Lunar Launch marks the sophomore release for Sydney-based producer Glen S and the fifth release for local label Dialectic Recordings.

Beginning with the title track, Glen S winds the clock down for a slow and steady start. Airy pads gently suspend the listener in zero gravity as the rising resonance of squelchy stereo transmissions are beamed from the control tower in anticipation for lift-off. 

With the engines warmed up and rockets thrusting, Alien Acid brings not only a slight increase in G-force, but also a diverse taste of flavours. Starting off with classic electro rhythms and 303-lines, Glen S showcases his ambitious character as he takes a sudden four-to-the-floor detour before dropping an unlikely half-time beat that will rattle the foundations of even the sturdiest of edifices.

The voyage continues with Gatewayed Rugs, a punchy electro cut with contortionist melodies and a combination of claps and snares that leave a bright red spank-welt on the surface of anything they come into contact with. Hypnotic as well as groovy, this track explores variations in timbre and mood with flawless transitioning and a genuine commitment to capturing the entirety of your attentional facilities. 

River View culminates our travels through the fabric of space and time and beckons the listener to take pause and reflect, as rolling rhythms flow on with the permanence of celestial currents through the galaxy. One feels at peace having finally landed on the moon, as arpeggios and drones serenade us before we bid them farewell - for now.

https://glenstefani.bandcamp.com/album/lunar-launch

Artist Links:
https://soundcloud.com/glenstefani
https://www.instagram.com/glenstefani/
Label
https://soundcloud.com/dialecticrecordings

PREMIERE: Glen S - Gatewayed Rugs [Dialectic Recordings]

Ton Lebbink - Wat Doe Je Met Me? | RUBBER 011

A1 - Wat Doe Je Met Me?
A2 - Denke Nie Gedacht Zu Haben (Ft. Christine & Jasmine)
B1 - For You 

By the late 1980’s Ton Lebbink was a well respected figure in Amsterdam’s alternative scene: he was the drummer for the Amsterdam post punk group Mecano, a true punk poet and worked as a bouncer at Amsterdam’s main music venue Paradiso. He released two solo albums, both in his unique narcotic style: laying absurd Dutch wordplay over stripped down frigid instrumentals.
As the decade came to an end, Ton – already well in his forties – moved away from the often destructive and dangerous nightlife. After a series of odd jobs Ton started as a fitness instructor at an Amsterdam gym called Splash. Meanwhile, the 90’s brought the latest musical craze to Amsterdam: house music began to flourish through clubs like RoXy, iT and Mazzo. With house being the ideal score for his fitness classes, the once well known cult figure faded into anonymity at a 120 beats per minute. His musical endeavours were focusing more on finding the right beats for aerobics exercises with self-devised exercise – eventually leading Ton to bootleg some of them on cassette tapes himself.
In parallel to this radical shift, Ton did not stop making music. On the contrary, piles of demos showed high activity but in a direction no one was looking. Inspired by music to move to, Ton recorded hours of music that activated the body while staying true to his playful mindset. Discarding his voice as an instrument, the Roland W-30 sampler became his tool to communicate. Gathering vocal snippets from close friends, barflies and pets, a repertoire developed where witty repetitiveness could exist. Going through a vast collection of demos, pictures and many anecdotes, Rubber has been able to create an EP that gives insight into Ton’s overlooked 90’s era.
Three playful dance tracks by Ton Lebbink taking his complete own take on the Amsterdam house revolution of the 90's. Full of inventiveness: hip-shaking grooves, hypnotic beats and rousing vocals. Tracks to move to and tracks to groove to. Essential dancefloor workout tunes for you and me. Ah yeah!

Wat Doe Je Met Me?

Ton Lebbink - Wat Doe Je Met Me? | RUBBER 011

Luz1e debuts on Mechatronica with a breakout blend of delicate electro and dystopian machinefunk, carefully reinforced by DALO's haunting vocals and drenched in futuristic atmosphere.

A1 Intro
A2 Escapism
A3 Sonic Impact Ft. DALO
B1 Language Of The Unheard Ft. DALO
B2 Sensitivity Ft. DALO
B3 Sensory Perception

PRE-ORDER HERE: https://mechatronica.bandcamp.com/album/sonic-impact

@l-v-z-1-e @mechatronicamusic

PREMIERE: Luz1e - Language of the Unheard ft. DALO [ Mechatronica ]

Classic jacking tracks by Byron the Aquarius on Clone Jack for Daze.

A 6 track ep that will make you dance till your numb. A big booming sound system in a dark room filled with big artifical clouds from the smoke machine, rattling drum machine with pulsating basslines, the hypnotizing lights from the strobe and you've entered the Land Of Confusion! Thats all we need to have a good time. Byron hits exactly that sweet spot with his take on the classic stripped down jack tracks.

EP§1

order@clone.nl

Byron The Aquarius - EP1 [CJFD38]

sublabel https://alphrec.bandcamp.com
artist @kompomusic

Kompo - the real hyperloop

Pre order now - https://www.juno.co.uk/products/stereometrix-fall-vinyl/1021389-01/

Stereometrix takes care of the first release on new label Tread A Measure and boy does he come through. His cultured Fall EP is a deep exploration of liquid techno landscapes that draw on cosmic energy, psychedelic colours and evolving synth patterns to melt your mind whether in the club or at home. There are downbeat and melancholic cuts like 'Fall', serene and soulful percolators like 'IO' and twisted sonics for afterparty freakouts like 'A2', while 'Glitch' is a collage of ghostly sounds and warped pads to close out this top-class EP.

More from the label -https://www.juno.co.uk/labels/Tread+A+Measure/

PREORDER

PREMIERE: Stereometrix - IO [Tread A Measure}

How Many Did We Kill Dog — a raw and haunting trip through distorted basslines, heavy kicks, and deep emotion.
Dark energy meets human reflection — chaos and rhythm intertwined. 🖤⚡

How many did we kill Dog ZenoFlex

JoiD

RECURSION is a conceptual dub techno album trapped inside its own loop, a system that keeps rebooting, breaking, and rebuilding itself from the same decaying fragments.
Each track is constructed from the same source materials — identical samples, tones, and rhythms — yet each composition bends them differently, creating the illusion of change within the same recursive pattern.

Through hypnotic repetition, granular textures, and distorted echoes, the album questions the very idea of progress:

Is there evolution, or only reconfiguration?
Is this a new beginning, or the same cycle with a new mask?
When the loop calls, will you answer — or end the song?

Across its five phases — INITIATE, GLITCH MEMORY, PHANTOM STATE, THRESHOLD FAILURE, and REINITIATE — RECURSION traces the spiral descent of a collapsing system.
It’s a meditation on memory, error, and identity loss; an exploration of what happens when the loop becomes the only form of existence.

Minimal yet heavy, rhythmic yet dissolving, the sound design blurs the boundary between mechanical, analog and organic.
Each track feeds back into itself — decaying, evolving, corrupting — until all distinctions vanish in the noise.

Reinitiate

Out now on @emotsiyamusic in Vinyl and Digital!

https://sansibar.bandcamp.com/album/paradise-industrial-complex

Kompo - the real hyperloop

c

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