Buy: https://scapeone.bandcamp.com/album/a-certain-interupt
Stream: https://share.amuse.io/TiQp47OoLKE5

A Certain Interupt

Altered Carbon

From the new album Moments of Vertical
Buy: https://scapeone.bandcamp.com/album/moments-of-vertical
Stream: https://share.amuse.io/OQC1u9QAs9v7

Inner Demons

This is a recording of what we believe is a culverted stream below Fallenbrunnen in Friedrichshafen. We noticed this almost as soon as we arrived there, the night before we played at VOD-Festival (19 July 2025), right across the street from Kulturhaus Caserne, the festival venue. The recording was incorporated into the live show, a hidden sound from somewhere almost beneath our feet as we played.

If you know more about the history of this, particularly the name of the stream if it has one, let us know.

Fallenbrunnen

From:
Kessler V & friends - Kosmik Sludge
digital EP/LP, out Monday 11th August 2025
https://misc-works.bandcamp.com/album/kosmik-sludge
https://misc.works
/
vid - https://youtu.be/UgAx8zYOkFk

Datassette - 7 Bass Guitars In 7-4 (Kessler V sludge edit) [MISCWX011]

Jessica Moss • until all are free

Titter

WVLT is the newest sonic addition from https://soundcloud.com/wndfrm (Portland-based, Tim Westcott), an album of eight distinct explorations of micro-rhythmic IDM.

Tim Westcott’s practice is rooted in an acute, nearly forensic attention to sound. Subtle tones, sculpted drones, and lean percussive gestures, always pursued with a patient ear and obsession with sound design. 

With previous releases on Prologue, Home Normal, and Dragon’s Eye Recordings, and several live performances at Mutek, a new album from Tim is a rare yet welcome occurrence. The conceptual approach for WVLT began in 2021, mixing synths with drum machines and granular processing. Lightly arced structures slip between gates of rhythm, shifting pulses, translucent washes, and disquieting residue. There’s a precision to the hesitation and an insistence in the space between notes, a deft balance of raw improvisation and sculpted quietude.

An exercise in immediacy and response, each track builds and unspools, like form in fleeting motion, driven by the moment’s tonal contrasts, micro‑rhythmic interplay, and slight gestures that alter entire planes of listening. It’s minimal without sparsity, intense without density.

Available digitally and on limited transparent dark blue 12”  vinyl on September 26th 2025. Mastered by Taylor Deupree @12k Mastering and featuring artwork by Noah M / Keep Adding.

WNDFRM / WVLT (ASIPV056) [Previews]

Track started Aug 13, 2016, finished Sep 14, 2025.
Photo by Learda Shkurti @ pexels.
------------------
Look at the little king
He found out all he wanted to know
It doesn’t change a thing
No-one is near to cushion the blow

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean, the end of a dream

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean, the end of a dream

We came so far
To meet the raging breakers on the bar
They leave their mark on the sand
But where is the helping hand

We came so far
To meet the raging breakers on the bar
They leave their mark on the sand
But where is the helping hand

Where is the helping hand
 
We must not separate
Over the sea, the crescent is gone
Time to accept our fate
Whether we lost, or whether we won

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean, the end of a dream 

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean

I Found My Tribe

Æther #010 by o[rlawren]
Dronarivm Guest Mixes Series

Our latest simultaneous double release comes from the vaults of Scottish sound artist Tui, aka o[rlawren], who was also kind enough to provide a complimentary mixtape. And not a usual one, but a self-contained work of its own – featuring overlapping layers of tracks and modular synthesizer improvisations performed by Tui in the intermissions.

Explore his beautifully organic electronics in these two albums:

https://dronarivm.bandcamp.com/album/poiesis
https://dronarivm.bandcamp.com/album/the-intimate-overlap

Tracklist:

Bibio - Lynn Peris (0.00 - 04.03)
Oliver Coates - Please Be Normal (02.15 - 05.40)
Ursula Bogner - Pulsation (02.28 - 05.54)
Park Jihah - Faded (03.48 - 05.25)
Oisin Leech - One Hill Further (05.43 - 08.43)
Steve Reich - Tehillim III (08.29 - 10.55)
Ursula Bogner - Testlauf (09.37 - 11.02)
Laurie Spiegel - Appalachian Grove I (10.20 - 17.08)
Big Brave - I Felt A Funeral (13.35 - 16.54)
CH-BB - Mau Mau (16.37 - 17.37)
Big Brave - Vital (17.07 - 19.39)
Peter Gabriel - Lead A Normal Life (19.00 - 23.14)
CH-BB - Nobody Is Perfect (22.20 - 23.40)
Stephan Micus - Midnight Sea (23.17 - 29.25)
Ursula Bogner - Soloresonanzen (30.06)
Soap & Skin - The Mystery Of Love (29.55 - 32.40)
Ursula Bogner - Momentaufnahme (32.14 - 33.33)
Natalia Baylis & Eimer Reidy - Pour Upon The Sky (32.41 - 34.04)
Lucy Sissy Miller - Autopilot (32.43 - 35.10)
Tolerance - Tiez Rekcuz (34.03 - 35.07)
Linda Perhacs - Chimacum Rain (35.09 - 38.28)
Stephan Micus - The Flame (38.14 - 41.51)
Stephan Micus - The Flame - Orla Wren rework (38.34 - 42.32)(44.01 - 44.51)
Ursula Bogner - Für Ulrich (39.26 - 41.20)
Bill Nelson - Portrait Of Jan With Flowers (42.03 - 44.27)
Stars Of The Lid - Requiem For Dying Mothers, Part 1 (44.10 - 50.14))
Mayssa Jallad - Etel (45.51 - 49.27)
Tolerance - Pulse Static (49.07 - 50.57)
Stephan Micus - Nordic Night (49.41 - 52.42)
Stephan Micus - The Veil (51.04 - 52.40)
Julie Byrne - Moonless (52.22 - 56.04)
Arvo Pärt - Pari Intervallo (55.38 - 1.00.00)
Ursula Bogner - Modes (57.14 - 59.07)
Soap & Skin - The End (59.34 - 59.51)

Explore more...

Æther #010 by o[rlawren]

PREMIERE COMME DES LARMES – CDL

PREMIERE CDL || Anna Funk Damage - Triptamina |YES| 2025

Artist » Anna Funk Damage - https://soundcloud.com/afunkdamage

Ep Name »  YES011 - Equilibri

Label » YES - https://soundcloud.com/yesbelgrade

Belgrade, Serbia

Format: Digital Album 

Release date: October, 2025

💲BUY HERE 💲>>> https://yesmeansmaybe.bandcamp.com/album/yes011-anna-funk-damage-equilibri

Say hello to the lord of heavily distorted industrial club sounds and his freaky take on the UK hardcore continuum. Ever been to Livorno?

Mastering:
Goran Simonoski at La Plant Studio

Cover photo:
Giorgia Turco 


Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST

• https://www.instagram.com/_rennst_

#premiere
#cdl
#acid
#world
#leftfield
#techno
#synth
#commedeslarmes
#brokenbeat
#annafunkdamage
#metal
#YES
#yesbelgrade
#footwork
#electronicmusic
#serbia
#industrial
#idm
#steviewhisper
#experimental
#belgrade
#drum
#dancehall
#darkdembow
#breaks
#leftfieldbass

YES011 - Equilibri

PREMIERE CDL || Anna Funk Damage - Triptamina |YES| 2025

💲 BUY 💲

I've been meaning to get back into disquiet again, but meaning and doing are rather different things, so in the meantime I've mostly ... not.

this week's (and last week) really interested me. the instruction was “Add a thin foundational bed to beats of pin-prick audio”.  

I listened through last week's tracks to select one to work with, and landed on "skull pressure" by Detritus Tabu (https://soundcloud.com/detritus-tabu/skull-pressure-disquiet0215-tinyrhythms)
the near-random beat left lots of sonic room to play with.
I added a pad, piano, synth bass and a light beat - and with each of them I reduced EQ and applied effects that would remove sonic depth (bass, mid-range), to try to "thin" them out. I didn't want anything heavy, or that would weigh down the sound.

the end result is close to what I was hoping for.

/ mikael

More on this 216th weekly Disquiet Junto project (“The Assignment: Add a thin foundational bed to beats of pin-prick audio”) at:

http://disquiet.com/0216

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/



thin layers [disquiet0216-thinlayers]

I tinker with musical toys. sometimes they behave and sometimes they don't. sometimes they run and tell lies to their mom about what I called them. in the end we always make up and laugh about it.

I release music as colab; through collaborations; and by remixing/producing other artists’ music from my home studio in Toronto, Canada.

if you like what you hear, send me a message and perhaps we'll be able to collaborate on something. assuming I'm not too busy drinking. 

which has been known to happen.