All based on the old radio recordings of Webern conducting his own arrangements of Schubert D820, this is only the most heavily warped versions I prepared for "Stories are Meaning-Making Machines", a performance by Annie MacDonell and Maïder Fortuné at including texts by the artists revolving around the time we all lived together there and a horse that we all saw. 

Esprit de Poney

Club Player

This is the rest of some music I made over an all-nighter in January, all based on the radio recordings of Webern conducting his own arrangements of Schubert D820. This is only the most heavily warped versions I prepared for a performance by Annie MacDonell and Maïder Fortuné including texts by the artists revolving around the time we all lived together in Roubaix and a horse that we all saw. My sound relates to the horse and an all-nighter I pulled back then. https://www.centrepompidou.fr/cpv/resource/cBgG4ky/rnX8nAj

SC2 conservatoire de Roubaix

SC2 consolation divin

Another sneak peak from this bummed out buffet I am preparing. Dinner music in a wood chipper. 

Foyer of the Interzonal Baseball Directorate

Unused soundtrack piece - rhythm experiment for CLP + SC3

Communicating Vessels

Mélanie-manie

Mostly composed/recorded with CSound on Geary in Toronto, Roubaix, and Brussels. 

Table Tennis

Your Measured Fingertips

More CSound music, composed in Roubaix/Tourcoing 2001-2002 on the basis of eight months of automated aerodrome weather reports for the Flanders region. This was actually properly mixed with Christoph Poli at Le Fresnoy, and mastered by a really talented Brusseler whose name I can't remember. This was supposed to have actually been manufactured, but the master was held hostage for a year during a dispute over the breakup of the mastering company. So it's lived on my shelf till now. 

wind 3

wind, clouds, pressure, temperature, visibility

1998-present, computer music, improvisation - SuperCollider and CSound - pretty badly hearing impaired since 2016

Alex Geddie

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