Laurine Frost - A Fading Virtue By Passing Time EP 
Cat. no.: Marionette02 
Format: 12” Vinyl (180g) + Digital
Release Date: June 2015
Distributed by: Honest Jon's
Illustration by Jake Fried

A Fading Virtue By Passing Time

Laurine Frost - Viburnum Opulus

Do It Right

Tracklist:
https://dissonanzerecordings.com/podcast14

Links:
https://soundcloud.com/dino-spiluttini
https://dinospiluttini.bandcamp.com/music
https://www.facebook.com/spiluttinidino
https://www.instagram.com/dino.sp
http://dinospiluttini.com
https://www.discogs.com/it/artist/771753-Dino-Spiluttini

Biography:
"There’s an air of loneliness here that mirrors the kind of work Tim Hecker often produces, where repeating figures amass a great emotional weight as a growing sense of gloom gets worked up around them. Still, Spiluttini is careful not to create too great a distance in his work, ultimately turning his tension into a trance-like state that’s positively inviting." -PITCHFORK

Dissonanze Podcast

Dissonanze 14 | Dino Spiluttini

Fresh from contributing to the Voiceless series James Clarke is back on Analogical Force with Meteor EP, where he presents four new tracks. The classic Shinra sound is in full effect: acid laced braindance, resonating electro and addictive melodies. Lush and seamless production, as good in the sun as it is the depth of night. Artwork comes by David O’Brien from Imposing Kittens, Dublín.
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+++ OUT NOW +++
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LTD. CLEAR SILVER VINYL + DIGITAL: https://goo.gl/wKyEX5
CLONE: https://goo.gl/vFsWbK
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AF006
SHINRA 'METEOR EP'
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A1 PINWHEEL 06:16 
A2 ANXSRV 06:03 
B1 PROPELLER 06:20 
B2 PLANNT 05:31  
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©+Ⓟ Analogical Force 2017. All right reserved. 
Written and produced by James Clarke in London, UK. 
Mastering at Eternal Midnight, Madrid. 
Artwork by David O’Brien at Imposing Kittens, Dublín. 
Distributed by Clone, Rotterdam. 
www.clone.nl
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Buy Now

[AF006] SHINRA 'METEOR EP' [2017]

Track from NE40 CA2+ - Gait Cycle EP

Pre-order: https://northernelectronics.bandcamp.com/album/gait-cycle-ep

Mastered by Neel at EnissLab, Rome

CA2+ – Gait Cycle

from 'Relationships Between Inner & Outer Space' [CD|LP|DIGITAL]
Denovali Records · den289
available on all formats at [http://denovali.com/moonzero]

The first set of new Moon Zero cuts in two years, ‘Relationships Between Inner & Outer Space’ is a product of fevered displacement that nonetheless achieves a temple-like sense of calm, proportion and permanence. Scheduled for release in November 2017 on Denovali, the record is carpeted in traces of the settings that producer and composer Tim Garratt has found himself since we last heard from him, from Reykjavík to Leipzig with anything from a Dictaphone up to a studio to hand - it bears sounds from a vast number of different spaces, instruments and machines across its four colossal tracks. Paying attention to these rich patterns, they move and wind you in, producing a deep and rewarding catatonia.

While touring the first LP ‘Moon Zero’ (2015) Garratt lost his studio and flat, a relationship came to an end and he briefly moved back to his parents’ in the Midlands. An emotional parabola familiar to anyone experiencing an economically-adrift, prolonged adolescence, it was heavy fuel for the melancholic sound world of Moon Zero. You can make out the origins of the record at the bottom of its multi-story wedges of sound, through dancing, duelling blocks of frequencies. And you can follow (somewhat obliquely, filling in the gaps) the inflections of different processes that these textures and melodic ideas have undergone, as Garratt moves them from machine to machine, speed to speed, room to room, through different combinations of effects. This churning celestial chaos, built painstakingly from detuned instruments, mono synths, field recordings and tape loops, is then meticulously ordered in the editing room.

The first side is in two tracks, each divided into two sweeping musical gestures, ordered by tone into a sequence of light-dark-dark-light and ending in a crescendo pulse with a ‘Loveless’-like shimmer. The flip is also in two long tracks, each one a continuously-building, monolithic tranche. The change at the opening of the third number, ‘Erwood Araf’ is signalled with the entry of an unthreaded melody that repeats and gradually distorts while other caverns of sound open underneath and around it. Then, again on the halfway point, the idea dissolves and a minor key swell aches into frame before breeze block low end is deployed. One of Moon Zero’s go-to sounds, an alloy of bowed cymbal, tape delay and who-knows, invokes the sound and disembodying feel of a train pulling into a station, if that moment could be elasticated and dragged far out. Emitting a chrome-sheen continental modernity, it’s probably the emotional centre of the record and calls to mind Kraftwerk’s ‘Trans-Europe Express’ and ‘Radio-Activity’ albums. Towards its end, on the nine-minute mark, in rides a soaring melody that surely has its roots in Garratt’s Eastern European travels.

Each expansion of the Moon Zero universe has felt like a logical progression along lines set before, becoming ever more inventively structured and ambitious with its sonic palette but never straying from its nucleus of menacing, meditative drone. Fresh from playing Ruhrtriennale Festival alongside Actress, Demdike Stare and Ricardo Donoso amongst others, ‘Relationships Between Inner & Outer Space’ is due to be released in October and Moon Zero will be announcing further shows in due course. This latest installation is the most profoundly affecting Moon Zero work to date; an unparalleled piece of infrasonic, atmospheric manipulation.

Relationships Between Inner & Outer Space

Moon Zero - Sunk Cost

from 'Relationships Between Inner & Outer Space' [CD|LP|DIGITAL]
Denovali Records · den289
available on all formats at [http://denovali.com/moonzero]

The first set of new Moon Zero cuts in two years, ‘Relationships Between Inner & Outer Space’ is a product of fevered displacement that nonetheless achieves a temple-like sense of calm, proportion and permanence. Scheduled for release in November 2017 on Denovali, the record is carpeted in traces of the settings that producer and composer Tim Garratt has found himself since we last heard from him, from Reykjavík to Leipzig with anything from a Dictaphone up to a studio to hand - it bears sounds from a vast number of different spaces, instruments and machines across its four colossal tracks. Paying attention to these rich patterns, they move and wind you in, producing a deep and rewarding catatonia.

While touring the first LP ‘Moon Zero’ (2015) Garratt lost his studio and flat, a relationship came to an end and he briefly moved back to his parents’ in the Midlands. An emotional parabola familiar to anyone experiencing an economically-adrift, prolonged adolescence, it was heavy fuel for the melancholic sound world of Moon Zero. You can make out the origins of the record at the bottom of its multi-story wedges of sound, through dancing, duelling blocks of frequencies. And you can follow (somewhat obliquely, filling in the gaps) the inflections of different processes that these textures and melodic ideas have undergone, as Garratt moves them from machine to machine, speed to speed, room to room, through different combinations of effects. This churning celestial chaos, built painstakingly from detuned instruments, mono synths, field recordings and tape loops, is then meticulously ordered in the editing room.

The first side is in two tracks, each divided into two sweeping musical gestures, ordered by tone into a sequence of light-dark-dark-light and ending in a crescendo pulse with a ‘Loveless’-like shimmer. The flip is also in two long tracks, each one a continuously-building, monolithic tranche. The change at the opening of the third number, ‘Erwood Araf’ is signalled with the entry of an unthreaded melody that repeats and gradually distorts while other caverns of sound open underneath and around it. Then, again on the halfway point, the idea dissolves and a minor key swell aches into frame before breeze block low end is deployed. One of Moon Zero’s go-to sounds, an alloy of bowed cymbal, tape delay and who-knows, invokes the sound and disembodying feel of a train pulling into a station, if that moment could be elasticated and dragged far out. Emitting a chrome-sheen continental modernity, it’s probably the emotional centre of the record and calls to mind Kraftwerk’s ‘Trans-Europe Express’ and ‘Radio-Activity’ albums. Towards its end, on the nine-minute mark, in rides a soaring melody that surely has its roots in Garratt’s Eastern European travels.

Each expansion of the Moon Zero universe has felt like a logical progression along lines set before, becoming ever more inventively structured and ambitious with its sonic palette but never straying from its nucleus of menacing, meditative drone. Fresh from playing Ruhrtriennale Festival alongside Actress, Demdike Stare and Ricardo Donoso amongst others, ‘Relationships Between Inner & Outer Space’ is due to be released in October and Moon Zero will be announcing further shows in due course. This latest installation is the most profoundly affecting Moon Zero work to date; an unparalleled piece of infrasonic, atmospheric manipulation.

Moon Zero - Keflavik

from 'Non Places' [CD|LP|DIGITAL]
Denovali Records · den293 
available on all formats at [http://denovali.com/waelder]

Wælder are moving between ambient, industrial and pop. Their rhythms and soundscapes of voices, obscure samples and distorted field-recordings build spaces of barren material and soft ground, which teem and crawl - strange and harmonious. To present their music live, Wælder are mixing analogue and digital effects with guitar, synthesizers, vocals and loops. Rhythms and atmospheres blur, dissolve and re-assemble. Their live shows are often framed by visuals, generated in collaboration with various visual artists.

Founded 2013 in Vienna by Moritz Nahold and Jan Preißler, Wælder has since played numerous concerts, collaborated with various artists and composed music for theatre, film and installations. In addition to their EPs 'Firn' and '&' they released 'Anachronie' in 2015 on the label Kreismusik. Wælder’s second album 'Non Places' will be released on 26.01.2018 via Denovali Records.

Non Places was recorded and produced in different locations at different times in Vienna and Berlin. Wælder experimented independently with their tracks, later reassembling them over the internet. The eight pieces tell this process and at the same time create an independent perspective on the process of their creation. A church organ, detuned in manuals and registers, a vacuum cleaner embedded in the sound of a piano, and precisely programmed patterns of electronic devices are just a few of the elements found on the album. The name Non Places comes from the eponymous publication Non-Lieux (Eng. non-places) by the French anthropologist Marc Augé. By means of the happenings in the specific space of Vienna / Berlin and the exchange about the nonspecific space of the Internet, the countless server rooms crossed by shared audio data have been interpreted as monofunctional places, without relation and history. If music and the process of creation are two different places, then Non Places is the gap-bridging perspective. What happens and sounds is an experiment of space, body, form and purpose.

Non Places

Waelder - Loss

READ > inverted-audio.com/review/kilchhofer-the-book-room

'The Book Room', Kilchhofer’s new collection of modular synth jams, takes us through dreamy panoramas of tropical exotica, alpine warmth and moonlit glades with plenty of highlights to spare along the way. Over a monolithic 74 minutes and 20 songs, this ecocentric debut album demands an immersive, uninterrupted listen.

The Book Room

Kilchhofer - Trift [Marionette]

Contact: coloband [at] gmail.com


Music: 

http://www.juno.co.uk/products/midday-sun-ep/452402-01/

http://www.juno.co.uk/products/colo-holidays/506627-01/

Video:
 
http://www.youtube.com/watch?v=IQtYHpRhvYE

http://www.youtube.com/watch?v=BRnAGuQnRok

Do It Right

colo.

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