geil, da bin ich dankbar deinen NAMEN zu tragen <3

Mystic Voices / Butoh

Butoh

Out Now! https://wearethebrave.lnk.to/EmperiaEPLW

We Are The Brave celebrate their 88th release with a stunning four track EP from Montpelier based producer Paul Roux.

Creating a stunning fusion of live instrumentation and electronic craftsmanship, Roux uses analogue textures and industrial percussion to create cinematic soundscapes with driving energy.

"Emperia" brings the energy with rave inspired synths and a computerised vocal that together create a dystopian vibe driven by a pounding kick drum. "Loveland" has a fast-paced groove and explosive percussion that combine with poignant synth chords for an epic ending.

"Cosmic Blues" and "Craft Control" are best described as sunset techno due to their combination of melancholic atmosphere underpinned by rolling percussion to create a compelling dance floor experience.
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Paul Roux - Emperia

Reminder


Since starting Plus 8 Records at the turn of the ‘90s, Richie Hawtin has shaped not just the sound of electronic music, but also the culture and industry around it, like few others. He developed the tool that went on to change the art of DJing (Final Scratch), established a seminal club night in Ibiza (ENTER.), built a veritable techno empire (M_nus), and most importantly, released some of the most memorable music in techno history. Now the latter doesn’t happen all too often these days, so we’re even more excited to present a brand new recording under a new alias, 80XX. ‘Crawlr’ is one of four 80XX tracks recorded in Berlin this year to coincide with the release of Hawtin’s new album, From My Mind To Yours – a raw banger that channels the energy of the early ‘90s while demonstrating how this Red Bull Music 

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80XX - CRAWLR

Richie Hawtin: Minus/Orange (1) (1999) MINUSORGANGE

out on BPitch Control
get it here: http://www.beatport.com/track/go-marcel-dettmann-remix/404188

Ellen Allien - Go  (Marcel Dettmann Remix)

08.  Phil Kieran - I Love You (Adam Beyer & Lenk Remix)   06-32 192

Gary Beck | Before The Crash
Soma344D
Release date : 20.08.2012
 
1.	Before The Crash
2.	Hopkin

The build up to Gary Beck's debut album on Soma starts here with the first single, 'Before The Crash'. Gary turns out in true fashion with two massive tracks which highlight, without a doubt, his status as one of the top producers around at the moment.
Title track 'Before The Crash' filters in slowly revealing chunky house style drums peppered with a distinctive horn and completed with Garys well defined production skills. The track flows and swells perfectly with ride cymbals splashing in and out giving it power and momentum.
B side 'Hopkin' demonstrates Garys unique ability at creating music specifically designed for peak time club action. This hard hitting percussive track build with hard edged drum patterns that rattle away as a stuttered vocal sample drops in and out. A dynamic track that will no doubt cause dance floors to erupt worldwide.

Gary Beck - Before The Crash (Soma 344d)

LF RMX 024

A - Humano - Death (Len Faki Hardspace Mix)
B - Inigo Kennedy - NGC6826 Blinking Eye (Len Faki Hardspace Mix)

For this latest entry into the LFRMX-catalogue Len Faki has chosen two synth-driven tracks of anthemic proportions. Reeko, also known as Architectural, with only one release under his Humano-guise, gets picked for its dramatic strings and larger-than-life stabs, slowly building towards a driving momentum, taking on the peak time with style.
The flip sports mainstay Inigo Kennedy, whose original track built heavily on atmospheric IDM-breakbeats, but works just as well with a straight corset issued by Faki, now highlighting the poetic synth work at its core even more.

Bandcamp: bit.ly/LFRMX_024
www.straßenkinder-ev.de
www.lfrmx.com

LF RMX 024

Bandcamp

Humano - Death (Len Faki Hardspace Mix)

MICHAEL KLEIN - MEDUSA EP - CORDIG038

Michael Klein makes a big impact once again on Cocoon recordings as this runaway train of an EP careers towards a sound system near you. But there’s more to these lessons in slamming techno than first meets the eye. The entire release is awesome in both scope and execution, with a level of sonic precision and controlled aggression that will dominate any dancefloor.

The riotous first cut Medusa jumps straight in with a cascading rush of energy. Searing synths, percolating acid and pounding beats jostle for position like the writhing knot of snakes referenced in the title. My Castle employs a glitchy, filtered intro that makes for a perfect mixing tool. The air is suddenly sucked out as thumping, subsonic 909s and scratchy textures melt the synapses, bringing on a rush of enormous proportions. Klein explores every variant to its logical conclusion, making sure there’s no doubt about who’s king of this castle.

Their Kingdom is an exercise in stuttering, looping techno for the purists. Clean and heavy definitely wins the race here as we’re enveloped in a cavernous breakdown and darkness falls.
Noises rounds things off in a melee of squawking mechanical bleeps and lethal, metallic percussion. A distant melody dares to enter the fray and like the legions of dancers transfixed by Klein‘s vision, it must surrender to the intensity or be swept aside.

Medusa EP

MICHAEL KLEIN - MEDUSA EP - CORDIG038

Bodies in Pawn is a compilation constructed from a foundational sample set created by Detroit producerLen Bartush aka Mutate. Featuring original versions crafted by Mutate himself, as well as by Project 313, Audio Injection, Luis Flores, and Joel Morgan.

Bodies in Pawn represents another critically functional techno release sure to find its way into the record crates of DJs from LA to Berlin.The Luis Flores version exemplifies a masterful techno workout driven by thick layers of shakers and hi­hats, paired with energetic glitched percussive hits.

Luis Flores - Null

Cocoon Recordings has been founded in the year 2000 as a part of the Cocoon Music Event GmbH. Sven Väth has initiated Cocoon Recordings in order to complete the Cocoon platform as a supporting tool for young artists in Electronic Music. The label philosophy is as simple as demanding: helping young producers and DJs to release their music without depending on Major Label structures. The releases can mainly be assigned to the genres Techno and House.

Cocoon Recordings as a label and Sven Väth as an artist stand for the use of vinyl as sound carrier, also in the future. Admittedly, the Digital Division of Cocoon Recordings has also been set up in 2008 and the numbers of downloads are indeed enjoyable. However, the label's focus is on vinyl, now and in the future. In order to complete the range of services that Cocoon Recordings offers, the publishing company Cocoon Publishing was founded in 2010.

MICHAEL KLEIN - MEDUSA EP - CORDIG038

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