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Esta cancion pertenece al dorama coreano Hong Gil Dong trasmitido por KBS2

Park Wan Kyu - Fate (OST Hong Gil Dong)

This English prayer was offered to Srila Prabhupada in Calcutta, 1971, by Yamuna Devi. Now on the 4th anniversary of Yamuna Devi rejoining Srila Prabhupada, we offer this to Yamuna's dearest friend, Dina, who no doubt misses her and Srila Prabhupada beyond what can be expressed.

Our enormous thanks to Govinda Ghosh, who worked around the clock with anyone who walked in to his home to be a part of this offering. He worked so hard, but said he just wants to do something nice for Dina.

Translation to Bengali: Shrivas Beriault
Melody inspired from: Madhava Naidoo
Arrangement and recording: Govinda Ghosh Clayton
Harmonium: Krsnadas Schleussener
Mrdanga: Madhava Musterer
Flute: Kalindi Fournier
Violin: Jahnavi Harrison
Guitar: Govinda Ghosh Clayton

Vocals: Kartamasa Delaney, Radhakunda Delaney, Kalavati Moore, Mahasringa Toniato, Kalindi Fournier, Ananda Monet, Gopal Schleussener, Krsnadas Schleussener, Shrivas Beriault, Jahnavi Harrison, Krsna Chandra Musterer, Lilamrta Twaddell, Bhavatarini Clayton

Nitya Amara Shri Guru
English prayer to Srila Prabhupada by Yamuna Devi, 1971
Adaptation and Bengali translation by Shrivas Beriault
1)
Sahasra-koti jiva, samsara bhramiya, koti-koti-janma gelo
Kichu dhanya-jana, bhakti-lata-dhana, guru-krishna-krpaya pelo

Thousands, millions of souls, are wandering this world, for millions of births. Some fortunate ones attain the treasure of devotion, which is like a beautiful, blooming vine, by the mercy of Guru and Krishna.

Chorus:
Nitya amara sri guru, ei krpa magi ami
Yugala-charana prema prakashite smarana kori

Oh my eternal spiritual master, I beg this mercy! May I be in constant remembrance of the dawning of love for the Divine Couple’s lotus feet.

2) Nama-guna-lila-bhakta, kirtane jagata bhuli
Tomara charana paite – ei krpa magi sada

Singing Their names, glories, pastimes, and glorifying Their devotees, may I forget this world. I beg the mercy of attaining your feet.

3) braja-kunje basi, shravana-kirtana, maha-mantra preme gai
Tomara krpaya, bhakti-lata-bija, praphullita habe tai

I pray to sit in the groves of Braja, hearing and chanting, singing the Mahamantra in great love. By your mercy, the seed of the bhakti-lata will then sprout.

4) Kapata matsarya, kama-krodha-lobha, ahankari bhakta
Nama-sankirtane, chindiya chadibo, ei saba mayara shakha

Hypocrisy, envy, lust, anger, greed, and the false devotee ego – by Nama-sankirtana may I sever and discard all these weeds of maya.

5) Vrndavane tada, radha-damodara-priya, saundarya-prakashe tara
Kataksa-darshana-paiya, hrdaya sarvanande, bhasi amara

Then, in Vrndavana, in the glow of beloved Radha-Damodara’s beauty, I will catch that wistful glance, and my heart will be consumed with all joy.

6) nitya amara sri guru, tumi sata shuddha-bhakta
Kripamayi dite sabe, radhara guhya krsna seva

O my spiritual master, you are truly a pure devotee! Mercifully, you gave us the secrets of Radha’s service to Krishna.

7) shridhama navadvipe, pibo bhakti-mata-vanya
Avidya ahankara chadi gaibo, tumi hrt-mandire sada

In Shridama Navadvipa, may I drink of the flood of devotion. Giving up arrogance and ignorance, I will sing of your place in my heart forever.  



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Sincerity and the Holy Name - HG Bhuta Bhavana Prabhu | PS House Programme

Song Name: Nitai Pada Kamala
Official Name: Nityananda Nistha Song 1; Mana Siksa
Author: Narottama Dasa Thakura
Book Name: Prarthana
Language: Bengali
 
LYRICS:
(1)
nitāi-pada-kamala, koṭi-candra-suśītala
je chāyāy jagata jurāy
heno nitāi bine bhāi, rādhā-kṛṣṇa pāite nāi
dṛḍha kori' dharo nitāir pāy
 
(2)
se sambandha nāhi jā'r, bṛthā janma gelo tā'r
sei paśu boro durācār
nitāi nā bolilo mukhe, majilo saḿsāra-sukhe
vidyā-kule ki koribe tār
 
(3)
ahańkāre matta hoiyā, nitāi-pada pāsariyā
asatyere satya kori māni
nitāiyer koruṇā habe, braje rādhā-kṛṣṇa pābe
dharo nitāi-caraṇa du'khāni
 
(4)
nitāiyer caraṇa satya, tāhāra sevaka nitya
nitāi-pada sadā koro āśa
narottama boro dukhī, nitāi more koro sukhī
rākho rāńgā-caraṇera pāśa
 
TRANSLATION
1) The lotus feet of Lord Nityananda are a shelter where one will get the soothing moonlight not only of one, but of millions of moons. If the world wants to have real peace, it should take shelter of Lord Nityananda. Unless one takes shelter under the shade of the lotus feet of Lord Nityananda, it will be very difficult for him to approach Radha-Krsna. If one actually wants to enter into the dancing party of Radha-Krsna, he must firmly catch hold of the lotus feet of Lord Nityananda.
 
2) Anyone who has not established his relationship with Nityananda Prabhu is understood to have spoiled his valuable human birth. Such a human being is actually an uncontrollable animal. Because he never uttered the holy name of Nityananda, he has become merged into so-called material happiness. What can his useless education and family tradition do to help him?
 
3) Being maddened after false prestige and identification with the body, one is thinking, oh, what is Nityananda? What can He do for me? I don't care. The result is that he is accepting something false to be truth. If you actually want to approach the association of Radha-Krsna, you must first achieve the mercy of Lord Nityananda. When He is merciful toward you, then you will be able to approach Radha-Krsna. Therefore you should firmly grasp the lotus feet of Lord Nityananda.
 
4) The lotus feet of Nityananda are not illusion; they are a fact. One who engages in the transcendental loving service of Nityananda is also transcendental. Always try to catch the lotus feet of Lord Nityananda. This Narottama dasa is very unhappy, therefore I am praying to Lord Nityananda to make me happy. My dear Lord, please keep me close to Your lotus feet.

Ten Million Moons (Nitai Pada Kamala) by Sri Gauravani

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Hindi Bhajans                 

Kishori Mohan Das, Radha Nama Parama Sukhadai

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God (A Commentary)

"An amazing supporting cast & some of the deepest vocal, chant-oriented music in a long time."
--- Backroads

"Great work!!!!! I understand our similar musical schizophrenia... Awesome. Killer production. Great singing. Great songs."
--- Jai Uttal

Brink is a cinematic exegesis of sophisticated pop melodies and traditional Eastern music that achieves a striking level of emotional and spiritual intimacy. Ingenious arrangements incorporate a fluid mix of East Indian and Western instruments in a sequence of elegant aural rainbows. Dave Stringer's voice conveys a sense of grandeur as it plays across maturely constructed arrangements with mantras and lyrics in Sanskrit, Hindi, Farsi, English and purely improvised emotional language.

Country and and bluegrass instruments like mandolin, pedal steel and acoustic guitar are embellished with all manner of East Indian instruments such as harmonium, tamboura, santoor and swaramandala. The soul stirring "Shivo'ham, Shivo'ham" is an intense awakening that starts out in haunting solemnity and is gradually transformed into a jazz-inflected and eastern-tinged celebration. The album moves seamlessly into "Sleep" evoking mystery, imagination and spirituality with its quiet beauty.

Songs like the tabla-driven "Checking the Arithmetic" are flavored with pop melodies and sound like Stephen Fearing vacationed in Rishikesh, took up transcendental meditation and brought back a band of Indian musicians. The soaring harmonies of the Appalachian anthem "The Carbon Cycle" simultaneously invoke both wonder and pain.

Compelling in its understatement, "The Satellite Sky" is a lush balled of love and longing delivered with disarming intensity. Time seems to stop in "Ganashyama", a haunting vocal duet with Azam Ali, accented with sarangi, trumpet and piano. Brink lacks pretense and feels natural, appealing to Indian fusion music enthusiasts and West meets East spiritual pilgrims alike.

Brink is an elegant and philosophical work that seamlessly blends elements of Americana with influences from World folk traditions and Jazz, producing a new genre that might be called Country and Eastern. Dave Stringer, a well-known Mantra and Kirtan artist, explores his themes of spiritual inquiry and quandary with a well-travelled eye, and tightly woven, lyric driven songs similar to something Bruce Cockburn or Joni Mitchell might write,. The result is an album as much for the world music community as western Yoga practitioners.

Ganashyama

Park Wan Kyu - Wind Breeze [Empress Ki OST Part.5]

Download soundtrack
https://www38.zippyshare.com/v/Rkw4Zqoj/file.html

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