

This is the demo version of Nine Death Angels/Nueve Ángeles De La Muerte. The official mastered version (mixed and or remixed) will be coming out this November! Enjoy! Special thanks to K-Effect Mastering! 

-Lyra Daydream & Liz Lund

Waking Dream Nyc Incorporated(© 2018)
K-Effect Mastering (© 2018)

As The Spinsters Speak

Nine Death Angels/Nueve Ángeles De La Muerte

Nueve Ángeles De La Muerte (Original Mix) K-Effect & Waking Dream

My Queen

Movement 11 from my 2020 exhibition 'La morte mi troverà vivo' (death will find me alive). I dont know where to start or finish with the story of this piece - if you want the long version please go to bandcamp https://nomatesensemble.bandcamp.com/album/la-morte-mi-trover-vivo  there 3 essays on the exhibition in the notes and of course the whole work which is 90 minutes long. This piece for Intonarumori was the starting point for the show, written and recorded to be played at Luigi Russolo's grave as a form of 'calling ' to his spirit. La morte mi troverà vivo is a kind of sonic seance where i composed music as an evocation and used occult number theory to manipulate field recordings to capture what i term an 'imagined response from the spirit world'. The work was made in Italy July/August 2019 and exhibited in Hobart Tasmania in Jan/Feb 2020. I will post visual links and more info at a stage, though of course its a sound installation (i managed to get the whole room to softly rumble with speakers installed out of site in the walls and under the floor)so there isn't heaps to see. :) Thank you all, sorry to ramble !!

Piece For 3 Intonarumori (La morte mi troverà vivo  - mov. 11)

My submission for the Navair Haiku 326 (https://www.naviarrecords.com/2020/04/01/naviarhaiku326-rumbling-in-the-mist/)

Haiku by Mark Morris https://medium.com/@purelandhaiku

Image by  Ameen Fahmy https://unsplash.com/@ameenfahmy_

Deep tales of the Leviathan enlighenment (Naviar Haiku 326)

Deep tales of the Leviathan enlightenment (Naviar Haiku 326)

Dark City

Rasputin- Dark City

Mainly Granular Synth for a more effective neo-expressionism in music.
Electronic, Experimental, Contemporary, Noise, Soundtrack, Ambient, DarkAmbient, Industrial, Drone
and....... a bit of gothic

. Inner Symphony . Electronic & Voice (on Unexplained Sounds Group)

Maurizio Carrettin - CmSynStudio