MEMORY ECHOES

Title track off of 'Hollow Worlds'. Released on Tympanik Audio in 2013.

Comaduster - 04 - Hollow Worlds

Comaduster covering the song 'Far From Any Road' by The Handsome Family. The original is used in the opening credits for the True Detective TV drama.

True Detective Theme (Season 1) - The Handsome Family - Far From Any Road (Covered by Comaduster)

This track was long in development with little success in 2005-2006. It finally came to life when I collaborated with my very good friend. 
This track can be found on the Slipthrough album which can be downloaded here:
http://www.comaduster.com

Comaduster - 02 - Foam Abattoir feat. Cecil Frena

A remix I did for my pals in Purity Ring. 

Purity Ring - Dust Hymn (Comaduster Remix)

From the upcoming BLACK SUN RAYS single, and the album MEMORY ECHOES

WAVELIKE -- Is an aggressive bass modulated 'THALL' influenced blast within the same thought science fiction thought experiment of MEMORY ECHOES. 
Two humans reaching out and writhing through the liminal nether that now separates everyone by using and becoming the particle-wave duality -- the very nature of light -- to interact and communicate via the paradox itself. 
Can human thought and memory be defined in such a way?
WAVELIKE sonically deconstructs this very notion.

---

Lyrics:

WAVELIKE

A twister out of frame
Ciphers etched in ground
I've jumped beyond the curves
And reckon I should tie things down
My particles divide
A wavelike swarm I ride
Communicate the words
I'm alone
and that's enough

Wavelike

And you respond in colours
And I dissolved to grains

Wavelike

We talk through interference patterns
Encoded in absence of change

Through redshift
I drift
Waking
Lasting
One of us must step where the

Light can’t touch
To decipher the meaning
Lingering within
I feel your single photon bend around my tethered 
Mind
Wavelike

A higher state of being
Was never meant for me
I've locked in to motions I know
Where light can't touch
Communicate the words
"I'm Alone, I'm alone"
And "that's enough"

And you respond in colours
And I dissolved to grains

Wavelike

Where the
Light can’t touch
To decipher the meaning
Lingering within
I feel your single photon bend around my tethered...

I left this long ago (to the waves)

You will mark my words
I felt the loss
You will mark my words
I felt the loss

(Through)
Redshift
I drift
Waking
Lasting
No time lost
What are you asking?
Push me
Break me
Laws that shape things
One of us must step where the

Light can't touch
To decipher the meaning
Lingering within
I feel your single photon bend
Wavelike

WAVELIKE (SINGLE VERSION)

BLACK SUN RAYS echoes the mental and emotional disintegration of a particle physicist—a “Jumper”—from a crew conducting experiments known as ‘ETERNITY ARRAY’ at a large particle accelerator when the event occurred. Approximately 27 days after The Event, the
physicists and their team developed the ability to “jump” into the Liminal Nether, hoping to traverse its manifold and return— or reunite with loved ones, or some semblance of reconnection.

This cinematic, dark folk, and gothic country inspired track features a haunting duet between Réal Cardinal and Mari Kattman. Together, they evoke and embrace the merging of identities
and memories fractured by the Liminal Nether. Mari Kattman, celebrated for her focused solo work and collaborations with notable artists across the world, as well as her output with Helix, reunites with Comaduster after their acclaimed tracks “Monolith” and “Riverbound” from
DARKER MATTER. Her powerful presence elevates BLACK SUN RAYS to a profound exploration of transformation, loss, and acceptance.

BLACK SUN RAYS feat Mari Kattman (SINGLE EDITION)

WAY WITH ME pulses in diﬀuse emotional vapour.
Abstracted and half-remembered, on the o̖t̖ h̖e̖̗r̖ s̖̗i ̖̗ d̖e̖̗ o̖f̖̗ a̖̗̘ c̖̗a̖̗s̖̗̘̙sette bleeding through
from a hazy dream.
Built around layered and deteriorated tape textures, dark and anachronistic synth-wave
forced through amorphous sci-fi bass pop.
8͚0̹͙s̝. ̙͇͖ ̪ 9̝̟0̟s̺. ̺̫̞ ̹̫̬̘̭ 9͕2̳̩͇s̗̮̙. ̳ ̹̣̫̲ 2̼̟̺̪0̻̣̫̭͈͕͖͇
1̱2̤͍s̤̘͉̖̞̰̤
.̤̥̣̜ ̥̱̦̱͈̯͔̪̠̣
2͓͍0͕̩̥͙2̲̻̰͎̞̣͓̖̱
5̝͕̝͔͈
.͙̭̥͇̪̤̠̙̰
The sound and processes in production are drawn from a memory deep in Cardinal’s
childhood — one of his earliest cassette tapes, from a formative shoe-gaze band,
had become physically warped from a rogue walkman.

At the start of Side B

:: A fragment of the final track from Side A ::
— would always bleed through in reverse.

Twisted, degraded, and slightly-diﬀerent-every-time-and-would
Always-get-stuck-in-the-car-cassette player.
Real didn’t understand what caused it at an untrained age.
But that version — warped, backwards, euphoric — became true.

The only version that mattered.

It was broken, but it was perfect.
It imprinted on him — and nobody else heard it.

It had gravity.

Memory bound by connection through realized nostalgia.

Nostalgia itself, imprinted and actualized as an anachronistic dimension of blending
spaces-times —
Where love and wanting are suspended behind you,
jamming the signal bleed of a song you once knew.
Realities passing in the night.

WAY WITH ME (SINGLE EDITION)

THE LESS YOU KNOW is a detailed traversal.
An anachronistic walk through c̖o̖l ̖l a̖p̖̗s̖̗̘e̖̗d̖̗̘ t̖̗̘ ime̖̗̘ lin̖e̖̗̘̙s̖̗̘̙, ̖ a̖n̖̗̘d̖̗̘ artifacts
The physical world bends around memory as if trying to reconstruct itself through the very words spoken.
e̖̗̘̙ a̖̗̘r̖̗̘ t̖ i ̖̗̘̙̜̝̞̟̠
f̖̗̘̙̜
a̖̗̘̙c̖t̖̗̘̙ s̖̗̘. ̖̗̘̙̜̝̞̟  ̖̗̘̙̜̝
the very words spoken.

A collaboration with Alex Reed (Seeming) on vocals

and

Multi-instrumentalist Elijah Hennig on guitar —

that shifts into haunting, fractured territory.

Reed’s lyrics denote evocative, time washed but eerily specific memories — which are then interpreted spatially with Cardinal’s sound design — another frame of reality that warps and fragments around them.

Together they create a sonic palette that stretches from glitchy noir exposition, to 90s pop industrial anthemic plateaus.
Also invoking a world lost in recollection, drowning in detail, and rewinding in loops.
jamming the signal bleed of a song you once knew.
Realities passing in the night

The collaboration was built on Cardinal providing Reed with a loose premise of the albums concept in insolation, and with an instrumental that Cardinal struggled to find his voice in but still wanted to explore.
A blind exploration for all involved.
Cardinal explored several versions of the song with Elijah — letting each versions essence bleed into the one after.


THE LESS YOU KNOW feat Seeming (SINGLE EDITION)

The second song on MEMORY ECHOES, "LIMINAL ZERO" stutters into frame with pulsing granules of emergent IDM textures, weaving through intense metal flourishes and reverb-soaked dead mall shoegaze mumbles. It blurs at the edges, crumbling under sludge and horror.

LIMINAL ZERO

The title track "MEMORY ECHOES" opens the album in a haze of blissful synthwave, building toward ruptures of shoegaze-infused cinematic destruction. It suggests the moment of the Liminal Zero Event itself — a warped cassette vision of a timeline that never was. A premonition of what comes next.

"WAY WITH ME" pulses in diffuse emotional vapour. Abstracted and half-remembered, on the other side of a cassette bleeding through from a hazy dream. Built around layered and deteriorated tape textures, dark and anachronistic synth-wave forced through amorphous sci-fi bass pop. The sound and process draw from a memory deep in Cardinal’s childhood—an early shoegaze cassette warped by a rogue Walkman. At the start of Side B, a fragment of the final track from Side A would always bleed through in reverse. Twisted. Degraded. Slightly different each time. That broken version became the true version—the only one that mattered. It was imperfect, but it had gravity. The track is nostalgia imprinted and actualized as an anachronistic dimension—where memory and love jam the signal bleed of songs you once knew. Realities passing in the night.

WAY WITH ME

"BLACK SUN RAYS" echoes the mental and emotional disintegration of a physicist—the Jumper— one of the ETERNITY ARRAY team navigating the Liminal Nether post-event. Approximately 27 days
after the shift, the Jumper and their squad began initiating jumps, hoping to reconnect with lost moments or loved ones. All signals were go. All signals were wrong. Emerging in an infinitely expanding monochrome cityscape, they faced only fragmentation and mimicry. The mantra: The night. The road. became the only stable element—a fractured echo that haunts the Jumper's mind. There may never have been a way back. This cinematic dark folk and gothic country-inspired duet between Réal
Cardinal and Mari Kattman (Metropolis Records) becomes a study in merging identity, recursion, and fatalistic longing. Their collaboration—following 2019’s "Monolith" and "Riverbound"—pushes the emotional edge into an obliterated liminal horizon.

BLACK SUN RAYS feat Mari Kattman

"SIGNAL TO NETHER" opens with a devastating half-time blast of neuro bass and glitch-infused IDM stutters, establishing its shattered pace before Cardinal’s vocals slide into focus. By the one-minute mark, the track explodes into a chant of We are eternal — grounding the track’s central themes of fractured duality and competing realities. Overlapping vocals present divergent lyrical interpretations of the same moment, colliding and separating like interference patterns. A 6/8 operatic bridge emerges from chaos, layered with dozens of voices, before collapsing back into chugging guitars and ratcheting bass rhythms. As the song decays into broken versions of itself, muffled and glitched into noise, the
ETERNITY ARRAY experiment begins.

SIGNAL TO NETHER

"ETERNITY ARRAY" functions as a brief but pivotal hinge — a haunting interlude of filtered acoustic guitar and noise. A short lyrical fragment calls forward to a later track before giving way to a field recording-style sound design piece: a lone voice speaking from within the Liminal Nether. The
perspective is that of the Jumper from "BLACK SUN RAYS" — making this track both a conceptual prequel and existential diary fragment.

ETERNITY ARRAY

"WAVELIKE" ventures into particle-wave desperation. Two individuals—one particle, one wave— attempt to bridge the divide across the Liminal Nether. Their coherence is shattered. The only way to communicate is through the oscillations of interference. With brutal sonic architecture, WAVELIKE harnesses paradox, signal blur, and collapsing logic. Reality diverges. Only the pulse remains. The song’s explosive breaks and vocoded hooks reflect a desperate reaching—a flicker of meaning in
recursive collapse.

WAVELIKE

"HOMEWARD" reimagines Comaduster’s earlier track "Where Do You Belong, Now" as a parallel-universe version of itself. Vocals and Lyrics written and performed by Mari Kattman (Metropolis Records) and Webb Cardinal on acoustic
and classical guitars, it’s a swirling, emotive centerpiece of layered vocal intimacy and deep melodic longing. The Reese bass roars in under cinematic swells, drawing the listener through recursive memory
with renewed urgency. In this timeline, maybe things happened differently. Maybe belonging means something else entirely.

HOMEWARD ft Mari Kattman

"THE LESS YOU KNOW" is a detailed traversal—an anachronistic walk through collapsed timelines and recursive artifacts. The physical world bends around memory, trying to reconstruct itself through the very words spoken. Alex Reed (Seeming, Artoffact Records) provides a lyrical noir vocal performance—evocative, time-washed, eerily specific—interpreted spatially by Cardinal’s sound design. Guitars from Elijah Hennig fracture and reinforce this vision. Their collaboration stretches from glitchy noir exposition to 90s pop-industrial anthemic plateaus, caught in looped recollections. Built from blind exploration, each version of the song bled into the next—distorting truth, layering emotion. It's all signal jam. And still… the less you know, the better.

THE LESS YOU KNOW feat Seeming

"MIMIC" detonates with industrial-infused jungle rhythms and massive sub bass hits. Within the chaos, fractured vocal samples whisper like ghosts—the voices of lives unlived, of timelines skipped. The final
third of the track becomes a doom-infused, down-tuned reprisal of "MEMORY ECHOES," bent through gravity and distortion until it nearly disappears under its own weight.

MIMIC

"PASSAGE AETERNUM" concludes the album. Guitars stretch across time like dying echoes, layered in repetitions so deep they reveal a solitary pulse beneath. The song builds and folds inward, showing overlapping versions of itself like shifting glass. A final resolve. The LZP coalesces. All roads lead here.

PASSAGE AETERNUM

This play list is a collection of Comaduster songs that I wrote and produced for BioWare EA's Mass Effect Andromeda Title ! 
They songs aren't 'in game' as score, but are used in the game world to bring about a new feel with-in the Andromeda galaxy.

The game can be purchased as a hard or digital copy for XboxOne, and PS4 with their respective digital services, or in stores NOW. 
The PC version can be purchase via EAs online Origin Service:
https://www.origin.com/can/en-us/store/mass-effect/mass-effect-andromeda/deluxe-edition

Comaduster - Proxaema (Produced For Mass Effect Andromeda By BioWare - Electronic Arts)

Comaduster - Penta Quanta (Produced For Mass Effect Andromeda By BioWare - Electronic Arts)

Comaduster - Uncertainty Entwined (Produced For Mass Effect Andromeda By BioWare - Electronic Arts)

Solace

The Shadowsphere

Winter Eyes Remixes

Winter Eyes

Far From Any Road

Purchase / Stream on all platforms: https://fanlink.to/darkermatter

Single Version:
https://fanlink.to/_monolith

Monolith

Monolith (Instrumental)

Purchase / Stream on all platforms: https://fanlink.to/darkermatter

Darker Matter

Cast Your Shadow

failure2

Welp. 
It took a long time for me to decided if I was going to do 'Come Undone', or 'Ordinary World'. Both very formative songs to me. Comaduster fans with a keen ear can probably hear it. I hope you can after listening to this. 
.
Either song would have been an undertaking. Simon's voice makes things sound normal and effortless... this was an incredibly hard cover to do. I sat on it for a long, long time -- Why not put out out now?

Duran Duran

Duran Duran - Come Undone (Comaduster Cover)

I'm professional game sound designer and music composer. 
Réal T Cardinal

Comaduster

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