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Colin Stetson – The First - Original Soundtrack Vol. 1

The Still Air

After cultivating his own sound for over 30 years, de Babalon has continually expanded his sonic trajectory throughout the last few years via a series of noteworthy release on labels such as Alter, A Colorful Storm and AD 93. Now he presents his most encompassing album to date via Vale, an hour long phantasmagoric onslaught showcasing the full spectrum of de Babalon’s radical, menacing and inimitable style.

Vale (Master)

VAK71 | Christoph de Babalon - Denn Sie Sind Hünen

'WITH MY EYES SHUT' EP OUT NOW

https://instagram.com/forevernorf/

https://forevernorf.bandcamp.com

https://forevernorf.com

___________________________________________________

''Rugged micro-sampling, sharp drum work, laser-cut amplified vocals: the disciplined MPC artisan is back once more with a new project titled With My Eyes Shut.

This time his latest offering focuses on club adjacent trajectories, moving from ambient to uk garage and rave-infused tracks. All of this keeps you sharp, on the edge, as if the heat was around the corner: spread the word, Norf is truly back."

Twenty-five

In the tuna can
Man, what the tuna? 

I just hopped out the tuna can
Beats so hard, shit hit the fan
You ever get high off the tuna?
Mercury swimming through my bloodstream
Acidity, you’re next to me
Swimming through these notes like a recipe, fuck
I think I went too deep

Yeah I just hopped off the tuna and I’m feeling alright
We bout to get this can poppin, smoking fish every night
I’m talking 35 cents to have the night of your life
Spread it on toast with a knife, eat it however you like, yeah
This fish is not safe for consumption
Unless you’re tryna get fucked up, yeah
No we ain’t eating no beef
If u want cow, well then you may as well be beefing with me

Tuna can, tuna
Tuna can, tuna

I just hopped out the tuna can
Beats so hard, shit hit the fan
You ever get high off the tuna?
Mercury swimming through my bloodstream
Acidity, you’re next to me
Swimming through these notes like a recipe, fuck
I think I went too deep

My tuna can is packed with fishies, you see
I’ve got my best friend, ride or die, chillin with me
I like my tuna jacked off then add mayo and cream
Choked on my tuna, now I’m coughing funny
Roll me a spicy tuna, don’t forget wasabi
Your girlfriend called and asked me for my recipe

Hello sir, please sit down.
Ok
I have some bad news about your wife.
Oh no!
Our extensive blood tests just came back, and we found that she has terminal hypotunemia.
Hypo-tun-what now? What does that even mean?
It happens when someone doesn’t incorporate enough tuna into their diet. This is one of the most severe cases I’ve ever seen.
Oh god no! How long do you think she has left to live?
I’d maybe give her a week, max.
One week?!? Oh god, why??
Wait!
Here, eat this
What is it?
It’s tuna, it’ll save you
What?
Just eat it
Ok. 

Oh my god, I’m gonna LIVE!

Tuna, tuna can
Tuna, tuna can

I just ate out the tuna can
(I wanna leave my fucking wife now)
Now I’m up on my feet again
(I thought that bitch was gonna die, yeah)
I finally got high off the tuna
Mercury swimming through my bloodstream
(was gonna steal that fucking bitch’s money)
Acidity, now I can see
(Man, fuck it. I’m just gonna leave)
I’m gonna live longer than a week now, fuck
I think my husband left me

In the tuna can

produced by @otrapic / @sydney-kieng

TUNA CAN [what da tuna?]

Nicola Fornasari was born in Cremona, Italy in 1977 Italy. He began his musical career as the bass player and singer for hardcore band Entropia in 1995. Over the following eleven years, he contributed to releases on various international compilations, a 7” vinyl record with Tenia Records (ITA), and a full-length CD with Six Weeks Records (USA), while playing over a hundred shows across Italy and Europe. Since 2007 he has embarked on new musical projects, including Xu(e) (a duo with Andrea Poli), Xu (his solo project), La Petite Vague (a duo with Diego Balconi), and That Which is Not (a duo with Pier Giorgio Storti / Belaqua Shua). He is also a member of Twyxu and Zero Wait Ensemble. His works have been released on numerous labels, including Fluid Audio, Shimmering Moods, Slow Tone Collages, Krysalisound, Eilean, Flaming Pines, Rottenman Editions, Rohs! / Lontano, Twice Removed, Cathedral Transmissions, Triple Moon, Thirsty Leaves Music, Audio Gourmet, Tessellate, Haze, Many Feet Under, Subterranean Tide, and Laverna. He has also released with Whitelabrecs previously, with ‘Embodying Formlessness’ (2019) and ‘Slicing Space-time Into Objects’ (2022).

Francis Gri is an Italian composer based born in Geneva, Switzerland in 1982 and is based in Milan. Co-founder in 1999 of the ethereal dark band All My Faith Lost (Cold meat industry, Projekt Records) he left the band to create electronic and acoustic sounds. His first works with under the moniker Apart have been published by the Italian label Final Muzik. Francis is the founder and curator of KrysaliSound, a record label dedicated to experimental Ambient music and active between 2011-2023. While most of his works can be found in the KrysaliSound catalogue, he has also released music with many other labels including Final Muzik, Slowcraft Records, Time Released Sound, Shimmering Moods, and Midira. His music for Whitelabrecs includes ‘Apart’ (2018), Home Diaries 015 (2020) and ‘Soolo’, a collaboration with Grotta Veterano (2022). Francis’ sound is in a constant state of evolution, encompassing various ambient styles and techniques that blend oneiric and emotional resonances. With the use of acoustic instruments and electronic textures, his focus is to create a balance between darkness and purity that cohabit within our souls, moving around abstract imperfections, poetry and meditation.

‘Valley of Languages’ is the brainchild of these two musicians who, despite having never met in person, found themselves sharing and understanding the same musical space; which became the inspiration for the album title and its concept. This album is not just a collection of songs; it's a collaborative exploration of diversity and emotional resonance. It serves as a metaphorical meeting point where diverse musical languages and techniques converge, creating a rich tapestry of sound that transcends geographical boundaries. This album comprises six tracks, each a testament to the harmonious collaboration between two minds separated by distance, but united by a similar way of seeing and perceiving things.

Written and produced by Nicola Fornasari and Francis Gri
Mastered by Francis Gri
Photography by Francis Gri
Art and design by Andrew Heath

Valley Of Languages

wlr160 Xu & Francis Gri - Valley Of Language

Download

nightdrive

LINE_151

Serbian sound artist, poet, curator, and researcher, Manja Ristić returns for her second release for LINE after 2023's 'Awakenings' (LINE_138). Her new album 'Ma' recalls the incredibly subtle, detailed works of Steve Roden, Francisco López, or Bernhard Günter fused with the adept field recordings of Jana Winderen and the delicate resonances of Toshiya Tsunoda. Two entrancing long form works incorporating field recordings, acoustic instruments, and unexpected found sounds.

> https://lineimprint.bandcamp.com/album/ma 

Ma — depth of the space, of the environment, of relations and mystical interrelatedness. The hidden or obvious void that defines the form and liberates from it at the same time. Ma and the sound? The weight of emptiness and quietness is revealed by unexpected density—the space chants, the chants spread in waves, pulsations, a pellucid spectrum of timbre.

“I hear the water dreaming” echoes in my mind.

Patterns of the forest chorus build pandiatonic clouds, on the brim of sonic hallucinations, we hear the space breathing, vellum of light expanding, beyond our hearing range.

Sounds of Ma deep in the ground, on the surface, underwater, on the surface of the water, in the air, between gravity and the air; Ma between air and objects, tubes and thermal bodies, between the Moon and its reflection; bottom of the silent lake and the stratosphere far beyond our world next to the frozen planet with the hidden ocean.

Ma of the soul caught on the tape.

Nothing is necessary.

Nothing holds everything together.

-

List of field recordings and samples:

• Giant anthill in the abandoned forest quarry
• Cricket chorus next to Pohořský rybník lake
• Hydrophone recording of the “silent lake” Stierhüblteich
• Hydrophone recording of the river Schwarze Aist and its various tributaries
• Bowing cymbal under the full moon next to the Schwarze Aist (recorded by Abby Lee Tee)
• Museum of Contemporary Art Ljubljana—ventilation in the man’s toilet (recorded by Mark Vernon)
• Cassini passing between Saturn and Enceladus Moon (NASA sounds)
• Dad’s boiler
• Breath and broken tape recorder hum extracted from Toru Takemitsu’s tape “Ki Sora Tori” (1956)
• Bowing glass vase
• Two wine glasses gently trembling in front of the fan
• Electro-magnetic field around the broken socket
• Violin

Sounds, composition, images, text by Manja Ristić
Mastering La Plant Studio

Diane

Colin Stetson

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