Name: BANK RECORDS | COAT OF ARMS BROOKLYN Anniversary Mixtape by COA Brooklyn in 0618
Duration: 56 min 56 s
Description: Entro from Bank Records blessed us with a 60 min mix to remind you why you love NY hip hop. Keep this on repeat all summer!

Feel like I'm back in high school listening to this mix <3

0618

Block Radio STR8 RYDER

“Fractal Cathedral”

Swimming with Blue Whales

On a Rotating Sphere

Entro from Bank Records blessed us with a 60 min mix to remind you why you love NY hip hop. Keep this on repeat all summer!

BANK RECORDS | COAT OF ARMS BROOKLYN Anniversary Mixtape

Live recording at RDC2018.
Yoshinori Hayashi is having his first one-man show in 16th June.
for more details↓
https://jp.residentadvisor.net/events/1111201

RDC 022 - YOSHINORI HAYASHI

Groovy summer vibes surfing your way on the sound waves courtesy of soundcloud.com/mfa-3. The Rotterdam-based vinyl fanatic draws on inspiration from across different time zones and points in time to get you in the mood for summertime with a comprehensive selection that spans across Brazilian berimbau rhythms, classic funk & soul, hypnotic didgeridoo resonances, all the way back to house and more.

ZeeZout Podcast 069 | MF Andrade

Автором шестого по счету двойного альбома в коллекции лейбла стал житель Санкт-Петербурга, продюсер и мультиинструменталист Флэти (@producedbyflaty),  представляющий свой проект АЭМ «Ритм-Каскад». Музыка на пластинке продолжает развитие стилистического вектора, заложенного петербуржцем еще на одном из первых релизов ГОСТ ЗВУК, трехтрековом сингле, одним из главных хитов которого стала композиция «Вспоминафония», по праву считающаяся чем-то вроде неофициального гимна лейбла. На «Литье» Флэти продолжает собственные эксперименты в смежных областях различных стилей танцевальной музыки, где его четкий, выверенный подход к синтезу звука и аранжировке в очередной раз приводит разнородные жанровые элементы к общему знаменателю, практически идеальному «золотому сечению». Традиционно уделяя особое внимание многочисленным деталям и «глубокой» звуковой атмосфере, на «Литье» продюсер из Санкт-Петербурга проектирует по-особенному пластичные ритмические структуры, будто бы имеющие естественную природу — пульс партий ударных и перкуссий здесь плавный и текучий, практически без всяческого намека на какого-либо рода технологизацию. Следы поисков безупречной гармонической пропорции также можно обнаружить и в симметричной конструкции альбома — на двух пластинках здесь записаны двенадцать композиций, по три на каждую из сторон.
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On the sixth double LP in the label's catalogue the Saint Petersburg-based producer and multi-instrumentalist Flaty (@producedbyflaty) presents another phase in the development of his project AEM «Rhythm-Cascade». The sound of the record is kept true to the stylistic vector defined by the artist way back on one of the first Gost Zvuk's releases, a three-tracker with its main hit «Vspominafoniya» («Memoryphonics») currently enjoying a well-deserved status as the de facto anthem of the label. On his new album «Lit'yo» («Metal casting») Flaty continues to experiment with various dance music genres, attempting to bring diverse stylistic features to a common denominator, a perfect «golden ratio». With his strict and thorough approach to sound synthesis and arrangement, keen attention to detail and «deep» sound atmosphere, here he designs rhythmic structures almost organic, the pulse of percussion smooth and fluid without a slightest hint of technological engineering. The spirit of this quest for flawless harmonic proportion is also present in the symmetric design of the album: two records hold twelve tracks, three on each side.

GOST011: AEM Rhythm-Cascade "Litie"

Side 1
А1: New Day (6:02)
А2: Mimicore (4:33) 
А3: Soap Water (4:30)

Side 2
B1: Spiral (5:30)
B2: Razmetka (4:26)
B3: Serviz (5:28)

Side 3
C1: L–Expo (5:26)
C2: Orange (3:48)
C3: Partial Presence (4:16)

Side 4
D1: Volnushka (5:18)
D2: Plaksa (5:40)
D3: Emulsiya (4:45)

producer — Flaty
mastering — Simon Davey
photo — Ernest Yakovlev
design — Pavel Milyakov
executive producer — Ildar Zaynetdinov

St. Petersburg city
2 x 12" LP, full colour print
June 2018, Russian Federation.
 © «ГОСТ ЗВУК»

Bandcamp

ГОСТ011: АЭМ Ритм-Каскад «Литьё»

Clifford is coming in hot for number 2 of the series, he's been itching to stitch together a blend of club-orientated sounds with a heavy focus on rave influenced music.
Originally from Glasgow and now residing in Cologne where he is currently completing his PhD, Cliff is a dublab.de regular where he curates his long running Fife Trax show, a melting pot of non-club and dance-floor focused music that has influenced him over the years.

Find him on Instagram & Soundcloud at @funwithclifford

CLUB Pelicon Mix Series

Club.P 02 - Clifford

Novel rhythms from a vital London artist.

@parris_dj

Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=628

Resident Advisor podcast

RA.628 Parris

Download

Shifra Rifka - Need You To Lift Me Up (Huerco S. Collage Mix Nº2)

ACI_EDITS released two tapes on the now-defunct Aught label. 

https://soundcloud.com/aught0101

ACI_EDITS - [untitled]

Before the identity of FFT (Fast Fourier Transform) was revealed in an article written by Matt Blair in August 2018, only one EP, titled "fft1" and released at the end of 2017 as the first reference of the aptly named label Uncertainty Principle, had been enough to arouse the expectation of dignitaries like Grant Wilson-Claridge or Ed Upton, better known as DMX Krew; after mastering the EP in question, the latter even acknowledged that this was the best recent artist he had encountered in a while. Comprising five pieces, "fft1" set up the meticulous materialization of an aural plan whose anamnesis drew a line between the aesthetic resources of glitch –clicks, noises, hums– and a background in the use of some of its characteristic elements, such as the bleep, in a sort of technically complex, strangely accelerated and digitally incorruptible braindance conjunction of Alva Noto, Warp's lilac maxi singles, Unique 3, Aleksi Perälä or Jodey Kendrick.

However, following the unveiling, Briton Josh Thompson, who had previously operated as Alma Construct, has worked on the project’s concept by expanding its limits in a rationally justified manner. Firstly, the "in-side" EP –released in December 2018 on Super Hexagon, the label he co-owns with J. Wiltshire– showed Gerald Donald's influence, exposed some autechrian inclination towards entropic geometry and gloomy, cold emotion, and increased the importance of melody and the tendency to treat the material through precise procedures characteristic of avant-garde sound sculptors. Secondly, the EP released four months later on The Trilogy Tapes, composed of two extensive pieces of almost ten minutes each, continues with the obsession with detail but exploring, on the one hand, rhythmic inflections, textures and colors of the timbric palette of the more complex techy dubstep, and, on the other hand, Uwe Schmidt's artificial pop, in an ambiguous and permanently changing song over its two sections. FFT shows a great ability to converse with different aesthetics of the immediate past but without drowning in the stagnant waters of doxography, clearly differentiating between previous models and a design that proposes the emergence of new terms.

Recorded at the end of May 2019, the podcast unfolds and completes with unreleased tracks the entire aesthetic offered by FFT. At first glance, the most striking thing is its wide dynamic range and rich stereo image. In attentive listening, the internal consistency of the work, determined by dialectical relationships between consecutive pieces, parts and sections, reminds that not only is there here an obsession with the sound aspect, but that there are also analogies with the theories and laws of physics underneath, such as Newton's third law –"for every action, there is an equal and opposite reaction"–. Here lies an observable chain of events constructed at different velocities and scales: molecular movements, expanding nebulae, stellar collisions, red giants disintegrated for all eternity.

We recommend playing back the recording through appropriate speakers or headphones, at full volume and in total darkness.

Photography by Geray Mena

Dialektik Podcast #02 – FFT

Nummer 6 - Corona Edition. Homestay tauglicher 90er IDM Downtempo Quarantäne-Trance fresh from the shelf - powered by Tropical Schmutz' Franc. Dream, Dance or Trip for yourself.

@funkfrnk
@tropicalschmutz

lo-pod #006 - Franc

Album ‘the spectre always leave the same way it entered’ by ϙue (@optovolokonniy) is a tribute to other-dimensional aspects of our existence. An attempt to look behind the flickering veil, a break-up music for blackmetal couples, a journey of the soul. The spiritualist seance will begin on May 14: 10 original avant-garde stories plus 3 remixes from @ArthurKriulyn, @Monotronique and @Lostlojic are waiting for you. Also will be available on limited edition of cassettes. mystictrax.bandcamp.com @mystictrax
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"...It may feel empty and confusing, but there is a rhythm within you. If you are mindful enough, you will find it. I know you can. And there will also be real peace and beauty in destruction..."

BANK RECORDS | COAT OF ARMS BROOKLYN Anniversary Mixtape

COA Brooklyn

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