There will always be a bass drum making people dance, but it will rarely sound the same. Techno and House are in continuous flux. There will always be people celebrating. And each year new kids join the scene, hungry for pleasure, for beauty, for ecstasy – for life. Over the last few years, Ibiza has established itself as one of the centres of advanced electronic music. A key figure in Ibiza's electronic awakening is Sven Väth. He and the Mediterranean island have come a long way. As a youth, he experienced the flamboyant nightlife on the island, having been introduced to dimensions of pleasure that were not imaginable in his hometown of Frankfurt. In 1999, Väth decided to return some of the energy and inspiration he had received from the rocky island with the unique atmosphere. Focusing on quality music, Väth established a new type of party experience by summoning a tribe of passionate musicians and activists, and in 2012, Cocoon's Ibiza adventure was created for the 13th time. Being the master of ceremony, Väth invites a unique mix of long-time companions and upcoming talent. As a DJ, he is scanning through the unmanageable amount of new music with somnambulistic security, having excavated aural treasures and shaping the ideal environment to release their full potential. 

The 13th Season opens with Thomas Hoffding's auspicious voice, subtly arranged by Terranova and reworked by Adam Port. Young producer wAFF's grooves are more stable and demanding, the erotic female vocal luring us even deeper into the Cocoon, establishing the emotional density of classic New York House. Nobody manages to unleash the forces of the bass so wholeheartedly like Berlin's WK7, pushing the set into a more technoid direction. The turmoil that will take place on the dancefloor is anticipated by Margot's meandering acid track. The Tuff City Kids are pushing even further with striking, demanding chords. Octave One's unique, soulful grooves highlight the unrestrained force of the synthesizers. Ben Sims' slick groove is subduing the excitement, with enigmatic bleeps hovering over the dancefloor like an acoustic sculpture. Sam Paganini is moving even further in this direction, startling the dancers with sound from another galaxy. The obvious thing to do is now to push the crowd over the edge with a huge breakdown. But this is not what Väth does. By merging tracks from Sawlin, P.A.S. and Exercise One, he composes a powerful sequence: highly climactic and absolutely collected at the same time, it reaches beyond the vocabulary of peak time Techno. Dissolving into a tribal groove by Silent Servant and poetic sounds of Ray Kajioka, the first set is coming to its end. 

The second CD starts off at an entirely different note. A sweet House sound is established by Makam. It's innocent, yet full of suggestion. The crowd is captured by the allure and grace of Dixon's edit of Romanthony's classical anthem, “The Wanderer”, and with &ME's vexing alien sounds, the ideal counterpoint is created. Julien Bracht is challenging the dancers with broken beats and seducing them with a longing vocal at the same time. The simplicity of Alejandro Mosso's mesmerizing melody finally disarms the crowd. Lawrence's intangible electronic sounds are pouring down on the dancers like rain in the midst of summer. Romanian Cocoon Hero Rhadoo is applying the brakes to the dancefloor's movement and controversially creates an irresistible motion. Unlike very few artists, Frankfurt's Roman Flügel manages to challenge the language of dance music. He merges the history and the future of House music in the most humorous way possible. Moving away from that playful sound, British electronic music maverick Four Tet strikes a rather demanding note. The heavy, bassy chords of Four Tet's turn into Uner's multi-layered diaphanous House sound, bursting with sun and light. Gathaspar is unifying the diverging energies with a pervasive soundscape. And Soy Mustafa and John Tejada have the final word: the dancefloor is taken away by their otherworldly serenity. In the end, the music is only a part of the adventure. Sven Väth creates a unique relationship with his crowd, leading us through experience like no one else.


Planetary Assault Systems – Black Tea

Cocoon Recordings has been founded in the year 2000 as a part of the Cocoon Music Event GmbH. Sven Väth has initiated Cocoon Recordings in order to complete the Cocoon platform as a supporting tool for young artists in Electronic Music. The label philosophy is as simple as demanding: helping young producers and DJs to release their music without depending on Major Label structures. The releases can mainly be assigned to the genres Techno and House.

Cocoon Recordings as a label and Sven Väth as an artist stand for the use of vinyl as sound carrier, also in the future. Admittedly, the Digital Division of Cocoon Recordings has also been set up in 2008 and the numbers of downloads are indeed enjoyable. However, the label's focus is on vinyl, now and in the future. In order to complete the range of services that Cocoon Recordings offers, the publishing company Cocoon Publishing was founded in 2010.

Planetary Assault Systems – Black Tea

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