https://soundcloud.com/sequences is the main musical output by Niels Geybels. Besides creating sound and visual works he also curates the label Audio. Visuals. Atmosphere.
The sonic worlds of Sequences are arranged to blur the listener’s perception of the mundane and the surreal. It’s the result of an almost obsessive hunt for analog and acoustic sounds, some captured and recorded during travels all around the world, while others have been crafted through tape experiments with an array of instruments and tools like modular synthesizers, electric guitar, piano, contact microphones and reel-to-reel recorders.

Q: "What was a crucial sound experience in your life?"
A: "As a child I was always browsing through my parents music collection and looking at the artwork and designs of all those records they collected. Instrumental music (soundtracks, ambient music, etc..) had a great impact on my earliest listening experience since they held such rich imaginary power."

LINKS:
https://audiovisualsatmosphere.bandcamp.com/
https://sequences.bandcamp.com/album/woven-empty
https://www.instagram.com/sqncs/

TRACK/SOUNDLIST:
Sequences - Woven Empty [live] [excerpt]
Untitled Sketch [#1] & Yucatan, México 2022
Vargtimmen [by Ingmar Bergman] & Halo Arc Tones [by Thorsten Soltau]
Sequences - Vargtimmen
Sequences & Joseph Lawrence Clark - I Won’t Remember [unreleased]
Monte Alban at night, México 2023
Untitled Sketch [#2]
Sequences - Zenith, Ascend III [unreleased]
Untitled Sketch [#3] & Tabasco, México 2022
Sequences - Solfatara [unreleased]
Sequences - Elegía

MNEMOSYNE #052 - SEQUENCES

w/ @kuumaah and @markopaunovic as o u t e r r a ~
for Vanishing Standards III, released on @amekcollective

cassette tape & digital at:
https://amekcollective.bandcamp.com/album/vanishing-standards-iii

Mastered by Marius Costache
Artwork by Nikola Kostov

Vanishing Standards III

o u t e r r a - Dislocated

007

https://www.instagram.com/fashiongore/
https://soundcloud.com/fashiongore

Melancholy & Noise 007 w/ Fashiongore (18.01.24)

mlin patz is a solo project of Chillera member, working on dub/experimental direction with field recs and instruments.

For the February show mix contains a recipe of surviving in a loud day without mood

Mlin Patz 04/02/24

One Belt One Rage 一帶一怒 #2 w/ Jahan Xanlü - 09/02/2024

Buy: scapeone.bandcamp.com/album/event-transfer
Stream: share.amuse.io/P1-JqRuOLwnI

Ways To Function

First solo release from vocalist, movement artist and composer Elaine Mitchener, whose work encompasses improvisation, contemporary music theatre and performance art. Solo Throat draws on the work of African-American and African-Caribbean poets Kamau Brathwaite, Aimé Césaire, Una Marson and N. H. Pritchard as source material for twelve new vocal compositions
Elaine Mitchener is a veteran of vocal expression in the global Black Avant Garde, traversing free improvisation, cross-disciplinary music theatre and contemporary composition with clarity and joy. Most recently, Mitchener has been improvising and composing with the written word as source material - challenging classical ensembles with her piece (“the/e so/ou/nd be/t/ween”), and commissioning composers Matana Roberts, Jason Yarde and George Lewis to respond to the work of Sylvia Wynter (“On Being Human as Praxis”, Donaueschinger Musiktage, 2020). Her performance of Umbra poet N.H Pritchard’s text FR/OG at OTO in 2021 was a revelation - a solo vocal recasting of the powerful visual-material form that Pritchard uses to disrupt semantic ‘sense’.

Building on this performance, Solo Throat takes the work of Pritchard alongside poets Edward Kamau Brathwaite, Aimé Césaire and Una Marson as its source material. Its compositions are a loose translation - a carrying from text to voice which holds multiplicity and celebrates the transformative power of literary possibility. Surrendered to the spacing and repetition of consonants and vowels, Michener’s exceptional phonetic freedom gives rise to a sensuous experience which intensifies the roles of rhythm, timbre and breath in expressing meaning.

Solo Throat comes together as much through difference as similarity. Mitchener’s own solo improvisations sit alongside the work of Brathwaite, Césaire, Marson and Pritchard, forming a constellation of unlikely alignments which make no aesthetic conclusion. Instead, Solo Throat is a site of encounter, an irreducibly plural de-composition of words into a heterogeneous assemblage of sounds and impulses, emphasising what Anthony Reed calls, “the play on and the surplus of margins of lyrical translation to resituate other pathways of expression”. Just as the poets cited use white space to complicate our act of reading, so Mitchener utilises silence and multiphonics to complicate the act of voicing and the way we listen.

Solo Throat

ROKU036 - Elaine Mitchener - "stretchedwoundspeaks" from Solo Throat

o2.os + Petra @ Counterbalance (2024.03.31)

BedouinDrone - Gaza 2 غزة

KRZYSZTOF PENDERECKI 'Kosmogonia' CD (CSR238CD)

Unnerving, intense, bloodcurdling, sinister, dramatic - the music of "Kosmogonia" features Penderecki's famous, unorthodox instrumental techniques, and some of the darkest music ever composed.

Hailed by The Guardian as "Poland's greatest living composer", Krzysztof Penderecki is the maestro behind the unforgettable, disturbing music on The Shining (including 'De Natura Sonoris No. 2', featured here). A complex tapestry of sound with striking use of pizzicato and flexatone, with aggressive barrages from brass and percussion, dissonant woodwind chords, spoken and hissing sounds, fervent strings, swirling organ, climactic choral and solo vocals.

Krzysztof Penderecki's unique music has featured in films such as: The Shining, The Exorcist, Children Of Men, The People Under The Stairs, Shutter Island, and many more.

Thanks to the estate of Krzysztof Penderecki, Cold Spring are honoured to present this masterpiece in digital format for the first time since the 1974 vinyl release. Sympathetically remastered for CD by Denis Blackham and Martin Bowes. Digipak.

Barcode: 0641871744947

Pre-Order CD: http://store.coldspring.co.uk/index.php?route=product/product&product_id=6495

....................................................................................

http://www.coldspring.co.uk/discography/csr238cd

Out 17th July 2017

Kosmogonia

Kosmogonia (excerpt)

This is one of 3 tracks that were made solely by using the analogue synthesizer EMS Synthi 100. For each track, there was a single patch and the material was recorded live in one go. Rhythmical synchronization of the material was done by using the Synthi's sequencer. Simple live manipulations included putting a pin or two in and out and switching on and off the mixer channels. Additional panning of each individual channel was done on a computer. These tracks demonstrate the effect of extremely simplified musical material produced by using the not-so-simple sound tool (for the reference, try figuring out and programming a Synthi 100 sequencer:)). Tracks are named by the number of sequencer steps used in that piece. Recorded live at Electronic Studio - Radio Belgrade.

2019

From the album STEPS: https://svetlanamaras.bandcamp.com/album/steps

Svetlana Maraš©All rights reserved
©SOKOJ

Cold Spring is the UK's premier record label / mailorder for: Industrial, Dark Ambient, Esoteric, Japanese Noise, Ritual, Power Electronics, Noise, Drone, Death Industrial, Neoclassical, Neofolk, Doom, Dark Soundtracks and Experimental music.

Cold Spring Records has primarily been a label since 1990, releasing such influential artists as Coil, Laibach, Psychic TV, Merzbow, MZ. 412, Z’EV, Skullflower and more.

http://www.coldspring.co.uk / http://store.coldspring.co.uk / info@coldspring.co.uk

Kosmogonia (excerpt)

Cold Spring

Related tracks