@lasswell: Thank you! Really glad you liked. This was a nice way to get back to basics and just play piano for a bit.

Ay its cool i sample thisssss??? Too hard

@masayaozaki: That's incredibly nice of you. I've always liked his "1996" album. Thanks again for letting me do this. It was a real treat.

@westernskiesmotel: Then swim right along. :)  This was a really nice change for me. Just play along on the piano without worrying about quantizing or tempo - just improvising along. Glad you liked.

Hi and welcome to the 7th track by "Then She Reaches For The Gun". The ever changing line up has some new members this time around as we tackle Lewis Carroll’s famous nonsense poem The Jabberwocky. I haven’t read Carroll since I was a teenager so it was a cool trip down memory lane doing a bit of background research for this piece. Big Thanks to Gary Rees who first sent me an English reading to the work a few months ago. It sat on my desktop for a while as I wondered how tackle the work. After a while it seemed obvious the best (and most fun) approach might be to get some translations recording in other languages… so thats what we did, hope u enjoy 

The Jabberwocky features the following artists


Tuonela - Electronica
Yui Nikaido - Voice (Japanese)
Gary Rees - Voice ( English)
Raul Mainer - Voice (Spanish)
Antonella Eye Porcelluzzi - Voice (French)
Paolo D’Emilio - Voice (Italian)
Frank Wilke - Voice (German)
Hverheij - Guitar
MatVee - Electronica
Widar’s Spiritual Front - Electronica

Me - noise, digital orchestra/piano

More about Then She Reaches For The Gun

The project’s inspiration is two fold: Firstly its a homage to some of the stuff i grew up listening to like Mr. Bungle and other noisy bastards where anything goes, and often in quick fire succession and secondly it” a chance to work with an never ending stream of talented musicians that i have known for years either in real life Australia or via the Internet. Each track will no doubt change depending on who has sent me what. 

If you would like to be part of this ongoing project….

The process is simple, I collect a bunch of random recordings from people and then see what i can arrange from it. Nothing subtle here, just huge noisy fun : ) I am open to anyone that thinks they might like to be part of this mess. Drop me a message and i will send you my email. The only criteria is that i wont be using samples from TV/film/other music etc, so just original stuff played on instruments, field recordings, stupid drunk conversations etc. Cheers!

The Jabberwocky

this started with an instrumental track by Masaya Ozaki (@masayaozaki), submitted as part of the 100th @disquiet challenge (http://soundcloud.com/disquiet/sets/disquiet0100-vaporwave). you can listen to the original here - https://soundcloud.com/masayaozaki/submersion-disquiet-vaporwave

I liked it very much and was inspired to make a few additions. I added a yamaha grand and a light pad. hope you like the result.

mikael

masaya ozaki - submersion (clb piano version)

4th track on my new release 'Planting Flowers After Dark'.

You can find it here:-

https://open.spotify.com/album/2gvbxkbSOgBbD9kXzNCIxS?si=--uNtcAnQaCm6WzwLTzjBQ

And here:- 

https://woodlandtapeexchange.bandcamp.com/album/planting-flowers-after-dark

Have a free code on me :)

j97e-32hs
73wf-chqd
lxjm-wegc
4qg7-h3rx
4rux-5wxq
cxlp-usat
e4pg-e43b
gsf3-3adx
2hdl-h7sp
de4q-veh2
p8s7-g3pc
xf4j-vwey
j5cr-ys2r
97jw-b4wl
nlbc-xmde
lpv4-etw3
e6bq-3bhs
b3x7-cxqd
wdev-w5gc
sj8r-xrrx
sbnw-esxq
sdde-udat
hfn4-b2x7
jwdq-whm5

Bandcamp

Floodlight

Entrückt

Download

Binary Hex

Saphira In Paris

I don't have much to say about this one except that it spoke to me, and I am trying really hard to follow that instinct more than anything else.

2023 project

I brought you here for a reason

Another collage. Several of the clips are from delay pedals used as loopers, layering takes of an Oberheim SEM.

sketch 4.3.2023

6am - 8am

Android 6.06

valid until

I tinker with musical toys. sometimes they behave and sometimes they don't. sometimes they run and tell lies to their mom about what I called them. in the end we always make up and laugh about it.

I release music as colab; through collaborations; and by remixing/producing other artists’ music from my home studio in Toronto, Canada.

if you like what you hear, send me a message and perhaps we'll be able to collaborate on something. assuming I'm not too busy drinking. 

which has been known to happen.

masaya ozaki - submersion (clb piano version)

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