I cant find anything for this artist, is Yaw the full name of the band? love itttt

wow who is this artists name please??? i want to buy this album, all of her albums

Smith track.  A remix to this would be great. 

Sunday

BBE Music is thrilled to announce the release of Modern Love, a diverse compendium of specially commissioned cover versions of rarities and classics in tribute to David Bowie.

Featuring an array of artists such as Jeff Parker, We Are KING, Meshell Ndegeocello, Helado Negro, Khruangbin, Matthew Tavares, Nia and more, Modern Love seeks to champion Bowie’s lesser-known connection to soul, R&B, jazz, funk, and gospel. The prominent jazz influences throughout Bowie’s final album, Blackstar, were a key inspiration for curating this collection of reimagined Bowie songs with these artists. The resulting album is an eclectic tribute featuring a group of artists who not only fit together creatively, but who, like Bowie, straddle different worlds musically, with soul and jazz at their core.

Modern Love offers a fresh look at Bowie’s trailblazing career, aiming to highlight the often overlooked relationship between his back catalogue and musical genres traditionally pioneered by artists of color. The project was curated by music executive and DJ Drew McFadden, alongside BBE Music founder Peter Adarkwah. “I felt that the connection between Bowie and R&B, jazz, funk, gospel and all things soulful, had never really been explored before — at least not so much in covers, which tend to lean more towards rock and pop,” says McFadden. “Certainly, there’s been plenty of Bowie covers over the years, but none that have really tapped into what seems to have been a big part of his core musical
style and direction.”

Modern Love is an interactive sonic map. Here, seventeen artists make their way into the varied regions of his sundry catalog and circle back with seventeen unique re-imaginings of both his cornerstone and lesser-known tracks. Some, in atmosphere, feel like a sly alternate take from original sessions (Khruangbin’s ethereal, funk infused version of “Right” from Young Americans); others nod at the source, then wink before diving into the deep waters of another musical stratosphere (Sessa’s sexy Tropicalia-drenched “Panic in Detroit” from Aladdin Sane). Still others take tunes down to the studs and then re-arrange the moody interiors: Meshell Ndegeocello’s pensive “Fantastic Voyage” from Lodger and Tavares’ clever take on “Heroes” which is restructured into a kinetic hardbop-esque backdrop, fronted by ice-cool, held-back vocals. The bullseye these artists aim for is Bowie’s fearlessness. “Fame was an incredible bluff that worked,” he once reflected. “Very flattering. I’ll do anything until I fail. And when I succeed I quit too.”

Modern Love packs us off on a journey that balances on risk’s sharp blade. Track-to-track, it explores what happens when a musician throws out notions of should and safe and stretches beyond the known. These artists use Bowie both as a guide and a prism: A way of being and seeing. Their offerings, widely divergent, explore the inheritance from an artist who freed himself from labels, genres and, consequently, pigeonholes. While he was at it, he decimated fixed notions about territory (or terra) itself; boundaries hemmed-in his creative process, but his essence remained free to roam. He may have vanished in earthly form, yet, as he also promised in the lyrics of “Modern Love,” But I never wave bye-bye . . .” This compilation assures us that his spirit swirls around us. His force is alive to all of us and, here, it is summoned with an incantation that celebrates possibility.

Khruangbin - Right

Andrew Ashong - Special

ARMS - BACKWARDS RECORD

A collection of other people's songs, played and recorded by ARMS.

September 2nd, 2014

Covering other people's songs is a funny undertaking. Everyone has their own barometer for this sort of thing—for one guy, a song might seem completely off-limits, a violent absurdity, while for someone else it hits that little sweet-spot, where it almost seems self-evident as a perfect song to cover. Who knows what guides these preferences? Somewhere between personal taste, a feeling of kinship with the emotions expressed, a sense of identification with a given songwriter's craft... 

Either way, the songs on Backwards Record all felt just right to me, tapping into this magical continuum of songwriting that vibrates in my echo chamber at just the right frequency. I recorded these song over the last ten years or so, inspired by in-the-moment feelings—a rediscovery of the (still underrated) songs of They Might Be Giants; a strange and wonderful correspondence with Susan Lane, widow of the Faces' Ronnie Lane; the tragic death of Broadcast's Trish Keenan—and as such their aspirations were just to see what would happen if I recorded them.

Backwards Record is a collection of songs that have made me get all feel-something-y over the years and I hope that my appreciation comes across in this humble mess of internet doodaddery. Enjoy it with my compliments.

- tg

Ooh La La (The Faces)

Yaw - Where Will You Be

The Best Of The 70's (seventies)

Lovely Day

Bang: The Bert Berns Story (Original Motion Picture Soundtrack)

Baby, Please Don't Go (feat. Van Morrison)

Melbourne nine-piece exploratory soul collective @thirtyseventy create an an aural bloom of Fender Rhodes, soft horns, fluttering melodies and counter-counter-harmonies. Out now via their Bandcamp.

Read more & buy: http://www.stampthewax.com/2016/05/09/premiere-3070-collective-the-strut/
Listen on Youtube: http://bit.ly/3070collective-strut

Official Video

30/70 Collective - The Strut (STW Premiere)

04 Yaw - Where Would You Be

De La Soul - Drawn Ft. Little Dragon

Album number three, conceived in three different studios around the world, by the three-headed love monster which is Buttering Trio.

Our third and new album is the reflection of the sobering evolvement of ourselves. We approached the making of the album with clarity and intention, working on a regular basis with a very specific vision, a vision of an album that ultimately combines the beauty of studio-beat-making and organic songwriting. Unlike our previous albums, that were more on the range of spontaneous intuitive combustions, this album is a matured love child of an ever-awaking threesome of parents. ‘Threesome’ is an album that moves the soul, bounces the body and looks in the eyes.

The album was created in 3 different studios around the world - Trixx Studios in Berlin, Fossil Studios in London and Firehouse Studios in Tel Aviv. All the sessions were driven by an uncompromising sound approach, yet always with the natural twist of noise. The creative process was in liquid form - it could be an intuitive beat making upon which harmonies and lyrics are laid, or it could begin with a well processed harmony to which a rhythm is matched.The song making was always potent with playfulness but the big picture was solid. 

Influenced, as always, by round-the-galaxy rhythms and ideas, from indian ragas thru tribal music to archetypical melodies with a drop of dub, this is definitely a new kind of genre. Or no kind at all. This style represents our music and comes to a perfect extraction in this album. Each song stands for itself as an individual, tells a single complete story, still contributing to the harmony of the whole. The special kind of tension between the single song and the whole musical vision is one that we play with, in our live concerts and in this new album specifically. 

The album owes its’ existence to the uniquely changing relationship between the three of us. A relationship that manifests through communication that allows space and mystery, and is based on the common primal acceptance that nothing stays the same.

Some ultra talented friends helped to make this album - Asaf Shay, Piloni, Yogev Glusman, Yonatan Albalak, Tomer Bar, Raz Olsher and Avi Tuchman.

Buttering Trio - Love In Music

Mama's Gun

Bag Lady

from the new EP 'Antiphon'  - https://alfamist.bandcamp.com 
Alfa Mist - Keys
Rudi Creswick - Bass
Jamie Houghton - Drums
Maria Medvedeva - Sax
Johnny Woodham - Trumpet
Jamie Leeming - Guitar

Antiphon

Keep On

Live As It Gets

Papa Was A Rolling Stone

Official Video: https://www.youtube.com/watch?v=2ScpnUpCsM4

'Pineapple' (Feat. @moses-boyd & @nerijamusic) taken from Blue Lab Beats' debut album 'Xover'.

Pre-order the album/stream the single here: https://BlueLabBeats.lnk.to/Xover

'Pineapple' is an interpolation of the song Yembele by Samba Mapangala.

Follow Blue Lab Beats:
www.bluelabbeats.com
www.facebook.com/BlueLabBeats
www.twitter.com/bluelabbeats
www.instagram.com/bluelab_beats

Pineapple (Feat. Moses Boyd & NÉRIJA)

Stranger Than Fiction

‘New Ferrari’ is the first single to be taken from Surprise Chef’s forthcoming album, ‘Daylight Savings’. The album is released on October 16th and is up for pre-order / pre-save now. Choose from black vinyl, Indie Edition creamy white coloured vinyl, CD, digital, and special vinyl presses courtesy of our friends at HHV Records and DINKED.

Yaw - Where Will You Be

Codino

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