Classical Essentials

A recording of J.S. Bach's 'Preludie in C' played by Neil Balfour.

When J.S. Bach began working on his epic Well-Tempered Clavier in 1722, chances are he wasn't thinking that it would become one of the defining musical texts in keyboard history. But, somehow, it has - and the Prelude No. 1 in C Major is where it all starts.

The Well-Tempered Clavier (there are two volumes of it, each containing a prelude and a fugue in each musical key) kicks off in C Major, the most 'natural' musical key, so he obviously made sure that the first entry is a good one. Few pieces of keyboard music sound so delicate and fragile, but there's a very Bach-ian stability to it as well. 

It's a strikingly simple piece to begin with, gently phasing through different chords and registers, but it's one of those pieces that demands to be tinkered with. Consequently, you'll hear plenty of different interpretations of this much-loved work.

Prelude No. 1 In C Major | Bach

Frédéric Chopin /Waltz in A minor

My take on Chopin's saddest little prelude.  Two and a half minutes of ache.


Chopin Prelude No. 4 In E Minor, Op. 28

This seldom heard work by Claude Debussy is from my new CD album:
 'Debussy-Nature Myth Legend'

YouTube link:
http://youtu.be/fX1fqb3bJLA


Debussy-Nature Myth Legend

Nocturne, L. 82

'Nocturne' by Claude Debussy

This track is from Seunghee Lee's most popular album "Hidden Treasures"! 
"CD of the Week" at KDFC, San Francisco Classical Radio
"CD of the Week" at Fine Music Radio, Cape Town, South Africa
"Album of the Week" at WSCL, Maryland 
#2 on Top 10 Classical Charts/Hong Kong Records!

NOW AVAILABLE~ Sheet Music plus CD included for purchase: www.amazon.com/dp/9881373808

PDF Download: https://www.seungheeclarinet.com/product-page/brahms-poco-allegretto-from-symphony-no-3-arr-lee

Seunghee Lee, Clarinet
Evan Solomon, Piano

Instagram: https://www.instagram.com/sunny_clarinet/
Facebook Page: https://www.facebook.com/SunnyClarinet
Facebook Personal: https://www.facebook.com/seungheeclarinet
Contact: https://www.seungheeclarinet.com

© 2020 Seunghee Lee-Musica Solis

Hidden Treasures

Symphony No. 3 in F, Op. 90: III. Poco Allegretto

Sheet Music

Brahms: Poco Allegretto (arr. Lee) from Symphony No. 3 in F, Op.90

Chopin - Nocturne Op.9 No.1 in B-Flat Minor (Arthur Rubinstein)

A cello quartet arrangement of the second movement from J S Bach's Orchestral Suite No. 3 in D major, BWV 1068.
Cello arranged and performed by Deryn Cullen
Mix and mastering by @dan-cullen

J S Bach - Air on the G - String

Released 4th May - Preorder 'Live in Riga' http://thomasgould.bandcamp.com/

THOMAS GOULD Live in Riga
Sinfonietta Riga

1-3 VIOLIN CONCERTO IN D, OP. 61 - LUDWIG VAN BEETHOVEN 
I. Allegro ma non troppo 
II. Larghetto 
III. Rondo (Allegro)

4 THE LARK ASCENDING - RALPH VAUGHAN WILLIAMS

‘Violinist Thomas Gould is one of a new generation of classical musicians who refuses to be defined by a single genre’. GUARDIAN

‘One of the most talented and charismatic British violinists of the younger generation’. LONDON EVENING STANDARD

‘The young British violinist Thomas Gould seems intent on becoming the Nigel Kennedy of his generation… Scythingly scintillating playing from a young virtuoso with a magpie mind’. THE TIMES

‘Live in Riga’ is the major new album from the celebrated 31 year old British violinist Thomas Gould.  Recorded live in concert with Sinfonietta Riga on April 11th 2014 at the Great Guild Hall in Riga, Latvia, it confirms Gould’s enormous potential as one of the most inventive and colourful instrumentalists of his generation.  Gould is no ordinary classical musician but one of a new generation who refuse to be defined by a single genre.  He has developed impressive jazz credentials, but it is in this environment as soloist/director of classical repertoire where he really excels.  The Times recently described Gould as “intent on becoming the Nigel Kennedy of his generation”.  Gould, however, is incomparably his own musician.  Bold and courageous enough to forge his own path and follow his singular vision, he steps outside the footsteps of the greats.

‘Live in Riga’ is a defining album for Gould, his first disc of a three-album deal with forward-thinking British jazz and classical record label Edition Classics.  Over the last decade he has been in demand as a soloist with major orchestras worldwide, including the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hallé Orchestra and LA Phil New Music Group.  He is also much in demand as a leader/director, working with Britten Sinfonia, Aurora Orchestra, Mahler Chamber Orchestra and the Australian Chamber Orchestra’s ACO2, but it’s when he brings these disciplines together that the magic happens.  As Gould explains, “It means that everyone plays in a more engaged way. There is a group commitment to making it work, so the process is much more collaborative than when working with conductor.”

Sinfonietta Riga is an orchestra with a story to tell.  Formed in 2006, their vision is as bold as Gould’s.  Equally happy to play in concert dress or T-shirts they are intent on building new audiences for the music while reaching for the highest artistic standards.  Their collaboration is a perfect match and a unique experience for both the orchestra and for Gould.  This live concert recording bears witness to this special musical symbiosis.

To release an album featuring Beethoven’s Violin Concerto and Vaughan Williams’s The Lark Ascending is a bold decision.  As two cornerstones of the violin repertoire, there are plenty of performances to compare, but Gould’s versions demonstrate a brilliance of tone and colour that demands attention.  His flexibility and breadth of musical interests is fully evident.  Gould’s playing has the clarity you would expect from any major performer but radiates a freedom in its expression as though improvised with an immediate elegance and poise.

For Gould it’s all about achieving the right balance.  Whether it’s jazz or classical, written or improvised, as soloist or director, Gould is right in the eye of the storm.  If the dark clouds gathering in the wider music world imply that the days of the single-minded virtuoso are coming to an end; if to succeed in that brave new world we need to attract more diversity and brighter colours, then in Thomas Gould we may have found the lightning conductor to spark a new generation.


THOMAS GOULD Vaughan Williams - The Lark Ascending

Etude No. 2 - Philip Glass

Johann Sebastian Bach - Aria Da Capo,  Goldberg Variations, BWV 988 (Fine Classical Music)

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

https://buymeacoffee.com/classical

🍺 Buy me a Beer! 🍺

Audius

Piano Sonata No.15 in F-Major, K. 533: III. Rondo Allegretto

one direction- little things (piano cover)

Ward, Tanisha, "September," Richard Strauss, Vier Letzte Lieder

Markus Gottschlich- piano
https://www.markusgottschlich.com/store/of-places-between-album

Schubert Impromptu Op.90 No.3

A cello sextet arrangement of this hauntingly beautiful piece by Sergei Rachmaninoff. Originally for voice (soprano or tenor) and piano, and published in 1912.

Arranged and performed by Deryn Cullen

Mixed, produced and mastered by Dan Cullen

Chopin - Nocturne Op.9 No.1 in B-Flat Minor (Arthur Rubinstein)

psylice

Recent comments

Beratburakcanli827

User 494044434

Amr Shahwan 2

lame it’s i

Related tracks