“Can’t See” by Major Effect is a genre-bending storm — emo-punk rock grit meets the deep, brooding tones of alternative rock, layered with unexpected touches of Afrobeats and Kompa rhythm. It’s confessional and unfiltered, diving headfirst into the darkness of exhaustion, lost time, and inner battles. With verses that spill raw truth and a hook that cuts like a final note in a love letter never sent, “Can’t See” channels pain into something hauntingly beautiful — the kind of track that refuses to fit in one box, just like the feelings behind it.

Can't See {Rock}

SEXY STURDY

Created with:
Hardware: Novation SLK MK3, Ableton Push 2
Software: Ableton Live 10 Suite, Cableguys Shaperbox 3, Soundtoys Panman, AudioDamage Other Desert Cities, Mastering the Mix RESO
Sample: Jungle Brothers "Straight Out the Jungle"

Good Things Come to an End But This is the Beginning

Hanuš is out now from @stereoscenic :
https://dreone.bandcamp.com/album/hanu

Digipack with a hard-book style cover, 7mm spine. Glass-mastered CD with paper inner-sleeve is held in a printed sleeve (3mm spine) glued to the inside of the book. Edition of 100.

Also streaming:
Spotify 
https://open.spotify.com/album/4kT5pNtEoedBdqYe37pgJ6

Amazon Music
https://music.amazon.com/artists/B08QYPYMMQ

Hanuš is a holistic collection of remembrance and reflection of my late friends John and Jacob, both of which are the names of the main characters in the film Spaceman which coincidentally became a deep inspiration while writing, recording and forming its concept. The overall theme of the Dreone project (as some may already know from Driftdown Procedure) is that the souls and spirit of my fallen companions live within the systems of a sentient spacecraft and its humanoid manifestation/android, the notion of which allows me the mental freedom to explore the cosmos through music and be a bit more experimental with my sound. This album in particular is about them traveling together through the echoes of memories and the loneliness of space to witness the beginning and end of everything, leading the listener to acceptance through catharsis. 

Gear used on this album includes, Arturia Mini and Microfreak, Arturia Pigments, Tascam 414 MKII tape loops, Luftrum Bioscape, ESP LTD MH-400 B Baritone guitar, Collision Devices Blackhole Symmetry, and Bitwig.
music & artwork by Bryan Hilyard 
with special guests AJK and Brian Stegmann 
mastering by Andrew Klimek 

Bandcamp

Dreone - Maranatha

"The best piano music of all time" - Bill Clinton

just messing around with my trusted synth and Sax plugins...

Delayed Encounters

Old Arabic

DJ BAND 41 - Sensitive Flute

Ready for More

Lovely Dreamin

In Time

Today

Welcome. I am COLLIEDOG ELECTRONICA MUSIC. 

I create electronica and chill music. I having been creating music and soundscapes since 2009 at amateur level. 

I use a variety of digital audio workstations and effects such as: Audacity, Xpand2!, REFX Nexus 2, FL Studio, Ableton 12, Korg, Wavestation, Vital, Synthmaster,  and Arturia, 

I find it exciting and challenging trying to find new and outlandish sounds. I use royalty free samples as well as synths and drum machines.

My influences and creative inspirations come from artists such as: Boards Of Canada, William Orbit, Brian Eno, Thomas Newman, Little Death Orchestra, Moby, Massive Attack, Eric Serra, Gabriel Yared, J.S. Bach, Peter Gabriel, Vangelis, Tangerine Dream, Nightmares On Wax, David Sylvian, Ennio Morricone to mention a few.

Please enjoy my unique sonic vibrations and feel free to critique, share, collaborate. Whatever you feel in your heart and ears.

Peace & Enjoy.

Today

Colliedog Electronica Music

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