제가 이노래 얼마나 많이 듣는지 알아요? 거의 오바일수도있지만..100은 채웠을수도있어요..그리고이거 듣고싶을때마다 계속 들으러 오는거알아요? 진짜 너무 좋아요 그냥 이노래를 들으면 이노래를부르고있는곳에 장소.분위기가 떠올라서 너무 좋고 평화로워요.이 노래 안지도 오래 됐을거요.아셨으면 해서요.제가 이노래를 듣고 좋아하는 만큼.이노래를부르고있는 가수분도 꼭 행복하셨음 해요.행복하세요.

Between Us

Zoe Polanski - Home Alone (Featuring Kumi Takahara)

Written and produced by dné
Lyrics by dné
Mixed by dné & Aid Kid
Mastered by Zino Mikorey

Lyrics:
I can see the stars in my eyes 
When we talk, kiwi’s liked 
Let me find other stuff that could fill the night, night
and the mind when waking up 
Laying on the side watching my dad’s art waiting for the…
Different lights blinking in my face made this happen I am aware
Killing time hearing other people’s jokes 
Last week’s gone, new week brought four
Talk more, talk less with your phone on my chest

Basic Living

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Excited to welcome a dear friend to the series, Kohwi aka Cory :)Among many things, he's one third of the Ways Inner Pass label, is a deep and sweet spirit, and has an ear for sounds that reach into all corners, it's a pleasure to share this one <3

https://soundcloud.com/kohwi

Artwork by Justin Angel

Motion Cast Vol. 89: Kohwi

Prague based ambient-electronic artist dné recently released his second album, Basic Living, via Platoon. The album delved into what is the essence of embracing the simplicity of life, exploring the ups and downs of dating, the experience of living with chronic health conditions, and the peculiar world of capturing café plants for social media.

Basic Living stood in stark contrast to art centred around the world’s end, climate anxiety or political discourse, opting instead to depict the often overlooked aspects of our everyday existence.

Holý, the creative force behind dné, talks of his desire for disabled individuals to be portrayed as complex individuals with rich emotions, rather than solely focusing on their ability to overcome obstacles. Sonically, Basic Living exhibits a more vibrant and diverse palette compared to dné’s debut album, blending field recordings, lo-fi aesthetics, ethereal synth pads, classical instruments, and traces of Midwest emo-inspired guitars.  An experimental playground for dné of sample manipulation, arpeggiated melodies, pop vocals and pure guitar tracks, Basic Living arrived seven years after his award-winning debut album, solidifying Holý’s growth as a composer for film and TV series.

We asked Holy to set our Monday straight… 

INTERVIEW HERE: https://www.theransomnote.com/music/mixes/dne-the-monday-is-ok-mix/

TRACKLIST HERE: 
 tracklist
Richard Strauss – Zwei Gesänge, Op. 34, 1
Oliver Coates – Caregiver Pt. 4 (Spirit)
Richard Wagner – Tristan und Isolde (Prelude to Act III)
Paul Desmond – Soon
Maurice Ravel – Rhapsodie Espagnole (Prelude a la Nuit)
Gustaf Ljunngren & Skúli Sverisson – Vi Overlever
Maria w Horn – Fall of O’Dea
Miles Davis Quintet – It Never Entered My Mind
Alva Noto – Xerrox Kirlian
Modest Mussorgsky – Il Vecchio Castello
Branko Mataja – Sreo Sam Te
Arvo Pärt – Summa
John Coltrane & Johnny Hartman – Lush Life
Tidiane Thiam – Minuit
Daniel Lanois – My First Love
Boxhead Ensemble – Homage To The Tren Brothers
Colin Vallon – Sisyphe

Dné - The Monday Is OK Mix

Stream & pre-order the LP: https://idol-io.ffm.to/qasr

Sheherazaad today announces details for her new LP Qasr, set for release on March 1 via Erased Tapes.

Today, migration seems to be encoded into everyday habits. As so many of our minds and bodies aggressively globalise in unprecedented ways, previously fixed “genres” and identities of any kind are constantly being dismantled, made redundant, and born anew.

It’s from this space of flux that American composer and vocalist Sheherazaad derives song. Produced by Arooj Aftab, her forthcoming mini-album, Qasr, was engendered during a time of family estrangement, grief over a lost elder, and the racial polarisation of her country as she knew it.

Translating to “castle” or “fortress” in Urdu, Qasr is indeed a monument — like encapsulation of the real strains of displacement, the push and pull of diaspora, and the depravity of erasure and forgotten roots. These experiences and their inherent violence, hysteria, and romance imbue her sonic deep-dive into the world of the so-called in-between.

On new track Dhund Lo Mujhe (“Search For Me”), pizzicato fiddles cut through, almost unnervingly jaunty alongside her tumultuous delivery. “For me, it brings up this circus of the insane, carnival of the unhappy,” she explains. “It suggests a very specific insanity, that of the immigrant experience. There is implied bloodshed, glamour, hallucination, and schizophrenia.”

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