Marimba - Colin Frank

Recorded in St. Paul's Hall, Huddersfield.

Mixed and mastered by Colin Frank.

Purl Ground - © 2003 Hywel Davies
For further information about Hywel's work go to www.hyweldavies.co.uk

Purl Ground - Hywel Davies

Tomek Szczepaniak, lion's roar

Live Recording
Centrum Kultury ZAMEK w Poznaniu
Poznań
31.10.2022

Sound engineer, Maciej Kuśnierz.
Composition, live electronic & mixing, Pablo Galaz

SCORE: https://www.babelscores.com/catalogs/instruments-electronics/4134-roren

Roren (2018), for lion's roar and live electronics

recollection of the Robert Schumann's "Auf einer Burg"

live recording from Schumannfest Dusseldorf, May 22, 2014

Natalia Pschenitschnikova, voice
Fedor Lednev, cond.
Moscow Contemporary Music Ensemble

Liederkreis

D-Musik für Sopran in der Dusche
D-Musik for soprano in the shower
Sopran: Anna Korsun
video + score: https://youtu.be/YfzNiirVvQA

D-Musik (2015) für Sopran in der Dusche (Anna Korsun, Sopran)

Alice Teyssier (flute) and Jonathan Hepfer (vibraphone)

Where do sounds come from? Perhaps they come from the people, or the things, that make them. But what if sounds should arise without any effort by you or I, or anything else? What if, out of thin air, there beckons forth a sound so fragile, so brittle, that it can only live long enough for us to hear it before it vanishes away — as if its birthplace seemed not to be the world, but in-stead our imagination? Do such sounds exist, then, in the mind, where being rescued by our thoughts, they become music? This, to me, is a lonely idea. For music soon becomes itself a thought, and a thought is a thing rather more like a ghost than a sound. Where, then, should I look? If these sounds do indeed exist outside of ourselves, then I like to think it is somewhere quite different. In a place between perception and action. Sounds are there, moving back and forth. Like traces of light on the wind. (A.H.)

2008/02/25

Aaron Helgeson: Nothing from nothing (is black are white)

traces that time leaves on built form [2012]
for piano & percussion
Yarn/Wire (Laura Barger, piano; Ian Antonio, percussion)
www.yarnwire.org

More info here: www.timothy-mccormack.com/traces.

traces that time leaves on built form [Yarn/Wire]

Segments/Microscopy (2018), for four instruments or sound objects. DriftEnsemble

Aviva Endean: Apparition

Tom Johnson, Automatic music for 6 percussion. Canon (2018)

Infinitely ethereal, for solo bassoon (2018)
Performed by Ben Roidl-Ward at ICEcommons Chicago Initiative Concert.
Live recording at Constellation Chicago, December 2018.

Buy score: https://www.babelscores.com/catalogs/instrumental/5465-infinitely-ethereal



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Photo by Paul Jay

Infinitely ethereal (2018) | Michele Abondano

- a piece for two timpani and analogue electronics

"Silence is golden, or so I was told when I was young.

Silence is the ocean of the unsaid, the unspeakable, the repressed, the erased, the unheard. It surrounds the scattered islands made up of those allowed to speak and of what can be said and who listens. Silence occurs in many ways for many reasons; each of us has his or her own sea of unspoken words.

Silences built upon silences, a city of silence that wars against stories. A host of citizens silencing themselves to be accepted by the silenced. People meeting as caricatures of human beings, offering their silence to each other, their ability to avoid connection. Dams and seawalls built against the stories, which sometimes break through and flood the city.

In the landscape of silence, the three realms might be silence imposed from within; silence imposed from without; and silence that exists around what has not yet been named, recognized, described, or admitted. But they are not distinct; they feed each other; and what is unsayable becomes unknowable and vice versa, until something
breaks."
— excerpts from The Mother of All Questions by Rebecca Solnit

Performers / Ensemble wasteLAnd: 
Matt Barbier, Weston Olencki, Dustin Donahue

Purl Ground - Hywel Davies

ColinFrank

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