This song, “They All Knew (Trump & Epstein Blues),” is my protest anthem about power, privilege, and silence. I wrote it to expose the web of complicity between Donald Trump, Jeffrey Epstein, and those who enabled their crimes. It’s not just about two men—it’s about the institutions that looked away while young girls were hurt and justice was traded for influence.

I wanted the verses to feel like reading a declassified file—cold facts dripping with truth—while the choruses rise like a collective cry from the survivors. Every “They all knew” is both accusation and lament, a reminder that silence protects the guilty. This one’s for every voice that was ignored, and for the courage it takes to keep telling the truth.


LYRICS:

[Intro]
Melania knows.
Acosta knows.
The victims know.
Palm Beach Police know.
The FBI knows.
They all know.

[Verse 1 – The Introduction]
’99 at the Knicks game lights,
Donald and Melania, date-night smiles so bright.
Epstein in the crowd, Zampolli pulls the strings,
Models, moguls, dirty kings.
“Terrific guy,” Trump laughed on cue,
They drank champagne while the cameras flew.
But behind that flash, the whispers grew,
And the girls who cried — yeah, they knew too.

[Pre-Chorus]
Palm Beach nights, the mansion walls,
Where secrets echo down the halls.
History’s watching, the world in pause,
And justice trembles at the cause.

[Chorus]
They all knew, they all knew,
Trump and Epstein, the chosen few.
Money hides but truth breaks through,
And the lies all fall in view.
They all knew, yeah, they all knew—
Acosta signed, the pain renewed.
They all knew… they all knew.

[Verse 2 – The Deals and Denials]
Maison de l’Amitié, bought in gold,
While Trump’s casino empire sold.
Epstein lost, the friendship broke,
Two devils choking on their smoke.
Acosta’s pen made the nightmare real,
A secret pact, a sweetheart deal.
The girls were silenced, justice too,
And still they smiled for photo shoots.

[Pre-Chorus 2]
Power talks in whispers low,
While victims beg for truth to show.
History’s bleeding through the cracks,
And Epstein laughs—no turning back.

[Chorus 2]
They all knew, they all knew,
Trump and Epstein, the chosen few.
Mar-a-Lago to Fifth Avenue,
They shared a sin the world once knew.
They all knew, yeah, they all knew,
Acosta signed, the pain renewed.
They all knew… they all knew.

[Verse 3 – The Fall]
Stormy storms and Access lies,
“Grab her by the—” on replay twice.
Melania’s gone, that “cooling off” smile,
She knows the secrets stretch for miles.
Then Epstein’s gone, cameras die,
A noose appears beneath the sky.
Maxwell caught, Virginia speaks,
And Trump denies for endless weeks.

[Bridge – The Reckoning]
She warned, “I’m not suicidal,” clear,
Her voice still ringing in our ears.
The pastor falls, the files still sealed,
The cycle spins, the wounds unhealed.
But truth’s a blade—it cuts through spin,
And even kings can’t cage their sins.

[Chorus – Extended Anthem]
They all knew, they all knew,
Trump and Epstein, the chosen few.
Money hides but truth breaks through,
And ghosts still walk Mar-a-Lago’s view.
They all knew, yeah, they all knew,
Melania, Acosta too—
From Palm Beach halls to D.C.’s pews,
They all knew… they all knew.

[Verse 4 – 2025 and Beyond]
Giuffre’s gone, the headlines fade,
The House calls out, subpoenas laid.
Gloria walks, the victims stand,
Demanding truth across the land.
And Trump just laughs, “Old history,”
While bodies fall like prophecy.
But every lie will meet its due,
When justice finds the chosen few.

[Final Chorus]
They all knew, they all knew,
Trump and Epstein, the chosen few.
The girls were children, now they’re gone,
But truth still sings their battle song.
They all knew, yeah, they all knew,
No more secrets left for you—
We won’t forget, we won’t undo,
’Cause we all know…
And now we see it too.

[Outro]
Melania knows.
Acosta knows.
The victims know.
Palm Beach Police know.
The FBI knows.
Trump knew.
Epstein...
They all knew.

They All Knew (Trump & Epstein Blues)

INDUSTRIAL MODULAR LIVE SET

This song was created during a studio session with Barnim Schultze (Akasha Project). Together we recorded the basic take. Then it lay dormant for a while in the depths of my archives, only to resurface now, fittingly, in this windy season. I completed it with additional instruments, and the result is like a walk by the sea with the wind blowing through your hair. Melancholic and peaceful at the same time. The old can go and the new is washed up to us. The flow of life, in other words. Enjoy the wind.

wind in your hair

https://soundcloud.com/pop-house-production

Gravity Check is what happens when nostalgia decides to flex.
The beat hit me and instantly pulled me back to that golden 2003 convergence—when Timbaland was bending time, Missy was rewriting rules, Nelly had every summer on lock, and Marcus Houston had every dance floor in motion. It’s that rare frequency where R&B, Hip-Hop, and Pop touched the same sky and made the whole culture move.

And somehow… this beat gave me all of that in the first four seconds.

There’s a certain magic in hearing a sound that feels both familiar and brand-new, especially when most producers today chase trends instead of shaping them.
Pop House Production did the opposite.
HE crafted something that feels cinematic, neon, and undeniably 2000s, but wrapped in a 2025 chrome sheen that only real innovators pull off.
(If you know, you know — and if you don’t, you’re about to.)

“Gravity Check” is rhythm, memory, attitude, and engineering all in one.
A reminder that some of us don’t imitate eras — we resurrect them and upgrade the software.

Enjoy the nostalgia.
Enjoy the glow.   #GravityCheck   #TimbalandVibes
#MissyElliottEnergy
#NellyFlow
#MarcusHoustonVibes
#Early2000sRNB
#ThrowbackEnergy
#HitmakerEra
#CYFR360
#PopHouseProduction
#2000sNostalgia
#2003Vibes
#RNBHipHop
#Y2KVibes
#ClubRNB
#PopHouse
#TrapPop
#NeonAesthetic
#ChromeWave
#BasslineBounce 


GRAVITY CHECK

dance upgraded

The lyrics are 100% original by me. I use AI to assist in delivering a melody and do the singing.

This track is performed by AI, but the lyrics were written by me.

I use these as demos to share with other artists who may be interested in running with the lyrics.




This was originally a poem I wrote in 1998.  

I wrote this after a breakup I felt guilty about, just wanted us both to move on.

Stole Your Passion

Merry Christmas from Elizabeth and SinCrawler
https://youtu.be/4IQn0Vsimjk?si=IVY_0EwmHh3m23za

Christmas Blues

[Verse 1]
Some call me a hustler, some call me a freak
But I’ve been chasing dollars every hour of the week
Got to calm down, don't look down
Running in a rat race, coping with your attitude
Till I find a wealthy sponsor, someone to cling onto
Then I’ll calm down, before I breakdown

[Chorus]
You’ve got diamonds on your plate
While I’m hopping over the gate
'Cause I know I’m selling my grace
I’m the Entertainer!
Every moment is a possibility
I live on the edge, you see?
You’ve got diamonds on your plate
I’m the Entertainer!

[Verse 2]
Die for high-end fashion, and starve to pay the debt
Blackout in the summer, and gamble what is left
My rich friends are so bored now, refuse to share the wealth
We all enjoy the sadness, ruining our mental health

[Chorus]
You’ve got diamonds on your plate
While I’m hopping over the gate
'Cause I know I’m selling my grace
I’m the Entertainer!

[Bridge]
You look sad and lonely, come and spend some cash on me
I got swagger, I got juice, tell me what you wanna be
Have you ever smoked on a beach?
Stolen liquor from a store?
Broken all the rules?
Throw a little cash if you think you’re bold enough
Throw a little cash if you think you’re bold enough
I’m the Entertainer, entertainer…

[Outro]
Get up and see the hunger in my eyes.

I'm The Entertainer (Scott Joplin)

English lyrics:
Greetings to Toni and the people of Spain, from the underworld, I love them, ohhh, for you Suniii, when I am no longer present, when they forget my name, I will take the loves that I lost, the loves that I kissed, the caresses and the heat, the lies and the pain; I will take the loves I lost, the loves I kissed, the caresses and the heat, the lies and the pain. I will take your love, I will take your heat, I will take your kisses. I will take your love, I will take your warmth, I will take your kisses, I will take your love.

SUNI'S WILL

Touch Me Slow is pure Soca Pop Fusion — smooth groove, warm island percussion, and a young Trini man pouring out a sensual, slow-wine energy.
Soft steelpan breeze, melodic guitar lines, and a voice made for late-night Carnival vibes.
A song for intimacy, chemistry, and dat sweet pull only real Caribbean love could bring.

🎶 Style: Soca Pop Fusion / Caribbean Pop
🔥 Mood: sensual, warm, intimate
🗣️ Language: Caribbean English (Trini tone)
📍 Origin: Trinidad & Tobago — Port of Spain

#TrinidadAndTobago #SocaPop #TouchMeSlow #CaribbeanMusic #TriniVibes #Carnival2025 #IslandPop

Touch Me Slow

My goal is to be the first real international artist. I compose and create songs in all languages, style and around the local culture! You want to see your Country/Language represented? Dm me!

Mon objectif est de devenir le premier vrai artiste international. Je compose et crée des chansons dans toutes les langues, tous les styles et adaptées à toutes les cultures locales ! Vous voulez voir votre pays/langue représenté ? Envoyez-moi un message !

Mi objetivo es ser el primer verdadero artista internacional. ¡Compongo y creo canciones en todos los idiomas, estilos y adaptadas a las culturas locales! ¿Quieres ver a tu país/idioma representado? ¡Envíame un mensaje!

Touch Me Slow

CollEctic

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