Listen to "Lejos De La Gente" by Satira taken from VA "VISCERAL IS GOING CRAZY IN THE FUCKING WORLD" out on October 25th via Visceral

Pre-order: https://visceralrecords.bandcamp.com/album/visceral-is-going-crazy-in-the-fucking-world-2

"Visceral is a Buenos Aires based label that brings together tracks from the deepest corners of the world. Latin America is our home and this is where our sound comes from. 
Each sound creates a fragmented, noisy, digital world. 
There are broken loops, pixelated glows, hybrid textures, and raw energy.
Visceral appears in what escapes, connects, mixes, and intertwines. It inhabits a non-place, a dysphoria, an excess.
Throughout this compilation, you can hear different soundscapes where intensity gives way to a vital pulse, but at times there is also darkness, trash, and noise: that unrepresented place, reached only by the strangest creatures on this planet."

Links:
Visceral
https://soundcloud.com/visceral-sello
https://visceralrecords.bandcamp.com
https://www.instagram.com/visceral______visceral
Satira
https://soundcloud.com/satiralacastrada
https://satira.bandcamp.com
https://www.instagram.com/satira_la_castrada
Artwork: zqviel
https://www.instagram.com/zqviel
Mastering: CHLO beats
https://www.instagram.com/chlobeats

VISCERAL IS GOING CRAZY IN THE FUCKING WORLD

pre-order / bandcamp

Satira - Lejos De La Gente (Visceral)

ONE NIGHT OF THE YEAR WE RISE FROM THE GRAVE TO RAISE HELL ON YOUR LOCAL DJ'S THUMBDRIVE!!! WELCOME THE SPIRITS OF THE DEAD, GRIND THEIR BONES INTO POWDER AND SNIFF IT, WORSHIP THE DEVIL INSIDE YOU!!!!!

FREE DOWNLOAD >>>> https://hypeddit.com/320rip/darkritual

FREE DOWNLOAD

Farsight x Ca$h Bandicoot - THROWIN IT

Digital & Vinyl: https://djobeka-music.bandcamp.com/album/a-world-no-more
https://soundcloud.com/djobeka

The rhythmic dynamics and emotive attitudes of A World No More captures the density of soundsystem culture in Obeka’s ancestral roots. YUKU presents the Bermudians debut album capturing a Neo-Colonial dystopia, protest and Afro-Futurism hyperextended through decaying sonic structures of a dark past and its grievances which very much exist today.

Growing into adulthood within the walls of British and European Colonial systems meant the disconnection and lostness in a new country hid me from the world at a young age. Unlike London’s vast and culturally engaging migrant communities, the industrial milling town of Stockport introduced a coldness towards people from other countries I experienced in my first year after relocating from Bermuda. I couldn’t understand why. Whether cold words thrown towards me or actions upon other people who look like me, it has shown to be a dooming societal virus with no cure. The most comfort was found through what was familiar - drums and rhythmic spirituality of my homeland. It was a safe-haven, a place to empty the anger and confusion. It’s been 15 years since relocating and as my sound evolved, it seems classism, racism, oppression and civil control of ethnic peoples has become worse - even now more legalised and normalised. Ogun (a powerful Yoruba deity associated with anger, justice and war) acts as the opening sequence of the record and its symbolism. Using distorted bass frequencies and dissected Regga-Dub immersed in live-sampled ghostly voices of the lost ones. This sonic exercising is also applied in Drillaman - a stampede of industrial framework and metallic instruments wielded over moody Dancehall MC’ing, magnifying two parallel worlds in cocooned evolution. The resurrection of Transatlantic African cultures and identity have never been silenced, rather carried elsewhere through trade routes of enslavement, which was pivotal when composing and completing the album upon returning home to the Caribbean for the first time ever. After reconnecting with my heritage my blurred vision of what's wrong in the world became so clear. Guidance in empty plains seek truth throughout the pain - A statement of finding oneself expressed on the poetic closing track A World No More.

On Fawohodie (A West African Adinkra symbol that represents independence, freedom, and emancipation stamped on the album cover) the motive and atmosphere begins to change. Afro-Caribbean idealism which refers to the philosophical concept that emphasizes the interconnectedness of individuals and the importance of community, often contrasting with Western individualism, begins to take shape in a new universe. We can co-exist. The track framework uses machine-led software forming frequencies we have no control over, then manipulated through decomposing soundscapes, scattered hand-drums and human-made weapons of control - exposing the hidden disparity that’s been carried over generations whilst balancing hopeful and musical foundations towards equality and peace. On Pressure and Kuduro! the writing direction attempts to wake people up. Not settling for a composed approach like in past projects, quite the opposite. A call for native sonic awareness, dismantled vocals of protests, eroded percussion using chains, gears and motorised harmonies sculpted in challenging abstract behaviors far outside my comfort zone. A direct abrasiveness and weight I want people to feel, whilst finding hope and solace through enchanting choirs and hypnotic basslines in complete synchrony.

“Purity in sound manifests when you least expect it. The smallest memory or feeling grows from a seed into a sonic language that you, and only you can interpret and release back into the world.”

Get Me

11. Obeka - A World No More [YUKU]

K1RA - Grow Apart (Entrañas rmx)

Benny Page & Deekline Present: Welcome To The Jungle

Destroy The Image

bandcamp

PREMIERE: JEWELSSEA - MEGAVOX [DALF]

Listen to "Bust It" by Assassin Bug taken from "Love is so Sweet" out on December 17th via Kulture Lab

Pre-order: https://kulturelab.bandcamp.com/album/love-is-so-sweet

"Five years since our first release.... WILD. It still feels surreal & we’re endlessly grateful for everyone who has supported, listened, or trusted us with their music. You’ve all shaped this label more than you know.

To mark the milestone we’re releasing Love is so Sweet, a new four-track EP from Irish producer Assassin Bug. It carries her signature blend of 160+ energy & pays homage to the great producers and dancers of the Chicago footwork scene."

Links:
Assassin Bug
@assassin-bug
https://www.instagram.com/animalparty_assassinbug
Kulture Lab
https://soundcloud.com/kulture-lab-radio
www.instagram.com/kulture_lab
https://kulturelab.bandcamp.com

Assassin Bug - Bust It (Kulture Lab)

Rythme Brisé launches its label with its first release, a compilation of edits made and designed for clubs: ‘Legal’ Bootlegs [USB-001]

After two years of playing their edits in clubs, on the radio and at festivals, the founders of the collective, Abik, DR? VITESSE and Dan Attias, are opening up their USB sticks and putting out a call for producers with the aim of bringing the bass scene together around the practice of club edits.


Rythme Brisé is a collective, label and party promoter from Paris. Led by three djs and producers, Abik, Dan Attias and DR? VITESSE, Rythme Brisé aims at creating spaces of exchange around break and bass cultures from all around the world.

Pura Pura — Rhode House (Baltimore Club Edit)

If free DL isn't working or you'd prefer to buy:

https://codenamecodename.bandcamp.com/album/message-from-the-angels-in-ur-arms

FREE

Message From the Angels

'In This City' centres on the brutal reality of Jamaica's inner-city life.
From the youth dragged into violence, police pressure, & a system that spins them in circles, and the harsh truth that many will never live to reach thirty.

Blackout JA's storytelling paints a deeply vivid and detailed, vocally cinematic experience that immerses you in the story's content. At the same time, his gritty, emotional, and solemn delivery truly takes you on a journey through the winding streets & dark underbelly of Kingston, Jamaica.

All this presented over a heavyweight Junglist re-imagining of the classic Doctors Darling (Night Nurse) riddim from Frisk & Solstice!


Message From the Angels

codename

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