Dubbest round all bases in full circle influence in their early roots reggae-inspired Color Red debut single “Unusual Times.” Featuring longtime influence, Elliot Martin of John Brown’s Body on vocals, the track was originally composed in 2013 based on a concept that the world is changing at a rapid rate when it comes to technology, social grace, and the dichotomy between input and output that can be simultaneously exciting and confusing. The band calls for listeners to examine the big picture and consider the impact that this make-or-break opportunity can impart on this era in society. Using just two chords to convey the message and dynamics, Dubbest revisited the tune during the pandemic and brought it to life in the studio. The sentiment makes more sense than ever as these are indeed unusual times that we’re living in. 

Produced by Chiquis Lozoya

Credits:
Ryan Thaxter - Vocals, Keyboards
Andrew MacKenzie - Bass, Guitar, Background Vocals
Cory Mahoney - Guitar, Background Vocals
Kyle Hancock - Drums, Percussion Instruments
Elliot Martin - Vocals

Tracking Engineer - Chris Brennan
Solutionaries Studio

Mixing Engineer - Brian Wallace

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Unusual Times

Color Red Music

Dubbest - Unusual Times | Color Red Music

Hot Mustard executes an unpretentious yet decadent tasting menu in their debut offering, Mother Sauce. Featuring dry-aged drums chopped and blended into buttery bass lines, tangy guitar flavors mellowed by smoky, smooth 70s strings, and kickin’ brass trimmings by Antibalas’ Jordan McLean, the resulting beats are fat enough to clog your arteries. These rogue sauciers have been sonically schooled in the Stax and Atlantic tradition, and spent years studying the techniques of such contemporary masters as Chefs Raekwon and Rakim. This is the first course, foodies and musical gourmands. Service begins 9/3/21. Bring your appetites.

Producer - Jack Powell

Credits:
Jack Powell - Guitar (Electric), Synthesizer
Nicholas Carusos - Bass Guitar (Electric)
Jordan McLean - Trumpet
Dave "Smoota" Smith - Trombone

Tracking Engineer - Dave "Smoota" Smith, Jack Powell
White Fur Underground Studios, Opus Thimble Studios

Mixing Engineer - Jack Powell
Opus Thimble Studios

Mastering Engineer - Dave Harris
Studio B Mastering

Mother Sauce

Color Red Records

09 Swampstomp

03 Spicy Brown

02 Window Seat

01 Honey Dijon

Annie J’s “Light My Own Fire” is a warm, anthemic pop-soul track that was inspired by the desire to overcome self-doubt. As the third single off of her forthcoming debut solo EP ‘Get Back,’ Annie fans the flame cultivated by years of establishing her rich voice as a leading presence in the Seattle music scene lending her talents to projects that include Seattle Rock Orchestra, 45th St. Brass, and the late blues legend Cedell Davis. Annie’s creative spark and thoughtful lyrics are kindled by collaborating with top-notch Seattle musicians including Andrew Vait (Sisters, Little Wins), Chris Littlefield (Karl Denson’s Tiny Universe), Nick Foster (Nick Foster Band), Scott Paul Johnson (Hot Bodies In Motion), and Stephanie Anne Johnson (the Hidogs). Along the same lineage as Dusty Springfield, Roberta Flack, and Solange, “Light My Own Fire” is a testament that Annie is poised to blaze a path of success as her warm delivery displays both nuanced control and playfulness as she executes rich vocal runs and a stunning range.

Produced by Andrew Vait, Nick Foster

Credits:
Annie Jantzer - Vocals
David Dawda - Bass
Emily Westman - Drums
Andrew Vait - Guitar, Keyboards
Chris Littlefield - Horn Arrangements, Trumpet, Trombone
Natalie Mai Hall - Cello
Kimmy Harrenstein - Violin, Viola

Tracking Engineer - Floyd Reitsma, Andrew Vait
Studio Litho

Mixing Engineer - Brandon Busch

Mastering Engineer - Brandon Busch

Light My Own Fire

Annie J - Light My Own Fire | Color Red Music

Tim Carman Trio puts an Art Blakey-inspired Latin groove on their take of the Bud Powell tune “Buster Rides Again.” While in quarantine, Carman spent a lot of time reminiscing about his formative years of musical study and listening to jazz records after the passing of his first drum teacher, Bob Gullotti. Powell’s tune was one that always stuck out and Art Blakey records were getting frequent spins during Carman’s listening sessions. The combination of Powell’s classic tune mixed with the Latin groove gelled surprisingly well and Carman enlisted percussionist Dave Brophy to accentuate his version of the track. The band did one take and ended up using that cut on the record.

Produced by Tim Carman, Dave Brophy

Credits:
Tim Carman - Drums
Steve Fell - Guitar (Electric)
Ken Clark - Electric Organ
Dave Brophy - Percussion Instruments

Tracking Engineer - Dave Minehan
Woolly Mammoth Sound

Mixing Engineer - Dave Brophy

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Artwork - Chris Ball
Christopher Ball Design

Buster Rides Again

Tim Carman Trio - Buster Rides Again | Color Red Music

AJ Fullerton tackles 60s-inspired blues and gospel finger-style guitar inspired by Pop Staples and Taj Mahal in “Good Times.” The track speaks to the universal message of looking towards the future with optimism despite any troubles or chaos that may be looming in one’s life. “Good Times” is the third track of a 4-track series produced by Eddie Roberts at Color Red Studios with a follow-up session in the works to round out a full-length LP.

Produced by Eddie Roberts

Credits:
AJ Fullerton - Guitar, Vocals
Alex Goldberg - Bass Guitar (Electric)
Forrest Raup - Drums
Jake Friel - Harmonica

Tracking Engineer - Eddie Roberts, William Umphrey
Color Red Studios - Denver

Mixing Engineer - Eddie Roberts
Color Red Studios - Denver

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Good Times

AJ Fullerton - Good Times | Color Red Music

Denver’s mavericks of street music, Brothers of Brass, capture the energy of people leaving a concert in their original song “Egress.” With a titanic New Orleans brass band-inspired sound, “Egress” has all the key components of a full-bodied brass band hit with fiery trumpet screams, rousing saxophone solos, an commanding rhythm section of tuba and drums, and a surprise call-and-response vocal section at the end to take the song home. The group got their start busking on the 16th Street Mall and melds together roots from Atlanta, New Orleans, and the Mile High City of Denver, Colorado and has become a staple in both the local music scene and the touring circuit.

Produced by Khalil Simon, Armando Lopez

Credits:
Khalil Simon - Sousaphone, Musical Arrangement
Armando Lopez - Saxophone, Horn Arrangements
Scott Flynn - Trombone
Christopher Henry - Trumpet, Vocals
Matthew Rossman - Trumpet
Jake Herman - Snare Drum
K. R. Azad - Bass Drum (Kick)
George Brown - Trombone

Tracking Engineer - Taylor Marvin
Coupe Studios

Mixing Engineer - Taylor Marvin
Coupe Studios

Mastering Engineer - Taylor Marvin
Coupe Studios

Egress

Egress Single 102621

For almost a decade Denver-based production company J2G Live has been bringing together in-demand musicians in today’s circuit to celebrate the greatest dance party songs of all time for their annual Dance Party Time machine concerts. When the COVID-19 pandemic stalled live performances, J2G Live pivoted to remote collaborative performances to continue to bring people joy through community and music. Several tracks were performed during online events such as LivWell’s ‘420 for a Cause’ live stream festival in 2020. The audio of these performances has been professionally mixed, mastered, and distributed by Color Red for a series of digital singles to be released worldwide and enjoyed from anywhere. Their take of Bill Withers’ “Lovely Day” features Eddie Roberts (The New Mastersounds), Josh Fairman (SunSquabi, Analog Son), Natalie Cressman (Trey Anastasio Band), Jennifer Hartswick (Trey Anastasio Band), Blake Mobley (Tiger Party), Drew Sayers (The Motet), and Eric Low (Fox Street).

Produced by Gary Mellini

Credits:
Josh Fairman - Bass Guitar (Electric)
Eddie Roberts - Guitar (Electric)
Blake Mobley - Keyboards
Natalie Cressman - Vocals, Trombone
Eric Low - Drums
Drew Sayers - Saxophone
Jennifer Hartswick - Trumpet, Vocals

Tracking Engineer - Josh Fairman

Mixing Engineer - Josh Fairman
Laskin Productions

Mastering Engineer - Josh Fairman
Laskin Productions

Video Editor - Jack Gould
Ninja Video

Lovely Day

Color Red Covers

Dance Party Time Machine - Lovely Day | Color Red Music

“The Cutdown” gets its name from a late-night harvest on the eve of Polyrhythmics’ departure to their annual late-night appearances during New Orleans Jazz Fest. Guitarist Ben Bloom imagined the track setting the scene for a vibrant late night on Frenchmen St late at night during the city’s flagship musical gathering where modern electronic sounds are met with spirited funk bands performing to eager crowds at iconic venues. “The Cutdown” is the soundtrack to stepping outside to get some air, running into friends casually swaying to a second-line street party, and raising the vibes even higher. This track is off of the group’s 2020 full-length LP ‘Man From the Future’ and the digital single release is in celebration of the record’s second vinyl pressing coming out on Color Red in spring 2022.

Produced by Polyrhythmics

Credits:
Ben Bloom - Guitar
Jason Gray - Bass Guitar (Electric)
Grant Schroff - Drums
Nathan Spicer - Keyboards, Electric Organ
Scott Morning - Trumpet
Art Brown - Saxophone
Elijah Clark - Trombone
Karl Olson - Percussion Instruments

Tracking Engineer - Jason Gray
Studio Aleph

Mixing Engineer - Jason Gray
Blue Mallard Recording

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

The Cutdown

Polyrhythmics - The Cutdown | Color Red Music

Cavolo Nero’s second single “Habitat” was built around a drum groove inspired by The Meters’ iconic tune “Cissy Strut.” The brand new project hailing from Holland is comprised of studied musicians who have performed in several other groups but formed this new band out of a love for psychedelic afrobeat and groove-oriented music. The band’s debut EP will be available via Color Red in spring 2022.

Produced by Mark Oomen, Chris Walthaus

Credits:
Chris Walthaus - Bass, Vocals
Jelle Crooijmans - Guitar (Electric), Vocals
Boudewijn Snijders - Electric Organ, Keyboards, Vocals
Sjors Derks - Guitar (Electric)
Daan van de Ven - Drums, Vocals

Tracking Engineer - Mark Oomen
Herway Studio

Mixing Engineer - Mark Oomen
Herway Studio

Mastering Engineer - Springtone Sound

Artist - Christopher Ball
Deep Groove Designs

196835476155

Habitat

Cavolo Nero - Habitat | Color Red Music

Produced by True Loves

Credits:
Jason Cressey - Trombone
Greg Kramer - Trombone
Gordon Brown - Tenor Saxophone
Skerik - Baritone Saxophone
Jimmy James - Guitar (Electric)
Bryant Moore - Bass Guitar (Electric)
David McGraw - Drums
Iván Galvez - Percussion Instruments, Congas
Scott Morning - Trumpet
Delvon Lamarr - Electric Organ, Fender Rhodes

Tracking Engineer - Jason Gray
Swami Sound Studio

Mixing Engineer - Jason Gray
Blue Mallard Recording

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Famous Last Words (2022 Remaster)

Official Color Red Remix by Daily Bread of 'Out West' by The Echo System
www.color-red.co/remixes

Track: Out West by The Echo System
Remixed by Daily Bread

Spotify:
https://open.spotify.com/album/25HCxh7b1H9CnWLy4u7pVl

iTunes
https://itunes.apple.com/us/album/out-west-daily-bread-remix-single/1435983355

Google:
https://play.google.com/music/m/Bokiaaj7rtysswtbysdbv5sdzga?t=Out_West_-_The_Echo_System

Amazon: 
http://www.amazon.com/gp/product/B07H8GZVFR

Deezer:
https://www.deezer.com/album/72849322

Out West (Daily Bread Remix)

RECRED

The Echo System - Out West (Daily Bread Remix) | Color Red Remix

Musical Style: 
Traditional jazz piano trio

Musical Influences:
Ahmad Jamal

Origin of the Track:
Ciutadella de Menorca is a port city on the west coast of Menorca (Minorca), one of the Spanish Balearic Islands. It’s known for its old quarter and medieval streets. Joe Tatton has travelled to this Mediterranean paradise often to visit his friend and bandmate in the New Mastersounds, Bassist Pete Shand, who resides on the island.

Credits:
Music written by Joseph Matthew Tatton
Graphic Art created by Michael Tallman
Photography by Simon Allen

Performers:
Alejandro Castaño - Drums
Charlie Mertens - Double Bass
Joe Tatton - Acoustic Piano

Produced by Eddie Roberts
Color Red

Engineered by Josh Fairman
Scanhope Sound

Mixed by Eddie Roberts
Color Red Studios

Mastered by David Glasser
Airshow Mastering

Executive Producer:
Eddie Roberts
Color Red

Ciutadella

CRED Track

Bud Flood by Joe Tatton Trio

Ciutadella by Joe Tatton Trio

RECRED: Color Red Remixed - www.color-red.co/remixes

Artifakts gives "Love Tree" by The Echo System a groovy, electro-soul treatment. Raise those vibrations and crank this one up!

Love Tree

Love Tree (Artifakts Remix)

RECRED: Color Red

'Love Tree (Artifakts Remix)' by The Echo System

RECRED: Color Red Remixed - www.color-red.co/remixes

'No Way' is a single off Analog Son's recently released full length album, Funky Mother. Band leader, recording engineer and Color Red co-founder Josh Fairman, who also plays Bass in Electro-Soul outfit Sunsquabi, contracted his good friend Alex Medellin (Late Night Radio) to whip up a funky, downtempo, glitch-hop version of 'o Way' for release in the Color Red RECRED catalogue. This is a fierce dance remix with sexy vocal samples, deep bass grooves, electro-soul vibes and dj scratching.

No Way (Late Night Radio Remix)

RECRED - Color Red

Analog Son - No Way (Late Night Radio Remix)

https://www.color-red.co/death-by-dub

"Truth and Justice” is an horn-led instrumental work that pays homage to dub and reggae giants of the past while paving the way for a new wave of musical titans. The track finds Dan Africano and trombonist Scott Flynn reuniting with fellow John Brown’s Body alum, saxophonist Drew Sayers, linking horn harmonies seamlessly atop a militant drum groove and a massive bass line. This heavy dub-style lead track showcases what is to come of the project - for the next several months, Death by Dub will release a new track on the first Tuesday of every month via Color Red. These single releases will be bolstered by exclusive content and culminate in a full album release.

Produced by Dan Africano

Credits:
Dan Africano - Electric Bass
Scott Flynn - Trombone
Drew Sayers - Tenor Saxaphone
Ryan Jalbert - Electric Guitar
Jonny Jyemo - Drums
Russ Friedell - Keyboard

Written by: 
Daniel Africano - BMI - IPI#: 739303929 ;  
Scott Daniel Flynn - BMI - IPI#:  685278202

Recorded by Mike Tallman
Color Red Studios

Mixed by Josh Fairman & Dan Africano
Scanhope Sound

Mastered by Doug Krebs
Doug Krebs Mastering

UPC:  193829965572
ISRC:  QZDA51934390
Release Date: 2/05/2019
Territory: Worldwide

Death by Dub

Truth & Justice

Death by Dub - 'Truth & Justice' | Color Red Music

Learn more about J.E.D.I. at Color Red: www.color-red.co/jedi

Nothing else epitomizes an acronym quite like J.E.D.I.—“Jazz Electronic Dance Improvised.” Brainchild of Brazilian Girls’ Aaron Johnston, the group’s debut track “Back Atcha” kicks the audience in the face with uptempo funk reminiscent of a Headhunters vibe. From there, it stews into a satisfying house groove laced with a saxophone solo courtesy of Dominic Lalli. As the track ramps back up with its sweaty, dance-like funk motifs Johnson’s vision is evident—J.E.D.I. is a project that is, “fun for you mind and fun for your body.”

Produced by Aaron Johnston & Eddie Roberts

Credits:

Aaron Johnston - Drums, Percussion
Eddie Roberts - Electric Guitar 
Borahm Lee - Keyboards
Garrett Sayers - Bass Guitar

Tracking Engineer - Josh Fairman
Color Red Studios

Mixing Engineer - Clark Smith

Additional Engineer - Eddie Roberts
Color Red Studios

Mastering Engineer - Clark Smith

UPC: 193829463993
ISRC: QZDA71914389
Release Date: 2/19/2019
Territory: Worldwide

Back Atcha

Jedi Jonston - 'Back Atcha' | Color Red Music

“Birth of Giants” is Death by Dub’s second single as part of a monthly release series via Color Red. The track is a finely tuned display of studio precision and dedication to artistry. Co-founders Dan Africano and Scott Flynn (along with Drew Sayers, who helped mix the track) used the space within the song to allow the effects to serve as equal focal points to the instrumental parts. The simmering slower tempo allows for a healthy amount of dark reverb on the snare and the use of a phaser on the hi-hats and cymbals which adds a swirly texture reminiscent of Lee Perry's Black Ark recordings. This track is heavy in authentic dub-style production. Having Africano in addition to Color Red producers Mike Tallman and Josh Fairman at the helms showcases the collaborative environment that is the root to Color Red’s endeavors—to create all-original music by some of the heaviest players in today’s music scene.

Produced by Daniel Africano

Credits:

Dan Africano - Electric Bass
Scott Flynn - Trombone
Drew Sayers - Tenor Saxophone
Ryan Jalbert - Electric Guitar
Jonny Jyemo - Drums
Russ Friedell - Organ

Recorded by Mike Tallman
Color Red Studios

Mixed by Josh Fairman
Scanhope Studios

Mastered by Doug Krebs
Doug Krebs Mastering

Birth of Giants

Death by Dub - "Birth Of Giants" | Color Red Music

Gladys

Manycolors - 'Gladys' - Color Red Music

Hear more from The New Mastersounds: https://www.color-red.co/new-mastersaounds

“Let’s Go Back” sets the stage for a collaboration between The New Mastersounds and vocalist Lamar Williams Jr. Composed during a late night writing session in Atlanta, the song draws influence from Lee Dorsey grooves while giving nods to The Meters with a hearty pocket. Lyrically, the tune is a testament to it never being too late to go back and “make things good again.” This feel-good track is the first single off of Shake It to be released on Color Red on September 13, 2019.

Credits:
Eddie Roberts - Guitar
Pete Shand - Bass Guitar
Joe Tatton - Keyboards
Simon Allen - Drums
Mike Olmos - Trumpet
Jason Mingledorff - Saxophone
Lamar Williams Jr. - Vocals

Tracking Engineer - Eddie Roberts
Color Red Studios

Mixing Engineer - Eddie Roberts
Color Red Studios

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Shake It

The New Mastersounds - "Let's Go Back" - Color Red Music

Hear more from The New Mastersounds: www.color-red.co/new-mastersounds

Track Description:  “Kings & Queens” is a go-to for a funky, punchy, feel-good love song. A true team effort, the song started out as a bouncy drum groove crafted by Simon Allen that would be filled out by Pete Shand’s joyful bass line and Lamar Williams Jr’s radiant lyrics. At the halfway point, listeners are treated to a blues-laced guitar solo by Eddie Roberts before concluding the dynamic “Average White Band meets Marvin Gaye” tune. Celebrating 20 years as a band, The New Mastersounds’ new studio album, ‘Shake It’ showcases the collaboration between the quartet and Williams throughout an ear-opening milestone recording.

Credits:
Eddie Roberts - Guitar
Pete Shand - Bass Guitar
Joe Tatton - Keyboards
Simon Allen - Drums
Mike Olmos - Trumpet
Jason Mingledorff - Saxophone
Lamar Williams Jr. - Vocals

Tracking Engineer - Eddie Roberts
Color Red Studios

Mixing Engineer - Eddie Roberts
Color Red Studios

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Kings & Queens

The New Mastersounds - 'Kings & Queens' - Color Red Music

“Mirage Á Trois” presents a daring merger between downtempo disco and Southern funk. Dragondeer’s insightful play on words draws attention to the relationship between the proverbial me, myself, and I. “Call it paranoia or delusion...it's a cautionary tale of getting past the tricks your mind can play on you,” vocalist Eric Halborg explains. Casey Sidwell’s bass line, Carl Sorensen’s drum pocket and Thievery Corporation's Jeff Franca's tasteful percussion represent initial stability. Guitar exchanges between Cole Rudy and Analog Son guitarist Jordan Linit spiral into energy that lends itself into spinning thoughts and hazy daydreams. Halborg and Linit heighten the hallucinatory tale through wistful solos as the song ramps up then fades out mirroring an illusion rather than a crash and burn.

Produced by Josh Fairman

Credits:
Eric Halborg - Guitar, Vocals
Casey Sidwell - Bass Guitar
Cole  Rudy - Guitar
Carl Sorensen - Drums
Jordan Linit - Guitar
Jeff Franca - Percussion

Tracking Engineer - Josh Fairman
Color Red Studios

Mixing Engineer - Josh Fairman
Scanhope Sound

Mastering Engineer - Jason Livermore
The Blasting Room

Mirage à Trois

Dragondeer - Mirage à Trois - Color Red Music

Learn more about Death by Dub: www.color-red.co/death-by-dub

Track Description: “Guillotine” delivers a hard-driving, sinister sound powered by a pounding beat. Death by Dub’s fourth release is a nod to Elliot Martin and John Brown’s Body. Martin is both a mentor and musical colleague of the group and they sought to channel his writing style as they went into the session. Scott Flynn and Drew Sayers sync up to deliver assured horn lines that levitate over the pocket of Dan Africano (bass) and Jonny Jyemo (drums). Eric Luba (keys) and Ryan Jalbert (guitar) accentuate the dub with an unapologetic sense of rhythm to round out the salute to one of the most prominent figures in modern reggae music.

Produced by Dan Africano

Credits:
Dan Africano - Electric Bass
Scott Flynn - Trombone
Drew Sayers - Tenor Saxophone
Ryan Jalbert - Electric Guitar
Jonny Jyemo - Drums
Eric Luba - Organ
Jeff Franca - Percussion

Tracking Engineer - Mike Tallman
Color Red Studios
Tascam 388

Mixing Engineer - Josh Fairman
Color Red Studios

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Guillotine

Death by Dub - "Guillotine" | Color Red Music

"Rust" finds Manycolors exploring new sonic spaces. The initial groove is a lush and spacious lofi soundscape that surrounds the listener with layers of subtle textures and heavy backbeat. The song builds to culmination with a psychedelic bridge featuring heavy synth pads and swirling guitar interplay in both speakers. An analog rewind drops in to a classic lofi outro with piano improvisation over grooving bass and drums.

Producer - Mike Tallman

Credits:
Brant Williams - Electric Guitar
Braxton Kahn - Drums,  Tambourine,  Percussion instrument
Eric Luba - Keyboard, Synthesizer
Kirwan Brown - Bass Guitar

Tracking Engineer - Mike Tallman
Color Red Studios

Mixing Engineer - Mike Tallman
Add Noise Studios​

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Rust

Manycolors - "Rust" - Color Red Music

Para Elisa (Guacamayo Tropical Remix)

Color Red Remix

Electric Beethoven | "Para Elisa (Guacamayo Tropical Remix) | Color Red Remix

Invasion

Death by Dub - "Invasion" | Color Red Music

"Chelada” by the Polyrhythmics is a spicy melange of flavors that combines middle eastern tonalities over a simple, but heavy groove. The band veers away from traditional compositional tactics by keeping the rhythm section at the forefront with horns augmenting the tune. Ben Bloom (guitar) and Jason Gray (bass) carry the melody while the horns add textures through punches and swells on muted trumpet (Scott Morning), trombone (Elijah Clark) and flute (Art Brown). If you listen closely, you will hear nods to Rush’s “Tom Sawyer.” As the third single off of the band’s fifth full-length album ‘Man from the Future," the group creates different movements within singular songs as demonstrated by a transition to Karl Olson’s percussion feature over a vamp that then passes the torch to Nathan Spicer’s sparse and eerie Moog solo. The song crescendos into an epic war-like melody that is introduced by the horns and echoed by the full band.

Produced by Jason Gray & Polyrhythmics

Credits:
Ben Bloom - Guitar (Electric)
Grant Schroff - Drums
Nathan Spicer - Keyboard
Jason Gray - Bass Guitar (Electric)
Scott Morning - Trumpet
Art Brown - Saxophone
Elijah Clark - Trombone
Karl Olson - Percussion Instrument

Tracking Engineer - Jason Gray
Studio Aleth

Mixing Engineer - Jason Gray
Blue Mallard Recording

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Chelada

Polyrhythmics - "Chelada" | Color Red Music

Slipping through the cracks of infinite timelines, the Man from the Future just can't put his past behind him.

File under: a score for breaking the space time continuum.

Continuing Polyrhythmics exploration across genre and stylistic lines, their newest release documents them at their most evocative and cinematic.

Produced by Jason Gray & Polyrhythmics

Credits:
Ben Bloom - Guitar (Electric)
Grant Schroff - Drums
Nathan Spicer - Keyboard
Jason Gray - Bass Guitar (Electric)
Scott Morning - Trumpet
Art Brown - Saxophone
Elijah Clark - Trombone
Karl Olson - Percussion Instrument

Tracking Engineer - Jason Gray
Studio Aleth

Mixing Engineer - Jason Gray
Blue Mallard Recording

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Man from the Future

Buy Vinyl on Color Red

Polyrhythmics - "Yeti Set Go" | Color Red

“Sinkhole” by Death by Dub juxtaposes the feeling of the world’s weight with seeing the light at the end of the tunnel. Using a descending, dissonant bass line to convey the sinking feeling of life’s stresses, the heavy feeling is released through a bright and lighthearted segue signaled by buoyant horn melodies. The track is the sixth Color Red release from the studio project led by Dan Africano and Scott Flynn and particularly embraces inspiration from Midnite, Carlton Barrett (drummer of The Wailers), and 10 ft Ganja Plant.

Artist Quote: "I love how this track immediately makes your nerves calm just slightly. It's not intended to be relaxing but it certainly does have that effect, which is further amplified by the chorus section, whose buoyant horn melodies lift you right out of the hole you just sunk into" - bassist Dan Africano

Produced by Dan Africano

Credits:
Dan Africano - Electric Bass
Scott Flynn - Trombone
Drew Sayers - Tenor Saxophone
Ryan Jalbert - Electric Guitar
Jeff Franca - Drums
Eric Luba - Organ

Tracking Engineer - Mike Tallman
Color Red Studios

Overdub Engineer - Dan Africano
Scanhope Sound​

Mixing Engineer - Josh Fairman
Scanhope Sound​

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Sinkhole

Death by Dub - "Sinkhole" | Color Red Music

Come Out at Night

Lucas de Mulder & the New Mastersounds - "Come Out at Night" | Color Red Music

Resurrection

Death by Dub - Simulation | Color Red Music

Kibosh” is the namesake for the death hood worn by a prisoner leading up to their beheading. The lyrical horn melody culminates in a full band climax signaling the moment of execution and the fiery graphic goes hand-in-hand with the track’s unrelenting rhythm.

Popular tracks by Color Red