Name: INTANGIBLE FEELINGS by Concepcion Huerta (cncpcn)
Duration: 1 h 23 min 50 s
Description: Sesión de improvisación en @radionopal de Rodo, Leslie García y Concepción Huerta.

Qué maravilloso todo tu imaginario sonoro❤️

Seven Monotroy Delay recordings, voice, claps, effects, A Live

Wounds

Weltenbrand Grabentod

from Jj Funhouse Christmas Compilation Vol.3 'Icicle'
https://jjfunnnhouse.bandcamp.com/album/christmas-compilation-vol-3-icicle-2
w/ tracks by Ōgon Batto, Accou, Ssaliva, N. Chambers, Jan Matthé and many more..

this track was recorded live at AB Salon, June 4th 2018

Christmas Compilation Vol. 3 'Icicle'

Ijskristallen

Will Guthrie
Some Nasty
C30 (XIX-II)

Release date: April 2019
www.hasanaeditions.org

Some Nasty

XIX-II - Will Guthrie - Some Nasty Side A (excerpt)

Sesión de improvisación en @radionopal de Rodo, Leslie García y Concepción Huerta.

INTANGIBLE FEELINGS

Laure Boer combines the expected and the unexpected. As much music as ritual, performance as spell, Boer fittingly describes her sound as ‘witchtronic’. Out of sonic abstraction emerges a system of beat, chirrup and hum, then from nowhere a voice, singing or reciting in her native French. Coming from a musical family (her mother and father were opera singer and choir director, respectively), she directs her instruments–a sprawling table full of small wooden utensils, clattering metallic objects, and stringed artefacts–to perform, pushing them into strange shapes, odd contortions, and sometimes startling beauty. Boer also works extensively in the visual arts, and has collaborated with, among others, visual and performance artist Yan Gi Cheng, musicians such as Benjamin Geyer, Igor Titenko’s Radio Vostok, and San Diego’s SKRAPEZ, with whom she released a split 8” in late 2018. Recently the Musicboard Berlin granted Laure Boer for a two-month-residency in Manila hosted by WSK, in cooperation with CTM Festival and the Goethe-Institut.
http://laureboer.com/

Laure Boer - Allons Au Bois

TR095 - Nemeton / Rafael Anton Irisarri - '...spin into nothingness'

FWAfractal

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

Toksynna presents itself as a record label releasing its first two references simultaneously, and although the two releases can be classified as experimental electronics, they are quite far apart, nothing to do with the radioactive and volatile environment of Kick & Cut, by Tester, with this first album by Wanderwerkstatt, new alias of the Italian producer AM.MA. 

Tester's creativity is based on true electronic sound, which has more to do with algorithms than with musicality itself, whereas Wanderwerkstatt is a sum of both concepts, that of elaborate, electronic sounds, and that of harmonic meaning, since the artist perfectly combines both terms.

Satanic Majesties Response is an album with a versatile sound, with a style difficult to define with just a few words. We could do it in many ways, emulating Gustav Holst's planets, with worlds totally different from each other, we could do it in reference to the wide sense that life has, with soundtracks created for each moment, or simply admit that this album is not conceptual and that its author is capable of taking very different influences in his creative process. The conclusion is that it is a 10-track album in which originality prevails above all.

Release date: December 28th, 2020.

INTANGIBLE FEELINGS

Concepcion Huerta (cncpcn)

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